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Hungry for breakfast? Forget fast food, try following your childhood dreams and build a breakfast machine to make it for you! I'll do it as soon as I can convince someone to clean it for me; anyone looking for an internship?
The jam rolling unit really caught my eye. What would it take to turn that into a rotary diecutter? I'd love to have toast spelled out in my initials.
[via neatorama]
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The Howard Phillips Lovecraft Historical Society, whose work I dearly love and have written about before, is compiling a complete prop edition of the Necronomicon from reader submissions! There was, apparently, a "Necronomicontest" of some sort to encourage submissions, the deadline of which has now passed, but they are still accepting "mad ramblings" here.
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Here's a vid of an OLPC OX that runs a RepRep which is printing out little camera viewfinders for the XO, to help kids line up shots with the laptop's built-in camera.
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Dorkbot NYC is this Wednesday!
Featuring the pale green and salt-forming:
Torino:Margolis is a performance art team that crosses physical and psychological barriers, using invasive electronics and biomedical tools. They explore the idea that the self is transient, elusive and modular by playing with the notion of control and free will. In their new media/dance piece, Action Potential, they harvest a dancer's neuronal impulses using electromyography machines. Using Arduino and XBees, the signals are sent wirelessly to Pure Data open source software, which transforms the signals into sound. Sound/programming by Lee Azzarello and choreography by Dana Kotler.
Stefani Bardin: Chemical Proust: Remembrance of Things Pastiche I'm a media maker interested in the intersections of food, technology and science. By examining industrial food production alongside the media rich stylized presentation of food and using such tools as artificial smells (that "flavor" our food supply) and gastroenterology technology I look at food as both a mediating agent and phenomenological reference point within our society and how its role has changed through the modern influences of technology and corporate culture.
Lee von Kraus: cyborgs and cybernetics I will discuss the roborat, roboroach, and other cybernetics stuff I'm working on. The roborat is a rat that is trained to move in directions specified by electronic signals sent to its brain via electrodes. The roboroach is a cockroach that is tricked into moving in specified directions by using mechanically actuated antenna stimulation. The 'other cybernetics stuff' refers to a goal of augmenting brains via induction of new circuit formation.
What: dorkbot-nyc meeting
When: 7-9pm, 07 Oct 2009
Where: Location One, 20 Green Street, north of Canal
$$$: $$$FREE$$$
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I love this funky robotic arm that looks like it's something from the set of Terry Gilliam's Brazil. The arm is constructed of techno-junk, recycled PCB material, cassette motors, 15-gauge wire, fishing line. The "brains" for the arm is a 6502 CPU from the 1980s. Tres retro!
While you're on the site, check out some of the builders other ingenious BEAM-ish bots. [Thanks, R. Mark Adams!]
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At the beginning of this year I noticed that Edwyn's myspace had gone bit wonky and I tried to upload the tracks back on to the music player. His most famous track, which he owns the copyright in, as he does for most of the music he's recorded in his life (preferring to go it alone than have his music trapped "in perpetuity" to use the contract language of the major record company) is called A Girl Like You. It's quite famous. Lo and behold, it would not upload, I was told Edwyn was attempting to breach a copyright and he was sent to the Orwellian myspace copyright re-education page. Quite chilling, actually. I naturally blew my stack and wrote to myspace on his behalf demanding to know who the hell was claiming copyright of Edwyn's track? Which, incidentally, he always made freely available for download on myspace, something which amazed his followers. Eventually, after HUGE difficulty, I was told Warner Music Group were claiming it. I found a nice lawyer guy at Warners, very apologetic, promised to get it sorted, but all these months later it isn't. That is because Myspace are not equipped to deal with the notion that anyone other than a major can claim a copyright. Warner's were one of the lead petitioners in the attempt to put those three stoner lads in Sweden in prison recently, remember.Meanwhile, the song which Collins wants to give away, but cannot, is being sold all over the internet... but not by Collins. Instead, it's by major labels who have no right to do so, according to Collins' manager:
A Girl Like You is available FOR SALE all over the internet. Not by Edwyn, by all sorts of respectable major labels whose licence to sell it ran out years ago and who do not account to him. Attempting to make them cease and desist would use up the rest of my life. Because this is what they do and what they've always done.Wait... major labels... selling a song they don't have the right to, and not giving any of the money back to the artist? That seems a hell of a lot worse than just sharing a song for non-commercial reasons, doesn't it?
Andrew Loog Oldham said that getting ripped off (by the industry) was your entrance fee to the music business of the sixties, so get over it. He's right and things have not changed. We are very over it, but nonetheless aware of who the biggest bootleggers around are. It's not the filesharers. Personally, we've always loved bootlegs. Even when Edwyn was really skint at the fag end of the eighties, I remember being in Camden market and seeing some tapes of a couple of his shows on sale. I tried to buy them but the stallholder somehow knew who I was and said "free to the management." I failed to see how that guy selling tapes of Edwyn or even U2 or anybody on the list of signatories above could harm their career.And... then at the end, she's got a nice little message for the Featured Artist Coalition and its silly petition to try to stop file sharing:
The gig's up. You might as well take a position about when you want the sun to come up in the morning. It's over. Now let's get on with working out a wonderful new way for music lovers to enjoy music for free or for a small subscription that makes it legal and easy to hear ANYTHING and allows the artist to reap the rewards of such freedom of access. Viva la revolucion!
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Sue Blackmore says she is still fooled by the idea that she has a "soul, a spirit, a mystical entity."
Paul Broks has gone from asking himself the "preoccupying question, What am I? to another, What should I do?"
David Buss is surprised that he succumbs to "well-documented psychological biases, even though I’m acutely aware of these biases," such as "believing that I will be happy for a long time after some accomplishment (e.g. publishing a new book), when in fact the happiness dissipates more quickly than anticipated."
Robert Cialdini says his "most nagging error" is overcommitting. "With that threshold crossed, I've no longer had the time or patience to plan, think, or toil hard enough to be proud of the resultant work."
Stephen Kosslyn asks, "Why am I a Satiator in some cases, and an Addict in others?"
Paul Rozin says, "Every night, I bring home a pile of work to do in the evening and early morning. I have been doing this for over 50 years. I always think I will actually get through all or most of it, and I almost never get even half done. But I keep expecting to accomplish it all. What a fool I am."
Norbert Schwarz says incidental feelings still affect him, even though he is aware of them. "Some 25 years ago Jerry Clore and I studied how gloomy weather makes one’s whole life look bad -- unless one becomes aware of the weather and attributes one’s gloomy mood to the gloomy sky, which eliminates the influence. You’d think I learned that lesson and now know how to deal with gloomy skies. I don’t, they still get me."
The other answers are equally fascinating.
One nagging thing you still don't understand about yourself
(Via Mind Hacks)
Here's a neat sound sculpture made by The Books. The spoons are animated by playing sounds on a speaker mounted behind them. This works because sound waves are basically traveling pressure differences. When the sound wave hits the spoon with more pressure than the atmospheric pressure of the room on the other side, the spoon gets sucked outward. You can try this by yourself if you have a subwoofer with a small opening- just stick a piece of paper over it.
It seems like it would be an interesting challenge to compose music for, because the sound and spoon movement are tightly coupled. I wonder if you could use this principle ot create a feedback-based drum machine?
[via boingboing]
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Back in 2005, I wrote a fictional scientific paper (.pdf) postulating that zombiism is in fact caused by a prion, rather than a virus, as is commonly hypothesized. I also wrote a short essay about the idea of "fiction science" at the time. Now Ben Tippet, at the behest of Dinosaur Comics' Ryan North, has written a similarly fictional scientific paper (.pdf) presenting "A Unified Theory of Superman's Powers" from a physicist's perspective. I'd be interested in hearing of other examples of people co-opting the serious literary forms of science for fictional purposes. If you know of one, please drop me a comment. [via Neatorama]
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The legal rights that governed IP for generations provided a known system of incentives that both fostered and spread innovation. It was the inducements built into our free-enterprise system, coupled with the talents and hard work of entrepreneurs, which moved this nation forward. It worked back then, and it will work now.This is actually entirely unsupported by the evidence. Studies have shown -- repeatedly -- that no causal relationship has been shown between IP rights and innovation. Furthermore, it's pretty laughable to pick a gov't granted monopoly and claim that this is an "inducement built into a free-enterprise system." IP is the opposite of free enterprise. It's a gov't-granted monopoly. Also, in the paragraph above, he's talking about IP post World War II. What he skips over is that after that period, both patent law and copyright law were greatly expanded, such that they barely resemble what was seen following WWII (especially copyrights).
Six decades later, nearly half the U.S. economy is driven by industries that depend heavily on intellectual property rights. If we are to jumpstart a second economic renaissance, then we must begin by protecting and stimulating the lifeblood of America's economy: its ideas.Well, beyond the lack of evidence that IP stimulates ideas, every time we talk about IP stifling ideas, IP system defenders rush onto this blog to remind us that neither copyright nor patents are supposed to protect "ideas," but rather "expressions" or "inventions." Someone should inform Esper of this.
The counterfeiting and piracy of American goods cost the U.S. economy over $200 billion annually, and the loss of hundreds of thousands of jobs. This growing problem, coupled with the fact that some foreign governments are working to weaken IP laws that protect American patents, threatens to slow down innovation by undermining the incentives that foster it.Where to start? Well, how about that $200 billion number? It's made up. Almost entirely. Both the GAO and the OECD looked into the numbers bandied about by the Chamber of Commerce and other lobbying groups and found (oops) that they were exaggerated, sometimes by an order of magnitude or more.
This is occurring at a time when industries that rely on IP, such as pharmaceuticals, IT, and entertainment, employ 18 million Americans, and are expected to exceed the national average when it comes to future job growth. At the same time, workers in IP-based industries are projected to earn approximately $7,000 more than their counterparts in non-IP lines of work.This assumes, entirely incorrectly, that those jobs don't exist in the absence of IP. Unfortunately, the evidence is again totally against Esper. Countries that had no patents on pharma goods, such as India and Italy for many years, still had incredibly thriving pharmaceutical industries. In fact, Italy's pharma industry shrunk after it put in place patents for pharma. So, the idea that stronger patents are needed to protect jobs? There doesn't seem to be any support for that.
In short, America's future depends on intellectual propertySee, this is a neat trick. He's assuming that all intellectual output relies on IP laws. That's not true. America's future may depend on innovation, but that's not the same as saying it depends on stronger IP laws.
Our IP is valued at over $5 trillion -- more than the GDP of any other country. Intellectual property also accounts for more than half of all U.S. exports, helping drive 40 percent of U.S. economic growth. In 2006 alone, IP exports contributed $37 billion to our trade balance, demonstrating the power of IP in the global marketplace.Ah, the use of funny math. Again, this involves some number games, whereby lots of things that have absolutely nothing to do with patent, trademark or copyright law are "counted" as being included in these numbers. The fact that much of it would have happened anyway, even with no such laws, is totally ignored.
In every state in the union, IP has played an integral role in molding the economy. Take President Obama's home state of Illinois, for instance. Illinois is ranked sixth in the nation for patents, and creative industries have contributed to over $1 billion in local wages. It is home to 144 university-based and 71 federal research centers, and features eight premier research and technology parks that grow the high-tech companies and jobs of the future.Nice job pandering to the President. Of course, again, note the implicit (but false) assumption, that it's IP laws that are entirely responsible for this output. Note the implicit (but false) assumption that the research coming out of those universities and research centers are due to IP laws.
Intellectual property is woven into the fabric of our lives and the nation's economy, and has played a critical role in all the major advancements that have made the 20th century one of the most defining times in human history. It is the author of great American moments, from the Apollo program and the PC, to the Internet and iPods, and all the great songs, stories and movies in between that have shaped our culture.Again, falsely attributing all of those to IP laws. Amusingly, of course, the internet had almost nothing to do with IP laws, and the only time IP has become involved in internet infrastructure, it's been to hold back innovations. And iPods? The thing (well, its predecessor, the Diamond Rio) that the recording industry tried to sue out of existence using IP laws? Yeah, that's not a very strong argument to put forth. The PC's success was actually based on the fact that much of it was built upon open standards and widely shared and copied technology, rather than being locked down by IP laws. The Apollo program I'm less familiar with from an IP standpoint, but seeing as it was a gov't program put forth due to a challenge from President Kennedy and funded by the US gov't, there's is no indication that it required patents as incentive for that particular innovation...
We cannot take IP rights for granted. Rather, we must strengthen IP enforcement and continue promoting innovation and creativity, and the laws that protect both. The next economic renaissance needs to happen now, and strong IP rights will help usher in this new era of job growth and economic revitalization.Stunning. Right after naming a bunch of innovations that happened because of looser IP restrictions, you suddenly insist that we need stronger IP enforcement? Have you no shame?
Watch Raphael Abrams teach a Japanese TV host how to build the Twitchie robot kit, among other things, at NYC Resistor in this adorable video in two parts.
More:
In the Maker Shed:
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Read all about the "DroneLab" analog drone synthesizer and signal processor; PCBs and parts kits coming by the end of October. Or build it from scratch! The schematics are available at the bottom of the page. PCB pattern will be posted as soon as it is finalized.
This ends my stint as a guest author for Make: Online. I want to thank MAKE for giving me an opportunity to share what I love with the maker community and Becky Stern for all of her help!
For more info on circuit bending and a bit on circuit building check out my website
http://www.casperelectronics.com/.
Emails and questions are always welcome at pete[at]casperelectronics[dot]com.
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Bloody good post (sorry) over on Mental Floss collecting some delightful home furnishings from the Lady MacBeth collection. Just don't think you can get away with leaving them out past Halloween. The world's not ready yet. [via Neatorama]
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Film maker Rosemarie Reed has been in touch with me about a film she's planning called Byron and Babbage: A Calculating Story. Based on Ada Lovelace's letters, it will be a feature-length documentary with some dramatic readings and will air on PBS National.Byron and Babbage: A Calculating Story (Thanks, Suw!)Rosemarie needs to gather letters of support from the community - from people who feel that Ada is an important figure.
Rosemarie says, "I need letters from people stating how important a film like Ada is and how they through their networks can help to publicize the film. It would be great if the women have organizations they work or belong to. If they are software developers or computer experts, this would be great. It would be best if they were Americans, as the NSF (National Science Foundation) is American."
Letters should be sent by the end of October to:
Rosemarie Reed
On the Road Productions International, Inc.
310 Greenwich Street, 21F
New York, NY 10013
Perhaps what we are doing has nothing to do with efficiency. I don't operate the way I do with the principal goal of speeding things up. My motivations are much more complex and diffused.I honestly had never thought of it this way, and I'll admit I'm not sure how I feel on this. But it is an interesting way of looking at such things. Obviously, in a work setting, personal productivity may matter. But, in general -- just doing stuff online -- is it a problem that we multitask? Or is that a feature?
I don't perceive what I am doing as multitasking, really. I am not trying to speed up how quickly I shift from one thing to another. Instead, I am involved in a stream of activities, in which other people figure prominently, either synchronously through direct discussion (a la Twitter or IM) or indirectly, through their writings and my responses.
In many cases, I leave activities dangling because I don't know exactly how I feel about them. In some cases, I could resolve my feelings and take some action if I simply stopped other activities and focused solely on that activity, but in most cases that is not the case. And simply forcing myself to focus on the next thing in the activity would not lead to an acceptable or beneficial result, necessarily.
It's like a painter with a number of works in process. My primary motivation is not getting a particular painting 'done', but adding dabs of paint that I feel are the right ones.
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I'm really digging all the manly knotwork going on over at Stormdrane's blog.
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Circuit-bending/music machine-building maestro Gijs Gieskes has posted the details of his latest creation, a synth that uses the SEGA video RAM as an audio source (after it's been slowed down via a binary counter).
Check out his use of magnetic patch bays to switch up the sounds. His tutorial on how to make the patch cords can be found here.
More:
Make: Online's coverage of Gijs Gieskes' instruments
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The fine folks over at Core77 have a bunch of pictures from the launch of the Oregon Manifest Constructor's Design Challenge. The top 12 designs will be on display for the duration of the event.
We're looking for the next-wave transportation bike! OREGON MANIFEST has challenged frame builders from around the country to design and build an innovative, modern transportation bike in this technical trial of engineering dexterity and fabrication mettle.
Over 30 custom bike builders will be developing considered, integrated, and spectacular solutions for the everyday rider. The top 12 winners will be displayed at the OM Bike Union for our full 6 weekend run!
[via Core77]

Devin just submitted this video to our Make: Halloween Contest 2009. It's a Tesla coil activated by a relay controlled by a microcontroller with a motion sensor. As Devin says, the coil is "very loud and startling," and he intends to use it in a haunted house. He's written an Instructable, too. Zap!
Make: Halloween Contest 2009
Microchip Technology Inc. and MAKE have teamed up to present to you the Make: Halloween Contest 2009! Show us your embedded microcontroller Halloween projects and you could be chosen as a winner.
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Ricoh has posted a firmware update for its CX2 digital compact camera. Version 1.13 fixes minor issues related to manual focus and step zoom. The firmware is available for immediate download from Ricoh's website. Comments Off [link]

More paracord goodness from Stormdrane.
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This wooden hand crank iPhone dock automata by Murtaza Lakdawala is equal parts form and function. Turn the crank and watch the gears mesh as the automata changes the iPhone's orientation from portrait to landscape.
[via Gizmodo]
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Well, this is just very cool. I throw a few stones over the wall to official DC, but this time I want to send some roses in the front door.Government Printing Office (Thanks, Carl!)The Government Printing Office and the Office of the Federal Register just announced they're making all the "Official Journals of Government" available for free in bulk. Previous price was $17,000/year per product.
But wait, there's more. They've upgraded the Federal Register to XML. And, believe it or not, GPO has been using Ed Felten's shop at Princeton (coming Monday morning) and Public.Resource.Org (our re-design page from Point.B Studio) as alpha testers to see what we can do with the XML, and we're both definitely happy customers.
It was fun working with the GPO and Federal Register teams. This is a clueful product, the price is just right, and it is an important first step in making America's operating system open source.


Those of you who appreciated my earlier post about Dudeney's dissection will likely enjoy this table, commissioned by Joop Van Der Vaart from craftsman Jan de Koning, at Professor Greg N. Frederickson's page at Purdue.
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She was in a coma for nine weeks (that's her, hospitalized, in the photo below), and can now no longer walk. "Ground beef is not a completely safe product," one food safety expert in the article is quoted. Well, no shit. Snip from an extensive investigative report in Sunday's New York Times:
E. Coli Path Shows Flaws in Beef Inspection (New York Times)The frozen hamburgers that the Smiths ate, which were made by the food giant Cargill, were labeled "American Chef's Selection Angus Beef Patties." Yet confidential grinding logs and other Cargill records show that the hamburgers were made from a mix of slaughterhouse trimmings and a mash-like product derived from scraps that were ground together at a plant in Wisconsin. The ingredients came from slaughterhouses in Nebraska, Texas and Uruguay, and from a South Dakota company that processes fatty trimmings and treats them with ammonia to kill bacteria.
Using a combination of sources -- a practice followed by most large producers of fresh and packaged hamburger -- allowed Cargill to spend about 25 percent less than it would have for cuts of whole meat.
Those low-grade ingredients are cut from areas of the cow that are more likely to have had contact with feces, which carries E. coli, industry research shows. Yet Cargill, like most meat companies, relies on its suppliers to check for the bacteria and does its own testing only after the ingredients are ground together.
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