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What makes this case unique is the lively debate that it has prompted, which will likely impact how this action and similar infringement cases will be prosecuted and defended going forward. Within days of the suit's initiation, the popular Web site YouTube was inundated with postings in which fans freely offered their opinions concerning the merits of Satriani's claims (or absence there-of). Some of these submissions were supported by surprisingly detailed analyses of the works.We saw this in the comments on Techdirt, as there was a lively debate and people were quick to mention a variety of other songs with the same melody. The article also mentions a Canadian guitar teacher who uploaded some videos to YouTube with a detailed analysis.
The parties should take note of the prior art works that have surfaced as part of the public debate. Such works could prove to be helpful to Coldplay in defending against Satriani's claims, as they could reflect that Satriani himself may have "unconsciously copied" from an earlier work.This was written before Cat Stevens claimed that Coldplay was actually infringing his song, the "Foreigner Suite," which was one of the similar sounding tunes people had noticed online. Anyone monitoring the online discussion about the copyright battle would have had this on their radar. Also, it was Cat Stevens' son who brought the song to his attention, my guess would be as a result of discussion about the similarities online.
Or [prior art] may simply reflect these oft-quoted words from the Second Circuit: "It must be remembered that, while there are an enormous number of possible permutations of the musical notes of the scale, only a few are pleasing; and much fewer still suit the infantile demands of the popular ear. Recurrence is not therefore an inevitable badge of palgiarism." Darrell v. Joe Morris Music Corp., 113 F.2d 80, 80 (2d Cir. 1940)This quote reinforces the idea that there are only so many ways to combine chords.
What makes the Internet commentary regarding the two songs particularly interesting is that much of it replicates the type of expert analysis that both sides will likely use if the case goes forward. In music copyright infringement cases, it is rare for parties to rely solely on bare assertions of copying or independent creation. Instead, they frequently engage "musicology" experts to undertake detailed analyses of every element of alleged similarity between the two works and conclude whether all or portions of one work were copied from the other. The parties and their experts in [this case] should consider the analyses of the "amateur musicologists" that have weighed in via the Internet and other media, if for no other reason than they may be informative of how a jury might ultimately view the case...The online discussion is largely what has made this case so unique. There have been successful copyright infringement lawsuits over melodies in the past (most notably Bright Tunes v. Harrisongs), but never has the public been able to participate so much in the debate. I think it's likely that Cat Stevens' son wouldn't have known of the similarity between the melodies if not for all of the other people who noticed and highlighted it online. If the case does go to trial, the internet commentary may influence the strategy on both sides and serve as a preview of the arguments. If it doesn't go to trial, the online discussion may influence any sort of negotiation as a means of assessing opinion on the merits of the infringement claim.
While Satriani v. Martin may not go to trial for a variety of reasons, it is clear that user-generated content sites like YouTube have the potential to alter the way music cases -- and other types of copyright case -- are developed. Because advances in technology allow the public to participate in real-time infringement debate, future parties would do well to monitor this "chatter" as it could uncover evidence and theories that may be helpful to the case of the copyright owner, the alleged infringer or both.
Blaise Alleyne is an expert at the Insight Community. To get insight and analysis from Blaise Alleyne and other experts on challenges your company faces, click here.
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This past Sunday in Guatemala, tens of thousands of people gathered in the capital city to protest the assassination of an attorney who blamed president Álvaro Colom for his imminent murder in a posthumously-released YouTube Video.
Boing Boing Video viewer (and BB blog reader) Maria Figueroa (@thevenemousone on Twitter) was there with friends, and she sent us this eyewitness report captured on her cellphone.
Twitter has played a central role in this still-unfolding crisis: protests have been organized on this and other social networks, and Twitter user Jean "@jeanfer" Anleu went to jail last week for having posted a tweet related to the scandal. Authorities released him to house arrest, and he was forced to pay a $6,500 fine (for which he is now in debt).
The video featured here was shot on Maria's phone just as the protest was assembling. Her photos from Sunday's protest are here on Flickr. Here are more video clips documenting the protests.
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Just as we invite guestbloggers to the Boing Boing blog, we periodically welcome guest correspondents to Boing Boing Video, our daily online video program.
I am thrilled to announce today that we have the honor of welcoming none other than Miles O'Brien, former CNN anchor and reporter, one of the most esteemed space and science journalists on the home planet, as a Boing Boing Video guest contributor.
Snip from his bio:
"Miles is a 26-year broadcast news veteran - with nearly 17 years as CNN's science, aerospace, technology and environment correspondent. He is now on his own - based in New York City - covering the same stuff across various media platforms."Since departing CNN, Miles has been doing really interesting experiments in online media, including webcasts, features over at True Slant, live-twittering Space Shuttle launches, and other work we hope to showcase here on BB soon.
I've been watching him explore what is possible in online, independent news venues with the same sense of adventure that captivated me in his space reporting for CNN. The video he's been producing as a solo journalist is wonderful.
Miles is a personal hero. He's the best there is at what he does. It is with the absolute deepest respect that we welcome him as a guest colleague.
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(Download MP4 / Watch on YouTube)
In this episode of Boing Boing Video, guest contributor Miles O'Brien, the veteran space and science reporter formerly with CNN, speaks with astronaut Scott Parazynski as he attempts to summit Mt. Everest.
Parazynski and his team are scheduled to actually attempt the summit within the next day or two, as I understand their current plans.
They are using a personal satellite tracking device called "Spot" as a security measure. The GPS device has the added benefit of providing digital breadcrumbs of data that can be used to generate real-time maps of exactly where they are on the trail.
More of Miles "1337" O'Brien's work at True/Slant, and you can (and should) follow him here on Twitter.
Astronaut-turned-climber Scott Parazynski's Everest climb blog is here, and you can also follow him on Twitter, live from Nepal.
Below, a screengrab of their current coordinates -- and a snapshot of Scott at rest on Mount Everest. After the jump, more photos.
(Previously: Boing Boing Video: Welcome, Miles O'Brien!)

Sorry about that. Image by Origami Roman, something Deckard would have liked. (Thanks, Susannah Breslin)

If you're coming to our site after having seen MAKE's Editor-in-Chief Mark Frauenfelder on The Martha Stewart Show, welcome! We thought we'd take this opportunity to introduce Martha's viewers (and others who might be new to MAKE) to what we do and why. We've got a lot of different things going on and are tremendously excited by the work we do and the global community of do-it-yourself (DIY) enthusiasts we collaborate with on our many projects.
[Note: We've put together a page of (free) PDFs for all of the projects Mark demonstrated on the show. You can find that here.]
Maker Media is the name of our company, we're a division of O'Reilly Media, the highly regarded technology publisher. Under the Maker Media umbrella, we produce the quarterly MAKE magazine, run two busy websites, Make: Online and CRAFT, produce annual DIY festivals, called Maker Faire, run a store, called Maker Shed, and work with Twin Cities Public Television who produce the popular Make: television program on PBS.
MAKE Magazine > >
MAKE magazine is how we got started in all of this. It's a quarterly technology projects magazine and a sort of house organ for the maker/DIY movement. Projects in the magazine range from old-school balsa wood and tissue-paper airplanes to what to do with old high-tech gadgets to building autonomous robots from techno-junk. Our current issue, Volume 18, is entitled "ReMake America," and explores sustainability and how to prosper in these challenging times using DIY technology and good ol' human ingenuity. We produce both a print and a digital edition of our magazine. You can subscribe here and find back issues here.
Make: Online > >
CRAFT > >

Maker Faire > >

Maker Shed > >
The Maker Shed is easy to describe. Think of the coolest technology bookstore, museum gift shop, arts & craft shop, and electronics store you can dream up -- now roll them all into one. That's the idea behind the Maker Shed. It's an irresistible collection of books, kits, robots, microcontrollers, science sets, electronics, craft tools and supplies, all curated by us, the people behind MAKE and CRAFT. It's all of the wondrous stuff we'd want to find in such a store. Maker Shed is a year-round online store and we also set up full-size retail operations at each of our Maker Faires.
To introduce you to MAKE and to the Maker Shed, we've put together a special "Welcome to MAKE" bundle. It includes a one-year subscription to MAKE (four issues), a copy of The Best of MAKE, a 380-page collection of our favorite projects from the first ten issues, and a copy of The Maker's Notebook, a unique project notebook, with plenty of high-quality graph paper for sketching out your projects, and a reference section in the back of weights, measures, facts, figures, and other indispensable info geared towards makers and crafters. The bundle saves you $41 off buying the items individually.
Make: television > >
Make: television is the DIY series for a new generation! It celebrates all manner of "maker" - the inventors, artists, geeks, crafters, basement scientists, and just plain folks who mix new and old technology to create newfangled contraptions. The series encourages everyone to invent, re-invent, recycle, upcycle, and act up. Each half-hour episode inspires millions to think, create, and make cool, unusual, and useful objects. Some of the projects on the show have included a burrito blaster(!), a VCR-driven cat feeder, a cigar box guitar, a simple digital TV Antenna, a wind turbine, and a how to on building solar-powered robots from junk and basic electronics. Make: television began showing nationwide on Public Television stations and online at makezine.tv in January 2009. All of the episodes are now available online. Here's a sample from a Maker Profile segment, from episode 110, of Syuzi Pakhchyan, author of Fashioning Technology.
Maker Profile - Wearable Technology on Make: television from make magazine on Vimeo.
We hope you enjoy our offerings and will join us in our quest to put the joy of making things back into our hectic modern lives. The full title of our magazine is "Make: technology on your time." We're all about taking back control of our technology rather than having it overwhelm us. We do everything we can to learn about the technology in our lives, to improve upon it, make it our own, and to share what we've learned with the growing community of fellow makers. We hope you'll join us on this journey. And if you want to get a truly thrilling and eye-opening experience of the length and breadth of the maker movement, come to this month's Maker Faire (May 30, 31). We can assure you it's like nothing you've ever experienced and that you will come away truly inspired.
Here's a list of the projects Mark demonstrated on the show and links to free PDFs of all the how-to articles for them found in MAKE magazine.
If you have questions about Maker Media, or any of our projects, please feel free to ask in the comments feature below.
(Rudy Rucker is a guestblogger. His latest novel, Hylozoic, describes a postsingular world in which everything is alive.)
What's up with so many young people shaving their heads bald? The thing is, if you're at all overweight, you're going to have a lipless slit-mouth wrinkle on your nape. So your back is like an eyeless alien face.
Not to be dissing these guys, but what's wrong with a nice modest fringe of hair like balding guys used to have? And why does everyone wear their sunglasses on the top of their head these days, even at night, even in the movies? I expected more from the 21st Century.
The Urban Dictionary has some gnarly slang entries relating to neck rolls.
And some guy wrote a choleric song on his blog about a guy with a shaved head talking on his cell phone, "Loud Bald Fat Man on the Metro" .
You scream at your boss through your cell
that you are going to be 15 minutes late for work.
Lucky, lucky boss.
Make a Steampunk "Atomic Disruptor" Raygun from Old Parts
The Atomic Disruptor Raygun is straight out of steampunk fiction. The cool DIY raygun has been put together by Cohophoto entirely from old radio and camera parts. If you are looking for a slice of futuristic fantasy, Cocophoto has illustrated the project on his Flickr photoset. Though short on words, the pictures show the construction details of the gun.
(via Make)
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The web is in trouble. Last week craigslist, a vast classified-ads site, had to abandon its "erotic services" category because of claims that it was an "online brothel" being used by sexual predators.Oops. Wrong. First of all, it didn't "have" to do anything. The law (section 230 of the CDA for Mr. Appleyard, and if he wants the relevant cases we can point those out too -- though, this is the sort of stuff we thought the professionals were supposed to look up themselves) is quite clear that Craigslist is protected and it didn't have to do anything. It chose to make a change to the way it handled such ads, but Mr. Appleyard even gets the facts wrong there, in claiming it "abandoned" the category. It did not. It simply moved it to a new area called "adult services," which now has its ads pre-monitored as opposed to post-monitored as before.
And in France L'Oreal discovered eBay could not be forced to stop selling cheap knock-offs of its products.Oops. Wrong. A French court ruled that eBay was not liable for users selling counterfeit L'Oreal goods (the same way US and Belgian courts have ruled as well). It's not eBay selling the goods. eBay is just the tool and the platform. It's users who sell to each other. And they are still breaking the law. All the court case said was that L'Oreal should have to go after those individuals, rather than forcing eBay to do so. This is common sense, in the same way that we ticket the driver of a speeding car, rather than Ford for making a car that can speed.
After British villages rose up against the intrusion of Google's Street View, Greece has banned the mobile camera cars that put pictures of people's homes and streets on the internetOops. Wrong. While British villagers who didn't quite understand how Street View worked got quite upset about it -- that part is true -- their protest went nowhere. The UK's privacy watchdog actually took the time to understand what Google was doing (something Appleyard apparently did not) and said it was fine. As for Greece, it did not ban the camera cars. It simply put the project on hold while it gets more info. That seems like a rather pertinent detail. Oh, and the wonderful professional mainstream media that Appleyard is such a big fan of? It reposted all the embarrassing images that Google took down. So, Google was quick to remove those images, but it was the professional media that actually got them attention. Based on Appelyard's reasoning above, concerning both Craigslist and the L'Oreal/eBay case, the mainstream press is actually guilty of intruding on people's privacy.
Privacy campaigners fear the power of Google and the online ad company Phorm to gather and exploit personal information. They invade your computer, monitor your web-browsing and buying, check where you are and then bombard you with targeted hard sells.Oops. Wrong. While there are some fears (some more reasonable than others) about Phorm and Google, to lump the two together is quite misleading. The two companies are amazingly different in how they work -- and it's a bit of a stretch to claim that either "gathers and exploits" personal info, though we'll grant that for the time being. The thing that neither of them do, however, is "bombard you with targeted hard sells." In fact, whether you like what either company is doing, the whole point of their targeted advertising is to offer up soft sells that are more likely to get attention, rather than hard sells.
"The internet", says David Edgerton, professor of the history of technology at Imperial College London and author of The Shock of the Old: Technology and Global History since 1900, "is rather passe . . . It's just a means of communication, like television, radio or newspapers."The evidence for this? Well, that's shaky and non-existent. The evidence against it? Well, I'd say there's a ton. But we'll just start with the obvious one: television, radio and newspapers were all broadcast forms of communication -- one to many. The internet is many to many (and one to one, and one to many). To claim that it's basically the same is like claiming that automobiles are just faster horses.
One great promise of web 2.0 was that it would lead to a post-industrial world in which everything was dematerialised into a shimmer of electrons. But last year's oil price shock and this year's recession, not to mention every year's looming eco-catastrophe, show that we are still utterly dependent on the heavy things of the old economy.This is just great. Appleyard claims what "the promise" of web 2.0 is, without any citation to back that up. I don't know anyone who ever claimed that the point of "web 2.0" was to "dematerialize" everything into electrons. In fact, many of us have focused on how physical things still matter quite a bit. But, if you're trying to set up the creators of modern web services as evil cultists, you may as well set up a total straw man about what they're trying to do. Because, we all know that the "professional press" never makes stuff up like all those crazy amateurs do.
So what, if not everything, will the web change? The key feature of web 2.0 that is currently driving change is its intense focus on the individual.That's funny. I could have sworn we were just reading about how the backers of the web were trying to make everything "communal" with all this sharing and "amateur empowerment" and such. And now we're told that web 2.0 is about individualism? Wasn't Appleyard just sneering at all those community sites like Facebook and Twitter -- which are the very opposite of an intense focus on the individual?
Blogging, tweeting and Facebooking all give the individual the unprecedented opportunity to blather to the entire world.Wait, so communicating with others is all about individualism? I'm confused...
The first objection to this is that it destroys institutions and structures that can do so much more than the individual.What is this "it" that destroys institutions and structures that can do so much for the individual? Web 2.0? How is "it" destroying anything? "It" is not doing anything at all. However, managers of those institutions who failed to adapt to a new marketplace (and, in the case of newspapers bet the farm on raising way more money than they could ever pay back) certainly had a lot to do with destroying institutions. But, do we see any analysis of that? Of course not.
The Wall Street Journal carried an analysis that is still the best thing I have seen on the subject. But the story needed half a dozen qualified financial journalists to put it together, and masses of research that no lonely blogger could possibly do . . . This throws into relief the intractable fact that the liberty which the web offers to the individual voice is also a restriction on group effort.Fair enough. Though, I'll say that by far the best analysis I got of the financial crisis came from a series of different blogs (mainly by economists) that understood the issue at a far deeper level than anything I read in the Wall Street Journal. And, the great thing was that many of them did work together. They used those awful "individualistic" tools like blogging, Twitter and Facebook to connect and talk and come out with a much more interesting analysis.
Institutions -- publishers, newspapers, museums, universities, schools -- exist precisely because they can do more than individuals. If web 2.0 flattens everything to the level of whim and self-actualisation, then it will have done more harm than good.I'm still quite confused by this odd, and totally unsupported theory, that web 2.0 somehow breaks everything down to the individual. In fact, most of us have seen the opposite. The rise of useful communication tools actually make it much easier to create those sorts of necessary institutions on the fly, in a way that's a lot more flexible, meaningful, relevant and useful than the old stodgy organizational structures of the past.
A further objection to the cult's radical individualism is that it doesn't have the intended hyper-democratic consequences. Wikipedia, for example, has tackled inaccuracy and subversion by introducing forms of authority and control that would seem to be anathema to its founding ideals.Note that Appleyard does not explain what those "founding ideals" are, or how the minor changes to the system over time go against them or somehow prove "radical individualism" (which is still something Appleyard seems to have made up whole cloth) to be wrong.
Bloggery is forming itself into big, institutionalised aggregators such as The Huffington Post and The Daily Beast, and remains utterly parasitic on the mainstream media it affects to despise.Um... wait. Weren't we just being told a single paragraph ago that blogs were the antithesis of institutions? I mean... it was right there. And now, suddenly, blogs are evil because they're institutions? I'm confused again. And I'm curious how sending sites more traffic is "parasitic," but we've discussed this before.
Even Twitter is already coming to be dominated by conventional, non-web-based celebrity -- Oprah Winfrey in the US and Stephen Fry over here.Dominated. Mr. Appleyard, you don't have to follow them. I follow neither Oprah nor Fry, and Twitter works just great. I see no domination.
The slightly more sinister aspect of this is that excessive individualism leads with astonishing rapidity to slavish conformity. The banking crisis may not have been caused by the internet but it was certainly fuelled by the way connectivity and speed created a market in which everybody was gripped by the hysteria of the herd.Now there's a new one. This one comes just three paragraphs after Appleyard tells us that the WSJ had a great analysis of why the financial crisis happened -- though, it appears Appleyard didn't bother to read it. Nor has he apparently read any history of bubbles or mass hysteria. The market crash of 1929? Mass hysteria. Must have been caused by the internet. I'm sure the Dutch tulip craze was caused by the same. There couldn't have been any herd mentality-based bubbles prior to the internet, could there? I'm sure the Sunday Times has a big professional research department (you know, the sort of institutional resources that individualistic bloggers can't afford). Perhaps next time, Appleyard should try using it.
Or there is the weird phenomenon of flash mobs. People agree by text message or tweet to assemble in one place and, suddenly, do so. This was originally intended as a joke or art piece designed to demonstrate sheep-like conformity, but it rapidly became an aspect of cultish libertarianism. It doesn't work. Flash mobs in Russia are simply prevented by cutting off mobile-phone coverage. Old-world politics is more powerful than the web.Wait, because Russian police cut off mobile phone coverage to stop a flash mob, the whole concept of flash mobs is dead? Again, I'm having trouble seeing how that makes any sense.
And, finally, the everything-free, massively deflationary effects of the web may be over. Rupert Murdoch, head of The Sunday Times's parent company, has said he is thinking of charging for online versions of his papers. The hard fact that somebody, somehow, has to pay for all this is breaking into web heaven.I like how just the fact that Murdoch is thinking about charging for the news means that the "deflationary effects of the web may be over." Got any data to back that up? Or doesn't the professional press do that sort of thing? Finally, we've already dispensed with the myth that the news isn't paid for. You would think that such a professional would know that subscriptions have almost never paid for the news. Far be it from us, the mere individualistic, cultish amateurs, to actually look at the actual data and point out that subscriptions have almost never even covered the cost of printing and delivery. Journalism has always been paid for by advertising, and just because the content is free online, it doesn't mean that it hasn't been paid for.
Westerville police have asked the city's 21 banks and credit unions to post window signs that direct customers to put away cell phones and remove sunglasses, hoods and hats.No hat, no hood, no shades? Come on in (Thanks, Frank)The idea is to weed out those who want to conceal their identities from security cameras to rob the bank or credit union.
Guitar amp housed inside of a Magic 8-Ball.
J. K.'s Page [via Dinosaurs and Robots]
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They send us a list of IP addresses and say 'this IP address was involved in a breach on this date'. We look at that say 'well what do you want us to do with this? We can't release the person's details to you on the basis of an allegation and we can't go and kick the customer off on the basis of an allegation from someone else'. So we say 'you are alleging the person has broken the law; we're passing it to the police. Let them deal with it'.In March, the company further explained its defense, noting that direct file sharing between two individuals doesn't appear to violate Australian copyright laws, since there's no "public" distribution of the material.
talk like a pilot day
pilot #1
pilot phrases
pilot #2
how to talk like a pilot
pilot #3
Permalink for this edition. Web Zen is created and curated by Frank Davis, and re-posted here on Boing Boing with his kind permission. Web Zen Home and Archives, Store, Twitter. (Thanks Frank!)
* "TO." An ambient animated short by filmmaker Bob Jaroc and the band Plaid (Warp Records). Best enjoyed with stereophonic supersonic headphones, so you can appreciate the shift from one channel to another, while you watch thousands of starlings take flight in a burnt sunset sky. (DOWNLOAD / YOUTUBE)
* "SEBASTIAN'S VOODOO." We revisit a beautiful animated work by UCLA student Joaquin Baldwin, which we first featured on our daily video program about a year ago. It's up for an award at Cannes! Vote for it! (DOWNLOAD)
"$5 COVER." Director Craig Brewer (Hustle and Flow , Black Snake Moan) talks to us about his latest project: the MTV online series $5 Cover, which chronicles the internet-age lives and dreams of struggling musicians in Memphis, Tennessee. (DOWNLOAD / YOUTUBE)
RSS feed for new episodes here, YouTube channel here, subscribe on iTunes here. Get Twitter updates every time there's a new ep by following @boingboingvideo, and here are blog post archives for Boing Boing Video. (Special thanks to Boing Boing's video hosting partner Episodic).
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Over at Gawker, Foster writes:
[A]longside Robert Draper's GQ piece on Donald Rumsfeld being called out by former colleagues, they're running covers of his White House morning defense briefings. You have to see these.Donald Rumsfeld's Judgment-Happy, Scary, Biblical Defense Briefing Art (Gawker, thanks Richard Metzger)Draper notes that the briefings were "a daily digest of critical military intelligence so classified that it circulated among only a handful of Pentagon leaders and the president; Rumsfeld himself often delivered it, by hand, to the White House." You have to wonder: was Rumsfeld sitting over a well-to-do Department of Defense intern, going through loads of pictures and trying to decide what colors he wanted which quotes to be? Or did he do it himself?
One of the robotics groups we're going to have at Maker Faire this year is the Jesuit High School Robotics team, from Sacramento, CA. They'll be showing off their underwater ROVs. Here's a teaser vid they did.
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Don't forget, the last day to buy advance (discounted) tickets for Maker Faire is THIS Wednesday, Midnight, PDT, May 20th. Tickets purchased after the advance deadline will be at regular price, same as at the gate. This also applies to group rate tickets.
Tickets can be purchased online and at locations around the Bay Area.
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Here's my first cigar box guitar. The frets are crooked, the action is too high (because I forgot that I needed to shave off the part of the neck that's glued to the box), the sound hole cuts into the neck, the neck is split, I shouldn't have used pine for the neck because it will bow, the fret dots aren't centered. And yet it works! I have already started making CBG #2.
If you are interested in making one of your own, I recommend Bill Jehle's excellent DVD: How to Build a Guitar: the String Stick Box Method, and joining Cigar Box Nation, a social network of cigar box guitar makers.
I'm going to speak at Foro Internet Meeting Point in Asturias this June. Here's a brief interview. (Thanks, Miguel!)
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A wonderful remix produced by Lindsay, aka waambat, who studies electronic media at the University of South Florida. She did an equally awesome Muppet remix of Peaches' "Fuck the Pain Away." (Thanks, Susannah Breslin!)
I know nothing about the Internet Identity Workshop 2009 except that their logo made me laugh aloud.
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How Neanderthals met a grisly fate: devoured by humans (Guardian UK, photo via Wikipedia)![]()
The controversial suggestion follows publication of a study in the Journal of Anthropological Sciences about a Neanderthal jawbone apparently butchered by modern humans. Now the leader of the research team says he believes the flesh had been eaten by humans, while its teeth may have been used to make a necklace.
Fernando Rozzi, of Paris's Centre National de la Récherche Scientifique, said the jawbone had probably been cut into to remove flesh, including the tongue. Crucially, the butchery was similar to that used by humans to cut up deer carcass in the early Stone Age.
"Neanderthals met a violent end at our hands and in some cases we ate them," Rozzi said.
The idea will provoke considerable opposition from scientists who believe Neanderthals disappeared for reasons that did not involve violence.
Our pal Iowahawk went to a swap meet and picked up a pair of 3D glasses from the 1939 World's Fair. They were given out to attendees so they could watch Chrysler's whimsical stop motion movie (above) that shows a car being assembled by invisible workers. The glasses prompted Iowahawk to do a little digging into Chrysler's exhibition at the World's Fair, and he found a number of interesting images, which he shares on his blog.
What a show it must have been -- a Rocket Port of Tomorrow, a Talking Car, a Frozen Forest, all manner of Engineering Wonders, plus the aforementioned 3-D movie extraganza. Still something strikes me in this ephemera as very melacholy. In 1939 The US was going through a 10th straight year of economic depression (national unemployment was still 17%) and by September, WWII was underway; a stark contrast with the shiny optimism reflected these (kinda) rose colored glass. If any car company in 1939 had reason to be skittish about futurism it was Chrysler, which had recently taken a major financial bath on the too-far-ahead-of-its-time Airflow; and yet they seem pretty bullish on the whole thing here. It's hard to imagine this kind of optimisitic boosterism at Chrysler today. Belvidere itself home to a half-empty Chrysler assembly plant, which I passed on the way to the swap meet. Whether Chrysler can survive as a zombie mutant financial partnership between the Federal government and Italian industrialists, it certainly won't share DNA with the company who staged this production.1939 World's Fair Chrysler 3D movie
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MAKE magazine is giving away PDFs of the projects I demoed on The Martha Stewart Show today. Grab 'em while they're hot!
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The Gowanus Studio Space is holding a contest for the best Jell-O Mold:
Jell-O is the perfect medium for design in these times of restraint given its versatility, economy, and availability. This is why it’s time for a comeback of the Jell-O proportions of old: soaring heights, strange colors, object suspension!
The Gowanus Studio Space’s Jell-O Mold Competition will pit designers against each other in an effort to make the Jell-O mold cool again. Competitors will battle it out for mold supremacy in the following categories:
- Creativity
- Aesthetics
- Structural/sculptural ingenuity
- Edibility/culinary appeal
- Best use and showcase of Jell-O
A crack panel of respected judges will announce the winners at 8pm on the day of the event. The judging and awards ceremony will be held at the Gowanus Studio Space in Brooklyn.
The deadline for entries is June 12, with a registration fee of $15/$10 for students.
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Rudy woke up earlier than I did this morning, so he started blogging before I had a chance to introduce him!
I met Rudy Rucker around 1987 when he gave a reading at a High Frontiers Monthly Forum meeting in Berkeley, California. Rudy read from his novel Wetware and brought along an unfolded tesseract that he'd made from cardboard and tape. I told him that his 1984 novel, Master of Space and Time, reminded me a little of Fredric Brown's The Mind Thing, he said that was an interesting observation.
We've stayed in touch over the years, and he has contributed to a number of projects I've been involved with, including Wired, HardWired, bOING bOING, and Boing Boing. (His daughter Georgia designed The Happy Mutant Handbook, too!)
As always, it's a thrill to again have Rudy contribute to Boing Boing. Here's his intro post:
For me, Mark Frauenfelder has always been like a Good Elf, the kind that helps the needy woodcutter in the fairy tales. He’s reliably into whatever I’m up to, which is a rare joy.In the late 1980s and early 1990s Mark and Carla Sinclair published some of my essays and columns in their printzine bOING bOING. In 2000, when Mark told me he was starting a blog, and that he planned to make a living from it, I thought he was--shall we say overly optimistic?
I had no concept of how big blogging would get. And before long the Good Elf had converted me. He lured me in for a month’s stint as a BoingBoing guest blogger in August, 2004. (Bitrot seems to have corrupted and partially eaten my archive on BoingBoing, but I providently saved a version of it online here .)
I’d just retired from teaching and programming in 2004, and I liked having a new way to kill time. When I was done blogging for Boing, I didn’t want to stop, so a month later, I started my Rudy’s Blog, which has now accumulated about six hundred posts and three hundred thousand words by me--which is the length of three or four of my novels.
Not that I would have written more novels if I hadn’t been blogging. Blogging actually promotes my novel writing, rather than hindering it. I can try out new ideas in public on the blog, and sometimes my readers give my useful comments.
Okay, a few bio facts. I’m a writer and a mathematician who worked for twenty years as a Silicon Valley computer science professor. I’m best known as a science-fiction novelist, and I received the Philip K. Dick award twice. My thirty published books include both novels and non-fiction books. My most recent pair of SF novels, Postsingular and Hylozoic, describe a near-future Earth in which every object becomes conscious.
For more info about me, you can go here.
I’m looking forward to blogging on BoingBoing for the next two weeks!
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"Let me be really frank about this," the judge said. "I never had this happen before. This is completely outrageous, absolutely outrageous."These stories of technology in the courtroom seem to be coming up more and more frequently. It seems as though very few people have really thought through the implications of the many channels of communication that every individual now has with them, and how that changes common assumptions about how people can and will communicate, even in "constrained" areas.
Toledano responded, "It was on a break."
Silverman shot back: "It doesn't matter. You are communicating about the case and the subject matter of the case with a witness who is currently under oath and before the jury,"
Toledano said, "I'm sorry, after we took the break, it's not in the middle."
The judge explained himself again.
"It's a problem on your communicating with the witness about his testimony whether it's before the break, after the break and during the break while he's testifying," he said. "This is outrageous."
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(Rudy Rucker is a guestblogger. His latest novel, Hylozoic, describes a postsingular world in which everything is alive.)
I love gnarly shapes and processes---gnarly in the sense of being not too orderly and not too random, right on the living border. Moving water is amazing stuff, and cranking your camera's shutter speed up high lets you freeze it. And your foot, every now and then you look at it and---how strange. Really, we're as oddly shaped as any fabulous jungle plant or deep ocean crustacean.
A few years ago, I gave a talk called "Seek the Gnarl" where I talked about how gnarliness relates to the way a writer creates the plot for a novel.
I used to maintain that it was better not to plot my novels in advance. I'd defend the practice of not having a precise outline by speaking in terms of the gnarl. A characteristic feature of any complex process is that you can't look at what's going on today and immediately deduce what will be happening in a few weeks. It's necessary to have the world run step-by-step through the intervening ticks of time. Gnarly processes are unpredictable; they don't allow for short-cuts. In other words, the last chapter of a novel with a gnarly plot is, even in principle, unpredictable from the contents of the first chapter. You have to write the whole novel in order to discover what happens in the last chapter.
This said, I've learned to at least try to write an outline to try and lessen the pain of writing. But even with an outline, I can't be quite sure about the twists and turns my story will take. How precise, after all, is an outline? If, as William Burroughs used to say, a novel is but a map of a territory, an outline is but a map of a map. In the end, only the novel itself is the perfect outline of the novel. Only the territory itself can be the perfect map.
I took this photo on Shattuck Avenue in Berkeley the other day. I like the contrast between the digital numbers labeling the billboard, and the gnarly tatters of the peeling paper. The numbers are the outline, the (actually quite elegant) shapes of the paper are the novel.
I'm not saying a novel should be a random mess. I'm saying that it's nice if the story has the organic and unpredictable feel of some living thing that's grown or of some natural shape that's arisen over time. The characters and tropes and social situations bounce off each other like eddies in a turbulent wakes, like vines twisting around each other in a jungle, like the plates of a skull.
Online version of Rudy's talk, "Seek the Gnarl".
The owner, Bobby Ray Mabe, said he and a customer jumped Szwalla, holding him until deputies arrived. While they waited, Mabe says the teen ate the banana."Deputies: Banana used as gun in holdup, then eaten"
Mabe says deputies took pictures of the peel. Forsyth County Sheriff's office spokesman Maj. Brad Stanley says deputies joked about charging Szwalla with destroying evidence.
The Internet innovators that have thrived online enabled their own success as early as 1996 by securing immunity from defamation and other liability caused by user postings on their sites. Two years later, they persuaded Congress to add another exemption, this one for user postings that violate copyright law. These safe harbors have allowed companies from Yahoo to YouTube to prosper from the content they carry with little concern of being held accountable for it.First, it's rather troubling that two lawyers could so fundamentally misunderstand the safe harbor rules put into both the CDA and the DMCA. The claim that it was the internet companies that somehow sought out these rules is laughable and ignores the history of both laws in question. Both the CDA and the DMCA where massive extensions of laws that purposely limited internet communications massively. The two safe harbor provisions were tiny incursions into both laws designed to (reasonably) point out what should have been obvious: if someone breaks the law, the liability should be on the person who broke the law and not on the tool or service used to do so. That's called common sense. These safe harbors weren't, as implied by these lawyers, some massive gift to internet companies. They were a small "safe harbor" for internet companies worried about these two massive laws that criminalized a tremendous amount of communication, showing that the liability should fall on the actual party, rather than on the tool.
Bring copyright laws into the age of the search engine. Taking a portion of a copyrighted work can be protected under the "fair use" doctrine. But the kind of fair use in news reports, academics and the arts -- republishing a quote to comment on it, for example -- is not what search engines practice when they crawl the Web and ingest everything in their path.That would be a massive reinterpretation of copyright law, and would effectively destroy much of what makes the internet useful. This proposal would make it illegal to index the web. It would outlaw search engines. Yes, for the sake of saving some outdated newspaper businesses, these lawyers wish to make it so that before a search engine can index any website, it needs to negotiate permission. This would kill the internet.
Publishers should not have to choose between protecting their copyrights and shunning the search-engine databases that map the Internet. Journalism therefore needs a bright line imposed by statute: that the taking of entire Web pages by search engines, which is what powers their search functions, is not fair use but infringement.
Federalize the "hot news" doctrine. This doctrine protects against types of poaching that copyright might not cover -- the stealing of information not by direct copying but simply by taking the guts of the content. While the Internet has made news vulnerable to pilfering because of the ease of linking from one site to the next, the hot-news doctrine has limited use because it is only recognized in a few states.The "hot news" doctrine, considered by many to be one of the worst legal decisions ever made when it comes to intellectual property needs to be reversed, not federalized. It is the one case in the US where "facts" can be considered protected information, and that's bad for everyone. Suggesting an expansion of the hot news doctrine shows a fundamental misunderstanding of First Amendment rights, copyright, the internet and communications.
Now that many news aggregator sites have taken "linksploitation" to a commercial level by selling ads wrapped around the links they post, Congress has the incentive it needs to pass a federal law protecting hot news. Such a law would give publishers an additional source of legal leverage outside of copyright to demand fair compensation for the content they create.
Eliminate ownership restrictions. Media insolvency is a greater threat today than media concentration. Congress should abolish caps on ownership of broadcast stations and bars on newspaper and television ownership in the same market. These outdated rules belong to an era when the Web was a home for spiders.The above suggestion might be the only one in all of this that makes any sense. Of course, when combined with the other suggestions, it becomes a horrible idea. These lawyers would effectively kill off all forms of competition to newspapers... and then let the big news organizations combine? Why?
Use tax policy to promote the press. Washington state is taking a lead in the current crisis with legislation signed into law this week to slash business taxes on the press by 40 percent. Congress could provide incentives for placing ads with content creators (not with Craigslist) and allowances for immediate write-offs (rather than capitalization) for all expenses related to news production.We've already discussed how silly Washington state's new rule is, but are these lawyers really saying that Congress should specifically pick winners and losers in the online classifieds space? How does that not offend the basic concepts of what Congress is supposed to do? How could two lawyers suggest this with a straight face?
Grant an antitrust exemption. Congress first came to journalism's defense with antitrust relief in 1970, when it permitted endangered newspapers to combine their business operations without fear of antitrust suits if their newsrooms remained independent.So because newspapers are too clueless to survive, they need to be granted monopoly rights? Sorry, don't buy it. The whole thing is stunning in just how brazen it is in basically stating that (a) newspapers are more important than all of the internet and (b) just kill off that pesky internet and everything will be fine. Usually, when industries try to work on regulatory capture (getting regulators to put in place laws that favor them) they at least try to couch it in language that pretends it's for the public good. To outright suggest killing off the internet in favor of newspapers is incredibly shameless.
A lesson worth remembering is at the turn of the 20th century people had a transportation problem... and the solution turned out not to be a "faster horse"... but a Ford.Indeed. It's time to stop having Congress keep passing laws that stop innovation in hopes that legacy industries magically come up with faster horses.
And one should note that the Ford didn't arise out of the "Horse Industry Revitalization Act".
I think the future of the media business will look as different as Ford and Toyota's operations look from horse traders and blacksmiths.
Imagine what the passage of such ill-conceived legislation would have done to the car industry a century ago.
It would have strangled the nascent auto industry at birth, postponing its inevitable rise while sheltering a dying industry, only postponing its inevitable demise... doing great damage to both. Newspapers need to be encouraged to adapt to the future, not retreat behind legislative walls hoping the future will go away.
The newspaper industry's troubles go to the very core of their historical business model.
What's historically given value to editorial content is the relative scarcity of distribution versus readers. Newspapers have enjoyed natural localized economic monopolies that allowed each of them to exercise monopoly control over the amount of content (and advertising) they allowed into their local marketplaces.
Monopoly constraint of distribution and supply will always lead to prices (and profits) significantly above open market rates. Newspapers then built costly organizational structures commensurate with that stream of monopoly profits (think AT&T in the 1970's).
The dynamics of content replication and distribution on the Internet destroys this artificial constraint of distribution and re-aligns advertising (and subscription) prices back down to competitive open market rates. The often heard complaint of Internet ad rates being "too low" is inverted... the real issue is that traditional ad rates have been artificially boosted for enough decades for participants to assume this represents the long-term norm.
An individual reader now has access to essentially an infinite amount of content on any given topic or story. All those silos of isolated editorial content have been dumped into the giant Internet bucket. Once there, any given piece of content can be infinitely replicated and re-distributed to thousands of sites at zero marginal costs. This breaks the back of old media's monopoly control of distribution and supply.
The core problem for the newspapers is that in a world of infinite supply, the ability to monetize the value in any piece of editorial content will be driven to zero... infinite supply pushes price levels to zero!
What this implies is that no one can marshal enough market power to monetize the value of content in the face of such an infinite supply and such massively fragmented distribution. Pay-walls, lawsuits and ill conceived legislation won't allow the monopoly conditions to be re-constructed.
There are certainly ways to make online news profitable... and many of us are working to develop such approaches... but I can assure you they don't involve inventing a "faster horse"...
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The exploration into cardholders' minds hit a breakthrough in 2002, when J. P. Martin, a math-loving executive at Canadian Tire, decided to analyze almost every piece of information his company had collected from credit-card transactions the previous year. Canadian Tire's stores sold electronics, sporting equipment, kitchen supplies and automotive goods and issued a credit card that could be used almost anywhere. Martin could often see precisely what cardholders were purchasing, and he discovered that the brands we buy are the windows into our souls -- or at least into our willingness to make good on our debts. His data indicated, for instance, that people who bought cheap, generic automotive oil were much more likely to miss a credit-card payment than someone who got the expensive, name-brand stuff. People who bought carbon-monoxide monitors for their homes or those little felt pads that stop chair legs from scratching the floor almost never missed payments. Anyone who purchased a chrome-skull car accessory or a "Mega Thruster Exhaust System" was pretty likely to miss paying his bill eventually...What Does Your Credit-Card Company Know About You?To see how one company transforms thousands of low-paid employees into telephone psychiatrists, I attended a day of Bank of America's four-week training program at the company's Delaware offices. (I was allowed to attend on the condition that I neither identify nor interview the trainees during the course.) At the front of the classroom, a poster explained the company's "Customer Delight Model." The trainees were supposed to "provide a delightful opening," "employ delightful words," "acknowledge and empathize" and "personalize with a POWER close." They spent the morning discussing hypothetical cases, like a cardholder with twins whose husband announced he had fallen in love with another woman. He handed over divorce papers, had a moving truck outside and in short order took over the house and left the cardholder with two kids, only $400 a week and a ton of credit-card debt.
See this lovely photo of the Space Shuttle Atlantis much much larger over at Boing Boing Gadgets. Trust me, it's worth it.
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Aaron ALAI's EMF detector project looked so simple and fun I had to give it a try. After putting it together, I liked it so much that I went and built a more 'meter-like' version using an LED bargraph -

Arduino code is available here.
As I mention in the vid, I was a bit concerned the wire probe might be affected by the LEDs I mounted nearby -- but from what I can tell, it still seems (relatively) accurate. A short walk around my workspace even revealed a few items I'd forgotten were plugged in - helpful! I'm sure there are many ways in which this project could be used/repurposed/modded - I plan on converting the readings to sound when I get the chance. If you make one be sure to submit a pic to the Flickr pool and/or send us a link.
Ever feel that the web configuration interface for your wireless access point didn't give you the control you desired? Why not just connect a keyboard and monitor directly to the router and bypass having to access it from another device? That's what Sven Killig has done with this clever hack using a DisplayLink device and some open source know-how.
Plug a monitor into your Linux based router [via reddit]
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Cirtcele built a synth sequencer module using a dekatron vacuum tube display -
The clock circuit includes a relay which clacks away somewhat charmingly. The relay noise does not get into the sound path of the synth, it is just the noise the synth makes whilst operating. Sound is recorded over the camera's microphone so you all can enjoy 60 seconds of clack clack clack clack clack.And in case that weren't enough tube-goodness for ya - the synth it's sequencing is tube based as well. [via DeviantSynth]
More:

Dekatron timer brings vintage tube tech to the kitchen
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MAKE contributor Cy Tymony got a nice little write-up in the Daily Breeze, talking about his book, Sneaky Green Uses for Everyday Things:
"I try to look at every little thing people throw away and say, `What can we do with it?"' said Tymony, 53, of Torrance. "The good thing is, spare parts are everywhere.
'(The book) is about being resourceful,' said Tymony, who has his own gadget watch (he never wears it to the airport) complete with hidden match heads, a rudimentary fishing rod, a flashlight and about 20 other emergency items. 'When you're resourceful, you will find out how much power you have that's latent.'For Tymony, who works full time as a computer support technician for the Federal Aviation Administration and has in the past worked as an auto mechanic, a TV repairman and a computer technician, the ideas never stop.
'I'm always thinking,' he said. 'The idea is to never throw things away.'"
Author Cy Tymony has ideas for recycled items

From the MAKE Flickr pool
Rotormind puts a new spin on a classic concept -
The Micro Rhythm Orchestra is an update on the venerable music box tradition. I made it from a wooden cigar box and head-park solenoids scavenged from old disk drives. The solenoids are controlled by a microprocessor. Instead of playing a conventional melody, the solenoids are sequenced to click in rhythmic patterns. If the whole business wasn't quite such a dorkfest, the sound could almost be considered funky.Do give a listen to the sound samples over on the project page - they're quite awesome.
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Justin Blinder, a student at Parsons, created this plushie doll that clings to you and snoozes, like a living critter:
Snoozy the Sloth is a plush toy with a respiratory system. He sleeps while clinging onto a user, allowing them to feel both the contraction and expansion of his chest, as well exhaling of air from his mouth. The main concept behind snoozy is to create an intimate, yet passive, toy interaction that relaxes and comforts a user, through the tactile experience of steady breathing patterns.Read more | Permalink | Comments | Read more articles in Kids | Digg this!

From the MAKE Flickr pool
Charlie Skelton's Bilderberg files (Thanks, Alan!)
In comes the chief. Bossios Hoggios. "What the problem?" I tell him that I am being followed by the police, and that I would like it to stop, or be told the reason. "Why you here?" he barks. I tell him I am here for the Bilderberg conference at the Astir Palace. "Well, that is the reason! That is why! We are finished!" And he washes his hands of me, dismissing me with a gesture, striding back to his office. "Idiot," I mutter, unheard.Back to the photograph.
"How you know he is a policeman?"
"I know that he is, I've seen him talking to your colleagues at the checkpoint."
"You are not allowed to take photos of policemen."
"So I am being followed by policemen?"
He gestures out of the window.
"Where is he now, this man you say following you? Show me him."
I'm standing in a police station. I don't know what to say. They tell me to ring the police if I see them again. To ring the police if I see the police following me.

Device Volume 1: Fantastic Contraption from the the Maker Shed celebrates the genius of invention and ingenuity with a showcase of works from an international roster of artists including--H.R. Giger, Ashley Wood, Stéphane Halleux, Viktor Koen, Christopher Conte, Gregory Brotherton, Mike Libby, Nemo Gould, and many others. Forward by our very own Senior Editor, Gareth Branwyn.
In the Maker Shed: Device Volume 1: Fantastic Contraption
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Fair Use and Online VideoAmerican University's Center for Social Media and AU Washington College of Law's Program on Information Justice and Intellectual Property, in collaboration with Stanford Law School's Fair Use Project, are launching a new video explaining how online video creators can make remixes, mashups, and other common online video genres with the knowledge that they are staying within copyright law.
The video, titled Remix Culture: Fair Use Is Your Friend , explains the Code of Best Practices in Fair Use for Online Video , a first of its kind document--coordinated by AU professors Pat Aufderheide and Peter Jaszi--outlining what constitutes fair use in online video. The code was released July 2008.
"This video lets people know about the code, an essential creative tool, in the natural language of online video. The code protects this emerging zone from censorship and self-censorship," said Aufderheide, director of the Center for Social Media and a professor in AU's School of Communication. "Creators, online video providers, and copyright holders will be able to know when copying is stealing and when it's legal."
Code of Best Practices in Fair Use for Online Video
The authors, who include Cambridge University criminologist, David Farrington, say while their results lend support for the continued use of CCTV, schemes should be far more narrowly targeted at reducing vehicle crime in car parks.CCTV schemes in city and town centres have little effect on crime, says reportResults from a 2007 study in Cambridge which looked at the impact of 30 cameras in the city centre showed that they had no effect on crime but led to an increase in the reporting of assault, robbery and other violent crimes to the police...
The Campbell Collaboration report says that CCTV is now the single most heavily-funded crime prevention measure operating outside the criminal justice system and its rapid growth has come with a huge price tag. It adds that £170m was spent on CCTV schemes in town and city centres, car parks and residential areas between 1999 and 2001 alone. "Over the last decade, CCTV accounted for more than threequarters of total spending on crime prevention by the British Home Office," the report says.
The Lords report said that £500 million was spent in Britain on CCTV in the decade up to 2006, money which in the past would have gone on street lighting or neighbourhood crime prevention initiatives.
"Photography and the videotaping of public places, buildings and structures are common activities within New York City . . . and is rarely unlawful," the NYPD operations order begins.Operations Order Investigation of Individuals Engaged In Suspicious Photography and Video SurveillanceIt acknowledges that the city is a terrorist target, but since it's a prominent "tourist destination, practically all such photography will have no connection to terrorism or unlawful conduct."
The department directive -- titled "Investigation of Individuals Engaged in Suspicious Photography and Video Surveillance" -- makes it clear that cops cannot "demand to view photographs taken by a person . . . or direct them to delete or destroy images" in a camera.
SHUTTERBUGGED
(Thanks, Fipi Lele!)
Poster artist Dave Hunter (AKA Gammalyte) created this stunning concert poster for the Throbbing Gristle show in San Francisco last month. It has a wonderful '60s cartoon occult vibe to it. The seven color silkscreened print, approximately 20" x 26", is available in an edition of 250 for $50 each.
Sony has announced four new lenses to accompany its new Alpha models. Aimed squarely at the first-time DSLR owners it's done so much to attract, all feature inexpensive construction (including plastic mounts) and a new in-lens autofocus system designated SAM (which stands for Smooth Autofocus Motor). First up is a pair of new kit zooms (standard and telephoto), in the shape of the DT 18-55mm F3.5-5.6 SAM and the DT 55-200mm F4-5.6 SAM. These are accompanied by a pair of primes; the DT 50mm F1.8 SAM and the DT 30mm F2.8 macro SAM. Prototypes of all four lenses were first shown at PMA earlier this year. Comments Off [link]
Sony has announced three new entry-level DSLRs. The A230, A330 and A380 replace the Alpha 200, 300 and 350. The restyled cameras offer new ergonomics and easy-to-use interfaces, but retain the underlying specification of the predecessor models. As before, the basic model is a 10MP DSLR, the intermediate model adds Sony's fast live view system and the range-topping model gets a 14.2MP sensor. The new Alpha DSLRs are better differentiated from one another, with individual color schemes and grip finishes helping to distingush between the models. Comments Off [link]


Fashioning Technology posted this great project, from a couple of MIT students, that explores a new use for crowdsourcing:
Developed by Carnaven Chi, Xiao Xiao, Keywon Chung, and Peggy Chi, SOS: Stress Outsourced is a networked wearable system that allows users to send and receive massages anonymously. A new type of haptic social networking (or social therapy), SOS allows stressed individuals to send anonymous signals via the wearable to a global social network. In response, individuals within the network calm the stressed victim by sending them a "massage" stroke.Read more | Permalink | Comments | Read more articles in Wearables | Digg this!
There is a whole herd of these cute little orphan robots in the MAKE Flickr pool.
The robots you see are adoptable for a fee. Or, in some cases we might be able to work out a trade. (I love art, but can't always afford to buy it...) Much of my work goes to a gallery in Pittsburgh called the Boxheart Gallery. You can get an idea of current pricing there. Thanks and enjoy the work!
Festive and nicely photographed!
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