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(Ed. Note: We recently gave the Boing Boing Video website a makeover that includes a new, guest-curated microblog: the "BBVBOX." Here, folks whose taste in web video we admire tweet the latest clips they find. I'll be posting periodic roundups here on the motherBoing.)
More @BBVBOX: boingboingvideo.com
Ari Kuschnir of m ss ng p eces has co-directed what I am fairly certain is the first "pro" music video shot entirely on the new iphone 3GS: "Love Love Love," by Reyna Perez. My capsule review: I love love love. About the artist, and the making of:
Reyna Perez has embraced the concept of digital collaboration with her self-titled EP. She recorded each song in Brooklyn on acoustic guitar at a home studio and emailed the tracks to producer Michael Maurice (Curio Sound) in Denver. Over the course of 2 months, Maurice mastered her songs into full fledged productions using Logic software and his own instruments. "I've given them a warm analogue sound, without using any actual analogue equipment; it's a testament to the times, and I'm very happy with the results," says Maruice.Here's the video, and here's Reyna on Facebook, and here she is on reverbnation.com.The final mixes arrived via ftp on Friday, June 17th, the same day the iphone 3GS hit the streets. Video producer Ari Kuschnir, Reyna's fiancee, purchased the iPhone after a two hour wait, made shorter by listening to the tracks. Hearing the new music and playing with 3GS, he had an idea. Why not debut Reyna with the first iPhone music video? "It became clear that the phone's camera quality was good enough to shoot a music video. It seemed fitting for the project."
Over the next few days, the plan and the team came together. Within a week, through a series of collaborations much like the mastering of Reyna's EP, the video was complete.
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Gristelizer Stompbox (via @chris_carter)The pedal version, housed in a high-quality, heavy-duty Hammond 1590DD box, retains all the functionality of the tabletop design with the added convenience of footswitch operation. In essense, The Gristleizer is a synth module that works with any audio signal. The audio path is modulated by an LFO using four selectable waveforms (upslope, downslope, triangle, & square), functioning in one of two paths: VCA (voltage controlled amplifier) or VCF (voltage controlled filter). Ranging from light and sweet tremolo to extreme, raunchy ring mod, The Gristleizer is a 100% analog, hand-assembled unit built to last.
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Via Patti Scheindelman's New World Geek comes word of this nifty "Ikea hack," a chicken coop made from an Ikea bunk bed and storage unit.
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The review of potential anti-competitive practices is in its very early stages, and it isn't a formal investigation of any specific company at this point, the people said. It isn't clear whether the agency intends to launch an official inquiry.DOJ Opens Review of Telecom Industry (WSJ.com)Among the areas the Justice Department could explore is whether wireless carriers are hurting smaller competitors by locking up popular phones through exclusive agreements with handset makers, according to the people. In recent weeks lawmakers and regulators have raised questions about deals such as AT&T's exclusive right to provide service for Apple Inc.'s popular iPhone in the U.S.
The Justice Department may also review whether telecom carriers are unduly restricting the types of services other companies can offer on their networks, one person familiar with the situation said.
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The monkeys must grab the bags of money and not just shriek and go running all over the place, like they did in the practice run.
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Marina Gorbis at IFTFA native of Odessa, Ukraine, Marina is particularly suited to see things from a global perspective. She has directed international programs and led international development projects for SRI (formerly Stanford Research Institute) in China, Japan, Vietnam, India, and Eastern Europe. Marina has also authored publications on international business and economics, with an emphasis on regional innovation and competitiveness.
In addition to serving as IFTF's Executive Director, Marina led the Technology Horizons Program for several years, focusing on the innovation at the intersection of new technologies and social organization. She has initiated a Global Ethnographic Network (GEN), a multi-year ethnographic research program which tries to develop an understanding of daily lives of people in Brazil, Russia, India, China, and Silicon Valley, in an attempt to integrate their voices into IFTF's forecasts. She has also led several major private client engagements at IFTF, the most recent being a global Science & Technology Forecast for the UK Government's Department of Science & Technology. She holds an M.P.P. from the University of California, Berkeley, a certificate in international business from the University of London, and a B.A. in industrial psychology, also from the University of California, Berkeley. California, Berkeley.
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The Prometheus will be given out at the WorldCon, and the award includes an actual, no-fooling gold coin. So yes, I'll be walking around the Montreal Worldcon with a pocket full of gold, don't tell anyone.

Set your DVRs, VCR cat feeders, and Arduino-controlled doggie dish dispensers for 10:30pm tonight. The Discovery Science Channel will be running a segment about Maker Faire on their Brink program.
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In the Make: Online Toolbox, we focus on tools that fly under the radar of more conventional tool coverage: in-depth tool-making projects, strange or specialty tools unique to a trade or craft that can be useful elsewhere, tools and techniques you may not know about, but once you do, and incorporate them into your workflow, you'll wonder how you ever lived without them. And, in the spirit of the times, we pay close attention to tools that you can get on the cheap, make yourself, or refurbish.
This week, we look at knives and multitools. Many of us remember getting our first pocket knives as kids -- the simple satisfaction found in whittling and carving, cooking on a campfire, or just semi-irresponsibly flinging it around. And the multitool, that knife with an identity complex -- it can't help but make you feel at least a little MacGyver-esque the first time you slot one onto your belt.
Since many of us use such tools every day -- it's our default tool -- it takes on a special place in our universe of important implements. In other words, knives and multitools are kind of personal. So, in that light, I empty my pockets (drawers, toolboxes) and show you my knife collection. And Sean Ragan shares some of his.
What knifes and multitools do you use? Tell us about them, what you like and don't like about them, in the comments.


Leatherman Squirts
We sell the Squirts in the Maker Shed and they;re admirable keychain multitools.



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(Above left), Rope Ladder with wooden rungs disguised as chess pieces; found and confiscated in an inmate’s cell in Wolfenbüttel prison, Germany, around 1993.Escape Tools (via Street Use)
(Above right), Immersion Heater made from razor blades; found in a cell in ‘Santa Fu’ jail in Hamburg, Germany. Jailbirds use these tools to distil alcoholic beverages forbidden in prisons. Your typical inmate’s moonshine still includes a plastic can containing fermented fruit mash or juice, an immersion coil of some sort, a rubber hose, and a plastic receptacle for the booze.
Rather than simply changing the method of delivering stories to readers, Stackpole believes digital formats will change the nature of the stories themselves. At the very least, authors should tailor their work to these new mediums. He cited what he referred to as "the commuter market," people who read two chapters per day on their half hour train ride to work. It's an ideal market for fiction broken into 2,500 word chapters, and could presage a resurgence of serial fiction. "It's kind of like a return to the Penny Dreadfuls," he said. "But the readers today are more sophisticated, so we as writers need to put more work into it."The Best Way To Break Into Science Fiction Writing Is Online PublishingIt was interesting to hear the formulaic way Stackpole approaches writing. He described how the method of writing old pulp stories could easily be adapted for modern audiences by eliminating certain ubiquitous but unecessary subplots and adding a bit of character development. A serial detective story should be, "70 percent case, 30 percent soap opera," with a little more soap in a later story to satisfy readers interested in a character's developing personal life.
Even amidst all this embracing of change, Stackpole reassured his audience that digital formats were not sounding the death knell for paper books. "Cars did not kill off horses. Digital publishing will not kill off books. It _will_ change the way they are written and retailed."
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Wonkette has a post up about @AKGovSarahPalin's crazy late-night twitter bender. She's gonna have to give up that handle, no? Anyway, after you slog through all the crazy ungrammatical Palinglish rambling, the point seems to be that a "higher calling" has directed her to file anti-defamation lawsuits against a number of news websites for having reported the news that she quit her post as governor of Alaska (her "news conference" to that effect is embedded above). From Wonkette:
[A]fter crazily quitting her elected position as governor of Alaska, via an alarming backyard last-minute press conference void of any explanation , at the classic 4 p.m. hour of the Friday-Holiday news dump, Sarah Palin is now twatting on the twitter about how her Anchorage attorneys are going to SUE THE AMERICAN MEDIA, for saying "WTF?" Honestly, this is what Sarah Palin twatted on Saturday Night, July 4th, Independence Day, in America.Related reading: Anchorage Daily News article, hilarious. Vanity Fair article: It Came from Wasilla (and "Don't Blame Us"). (via @Andrew Baron)Her link goes to (of course) Scientologist nut and sub-literate weirdo Greta Van Susteren's blog on FoxNews.com, where Greta has helpfully (?) posted seven pages of legal threats from Palin's lawyers, although you can't actually read beyond the first vague page of whining bullshit, because Greta/Fox can't figure out how to operate the Internet.
But, from other websites, we gather Palin's lawyers plan lawsuits against MSNBC, the New York Times, the Huffington Post, the Washington Post, individual bloggers in Alaska, and other such anti-Palin forces such as "rain on your wedding day" and static cling.
On his excellent "nedslist" mailing list, Ned Sublette wrote this concise and spot-on appreciation of the official text of Palin's goodbye speech:
[W]hat Roland Barthes would have called the pleasure of this text has to be savored in full to draw out its pure nuttiness. It's hard to know what to appreciate more: the all-caps prepositions; the sentence fragments that begin the fifth and sixth paragraphs, the run-on sentences, the frequent exclamation points!, the quotation from her parents' refrigerator magnet, the basketball analogy, the proposed logic of quitting so as not to be a quitter, or the grammatically incorrect final sentence framing the misattributed punchline, which was actually said not by General Douglas MacArthur but by General Oliver P. Smith. I especially like the capital O of "Outside" in "Outside special interests," which reminds us that the world consists of two parts: Alaska, and Outside.But what I most enjoy is the authenticity of this text; there can be no question that Governor You Betcha wrote it herself {wink}.
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The decision reinforces two basic points: If you mindfully operate an illegal service without compensating the artists and creators whose content you advertise, the law is not on your side. Further, given the abundance of reasonably-priced legal download services, why go to an illegal one?Not quite on either count. What it actually notes is that if you destroy evidence, you're almost certainly going to lose, and if you choose to outright flaunt the law and encourage people to use your site for illegal purposes, you're probably going to be in trouble too. However, note the neat little lie that the RIAA uses in its words here, calling Usenet.com "an illegal service." That's not accurate at all. Various usenet services have been offered for many, many years and are not illegal. The problem here was that the operators encouraged people to download infringing content. The service itself was not illegal.
Joel Johnson, who led the launch of Boing Boing Gadgets and Offworld, is moving on to work on other projects. We're grateful for all of Joel's hard work and passion and we're eager to see what he does next. He is truly a unique signal worth paying attention to in a very noisy space.
I'm planning on repeating the tribute to booksellers I made with the free release of Little Brother, introducing every section of the serial with a little hymn to some bookstore or other; booksellers are clearly on the side of the angels (I speak as a former bookseller!).
Starting today around noon (Eastern Standard Tribe, of course), and throughout the rest of the year, Tor.com will be serializing Makers, Cory Doctorow's upcoming novel, which goes on sale from Tor Books in November.. We'll be serializing the entirety of the novel, with a new installment every Monday, Wednesday, and Friday, until the whole thing is finished, sometime in January 2010. Each installment of Makers will be accompanied by a new illustration by Idiots'Books (idiotsbooks.com), which will interconnect with the other illustrations in the series, and offer limitless possibilities for mixing and matching the illustrations in the series. In a week or so, after we've posted a number of tiles, we'll release a Flash game in which users will be able to re-arrange the illustration tiles on a grid and create their own combination of layouts.
However, I'm doing this one a little differently; rather than write up my favorite booksellers, I'm asking for your favorite bookstores -- in the comments for each section of the serial, I'd like you to write up testimonials for your favorite stores. I'll pick three every week to add to that week's installments, by way of spreading the love around.
Announcing Cory Doctorow's Makers on Tor.com
Cory Doctorow's Makers, Part 1 (of 81)
(Thanks, Pablo!)

1850 'Boothill Express' Custom Show Rod: Built by Ray Fahrner, Boothill Express is based on the 1850s funeral coach that reportedly carried James Gang member Bob Younger to his grave. Powered by a 426 cu. in. Chrysler Hemi with extra-tall Hilborn fuel injection stacks, it has been the subject of numerous scale models and is certainly one of the wildest and most iconic custom creations to come from the show rod era of the 1960s.Icons of Speed & Style auction
1965 Dodge "Deora" Concept Car: A radical design interpretation of the Dodge A100 forward-control pickup truck, the Deora’s striking lines were penned by California-based designer Harry Bradley and constructed in stunning detail by the Alexander Brothers of Detroit. Their unique creation was honored with the coveted Ridler Award in 1967, and it was pulled out of storage in 1998 before being fully restored back to show quality with the assistance of Harry Bradley himself. Immortalized by various Hot Wheels cars and AMT scale models, the Deora is one of the most recognizable and desirable 1960s Concept Cars.

Marcus of Interactive Matter has produced what is almost certainly the smallest TV-B-Gone ever. Based on LadyAda's ATTINY85 implementation, Marcus's "µTVBG" uses all SMT components, including Osram SFH 4600 IR LEDs, and has a surface area of only half a square inch. Via Hack a Day.
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Recently on Offworld we found a rapid-fire set of developments to kick off a long weekend, including the launch of TweetCraft which is, as you might imagine, World of Warcraft's first in-game Twitter client (above), and which ensures that you'll never have to leave the comfort and still irresistible allure of Azeroth.
We also watched the first 17 minutes of Double Fine's hard metal adventure Brutal Legend, as narrated by LucasArts legend Tim Schafer, and saw indie devs Polytron finally officially announce that their debut game Fez is headed to Xbox Live Arcade in early 2010.
We also found two pair of custom Legend of Zelda low-top sneakers, Donkey Kong played on the side of a building in Post-Its, a website completely devoted to the mis-uses of trains in games (!), an upcoming unmissable chiptune showcase in Montreal, and finally understood the gnawing wolf-at-the-door drama of spending $17,500 on a single NES game.
And finally, our themed 'one shots' for the day: Wii Fit as an Atari 2600 game, and, even more wonderfully, an Atari 2600 version of A Clockwork Orange (and Dostoevsky and Kant and Proust [!]).
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The entryway of The Standard Grill, in Manhattan, is tiled with thousands of US pennies, set in a black matrix. Looks like between one and two dollar's worth of pennies per square foot, which is comparable to ceramic tile, price-wise, but a whole lot more interesting IMHO. Via NOTCOT.
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Instructables user Javin007 was disappointed with standard soda can stoves, so he decided to make a "penny stove" that's more sturdy and less prone to being blown out.
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Lets look at the rule that eventually KILLS all freemium based content plays:I don't think anyone denies any of that. Except... here's the main problem that kills Cuban's point: this applies to any company, whether it uses free or not. What he describes is not unique to free. It's the story any company faces, and we're seeing how the companies that have "embraced" free have acted as that sort of "black swan" competitor to the companies that haven't. Look at what is happening in the recording industry or the newspaper industry, where they're struggling to understand new models.
There will always be a company that replaces you. At some point your BlackSwan competitor will appear and they will kick your ass. Their product will be better or more interesting or just better marketed than yours, and it also will be free. They will be Facebook to your Myspace, or Myspace to your Friendster or Google to your Yahoo. You get the point. Someone out there with a better idea will raise a bunch of money, give it away for free, build scale and charge less to reach the audience. Or will be differentiated enough, and important enough to the audience to maybe even charge more. Who knows. But they will kick your ass and you will be in trouble.
Its not that they can’t make money offering free. They can , have and will. The problem is that they know that its literally impossible to be the king of the mountain forever. But that won’t stop them from trying. And that is exactly what will kill them."Free" is just a price. If the cost of your product is $3 and someone figures out how to build a competitor for $1 (or free!) then you face the same problem. In fact, I'd argue you're better positioned to adjust if you understand the basic concepts behind free (which Cuban either doesn't, or he's bluffing for some odd reason), because it suggests you know what parts of the business to leverage as a resource, and which to charge for. So, I'm confused. What about what Cuban says is specific to "free" business models and why can't those who embrace "free" adapt if he seems to believe that others can?
The Canadian Radio-television and Telecommunications Commission hosts long-awaited network management hearings this week, pitting Canada's telecom and cable companies against a broad range of consumer, creator, and technology groups in a fight that may help clarify whether Canada has - or should have - net neutrality laws.CRTC Net Neutrality Hearings Open Amid ISPs' Conflicting Claims (Thanks, Michael!)My weekly column notes that as the Commission weighs the various claims, it would do well to consider the testimony it heard just a few months ago during the February new media hearings.
For example, Shaw Communications's network management submission states "traffic management is necessary to ensure that Shaw's customers continue to have access to fast, reliable and affordable service." It adds the "traffic shaping process uses deep packet inspection (DPI) technology to identify packets that are associated with P2P file-sharing applications and to slow those packets down, limiting the amount of available capacity P2P traffic consumes."
Yet when CEO Jim Shaw was asked about the prospect of identifying traffic during the new media hearings, he told the Commission, "we can only tell you how many bits are coming in or out. We don't know what kind of bit it is. It could be anything from an e-mail to a porno. We don't know that. We spend no time trying to figure out what bits are going to your house. We just don't know."
Perhaps foreshadowing the outcome of the net neutrality hearing, MTS Allstream acknowledged "when a commercial interest attempts to violate the principle of openness, as it is defined by the open culture movement, there tends to be a very dramatic and forceful rebuking."
Just a reminder that the first in a series of HacDC/Dorkbot DC co-presented events is happening this Tuesday -- and we've added some presenters:
Schedule for next meeting (Co-presented with HacDC)
7 July, 2009
7 PM - 8 PM (ET)
ALWAYS FREE!
Location:
HacDC (Room TBA)
1525 Newton St NW
Washington DC 20010
Keith Sinzinger : Tubular Bells: Construction and Processing
Fresh from having performed in the Baltimore Electronic Music Festival Keith will talk about how he conceived of, researched and constructed a set of tubular bells from scrap galvanized pipe. He'll also touch on some other ongoing musical construction projects. Following a Q&A session, he'll demonstrate the bells as he generally use them in performance, processed through a variety of electronic effects.
About Fast Forty
Keith calls this genre Intense Ambient: found sounds, altered electronics, scrap metal and other devices, blended to soothe and stimulate. His musical roots were developed in an industrial city (Cleveland), where he grew up in the virtual shadow of a Ford plant. He's also lived most of his years within a few blocks of railroads. His musical experiments tend to reflect these environmental influences.
DorkbotDC would like to thank HacDC, DC's hacker space, for arranging this talk and inviting us to co-present with them.


HacDC members Alden Hart (still aglow with kudos from his MAKE Magazine "LED Light Brick" project and blog mentions on MAKE, Boing Boing, and Boing Boing Gadgets) and Elliot Williams (HacDC president and teacher extraordinaire) will show us what they made for the recent Art-o-matic event.
More info here.
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From the MAKE Flickr pool
Flickr member lovro made clever use of a portable game board/case as an ESD safe wallet
Wrap your fancy new iPhone in this soft, luxurious felt Gameboy iPhone pouch found at etsy.com.
You will love it, and your friends will be jealous because you are so much coooler xD
[via iphonesavior]
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From the MAKE Flickr pool
Narwhalbot built a couple of monster VU meters for use at live shows, wall-mounting them at home between gigs - awesome, awesome.
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Protozoan Flagellates from Jessica Field on Vimeo.
MAKE subscriber Rob Cruickshank sent us a link to the site of Canadian artist Jessica Field. Jessica makes these wonderful, funky little robo-critters, some BEAMish, others more sophisticated, with computer-control. I like how she "programs" failures/shortcomings into her robot creations. (Wait, don't most robots do that on their own?)
Jessica Field [Thanks, Rob!]

One thing I really liked about it all is that it's just a PC running a bunch of commodity hardware -- a projector, some sensors -- with cool software on the back-end. This is invention-by-recombination at its finest, and it means that the price and performance of the surfaces are tied to the broader markets for optical sensors, PCs and projectors, which points to a rosy future. The company's business model is building and selling the things, simple enough, so they don't make any pretense about top-s33kr1t stuff within.
None (of the sniffing students) perceived a difference between the two types of sweat, but the pre-exam sweat had a different effect on brain activity, lighting up areas that process social and emotional signals, as well as several areas thought to be involved in empathy...Fellow students smell your exam fear
A previous experiment found that sweat from skydivers activated anxiety circuits in sniffers' brains.

Il-Gu Cha's Trace of Time clock incorporates a whiteboard-esque erasable face and an eraser built into the hour hand - See a video of it in action here. [via Tinker.it]
With his skepticism toward God—or men posing as gods--Baum affirmed the idea of human fallibility, but also the idea of human divinity. The Wizard may be a huckster—a short bald man born in Omaha rather than an all-powerful being—but meek and mild Dorothy, also a mere mortal, has the power within herself to carry out her desires. The story, says Schwartz, is less a “coming-of-age story … and more a transformation of consciousness story.” With The Wizard of Oz, the power of self-reliance was colorfully illustrated.Frank Baum, the Man Behind the Curtain (Smithsonian)
It seems appropriate that a story with such mythical dimensions has inspired its own legends—the most enduring, perhaps, being that The Wizard of Oz was a parable for populism. In the 1960s, searching for a way to engage his students, a high-school teacher named Harry Littlefield, connected The Wizard of Oz to the late-19th-century political movement, with the Yellow Brick Road representing the gold standard—a false path to prosperity—and the book's silver slippers standing in for the introduction of silver—an alternate means to the desired destination. Years later, Littlefield would admit that he devised the theory to teach his students, and that there was no evidence that Baum was a populist, but the theory still sticks.



Francesco Fondi, of the Japanese site Hobibox, sent us a link to this story (on the Italian site Hobby Media) about Giulio B, an Italian narc jailed in Spain (are you still with us?), who attempted a prison break using this small dirigible. The site's in Italian, but I gather the R/C craft was supposed to fly into the prison, with the payload of tools seen in the last image. A narc in prison? I bet he's anxious to float out of there.
Italian criminal tries to escape from Spanish jail using a Radio Controlled Dirigible!
(Ed. Note: We recently gave the Boing Boing Video website a makeover that includes a new, guest-curated microblog: the "BBVBOX." Here, folks whose taste in web video we admire tweet the latest clips they find. I'll be posting periodic roundups here on the motherBoing.)
More @BBVBOX: boingboingvideo.com
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Just Posted: Our in-depth review of the Olympus E-620. The E-620 takes most of the features from the semi-pro E-30 and fits them into a body only slightly larger than the E-420, making it the most powerful entry-level Four Thirds camera yet. It has been a little overwhelmed by the buzz about E-P1, but does the little DSLR deserve a second look? Find out in our full review. Comments Off [link]

What do you do when someone at work has a Desktop Onager? Maybe it's time to get your own desktop Desktop Trebuchet and start a mini war. Or maybe you want to build one so you can hurl mini cows at any invading knights? Then again, that might not be a good idea since both of these weapons can really fire their projectiles quite fast!
More about the Desktop Trebuchet
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Dustin sez, "Musician Guillaume Estace plays a rendition of the famous "Cantina Theme" from Star Wars IV on a Chapman Stick, a guitar-like instrument designed solely for finger-tapping. It's really cool the way it lets him play the bass and melody simultaneously - I want one!" This is my wife's ringtone (the original, not the Chapman Stick version) and so I hear it a lot; this guy does a GREAT job with it!
Star Wars "Cantina Band" on Chapman Stick
(Thanks, Dustin!)

San Francisco Zine Fest
(Thanks, FranCois!)
The Difference Engine...a steampunk adventure (Thanks, Ed!)
Travelling from past to future through a landscape of machines and ideas Walk the Plank and Thingumajig Theatre have created an interactive journey through the courtyard of Manchester's Town Hall. The audience will help inventor and mathematician Charles Babbage find the clues to repair his Difference Engine; solve the spider's riddles, hidden in the worldwide web; persuade the counting madman to open the gates to the Hall of Shadows...and discover the secret workings of the steampunk arcade.Alongside the show, a programme of engagement with six local schools is being led by The Centre for Urban Education. As part of the Creative Partnerships 'Enquiry' programme, children, young people and their teachers are working with creative practitioners to explore their ideas. They will develop a new creative learning resource based on the themes of the performance and linked to the science, technology, history, engineering and maths curricula.
This was how I got rid of my LinkedIn account in the end, and why I never signed back up again.
Tell someone that her car has a chip-based controller that can be hacked to improve gas mileage, and you give her the keywords to feed into Google to find out how to do this, where to find the equipment to do it -- even the firms that specialize in doing it for you.Cheap Facts and the Plausible PremiseIn the age of cheap facts, we now inhabit a world where knowing something is possible is practically the same as knowing how to do it.
This means that invention is now a lot more like collage than like discovery.
Kudos to Tim for a great editorial and especially for the use of "strategy tax" -- what a great phrase!
So we sold GNN to America Online in June 1995. Big mistake. Despite telling us that they wanted to embrace the Web, they kept GNN as an "off brand," continuing to focus on their proprietary AOL platform and allowing Yahoo! ( YHOO - news - people ) to dominate the new online information platform.Why Kindle Should Be An Open Book (via /.)So it was with a feeling of deja vu that I listened in mid-2007 to the promises of Amazon about the potential of its new proprietary e-book platform. While no payment is required to participate, there are clearly onerous restrictions that could limit the growth of the market: a proprietary file format, and the requirement that the e-books only be sold by Amazon.com.
The file format was a problem for us from the get-go: Amazon's Kindle file format doesn't provide support for tables or for so-called monospaced fonts, two formatting features that we use heavily in our line of technical books. And there is a viable alternative: Epub, the open format from the International Digital Publishing Forum, is based on the Web's native format, HTML, and provides full table and font support. This is the first "strategy tax" paid by those who embrace proprietary platforms: They can't support the needs of every niche and must prioritize their support for mainstream needs.
Tech Is Too Cheap to Meter: It's Time to Manage for Abundance, Not Scarcity
Perhaps the best example of a glorious embrace of waste is YouTube. I often hear people complain that YouTube is no threat to television because it's "full of crap"--which is, I suppose, true. The problem is that no one agrees on what the crap is. You may be looking for funny cat videos and think my favorite soldering tutorials are of no interest. I want to see funny videogame stunts and couldn't care less about your cooking tutorials. And clips of our own charming family members are of course delightful to us and totally boring to everyone else. Crap is in the eye of the beholder.Even the most popular YouTube clips may totally fail in the standard Hollywood definition of production quality, in that the video is low-resolution and badly lit, the sound quality awful, and the plots nonexistent. But none of that matters, because the most important thing is relevance. We'll always choose a "low-quality" video of something we actually want over a "high-quality" video of something we don't.
A few months ago it was time for my kids to choose how to spend the two hours of "screen time" they're allowed on weekends. I suggested Star Wars and gave them a choice: They could watch any of the six movies in hi-def on a huge projection screen with surround sound audio and popcorn. Or they could go on YouTube and watch stop-motion Lego animations of Star Wars scenes created by 9-year-olds. It was no contest--they raced for the computer.
It turns out that my kids, and many like them, aren't really that interested in Star Wars as created by George Lucas. They're more interested in Star Wars as created by their peers, never mind the shaky cameras and fingers in the frame. When I was growing up, there were many clever products designed to extend the Star Wars franchise to kids, from toys to lunch boxes, but as far as I know nobody thought of stop-motion Lego animation created by children.
(Image: Rodrigo Corral)
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Looking to live simply and in harmony with the land they would raise their children on, one couple in Wales set out to build a hand crafted house on a modest budget.
The basic construction is a series of vertical posts in an oval, the tops of which are connected with horizontals. This ring of horizontal pieces makes what is conventionally referred to as a roofplate or wallplate. The horizontals are 'tennoned' into the posts although a simpler alternative is to 'half lap' the horizontals and use a metal bar / big nails to fix the joint on top of the post.

Their site has lots of details about the construction, theory behind the build, and ideology surrounding their choices. The photos page has full sized images of all the pictures on the site.
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Read more of this story at Slashdot.
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