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Artist Brandon Bird's website has many pleasures, including the lovely piece above these words, "No One Wants to Play Sega with Harrison Ford." I really wish this painting were mine. I'm so jealous of whoever owns it. A pity that all the prints are sold out, too. Maybe if enough people email him and want them, he'll do a new edition! Are you listening Brandon?
Do not miss the "Letters to Walken" section of his site documenting an art project of Bird's that saw school children writing their annual Christmas letters to ... Christopher Walken.
Thanks Lenora Claire!
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If all goes according to plan (and there are no breaking stories to bump it), ABC's Nightline is running a segment tonight on MAKE and the maker movement. They taped a piece with Mark Frauenfelder and Mister Jalopy. There may be scenes from Maker Faire and Make: television as well.
The show broadcasts at 8:35pm Pacific,11:35pm Eastern. Please help us spread the word!
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However, there was a touchy complication: the Big Muff Pi is a registered trademark, and if we discover unauthorized uses of our trademarks, we're legally obligated to do something about it (we have no choice about that).A lot of lawyers in charge of enforcing trademarks might want to think about this story before sending out their next legal nastygram.
We're all too familiar with the endless lawsuits suffocating the world of music, and so we decided to do something different. Instead of threats, demands, and legal letters, we contacted Gwendolin, told her we loved her work, and offered a formal license in exchange for an option to purchase them at discount. So, rather than a new enemy we now have a new friend, and a beautiful Big Fluff Pi. Take that as a lesson, music-industrial complex!
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Think Geek's Unicorn Chaser beverage</aWe've all been there. You are innocently Twit-blogging on the Interscape, logging a few hours on Facebook, or checking your e-mail and you click on a link without thinking. Suddenly, you are confronted with an image or video so horribly nauseating it makes your eyes bleed. Whether it be pictures of someone's overstretched nether regions or a video of two young ladies sharing substances they oughtn't - your mind begs for cleansing (or a swift death)!...
Introducing, the Unicorn Chaser - a drink shot specially formulated to cleanse your mind and soul. Featuring a perfect blend of vitamins, herbs and minerals (each selected for its body purification, mood elevation, stomach calming, and other beneficial qualities), the Unicorn Chaser is a life saver. Chug it within one minute of viewing the offending internet image (really, as fast as possible) and in mere seconds you will begin to feel better. It won't erase your memory, but each Unicorn Chaser will pump you with enough goodness that it just won't matter. You'll be healed. You're welcome.
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We took in well over $1000 in CD sales, double what we would on an average night. We normally sell 3 Full Lengths at $15 each and an EP at $5.
We sold a total of 84 CD’s averaging almost $12 per CD!
Last night we were in Jackson Hole, the trend continued, proving another good night. Where we sold 48 CD’s and averaged almost $11 a CD.
We are moving more product than we normally would and in average making more than what our CD were to sell on iTunes or a record store.

Link to video. It is cute, and it is kid-safe, and it may make you hungry. For what the bunnies are eating, or, heck, maybe for the bunnies themselves. (Thanks, Allison Kingsley, via John Walsh!)
![]() Guantanamo Bay is one of the world's controversial prisons. This may be its final chapter. With unprecedented access, National Geographic has the story you haven't heard. Both sides, told from the inside, before its doors close forever. Click to learn more and go Inside Guantanamo >> natgeotv.com/guantanamo |
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![]() Guantanamo Bay is one of the world's controversial prisons. This may be its final chapter. With unprecedented access, National Geographic has the story you haven't heard. Both sides, told from the inside, before its doors close forever. Click to learn more and go Inside Guantanamo >> natgeotv.com/guantanamo |
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"The most distinctive character of the new species," scientists write in the February issue of the journal Copeia, "is its diminutive size." Females grow to 0.49 inch (12.4 millimeters) at most. Males make it to only 0.44 inch (11.1 millimeters).Coin-Size Frog Found -- One of World's Smallest
What's most surprising is that the frog lives at such high elevations, said study co-author Alessandro Catenazzi, a postdoctoral researcher at the University of California, Berkeley. In general, larger animals are found at greater heights.
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Download the MP4 here. Flash video above, click "fullscren" icon inside player to view large. YouTube channel here, subscribe on iTunes here. Get Twitter updates every time there's a new ep by following @boingboingvideo, and here are blog post archives for Boing Boing Video.
Today on Boing Boing Video, more of the interviews we conducted during the recent Game Developer Conference in San Francisco, and ran on a marathon streaming video webcast. Today, part two of our conversation with Jane McGonigal of Institute for the Future.
In this episode, Jane talks with us about the responsibilities of designers who create virtual worlds, and how the emotional and human exchange within gaming worlds has the potential to change life in the "real world."
Previously:
[ Credits and props for BBV Live @GDC09: Production Team -- Jolon Bankey, Derek Bledsoe, Daniela Calderon, Eddie Codel, Xeni Jardin, Allison Kingsley, Matty Kirsch, Alice Taylor, Wesly Varghese. Special thanks to Wayneco Heavy Industries (accommodation and studio facilities), Virgin America Airlines (air travel), Celsius (thermogenic energy beverage), Ustream.tv (streaming video host). Moral support, production assistance, additional talent, and good vibes provided by: Domini Anne, Scott Beale, T.Bias, Jeremy Bornstein, Brandon Boyer, Chris The Van Guy, Peter S. Conrad, Marque Cornblatt, Wayne, Bre, and the entire de Geere family, Marcy DeLuce, Cory Doctorow, Joel Johnson, Kourosh Karimkhany, Jim Louderback and the Revision 3 team, Karen Marcelo, Rocky Mullin, Alicia Pollak, Jackie Mogol, Taylor Peck, David Pescovitz, Micah Schaffer, and Teal. ]
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Theodore Gray, who is responsible for those stunning Periodic Table of Elements works I've blogged about before, points us to this beautiful 3D Hilbert fractal in neon, which is about four inches tall.
Theodore explains, "It was a gift from Richard Crandall, a long-time Mathematica user and Apple fellow who also has a business, Perfectly Scientific, which sells algorithms, lab equipment, and scientific art, including this lovely object." More about the artwork here, including some video and QTVR panoramas.
![]() Guantanamo Bay is one of the world's controversial prisons. This may be its final chapter. With unprecedented access, National Geographic has the story you haven't heard. Both sides, told from the inside, before its doors close forever. Click to learn more and go Inside Guantanamo >> natgeotv.com/guantanamo |
"No fooling: This bunny has two noses" (Thanks, Kirsten Anderson!)Gregg Dancho, director of the Beardsley Zoo in Bridgeport, said there's usually two reasons for such deformities.
"It's mostly genetic," he said. "Most of the dwarf bunnies pet stores sell are bred for sale. There's a lot of in-breeding going on because the breeders are looking to produce them en mas."
But the anomaly can also be caused by something in the environment.
"Maybe the parents got into poison or pesticides used to control pests," he said.
But Dancho said people interested in buying a dwarf rabbit or any animal as a pet should really think about what they are doing and not buy on impulse. "When that animal comes home you will have to take care of it," he said.
The Beats: A Graphic History is everything a radical history should be: critical, admiring, quirky and apologetic. The Beats is largely written by Harvey Pekar and illustrated by Ed Piskor, with a concluding section of more critical, less biographical pieces written and illustrated by a variety of critics and artists, including Nancy J Peters, Tulu Kupferberg, Summer McClinton, Anne Timmons and others.
The opening section consists of Pekar's biographies of the canonical Beats, Kerouac, Ginsberg, Burroughs, and then onto the less-celebrated members of the scene, including Rexroth, Ferlinghetti, LeRoi Jones, and so forth. These pieces are loving but harsh, sparing their subjects little sympathy for their misdeeds (which are many, ranging from murder and betrayal to vicious misogyny and naive, fleeting affairs with reactionary politics and mysticism). Pekar shows us that a mature person can admire the worthy deeds and art of historical heroes without glossing over their bad acts -- or throwing away their art with their sins.
The Beats of Pekar's work are often geniuses, are capable of great acts of charity and selflessness, and overcome great personal challenges with a great deal of style and perseverance. Pekar shows us where their character flaws took root, explains them -- and never excuses them. At the end of this section, I felt like I understood and appreciated the poetry and prose and music of these people better than I had beforehand.
But the last third of the book really puts it all into perspective. In this section a variety of writers take a much more critical run at the Beats. The best of these is Joyce Brabner's "Beatnik Chicks," a feminist critique of the Beats and a secret history of the women who made the scene without making history, sublimated in the service of the narrative of the tortured man-poet and his beautiful chela. Also fantastic is Jeffrey Lewis and Tuli Kupferberg's extraordinary history of The Fugs, one of the filthiest rock bands to ever levitate the Pentagon (both Lewis and Kupferberg were members of the band). The story told is engaging and wild, and the art is stellar.
From cover to cover, The Beats is a wonderful history of a complicated and misunderstood cultural movement -- its achievements, its place in history, its flaws and its brilliance. The graphic novel format is perfect for the subject -- straddling the line between respectability and disreputableness just as the Beats themselves did.
Carlo Longino is an expert at the Insight Community. To get insight and analysis from Carlo Longino and other experts on challenges your company faces, click here.
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![]() Guantanamo Bay is one of the world's controversial prisons. This may be its final chapter. With unprecedented access, National Geographic has the story you haven't heard. Both sides, told from the inside, before its doors close forever. Click to learn more and go Inside Guantanamo >> natgeotv.com/guantanamo |

Moleskine is offering a new service where they let you print whatever you want on the pages of one of their notebooks. Great for keeping your address book handy without re-writing it every time you get a new notebook. Via Core77.
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Wired posted a nice article detailing the proliferation of hackerspaces in the US, even mentioning our fair organization in the process -
While many movements begin in obscurity, hackers are unanimous about the birth of U.S. hacker spaces: August, 2007 when U.S. hackers Bre Pettis, Nicholas Farr, Mitch Altman and others visited Germany on a geeky field trip called Hackers on a Plane.As Hackerspaces.org reports of another 27 spaces are currently being planned, we're likely to see/hear more about our growing hacker communities in the press. Check out the full article on Wired's blog. Read more | Permalink | Comments | Digg this!German and Austrian hackers have been organizing into hacker collectives for years, including Metalab in Vienna, c-base in Berlin and the Chaos Computer Club in Hannover, Germany. Hackers on a Plane was a delegation of American hackers who visited the Chaos Communications Camp — "Burning Man for hackers," says Metalab founder Paul "Enki" Boehm — and their trip included a tour of these hacker spaces. They were immediately inspired, Altman says.
On returning to the United States, Pettis quickly recruited others to the idea and set up NYC Resistor in New York, while Farr instigated a hacker space called HacDC in Washington, D.C. Both were open by late 2007. Noisebridge followed some months later, opening its doors in fall 2008.
[…]
It couldn't have happened at a better time. Make magazine, which started in January, 2005, had found an eager audience of do-it-yourself enthusiasts. (The magazine's circulation now numbers 125,000.) Projects involving complex circuitry and microcontrollers were easier than ever for nonexperts to undertake, thanks to open source platforms like Arduino and the easy availability of how-to guides on the internet.
In this video, Limor of Adafruit Industries shows how she laser-cuts masks for PCBs for easier application of solder paste (think: silk-screen inking) and then uses her reflow robo-skillet, controlled by her new Safe-T-Flow controller, to solder an SMT chip onto one of her Boarduino clone kits.
Making the Safe-T-Flow part II - Using it! An arduino controlled robotic skillet for SMT
More:
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The rebellion of the ant slavesWhen these youngsters mature, they take on the odour of their abductors and become the servants of the enslaving queen. They take over the jobs of maintaining the colony and caring for its larvae even though they are from another species; they even take part in raids themselves. But like all slave-traders, P.americanus faces rebellions.
Some of its victims (ants from the genus Temnothorax) strike back with murderous larvae. Alexandra Achenbach and Susanne Foitzik from Ludwig Maximillians Universty in Munich found that some of the kidnapped workers don't bow to the whims of their new queen. Once they have matured, they start killing the pupae of their captors, destroying as many as two-thirds of the colony's brood...
Two-thirds of pupae died before they hatched. The mortality rate was even higher (83%) for pupae containing queens, but very low (3%) for those containing males. The duo saw that the captives were deliberately killing the healthy pupae. In about 30% of cases, as in the photo, the workers would gang up to literally pull the developing ants apart. Another 53% of the pupae were killed by neglect, by workers who moved them out of the nest chamber.
These murders were solely the acts of the slaves. No P.americanus worker ever lifted a mandible against its own pupae. Nor are the deaths a reflection of a generally poor standard of care on the part of Temnothorax. In their own colonies, the majority of pupae hatched, with just 3-10% dying before that happened.
(Image: Ant Actions, a Creative Commons Attribution-ShareAlike image from CharlesLam's Flickr stream)

The Boss DS-1 is a common and in many ways classic guitar effects pedal, but surprisingly enough, it just doesn't sound very good. Because of this, you're likely to find used DS-1s for cheap. Instructable author James Haskin wrote up a step-by-step on how to implement the well-known Keeley Seeing Eye and Ultra mods to enhance the lackluster sound -
Every guitarist at some point has at least tried Boss's DS-1 distortion pedal. Most People are immediately disappointed. This over hyped pedal sounds really thin with no punch. Sales people at guitar center will say something like its a "great beginner distortion pedal". Its been my experience that most of the people that work at guitar center are useless. So, always research and get information from multiple sources.While not the simplest of mods, the process involves replacing 3 resistors, 4 caps, and an LED - the resulting improvements seem quite worthwhile for pursuers of "ultimate tone". Check out the instructable for all the deets.The DS-1 is actually used by many artists including Joe Satriani, Kurt Cobain, John Petrucci, and Steve Vai to name a few, BUT most of the big artists don't use the stock one. Why? Cuz it sucks!
The good news is this pedal is simple enough to modify!! In this instructable I will show you step by step, with lots of pictures, how to perform Robert Keeley's DS-ULTRA Mod.
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He said Comcast signals are often used to power wireless networks at places like Internet cafes and other businesses that charge users for access. "This is a practice that happens throughout any city," Clark said. "Unfortunately, we're one of the bigger guys in town - so, here we are."I think he'll find that most businesses reselling access aren't using residential Comcast connections -- and even if they are, they're offering very short, temporary connections, rather than permanent service. While I actually think plans like the Speakeasy plan we discussed that allow subscribers to resell their connections is smart, that doesn't mean that this guy is going to get away with this "business."

In response to my Show us your shop! piece (which is a contest, BTW), Jeff Duntemann posted a link to an amazing article filled with great tips on setting up a shop. One of the smartest articles I've seen on the subject. Below is an excerpt about power outlets, followed by a picture of a shelf with cut milk cartoon bins. What a great idea!
You Can't Have Too Many Electric OutletsIf you're going to work in electronics, you're going to need electricity. Duhh. Actually, you're going to have a whole wall full of gadgets, all of which need their own place at the electron trough. On my bench I have (at last count) thirty-three separate devices with 110V cords. Fortunately, I don't need all of them on at once--and if I did, I'd need fifty amp service, which I don't have in that part of the house.
What I do have is dedicated 30 amp service to a 16-foot-long "plugmold" strip on the wall just above the benchtop. The plugmold has its own breaker in the service box, and an outlet every twelve inches, for a total of fifteen outlets. Everything that I use regularly is plugged into the plugmold: Soldering station, oscilloscope, signal generator, high-voltage DC supply, 12V DC supply, audio generator, frequency counter, drill press, belt sander, and Dremel tool. My ham station is housed on a separate Melamine particle board shelf unit that itself has two short plugmolds, one for each shelf. The whole station is plugged into one outlet on the master plugmold. This works well because the way I operate, I rarely have more than one radio turned on at a time, except for the modern 2M mobile, which is on squelch most of the time and draws very little power.
I deliberately did not put a plugmold on the wall behind my short bench, because it has a sink and I did not intend to use it for electrical work. There are outlets on the wall, but they are all GFI equipped, as they must be to pass code.
I didn't put 220V in the shop, because I really don't use anything big enough to require it down there. I have 220V in the garage for my lathe, and that's the only thing I've ever had that needs that kind of power.
If you're a computer guy designing a shop, consider putting network cabling in, at least so that you can have a small computer or laptop somewhere to look things up on the Web when you need them. I arranged it so that the terminus of all the CAT5E running throuough the house is in the shop, along with my cable modem. I built a Melamine board shelf to hold cable modem, router, and a spare computer, as well as my homebrew vacuum-tube stereo amplifier.

An enjoyble clip from Fuzz: The Sound that Revolutionized the World where Beck bassist Jason Meldal-Johnsen
extolls the virtues of sonic chaos intercut with critics of the circuit bent sound. The documentary features countless interviews with boutique pedal makers that started as humble DIY-ers. The above clip also features a peek into the casual labs of Brooklyn stompbox crafters Death by Audio who share details on their production process. I had a chance to visit their Williamsburg HQ a while back and it's plain to see they love what they do. [via Synthtopia]
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I don't often give books mixed reviews here on Boing Boing. If I don't like a book enough to wholeheartedly recommend it, I generally pass on it -- after all, there's no shortage of books that I love, so why make note of the flawed ones?
Pride and Prejudice and Zombies is the exception to the rule, because there's so much to like about this book, even if it didn't actually do it for me.
Here's the pitch: Seth Grahame-Smith has taken Jane Austen's classic, beloved novel Pride and Prejudice and, by means of cunning textual insertions and deletions, changed the story so that it takes place in the midst of a Regency England that has been plunged into chaos by a plague of the living dead. It takes surprisingly little work to do this, and the book ends up feeling substantially like the classic mannered novel that so many adore. Except with zombie mayhem. The execution is flawless, often hilarious, and just plain clever.
So, what's the problem? Well, the problem is Jane Austen.
Can't stand her.
Never successfully read Pride and Prejudice. Bored to tears by it. I'm not proud of the fact. Plenty of smart people have the utmost respect for the book, and I'm perfectly willing to stipulate that the problem is with me, not with Austen.
But P&P&Z has just too much Austen and not enough zombies. I found myself skimming, skipping larger and larger chunks of text to get to the zombie sequences, desperate to escape the claustrophobic drawing-room chatter of Austen's characters with a little beheading, disemboweling and derring-do.
I couldn't finish it. But I expect if you were the kind of person who loves both Austen and zombies, this book would just plain knock your socks off. And Quirk Books, the publisher of P&P&Z, was kind enough to give us an exclusive link to the first three chapters online for free, so you can make up your own mind. I understand they're planning on doing more books on these lines, and I'm really looking forward to them. It's a great way to celebrate the public domain, to bring classics to a new audience, and to undermine the gravitas with which we often approach "difficult literature." Which Quirk book would you like to see?
Pride and Prejudice and Zombies: The Classic Regency Romance - Now with Ultraviolent Zombie Mayhem!


You've all seen and heard the robotic dancing sensation known as Keepon, and now you can own one!Read more | Permalink | Comments | Read more articles in Holiday projects | Digg this!
When Keepon first debuted, bouncing along to Spoon's "I Turn My Camera On", the tech community went nuts! The simple, cute external appearance of this robot and it's natural ability to bop along with music was an instant hit on Youtube. Unfortunately, beneath that elastic yellow skin was well over $20,000 worth of cutting edge robotic technology, putting this awesome robot out of reach of its fans. We saw this as a problem and answered the call to unite Keepon and it's millions of fans globally! Trossen Robotics established a partnership with Keepon creator Hideki Kozima and the National Institute of Information and Communications Technology (NICT) to develop an affordable household version that captured the feeling and emotion of the original.After many months of painstaking R&D, Trossen Robotics is proud to announce the Keepon USB! Once only available to universities as a high end social development research robot, we are now offering the affordable yet equally groovy Keepon USB. This easy to build kit only takes minutes to put together, another minute to put on the Spoon song of your choice, and within seconds your Keepon USB will be dancing along to the beat. Be the envy of your coworkers with this ultimate desktop gadget! Show off to your friends, amaze your family, and impress your employer!

It's a common problem we've all faced. Sometimes 140 just isn't enough.
What do you do when your carefully crafted Tweet is too profound to fit in the infernal 140 character limit? What if nothing short of 141 characters will do? You upgrade your browser to enable advanced Twitter compression, that's what.
var trep = [[ "^", "^ " ], [ "with the ", "^wt " ],[ "that the ", "^tt " ],[ "check out ", "^co " ],[ "in the ", "^nth " ],[ "of the ", "^ot " ], [ "at the ", "^at "], [ "isn't ", "^int " ], [ "cool ", "^c " ], [ "neat ", "^nt " ],[ "when ", "^w " ],[ "with ", "^wi " ], [ "that ", "^h " ], [ "this ", "^s " ], [ "the ", "^e " ], [ "day ", "^d " ], [ "are ", "^r " ], [ "and ", "^n " ] ];function tcomp( input )
{var temp = input;
for ( var x=0; x<trep.length; x++ )
{
temp = temp.replace( new RegExp( trep[x][0].replace(/\^/g,"\\^").replace(/\'/g,"\\'"), "g" ), trep[x][1] );
}
return temp;}
function tdecomp( input )
{var temp = input;
for ( var x=trep.length-1; x>=0; x-- )
{
temp = temp.replace( new RegExp(trep[x][1].replace(/\^/g,"\\^").replace(/\'/g,"\\'"), "g"), trep[x][0] );
}
return temp;}
The tcomp and tdecomp functions will transform your Tweet into a highly compressed, but mostly human readable format. It involves a lot of super secret mathematics that I'm not allowed to talk about, but suffice it to say that you can save a whole character or two in most Tweeting scenarios. The best part is that dynamic power carrot coding mechanisms ensure that you'll look good in the process. Trust me.
Below are two bookmarklets. Don't click on those here - instead, drag them to your bookmarks bar. In Twitter, type your slightly too-long message and then run the compress status bookmarklet to compress the input field. If you see other people posting compressed messages, either translate in your head, or click the decompress feed bookmarklet to decompress the entire contents of the stream you are viewing.
Bookmarklet: compress status
Bookmarklet: decompress feed
The latest phase of our Challenges system is underway - community-generated challenges. Following a successful roll-out, bug-fixing and lesson-learning phase, we're starting to open the Challenges system up so that you can create new series of challenges to test your peers' visions and creativity. The first community-generated challenges begin accepting entries from tomorrow and there's a page for you to volunteer as a series host. Comments Off [link]
The latest phase of our Challenges system is underway - community-generated challenges. Following a successful roll-out, bug-fixing and lesson-learning phase, we're starting to open the Challenges system up so that you can create new series of challenges to test your peers' visions and creativity. The first community-generated challenges begin accepting entries from tomorrow and there's a page for you to volunteer as a series host. Comments Off [link]
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Times Are a-Changing: Watches From Baselworld 2009
![]() Guantanamo Bay is one of the world's controversial prisons. This may be its final chapter. With unprecedented access, National Geographic has the story you haven't heard. Both sides, told from the inside, before its doors close forever. Click to learn more and go Inside Guantanamo >> natgeotv.com/guantanamo |
Billy and Principal Andrew Alty went all the way back to kindergarten, when Billy had convinced Mitchell McCoy that the green fingerpaint was Shamrock Shake, and watched with glee as the little babyface had scarfed it all down. Billy knew that Andrew Alty knew his style: refined, controlled, and above all, personal. Billy never would've dropped a dozen M-80s down the girls' toilet. His stuff was always one-on-one, and possessed of a degree of charm and subtlety.To Market, To Market: The Branding of Billy Bailey by Cory DoctorowBut nevertheless, here was Billy, along with the sixth-grade bumper-crop of nasty-come-latelies, called on the carpet in front of Andrew Alty's massive desk. Andrew Alty was an athletic forty, a babyface true-and-through, and a charismatic thought-leader in his demographic.
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Here's tween band Gary and the Hornets performing the Oscar Mayer jingle. Man, those kids sure loved hot dogs.
GARY & THE HORNETS - Classic Commercial Jingle
(Thanks, Sean!)


Core77 has a neat walkthough of the process required to make bi-metallic coins; how interesting! I agree with the author, I think the mistakes are possibly even more attractive than the originals!
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Don't forget, folks, MAKE classified ads are closing soon for Volume 18. We've extended the deadline to this Friday, April 3rd. So if you want to place an ad, here's your chance (and to be eligible for the $100-worth of Gift Certificate giveaways).
We're excited about our Make: MINImarketplace section, which premiered in MAKE, Volume 17. Got something cool you want to sell, have a service to offer fellow readers, looking for some precious widget that only another maker might have stashed away in the garage? The Make: MINImarketplace offers a place for you to reach the maker community for a very reasonable price.Read more | Permalink | Comments | Read more articles in Announcements | Digg this!MINImarketplace Classified Ad Specs:
Ads are $40 per line
40 characters per line
Minimum 4 lines, Maximum 16 lines
If you're interested in placing a MINImarketplace ad in MAKE, Volume 18, send email to classifieds@makezine.com. You will be returned instructions on how to sign up for an account at the Maker Shed, and from there, you'll have access to our Classified Ad Order Page.Our first deadline for materials is April 3rd, so act quickly, if you want a spot.
And we have a drawing to encourage folks to sign up for more information. If you email classifieds@makezine.com and ask for more info on classifieds, you'll automatically be entered to win one of three Maker Shed gift certificates. We will be giving away two $25 Maker Shed Gift Certificates and one $50 Certificate to three people drawn from the list. Our ad deadline is fast approaching -- April 3rd -- for placing the ad and for the Gift Certificate giveaway. Act now! Robot operators are standing by!
As a four-year veteran of a journalism-driven local online media start-up, I believe there's a very viable business formula that's actually quite simple, and here today: take advantage of new tools and techniques to cover the news creatively and efficiently; sell sophisticated digital advertising in a sophisticated fashion; keep the Web content free, and charge a high price for content and interaction that are delivered in-person via conferences and events. And don't expect instant results.And indeed, while Weber notes that his operation is still quite small and certainly isn't a replacement for a full newspaper (yet), it seems to be working for his operation -- with a big part being embracing new communities and new tools to make journalism much more efficient:
The editorial model relies on a combination of professional journalism (currently two full-time and four part-time professionals, as well as a number of freelancers); what we think of as semi-professional journalism (talented writers or subject-matter experts who do something else for their day job); and citizen journalism (bloggers and others who contribute on specific topics, sometimes for small sums of money). We don't have copy editors, but rather copyedit each others' stuff. We're direct and conversational in our style, which is actually easier and quicker once you get used to it, and more appealing to readers than old-style newspaper formulas.And for all the complaining about how online advertising can't support such a journalistic endeavor, Weber points out that the "common wisdom" is simply wrong:
We have a very active photo group on Flickr, and get great feature photography from that. We mostly use Google for fact-checking - not fool-proof, but it works. We use Twitter and Facebook and RSS to push our stories out into the world. We do great video-driven stories when we can, and happily link to others' videos. In fact, we happily link to a lot of stuff, sometimes in combination with our own reporting and sometimes not. We have lively comment threads, which we manage with as light a hand as we can and which are often additive to the stories in addition to being entertaining. We have very active event calendars in our local markets - separate from our main sites but well-integrated, and with a dedicated editor. We're experimenting with a new social media site in Missoula, and we'll see where that goes.
On the business side, we've found that the conventional wisdom about plunging display ad rates is simply wrong. If you have a quality site, with good editorial that drives meaningful traffic, and you work closely with advertisers and offer them flash ads, video ads, good stats reporting, and the opportunity to help understand a new medium, they will pay a premium. A critical thing we have learned is that selling online advertising is more different from selling print or broadcast than mostly people think. I'd suggest that the difficulties traditional media outlets have in getting good prices for online advertising have to do not with the medium itself, but with the learning curve involved in figuring out how to sell it properly. It took us a couple of years, and we didn't have any legacy issues to deal with.Yes, it's still an experiment, and it may only work for certain types of reporting -- but it's yet another example of a business model that works -- similar to numerous other ones that we've pointed out. I'm sure that, just as with the recording industry, some folks will continue to insist this is an exception and "it can't work for x, y, or z..." but just like in the recording industry, the more such "exceptions" we post, the more people will realize that these new business models aren't exceptions at all... but the rule.
Everything on the Website is free, but we have about 1,000 people who pay $150 or $300 or $500 a year for their NewWest experience. This experience comes through conferences and events, which have been a major revenue source and an excellent promotional vehicle for our site. The conferences are content-driven - programming a conference is in many ways very similar to editing a magazine - and thus we see it as part-and-parcel of the journalistic mission, not a distracting commercial add-on. If anything, people like conferences even more when they spend so much time interacting via a computer screen. Conference attendees are our loyal subscribers, and they pay a lot for our content.

Gamara bless the Japanese, that's all I have to say about this pic.
Gigantic Fire-Breathing Robot Babies Have Taken Over Roppongi
Read more of this story at Slashdot.
The idea for tending to a garden without human hands came from work done by Nikolaus Correll, a postdoctoral assistant working in MIT Professor Daniela Rus’ Distributed Robotics Lab. Correll saw the possible applications of swarm robotics to an agricultural environment and thus the idea grew into a course in which students created robots capable of tending a small garden of tomatoes. Each robot is outfitted with a robotic arm and a watering pump, while the plants themselves are equipped with local soil sensing, networking and computation. This affords them the ability to communicate: plants can request water or nutrients and keep track of their conditions, including fruit produced; robots are able to minister to their charges, locate and pick a specific tomato, and even pollinate the plants.MIT's robot garden

One of my favorite projects in the magazine over the past five years was the Tabletop Biosphere in Volume 10, written by Martin John Brown. I think the interns enjoyed building the project as well — they had to go out and scoop scum out of a pond, plus they got to visit the cute girl at the tropical fish store, even if she did tell them their little project would never work.
For me, I really enjoyed the biological aspects of the project, and the touch of philosophical dilemmas was an interesting addition to a tech publication (Was it right to start this world? Do you abandon your creations to their sealed fate if things go wrong?). As I write this post, I'm glancing out the window and then at the very biosphere the interns tightly sealed back in 2007. And I'm wondering if a ghost shrimp has a preference in flavor of birthday cake. Because it was exactly two years ago today that our little ghost shrimp, George, was sealed into his Mason jar, and he's still alive! So, Happy Birthday, George the Ghost Shrimp! No one's ever opened the jar to let in any oxygen, and in fact, the jar has been turned upside down by rowdy school children, been shuttled off to at least two Maker Faires, and inspired a second biosphere, which was built for a KQED television program, Quest.

We're not really sure what the Guinness World Record is for longest living crustaceous bionaut, but we do know that the life expectancy of a ghost shrimp is about a year, and the biosphere was predicted to thrive for 3 to 6 months. We're thrilled that it's far exceeded our expectations. As is fitting for such a momentous occasion, I asked editors, interns, and others acquainted to offer their thoughts about George the Ghost Shrimp as he continues his odyssey into the third year.
Here's what people said:
If you've created your own biosphere, or have some other tale of outstanding successes with regards to your projects, please tell us about them in the Comments.
And happy birthday, George!

"Mark Ryden's YHWH & behind the scenes photoshoot"It is a gorgeous product produced in a rich pink, with high quality blue doll eyes rimmed in a deeper rose. There is an additional “special edition” that will be of 80 run in black and 80 in white, that will be signed by Ryden. The box itself is a piece of graphic confectionary itself, like a magical curio from a time gone by. Looking similar to a Chinese firework box, the box is embossed with gold leaf, and features hand wrapped paper. “ We really wanted to make this look like it was an artifact from a long time ago, like something that had just been sitting on a shelf for ages” John says. “We really made an effort to make it look not contemporary as much as we could.”
Carlo Longino is an expert at the Insight Community. To get insight and analysis from Carlo Longino and other experts on challenges your company faces, click here.

Iron Fist makes these "Zombie Stomper" high heels. They're £44.99 from Dress Code. (Thanks, Kirsten Anderson!)

Happy Birthday Dr. Bunsen! On this day in 1811 was born a pioneer in chemistry, and a maker of tools! Robert Bunsen was a German chemist where he made many significant discoveries, including the use of iron oxide hydrate as a precipitating agent, still used as the primary antidote for arsenic poisoning. He is probably best known, however, for his co-creation of what is now known as the "Bunsen burner," which he developed with Gustav Kirchhoff as an improvement on laboratory gas burners available at the time. Interestingly enough, Bunsen never filed a patent for any of his inventions, which makes me imagine him as an early proponent for open technologies. He was a well-loved professor, and for these things and more we celebrate today! Check out his Wikipedia page for more info.
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Nice tutorial on Instructables for making vicious little scorpions from twists of craft wire.
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