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Though it sort of negates some of the best aspects of video gaming, this experiment from Waterloo Labs does outline a useful method for mapping projectile impacts on a projection screen using accelerometers. As suggested at the end of the above vid, there a number of infinitely safer methods for registering the desired mouse clicks - nerf LAN party anyone? More infos for building a similar system here. [via Geekologie]
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The Maker Shed is continuing our summer clearance sale featuring a wide range of products. The sale will run for the rest of the summer, but only while supplies last. Be sure to check back regularly since we will be adding daily specials throughout the summer on some of our popular products.
More about the Maker Shed summer clearance sale
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Cool Tools has a review up for The New Way Things Work by David Macaulay and Neil Ardley, which has just been added to my wish list. The striking and explanatory illustrations show you how even very complicated things work in a simple and fun way.
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Remember the "The Manga Guide to Statistics" ? Hack a Day reviews The Manga Guide to Electricity... fun!
“The Manga Guide to Electricity”, part of “The Manga Guide” series by No Starch Press, is a novel approach to the old problem of getting over the initial mental block when trying to learn electronics.We decided to compare this book to another introductory text: “Getting Started in Electronics” by [Forrest M. Mims]. [Mims]‘ book is a handwritten masterpiece of electronic literature. The writing style is friendly and concise, the examples are simple, and the drawings are excellent. It also makes sure to keep the learning process as application based as possible. Unlike other books, it doesn’t bog the reader down with math and theory that is only useful to advanced students. Since its original printing in 1983, [Mims]‘ has become the de facto standard for beginner electronic literature.
“The Manga Guide” attempts to walk the beginner through the very basics of electronics using the interactions between [Rereko], a resident of planet Electopia; [Yonosuke], a transdimensional robot cell phone; and [Hikaru Yano Sensei], an electrical engineering researcher at a Japanese university. [Rereko] is apparently very bad at electricity, and is sent to learn the basics from Hikaru over the summer by her professor.
“The Manga Guide” is a lot of fun to read. The interactions between the characters are lighthearted, and the whole setting has a sort of quirkiness about it that makes you keep reading just for the joy of it. It covers most of the basics thoroughly and with excellent examples. The art is a very well drawn, playful style of manga.
On a related note, MAKE now has Forrest Mims as a columnist!
I'm usually flattered if some other blog links to my work. I figure anything that brings more readers here has to be good. But for every responsible blogger out there, there are other who cut and paste the work of others and either pass it off as their own or barely credit the author.There are two separate issues Pete raises here, and I'd like to address both. The first is the question of "bad actors" in the space. These are the so-called "parasites" that the Marburgers discuss. The problem is that there's really no problem at all here. No one seems able to point out any such real "parasite" site that actually gets any significant traffic. Most readers who actually follow these issues figure out pretty quickly to go straight to the source itself. In fact, that's how I first discovered Pete's own blog many years ago. I saw him quoted in three separate places within a week, and thought "hmm, this is someone I need to follow." And even though I grew up in NY, I'd never even heard of The Journal News (apparently it publishes north of NY City in Westchester). But these days, I trust Pete's reporting over anyone else's and go to his site first for any news about the Yankees -- because he's built up that reputation, works hard to increase value and (most important of all) has done an amazing job cultivating community, mostly via his amazing blog.
If you know the solution, contact the newspaper industry because you will be a well-paid consultant. The problem will soon be this: If newspapers decide they can't afford beat writers, where will that information come from? Somebody has to get on the plane, go to Toronto and ask the questions.
My dad is a professional musician; he plays blues and jazz and original piano music, and has made five records. For professional musicians outside of pop music (and often in in pop as well), copyright law is already simply a burden to the point that it is almost universal ignored. Gigging blues and jazz musicians have long used "fake books", unauthorized charts of the melodies, lyrics and chord structure of jazz standards. No one is worried about other musicians infringing on their copyrights, because jazz and blues (among other genres) are rooted in a culture of borrowing and adaptation. It's inimical to creativity to draw sharp lines between what can and can't be borrowed or adapted, and indeed in academic jazz programs one learns to improvise by practicing the great "licks" on classic recordings.That's a great description of how music works -- and how copyright often gets in the way of basic creativity in music and goes against the traditional means of creating new and wonderful music. The second point is explaining how Ross has realized that a Robert Johnson song his dad covered might still be covered by copyright, despite the fact that Johnson died in 1938, and the song itself was recorded in 1937. The situation helps demonstrate how screwed up our copyright laws are (yet again):
One classic he put on a 2004 album is "Love in Vain Blues", a Robert Johnson tune that was first recorded in 1937. Johnson died in 1938, and the original recording was published on vinyl in 1938 or 1939 (without a copyright notice) and not renewed after the then-standard 28-year copyright term had ended.Yup, but there's no problem at all with copyright, right?
But as the result of a series of utterly insane laws and court decisions, it turns out that the song may be under copyright through 2047. Today, issuing as sound recording is considered publication. But according to the 2000 decision in ABKCO v. LaVere, sound recordings published before 1978 don't count as publication. So despite the publication, re-publication, and widespread adapation of Johnson's "Love in Vain", it was never "published" before 1978 because there was no sheet music. And because it was created earlier but "published" first between 1978 and 1989, the crazy rules go into effect.
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