“Handcrafted with love by BYU design students and faculty, for the 5th Typophile Film Festival. A visual typographic feast about the five senses, and how they contribute to and enhance our creativity.” That fried ampersand looks mighty tasty.
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Krieger wrote in her decision, "the Defendant apparently secured Mr. Miller's agreement to appear in 'Refresh,' and should be entitled to identify him to the public and advise the public that Mr. Miller does, in fact, appear in the film.There may be a separate issue concerning a contractual relationship between Warren Miller and Warren Miller Entertainment, but WME does not appear to be suing Warren Miller directly, so that issue is unrelated to this particular lawsuit.
"According to the Complaint, every instance in which the Defendant used the 'WARREN MILLER' mark involved either Mr. Miller personally identifying himself or the Defendants making reference to Mr. Miller as a participant in the film," Krieger added. "These uses of Mr. Miller's name are entirely consonant with the public's interest in being able to truthfully identify a specific person."
Krieger wrote in her decision, "the Defendant apparently secured Mr. Miller's agreement to appear in 'Refresh,' and should be entitled to identify him to the public and advise the public that Mr. Miller does, in fact, appear in the film.There may be a separate issue concerning a contractual relationship between Warren Miller and Warren Miller Entertainment, but WME does not appear to be suing Warren Miller directly, so that issue is unrelated to this particular lawsuit.
"According to the Complaint, every instance in which the Defendant used the 'WARREN MILLER' mark involved either Mr. Miller personally identifying himself or the Defendants making reference to Mr. Miller as a participant in the film," Krieger added. "These uses of Mr. Miller's name are entirely consonant with the public's interest in being able to truthfully identify a specific person."
Jeremy Keith cleverly uses the atribute selector, abbr[title='and'] for enabling the best available ampersand with no added markup or class.

One year ago Sunday, we learned of the sad death of MAKE Contributor and GEEK Technique blogger Mark Hoekstra. Only 34 years old, Mark had a heart attack while riding his bike. The maker/hardware hacking world misses him and the fun stuff he used to put up on his site.
To mark the first anniversary of his passing, a special Mark Hoekstra award has been set up in his honor. Here's the description, posted to GEEK Technique:
To celebrate Mark's life and his passion for the GEEK in us all the PechaKucha Foundation and the PechaKucha Groningen team are launching the annual 'Mark Hoekstra PechaKucha Award' today, one year after he passed away, to find the person with the most GEEK technique! This award seeks to celebrate projects, ideas that express 'GEEK technique' to make the world a better, simpler and funnier place. We will be looking for PechaKucha presentations that are pro-social, pro-environment and pro-city and embody Mark's love for the geek. Explore Mark's amazing blog for inspiration! Full details of the award, judging system and how to upload your presentations will be announced in January when the website for the award is launched. We are working with several wonderful sponsors to bring this project to fruition. If you would like to support the project in any way please feel free to contact us: info@pecha-kucha.org
What a cool and touching way of honoring Mark. We hope some of our MAKE readers will submit a project.
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Sad news.. Mark Hoekstra of Geektechniques has passed away
More projects from Mark Hoekstra
“… a collection of Home screens of some of the best and brightest developers, designers and tech writers.” Nice way of discovering new (but useful) iPhone apps.
No, not the blog software, but rather a collection of open source fonts where “you’ll find only the most well-made, free & open-source, @font-face ready fonts”. League Gothic and Chunk look particularly excellent.
I just built this nifty little tea timer from a recycled toaster. I wish I had thought of the idea myself, but this is a rebuild of an article from MAKE, Volume 04 by Johnathan Nightingale.

I pulled apart an ugly $3 thrift store toaster and was pleasantly surprised by how nice it looked on the inside. Next, I snipped the connections to the heating element -- all I needed to work was the capacitor-timed electro-magnet. This magnet is part of a catch that holds the popper in place when pushed down. The timer is a trickle-charged capacitor that steals power from the magnet, allowing the spring to throw the arm back up after the 1 to 3 minute brew-time selected on the dial.

Once I'd grafted on a wood arm to hold the teabag I took it for a test drive. It worked great, but ejected the bag from the mug with such force that I got sprayed with hot tea. No fun! I goofed around with a few different dampening techniques until it dawned on me that this thing was designed to eject two pieces of toast. So, I weighed two slices of bread and then cut two equivalent pieces of plywood to put in the slots. Bingo, no more boiling droplets to the face! It's a fun, whimsical project that makes me feel a bit like Wallace when my wife asks for some tea.
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I'm proud to announce the opening of Open Source Embroidery, an exhibition at the San Francisco Museum of Craft and Folk Art on October 2. It's a great show with lots of crafts intersecting technology, including my LilyPad Embroidery piece. The show has traveled all the way from Sweden and looks truly fabulous. You can check out pictures of what the exhibition looked like at the Bildmuseet in Umeå, or stop by in person when the show opens in SF; I highly recommend it!
October 2, 2009 through January 24, 2010
Museum of Craft and Folk Art
51 Yerba Buena Lane
San Francisco, CA 94103
(@ Mission between Third & Fourth)
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Bassam Tariq is a Boing Boing guestblogger who is the co-author of 30 Mosques. A blog that celebrated the NYC mosques during the Islamic month of Ramadan. He currently resides in Harlem, New York.
Is anyone here following We Love You So? A blog Spike Jonze and Co. set up giving us a nice glimpse into all the little insights and influences that helped bring Where The Wild Things Are to life. The photo above is from their Where the Wild Things Ought To Be Contest, a cute photoshop competition that has some really clever entries.
Ch ch check it out- http://weloveyouso.com
I've never used Giottos Rocket Blaster. I just like the way it looks.
From Cool Tools:
This rubber rocket doesn’t provide as much pressure as Dust-Off. But it does exhale a forceful-enough blast for dusting photo/electronic gear, and standing upright on its base sidelines as playful desk dressing/stress-relief toy. I squeeze the oblong bladder (the rocket’s body) and a burst of air entering through a hole at the bottom exits the narrow hard plastic red nozzle.
The LA Philharmonic has a brand new Guitar Hero-inspired conducting game that lets you pretend to be music director Gustavo Dudamel. It's available on iPhone and on the Web.
abbr[title='and'] for enabling the best available ampersand with no added markup or class. #
@font-face ready fonts". League Gothic and Chunk look particularly excellent. #
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Vu Van Thang built this wonderfully detailed robot from trash, in order to win a Vietnamese robotics competition. It's specs are quite impressive for being built of scavenged parts. Using it's 11 motors, it can move its hands, arms and fingers independently. Nice 'bot!
[via boing boing]
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R.U. Sirius interviewed Randa Milliron, CEO of Interorbital Systems, "a 'rocket and spacecraft manufacturing company' that locates itself at the Mojave Airport and Spaceport in Mojave, California. They recently announced that they were offering to send people's personal satellites into low-earth orbit on a NEPTUNE 30 rocket for the low low low cost of $8,000."

I have to say that of all the improbable phrases I've run across blogging, "post-apocalyptic pneumatic werewolf" may well be the the weirdest. Which only makes this haunted house prop by Terra of HalloweenForum.com (her tagline: "Terror of the Cul de Sac") just that much more, well, wicked, than it already is.
(Sorry.)
Make: Halloween Contest 2009
Microchip Technology Inc. and MAKE have teamed up to present to you the Make: Halloween Contest 2009! Show us your embedded microcontroller Halloween projects and you could be chosen as a winner.
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LAST DRINK BIRD HEAD FOR CHARITY: Party, Pre-Orders, Awards, and More (Thanks, Jeff!)What Is Last Drink Bird Head? That's the catalyst editors Ann and Jeff VanderMeer provided to over 80 writers in creating this unique anthology, with all proceeds going to ProLiteracy.org. All each writer got was an email with "Last Drink Bird Head" in the subject line and the directions "Who or what is Last Drink Bird Head? Under 500 words." Like any surrealist writing game, it either sparked a response or it didn't.
The result? Last Drink Bird Head is a blues musician, a performance artist, a type of alcohol, a town in Texas, and even a song sung by girl scouts in Antarctica. Contributors include Peter Straub, Caitlin R. Kiernan, Brian Evenson, Henry Kaiser, Gene Wolfe, Hal Duncan, Jeffrey Ford, Rikki Ducornet, Holly Phillips, Stephen R. Donaldson, K.J. Bishop, Michael Swanwick, Ellen Kushner, Daniel Abraham, Jay Lake, Liz Williams, Tanith Lee, Sarah Monette, Conrad Williams, and Marly Youmans.
Famed designer John Coulthart did the interior, which features bobbing bird heads in the corners of the pages, so that the antho is also a flipbook.
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Patents are essential to the modern system of innovation. Once produced, information can be transmitted at zero cost. In the absence of patent protection, would-be inventors become vulnerable to competition that would drive the value of their discovery to zero, leaving them with no compensation for the costs of producing that information in the first place.This is the usual story. And it sounds good. But there's no factual evidence to support it. That's because it ignores reality. Yes, information can be transmitted at zero cost, but that does not mean that implementation is assured, or that the market stands still. Besides, I'm curious as to the claim "vulnerable to competition," as if competition is a bad thing. Most people recognize that competition drives innovation -- and yet, these law professors are suggesting the exact opposite. That you need less competition to drive innovation.
Microsoft objects that the injunction ordered by the trial judge goes too far. (It has been put on hold until after the appeal, which is to begin Wednesday.) But injunctions are almost always ordered to prevent continuing infringement, and for good reason. To simply order money damages for future infringement would be to force i4i to license out its technology at a court-imposed price.This is misleading. While it is true that in the past injunctions were the norm, since the US Supreme Court's MercExchange ruling more than three years ago, courts recognize that injunctions often do not make sense. The reason they don't make sense is because they require stopping the sale of an entire product (or lines of products) due to a single infringing feature. That makes no sense, and the courts have recognized this. I'm not sure why these law professors do not.
Just as there are good reasons not to compel citizens to sell or rent out their homes at prices set by judges, there are very good reasons in general to avoid compulsory licensing of intellectual property. Court determinations of the value of intellectual property are necessarily somewhat conjectural, yet damages awards require courts to act, in effect, as price regulators. By contrast, injunctions do not prevent a licensing deal from being done, but rather cede to the owner of the property the authority to set a price. Just as giving homeowners the right to decide whether to sell or rent out their houses does not destroy the housing market, in terrorem arguments about the death of Word under this injunction are without merit.Again, this is quite misleading. It implies that an injunction leads to the natural market setting the price for licensing, but nothing could be further from the truth. If someone is pointing a gun at your head and negotiating over how much you have to pay to stay alive, that's not exactly a fair and open economic transaction that both parties enter into under their own free will. Claiming that this is somehow a more accurate market is pure folly.
Meanwhile, Microsoft has vociferously argued that despite the trial judge's careful vetting of the evidence, i4i did not establish at trial a firm basis for its damages claim for past infringement. This claim about the speculative nature of past damages sits uncomfortably with Microsoft's opposition to injunctions. Given the complexity of measuring supply and demand for a unique product, it must be true that there is some empirical uncertainty about the precise level of past damages. But if patents are to have value, this uncertainty is unavoidable: A damages award is the only available remedy for infringement that has already taken place.Again, I have to admit confusion over these claims, which seem to have no basis in reality. It is not "the patent" that has value. It is the product. For sale in the market. And it's the consumer who values it. The fact is that many more people seemed to value a complete package of Microsoft Word. They were not buying it because of i4i's silly and questionable patent. They were buying it because Microsoft Word is a useful product. The difference in sales for Microsoft Word if it had not included XML editing would likely be negligible at best. There is no evidence of damages. If i4i and these lawyers are claiming that the "damages" are i4i's inability to sell its own product, again, that is difficult to square with reality. Competition happens all the time, and it's as good thing. i4i's inability to come up with a product or marketing plan that people wanted is its problem, not Microsoft's.
Protecting i4i's patent protects incentives to invent and the competitive process. In this case, the trial judge wisely offered such protection, while recognizing the court's own institutional limitations, by ordering damages for past infringement and injunctions going forward. While the decision was not a good one for Microsoft, it was clearly in the best interests of society.Really? So, completely banning the sale of an entire office suite offering because one tiny, rarely used, feature might infringe on some random other company's products is "in the best interests of society"? That seems wholly without support. That would mean making every user of Microsoft's office suite suffer, for the benefit of a small 30 person company that developed a rather obvious concept. How is that possibly in the best interests of society?
Dear MR BAGGINS, Fellow Conspirator,Hobbit 419I am Thorin Oakenshield, descendant of Thrain the Old and grandson of Thror who was King under the Mountain. I am writing you to discuss our plans, our ways, means, policy and devices for rescuing our treasure from the dragon Smaug.
During the reign of Thror our kingdom was a prosperous one. Kings used to send for our smiths, and reward even the least skillful most richly. Fathers would beg us to take their sons as apprentices, and pay us handsomely, especially in food-supplies, which we never bothered to grow or find for ourselves. Altogether those were good days for us, and the poorest of us had money to spend and to lend, and leisure to make beautiful things just for the fun of it, not to speak of the most marvellous and magical toys, the like of which is not to be found in the world now-a-days.
What a cute video about roasting, grinding, and siphon-brewing coffee. Style points for the Gershon Kingsley soundtrack, and it's not even Friday! [via BoingBoing]
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I really like the way George's brain machine spectacles turned out! (More pics here.) He built them using Mitch Altman's Brain Machine Kit, available from Maker Shed.
Susan Olsen, who played Cindy ("the youngest one in curls") will be signing copies of her new book, Love to Love You Bradys: The Bizarre Story of The Brady Bunch Variety Hour, at the Santa Monica Public Library on September 26 at 1pm.
Derek Thomas of the LA Weekly calls The Brady Bunch Variety Hour "one of most hallucinogenically bad variety shows to have ever aired on television."
Susan Olsen ... tells all in Love to Love You Bradys: The Bizarre Story of The Brady Bunch Variety Hour — including how Maureen McCormick was constantly coked up and why Robert Reed was totally okay with dressing up as Carmen Miranda.Susan Olsen booksigning in Santa Monica
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Bionic Eye is a $0.99 augmented reality app for the iPhone to help you find fast "food" chain restaurants.
From Cult of Mac:
Designed for the iPhone 3GS, Bionic Eye is an augmented reality app that overlays information about nearby points of interest over the iPhone’s camera. Hold the camera up to the building in front of you, and thanks the iPhone’s GPS and compass, the screen is overlaid with little virtual signs that say what’s inside. It also includes virtual signposts showing the way to the nearest subway station or Starbucks coffee shop.Bionic Eye iPhone App Points the Way To the Nearest Hooters
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Ask MAKE is a weekly column where we answer reader questions, like yours. Write them in to mattm@makezine.comor drop us a line on Twitter. We can't wait to tackle your conundrums!
Carl writes in with a good question:
I make cool projects (I think so anyway), and I would really like them to be on Make. What do I need to do?
We occasionally receive really cool projects that we would like to publish, however they just don't have quite enough information for us to figure them out. So, here are some tips about documenting your projects in a way that makes them accessible.
The first step is to document your project during your build. The final product is what most people will see, however the build process can be equally interesting. I learn a lot from looking at the tools and techniques others use to construct their projects, and suspect many other makers do as well. Take some photos, comment some code, record some sound- whatever is appropriate for your project. For extra points, making a timelapse of your construction can be really fun to watch. The important thing is to keep the documenting process simple so that you don't get bogged down with it and forget to finish your project.
Once you have all of your cool documentation, you probably want to put it on the web somewhere. A great way to go is with Instructables, which is a site dedicated to hosting DIY projects. Another option is to use a more traditional blogging site. My favorite is WordPress, however Blogger is also a good alternative. If you have constructed your own website, that is great too, just make sure that each project has its own page. This is important, because it creates a permanent link to your project, making it possible for us to link to.
If you have taken video of your project, then by all means upload it to a free video hosting service. This allows us to embed your video in a post, which will greatly increase the chance that people will watch it. Again, there are a number of free services that you can use; Youtube and Vimeo are popular options.
The final step is to submit it to us! We have a nice tip line, try it out and don't be afraid to promote yourself!
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Everybody needs a robot eye on their sleeve to look out for invisible monsters.
“Miruko,” a wearable eyeball-shaped robot with a built-in camera and wi-fi capabilities, is designed to augment human perception by sensing and reacting to objects that cannot be seen with the naked eye.Miruko: Wearable eyeball robot interfaceIn this video, Miruko’s creators demonstrate how the robotic eyeball can be used as an interface for a virtual monster-hunting game played in a real-world environment.
Worn on the player’s sleeve, Miruko’s roving eye scans the surroundings in search of virtual monsters that are invisible to the naked human eye. When a virtual monster is spotted, the mechanical eyeball rolls around in its socket and fixes its gaze on the monster’s location. By following Miruko’s line of sight, the player is able to locate the virtual monster and “capture” it via his or her iPhone camera.
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Apologies to Jason Morrison for stealing his macro for the title, there, but I just wasn't going to be able to live with myself if I went with one of the obvious "computer virus" gags. Because these are viruses, you know. Made from old computer parts. By sculptor Forrest McCluer. [via Neatorama]
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Many studies find that households increase their consumption after the receipt of expected income payments, a result inconsistent with the life-cycle/permanent income hypothesis. Consumption can increase adverse health events, such as traffic accidents, heart attacks and strokes. In this paper, we examine the short-term mortality consequences of income receipt. We find that mortality increases following the arrival of monthly Social Security payments, regular wage payments for military personnel, the 2001 tax rebates, and Alaska Permanent Fund dividend payments. The increase in short-run mortality is large, potentially eliminating some of the protective benefits of additional income.
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One of the hassles of my MakerBot is having to raise and lower the z-stage (the up-down platform holding the plastic extruder) by tugging on the rubber belt. Tug, tug, tug, just to get the extruder into the right position for beginning a print. Zaggo in the Thingiverse made a printable crank to solve this pesky annoyance.
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Just Posted: Our preview sample gallery from the Canon PowerShot G11. It's the first time in the G-series' history that the nominal resolution has decreased on a new model. We've got hold of a production version of Canon's latest flagship compact camera and so you can see for yourself what impact this move has had on the image output. As usual we've made sure to include a variety of light situations and ISO-settings. Comments Off [link]
I started with this list of countries based on economic growth (the growth rate of the Gross Domestic Product) using data from the CIA World Fact Book. The US is 67th in GDP growth rate, and I made a list of ten countries from the G-20 group of nations with higher growth rates than that of the US and compared that list of ten countries to the rankings of perceived strength of IP protection. All ten of these countries, it turns out, are perceived to have weaker IP protection than the US. To choose an obvious example, China has the fastest economic growth rate of any of the G-20 economies, but is ranked far below the US -- at 61st -- on the list of strong IP protectors.This is not surprising, and has been supported by plenty of studies in the past. Eric Schiff's famous look at how the Netherlands and Switzerland had massive growth rates during a time without patents (or with very weak ones) is instructive here, but there are numerous other studies as well. It's quite clear that stronger patent law does not mean greater innovation or economic growth... and yet why would the US Chamber of Commerce falsely interpret the study that way? The most basic theory? Patents have never been about innovation or economic growth. They've always been about protecting incumbents against competition. Guess who are members of the US Chamber of Commerce? Yup... the incumbent business owners...
It is easy to lie with statistics, of course, but this simple comparison suggests that weaker IP protections might actually correlate with economic growth....
For the month of Ramadan, my friend Bassam and I gave you guys an insight into how Muslims across the United States observe Ramadan with our project 30 Mosques in 30 Days. But Iranian-American Jason Rezaian gives an interesting and critical look at Muslims observing Ramadan in five predominantly Muslim countries.
Rezaian talks about how local cultures can sometimes twist Islam's religious practices. Take his Dubai story for example:
Dubai tends toward gluttony every month of the year, but during Ramadan, things are even more over the top, with nearly every eating establishment offering an Iftar fast-breaking gut-buster at sundown. It's Dubai doing what it does best: using its limited resources for its own commercial advantage. Even American fast-food outlets in Dubai offer Ramadan Value Meals, usually adding a dessert to the already calorie-packed meal deal. At the Dubai Mall, McDonald's was the only major international food chain that didn't have a special offer, just a banner that read: "Ramadan Kareem"--"Happy Ramadan."Slate: My Ramadan World Tour
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Two armed thieves entered the Musée Magritte in Brussels at 10am this morning and made off with surrealist René Magritte's Olympia, valued at £3 million. One of the thieves rang the bell and asked to be let in. When he entered he pulled a gun and ordered the woman who answered the door to let his accomplice in.
A policeman said: “There were three museum workers inside at the time and two Japanese tourists. All five of them were ordered out the back and told to keep quiet by the man with the gun.
“In the museum the other person stole the painting and they both made good their escape. They seemed to know which painting they wanted to steal - they took the whole painting off the wall, including the frame.”
What usually happens to stolen paintings? Do the thieves hold them for ransom, do they sell them to private collectors who have secret museums in the homes, or what?
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This awful figurine from the SAW movies is actually a pretty cool 30 second sample/playback module that's easy to hack. You can buy them here for $2 a pop at allelectronics.com. It's almost worth the $2 just for the AAA batteries that come with it.
Add audio IN and OUT jacks, a pitch control and a loop switch using the schematic shown below.
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Wacom has refreshed its Bamboo line of interactive tablets to include multi-touch and gesture-based control. First up are the Bamboo for office users and Bamboo Fun aimed at photographers and artists. They use either a pen or a multi-touch option that allows finger gestures to zoom, flip and rotate documents and images. There is also a less-expensive touch-only model called the Bamboo Touch. Beyond these three core products Wacom has also launched regional models including Pen-only models. Comments Off [link]

Mackenzie Cowell is one of the founders of DIYbio.org. He is featured in the most recent of our ongoing series of video interviews with notable makers, sponsored by Dow chemical, over at elementsofhumanity.com. Mac is a big advocate, not just of the fledgling discipline of synthetic biology (or "biological engineering," as it's coming to be known), but of the idea that amateurs, hobbyists, and so-called "citizen scientists" have a meaningful role to play in its development. Check it out.
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The problem here is that Corona is shredding the Sixth Amendment of the U.S. Constitution, the right to a trial by jury. By reclassifying a moving violation (a traffic offense governed by the vehicle code) to an administrative violation (governed by the appropriately named government code) Corona is doing something really nefarious. In order to appeal an administrative citation you have to admit guilt, pay the full fine, and then apply for a hearing in front of an administrative official, not a judge in a court. The city could simply deny all hearings for administrative violations or schedule them far out in advance knowing full well that they have your money, which you had to pay before you could appeal.The original article also notes that the majority of such fines are not on people running redlights directly, but people doing rolling stops before doing a right turn on red -- an action that very rarely leads to an accident. But it sure does dump lots of money in city coffers.
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When I was a kid I was often reprimanded and sometimes even kicked out of class for drawing comics in school. Now, research has shown that comics are a great way to turbo-charge literacy in reluctant readers (especially in boys), and comics are suddenly being welcomed into classrooms all over the world.
With this in mind, my partners at Bitstrips and I have developed Bitstrips for Schools, an educational comic-making service. We piloted it last spring in a handful of Ontario classrooms, and the kids went crazy for it, creating almost 3000 comic strips in six weeks time (see video). Their creativity has astounded me, as have the incredibly cool and dedicated teachers I've had the chance to work with (link).
Bitstrips for Schools has since been licensed by the Ontario Ministry of Education, which means that 2 million kids now have at their fingertips the tools to make their own comics.
We also just introduced a "self-serve" option that lets teachers outside of Ontario buy cheap one-classroom licenses.
So yes, in interests of full disclosure, this is a plug for a website I have an interest in. But it's also a website I'm super proud to be a part of!
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If you've ever tried to watch a movie on your phone in bed then you'll definitely appreciate this free-standing phone stand hack from Andrew over at Recombu. There's never been an easier way to get your lazy on. Enjoy.
[via recombu]
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i made those mixtapes 5 years ago, i didn't have a knowledge of the workings of the music industry back then...The point is that, thanks to today's technology, it's quite easy for people to infringe while doing what they think is a good and reasonable thing. Lily, you created these mixtapes to promote both your own music and the music of others you liked. That's a perfectly reasonable thing to do. But it's infringing. Think of all the other people who are just like you 5 years ago. They don't have knowledge of the workings of the music industry, and they're trying to promote themselves or share music they like. But, based on the laws that you, yourself now support, the Lily of 5 years ago might not have an internet connection. Even though the "infringement" you did was for entirely innocent reasons. How is that fair or just?
As your article clearly states , lilyallenmusic.co.uk is an EMI run website, which is exactly why i don't acknowledge it (i think theres a link to it on my myspace(which i do run), thats purely because, my record contract states i cant sell my merchandise online anywhere else on the net . i don't post on there, i dont even look at it. the record company run it.Fair enough, but really the fact that it's a major label owned site was a separate issue (having to do with EMI's claims in its lawsuit against MP3Tunes). It still doesn't change the fact that you created these mixtapes, and used them to advance your career. And now you are claiming that the very same tactics should not be allowed for others?
Anyway the snippets of songs you hear on those mixtapes are about 30 seconds to 1 minute in length, in traditional mixtape style, it is infringement, correct, but it's not my site, it's EMI's. i am not a hypocrite, i don't illegally download music, and i still think unauthorised file sharing is wrong.But you were the one who created the mixtapes, correct? You were the one who infringed and uploaded them and offered them to the world. That they're now on a site controlled by EMI is quite besides the point.
The electric chair is an old haunted-house standby, but YouTuber kenpilot's version is really outstanding. Excelsior!
Make: Halloween Contest 2009
Microchip Technology Inc. and MAKE have teamed up to present to you the Make: Halloween Contest 2009! Show us your embedded microcontroller Halloween projects and you could be chosen as a winner.
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Innocent in London - 'Suspicious behaviour on the tube' (Thanks, Glyn!)I would like to apologise on behalf of the Metropolitan Police Service for the circumstances that arose on 28 July 2005 including your unlawful arrest, detention and search of your home. I appreciate this has had a deep and traumatic impact on your lives and I hope that the settlement in this case can bring some closure to this.
I shall ensure that the officers concerned are made aware of the impact of the events of that day and also the details of the settlement in this case.
Yours sincerely
[signature of Chief Superintendent Wayne Chance]
Borough Commander
Southwark
My friend Thomas Edwards, who was the founder of Dorkbot DC, and is now involved in Dorkbot SoCal, told me that he'd gotten a MAKE Controller Kit v2 to work with some of his networked physical computing projects. I asked him if he'd like to write a no-holes-barred review of the kit. Here's what he had to say. - Gareth Branwyn
I've programmed a lot of microcontrollers in my day: PICs, BASIC Stamps, Comfile CUBLOCs, and of course, Arduinos. But recently I've been working on networked physical computing projects that require Ethernet, motor drivers, and servo drivers. Rather than try to stack up a bunch of Arduino shields, I decided to take the plunge and try the MAKE Controller v2, which integrates all those capabilities.

What is the MAKE Controller Kit?
The MAKE Controller Board ($60 separate) is built on the Atmel AT91SAM7X256 microcontroller. This chip incorporates the ARM7TDMI ARM Thumb Processor, which has a 32-bit RISC architecture and a 16-bit instruction set. The chip has 256 Kbytes of internal high-speed flash memory for programs and 64 Kbytes of static RAM. It packs a lot of power.
In order to do anything interesting with the MAKE Controller Board, it needs a power supply and other support circuitry, so the board must be plugged into a support board. One support option is the Interface Board ($32.50, or $85 with MAKE Controller Board), which provides 35 digital input/outputs, 2 serial ports, TWI, CAN, SPI, Ethernet, and USB interfaces.,The other option is the Application Board ($52). The MAKE Controller Kit ($120 altogether) from Making Things is a combination of MAKE Controller Board and the MAKE Application Board.
The Application Board is about 3-¼" long by 4" wide, and when combined with the Controller Board, comes to about 5/8" tall. There are six screw holes for mounting.
Ins and Outs
The MAKE Controller Kit has eight analog inputs with 10 bits of resolution. The Kit can read input voltages from 0-3.3V, but is protected from damage if higher voltages are applied to the analog inputs.
The Kit also has eight high-current (1A) digital outputs. These are driven from two SN754410NE quad H-driver chips, and can be configured to drive eight individual digital outputs, drive four DC motors in forward or reverse using the H-drivers, control two stepper motors, or a combination of these options. These digital outputs can also be controlled with pulse-width modulation (PWM), for controlling DC motor speed, for example. There are four PWM signal generators available on the board, each one driving two of the digital outputs.
The analog in and digital outs utilize screw-down terminal connectors. You need to get a small (jeweler-size) screwdriver to effectively use these, but they're very convenient compared with having to solder header pins on wires to connect to an Arduino.

The Kit also has four connections to drive standard servos. Jumpers allow the V+ voltages for the digital and servo outputs to come either from the regulated 5V supply, or from an external DC power supply, if you need more current or a different V+ voltage.
The external supply for the servos is separate from the external V+ "main power supply" for the board. So, for example, you might want to drive your servos with an external 6V supply, but provide your digital outputs with 12V from the main board power to drive a DC motor. To add flexibility, each bank of four digital outputs has its own 5V/V+ jumper. Obviously, Making Things has been thinking deeply about real-world uses of this board.

The Kit has both mini USB and Ethernet interfaces. The USB connection can also power the Kit (although with a limited amount of output DC current). Other data interfaces include a hardware serial port and a Two-Wire Interface (TWI, aka I2C) bus. Four status LEDs are found on the Application Board, and a single status LED is located on the Controller Board.
The Kit can be powered with an external DC supply with voltage in a range of 5V to 24V. I ran it with a 12V supply and did not find any "hot spots" on the board (unlike my experience with the Arduino).
It should be noted that v2 of the Application Board has changed significantly from v1. No longer present is the 8-position DIP switch and trimpot, and the JTAG (used for on-chip debugging) and CAN bus connectors on the v1 Application Board are now just solder pads, available if you want to add connectors to them.
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The truth is the Internet didn't steal the audience. We lost it. Today fewer people are systematically reading our papers and tuning into our news programs for a simple reason--many people don't feel we serve them anymore. We are, literally, out of touch.Again, don't just read this snippet, read the whole thing. It goes on to talk about how other community sites have built trust, and have done it by really involving the community and empowering them. Anyone in the news business who doesn't understand this shouldn't be working in the news business much longer.
Today, people expect to share information, not be fed it. They expect to be listened to when they have knowledge and raise questions. They want news that connects with their lives and interests. They want control over their information. And they want connection--they give their trust to those they engage with--people who talk with them, listen and maintain a relationship.
Trust is key. Many younger people don't look for news anymore because it comes to them. They simply assume their network of friends--those they trust--will tell them when something interesting or important happens and send them whatever their friends deem to be trustworthy sources, from articles, blogs, podcasts, Twitter feeds, or videos.
Mainstream media are low on the trust scale for many and have been slow to reach out in a genuine way to engage people. Many news organizations think interaction is giving people buttons to push on Web sites or creating a walled space where people can "comment" on the news or post their own "iReports."
People aren't fooled by false interaction if they see that news staff don't read the comments or citizen reports, respond and pursue the best ideas and knowledge of the audience to improve their own reporting. Journalists can't make reporting more relevant to the public until we stop assuming that we know what people want and start listening to the audience.
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It's tempting to count coup here and write Allen off as a hypocrite, but there's a more important story here. Allen just hasn't thought this through. Copyright is problematic for everyone: musicians, fans, bloggers. The absence of clear affirmative rights to make personal copies, to share with your friends, to copy for the purposes of discussion and commentary (as opposed to the fuzzy and difficult-to-interpret fair use guidelines, which have been further confused by the entertainment industry's bold attempts to convince us all that they don't matter and can't be relied upon) means that we're all in a state of constant infringement.
A law that no one understands and no one abides by is no law at all. Parts of copyright -- the right to regulate how commercial licenses with industrial entities work -- are really important to me and to all working artists. But if we continue to try to expand copyright to cover everything, every interaction that involves a copy (which is every interaction these days), then the broad consensus that copyright is nonsense will continue to grow, and we'll lose the good stuff as well as the ridiculous stuff.
For the record, I am a small-time Lily Allen fan, and I bought her latest CD after hearing it for free, when a friend emailed me some tracks. If Ms Allen would prefer, I can stop buying and listening to her music, given that I discovered it through "piracy."
Also, this is not the only infringement on her blog. While she's trying to point out how much damage 'pirates' do to the music industry she blatantly infringed the copyrights of a number of newspapers by posting scanned articles.Lily Allen Pirates Music, Is Clueless About CopyrightTo make things even more absurd Techdirt discovered that Lily is pirating music herself by offering some unauthorized mixtapes (tape 1 and tape 2) on her website LilyAllenMusic.com. The tracklist of one of the mixtapes reveals a list of no less than 19 unauthorized tracks. This means the RIAA can easily sue her for millions.
David "Everything is Miscellaneous/Small Pieces Loosely Joined" Weinberger sez, "I've started a series of video interviews with FCC Broadband Strategy folks (and others) about the process and its progress. The first is with Blair Levin, director of the initiative. He explains the value of broadband; confirms that broadband means access to the open, neutral network; defends the impartiality of the initiative's process; and talks about the causes of the U.S.'s low ranking when it comes to broadband access, prices, and speeds."
He's also posted interviews with Sascha Meinrath on mesh networking, and Clay Shirky on why freedom ought to be a part of the infrastructure.
Broadband Strategy Week
(Thanks, David!)

Schizophrenia
(Thanks, Nelson!)
Blood Lamp (via Cribcandy)
For the lamp to work one breaks the top off, dissolves the tablet, and uses their own blood to power a simple light. By creating a lamp that can only be used once, the user must consider when light is needed the most, forcing them to rethink how wasteful they are with energy, and how precious it is.
Sneakey (Thanks, Fipi Lele!)
The access control provided by a physical lock is based on the assumption that the information content of the corresponding key is private --- that duplication should require either possession of the key or a priori knowledge of how it was cut. However, the ever-increasing capabilities and prevalence of digital imaging technologies present a fundamental challenge to this privacy assumption. Using modest imaging equipment and standard computer vision algorithms, we demonstrate the effectiveness of physical key teleduplication --- extracting a key's complete and precise bitting code at a distance via optical decoding and then cutting precise duplicates. We describe our prototype system, Sneakey, and evaluate its effectiveness, in both laboratory and real-world settings, using the most popular residential key types in the U.S.

Looking to take a break from tinkering on your latest project this weekend? Here some fine maker events to check out, from the MAKER Events calender. Wish your event was on the list? Add it to the calender!
In the next week:
Gizmodo Gallery
New York, NY
Sept 23 to Sep 27, 2009, (times vary)
Innovations of Yesteryear
Waltham, MA
Saturday, Sep 26, 2009, 10am - 4pm
Working Waterfront Festival
New Bedford, MA
Saturday, Sep 26 and Sunday, Sep 27, 2009, 11am - 7pm
Introduction to Sensors
Toronto, ON
Saturday, Sep 26 and Sunday, Sep 27, 2009, 12pm - 4pm
Circuit Bending Workshop
Milwaukee, WI
Wednesday, Sep 30, 2009, 6:30pm - 9pm
End of Summer BBQ Potluck for Portland Makers
Portland, OR
Saturday, Sep 26, 2009, 3pm +
Red Bull Soapbox Race
Los Angeles, CA
Saturday, Sep 26, 2009, 11am +
Start planning for:
Introduction to Electronics
Brooklyn, NY
Saturday, Oct 3, 2009, 1pm - 4pm
Mobile Art && Code
Pittsburgh, PA
Friday, Nov 6 to Sunday, Nov 8, 2009, all weekend
I bought a cool domain for a project I'm working on, r2.ly.
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Great overview - Making the most of open-source hardware - Electronics Weekly - Gerald Coley, Texas Instruments...
AT A GLANCERead the rest in the latest Electronics Weekly or online... Read more | Permalink | Comments | Read more articles in Open source hardware | Digg this!
* Open-source hardware offers an advanced start on your design.
* Open-source software complements open-source hardware.
* Open-source hardware prepares your PCB (printed-circuit-board)-fabrication and -assembly houses for high-volume production.
* You may want to share your improvements by making them open-source additions, as well.
Many designers are familiar with open-source software, such as Linux, in which the source code is available to all. However, fewer are familiar with organizations offering open-source hardware. These organizations release free information, including schematics, BOM (bill-of-materials) information, and PCB (printed-circuit-board)-layout data, covering the overall hardware design.
Designers with this information can build or add to a freely available design. In many cases, open-source software supports the original design, providing additional advantages. Some aspects of open-source hardware go beyond the sharing of the design itself.
These aspects can save time and money for not only hardware developers but also PCB designers and fabricators, contract manufacturers, and even software developers.
You can license open-source projects from organizations such as Creative Commons, which offers the Attribution-ShareAlike licensing program. Creative Commons stipulates that a user must attribute the open-source work in the manner that the original designer specifies but not in a way that indicates that the original designer endorses the user's work. Likewise, if users provide that work as open-source hardware, releasing it back to the community for access by others, then they must provide that work under the same Attribution-ShareAlike licensing...
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Andy Warhol's famous Marilyn recreated by a team of paintballers!
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Gijs Gieskes hooked up a circuit bent camera to a VU meter to create the VU Cam. I really enjoy the neat look of his homebrew circuit board, and the repeatable-looking results it achieves on the camera. He also includes a schematic, in case you want to try making your own.
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