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The Nobel Prize in Chemistry 2009 - "for studies of the structure and function of the ribosome"...
The Nobel Prize in Chemistry for 2009 awards studies of one of life's core processes: the ribosome's translation of DNA information into life. Ribosomes produce proteins, which in turn control the chemistry in all living organisms. As ribosomes are crucial to life, they are also a major target for new antibiotics.This year's Nobel Prize in Chemistry awards Venkatraman Ramakrishnan, Thomas A. Steitz and Ada E. Yonath for having showed what the ribosome looks like and how it functions at the atomic level. All three have used a method called X-ray crystallography to map the position for each and every one of the hundreds of thousands of atoms that make up the ribosome.
Inside every cell in all organisms, there are DNA molecules. They contain the blueprints for how a human being, a plant or a bacterium, looks and functions. But the DNA molecule is passive. If there was nothing else, there would be no life.
The blueprints become transformed into living matter through the work of ribosomes. Based upon the information in DNA, ribosomes make proteins: oxygen-transporting haemoglobin, antibodies of the immune system, hormones such as insulin, the collagen of the skin, or enzymes that break down sugar. There are tens of thousands of proteins in the body and they all have different forms and functions. They build and control life at the chemical level.
An understanding of the ribosome's innermost workings is important for a scientific understanding of life. This knowledge can be put to a practical and immediate use; many of today's antibiotics cure various diseases by blocking the function of bacterial ribosomes. Without functional ribosomes, bacteria cannot survive. This is why ribosomes are such an important target for new antibiotics.
This year's three Laureates have all generated 3D models that show how different antibiotics bind to the ribosome. These models are now used by scientists in order to develop new antibiotics, directly assisting the saving of lives and decreasing humanity's suffering.
Today on CRAFT: MAKE reader and father of two kids, Dave Simon contributes a great Halloween tutorial on how to make monster and alien feet.
From the article:
Where I work we cannot have elaborate costume festivities. Only one item of clothing can be "Halloweenish". For instance, one year your hat can be the costume, then another year the shoes you wear can be the costume. I intended to be a duck, and wanted to make the flippers. I took an old pair of foam shoes and carefully sprayed expanding foam around them so that I could carve them. They looked good as craggy monster feet, so instead I painted them as is, with gnarly toes and all. My daughter was always borrowing them so I made a pair for her for her third birthday. She loved them in pink and purple. (Monsters can be pretty, you know.) This Halloween, we'll be making some alien feet for my son.Read more | Permalink | Comments | Read more articles in Halloween | Digg this!
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Noted teledouchebag Chris Hanson interrogates unrepentant pedocreep Roman Polanski in this long-lost episode of To Catch a Predator. (Remixed by TNOYF.com, via instapundit)
"Free is not a business model," he said. "We are a commercial company, we will look to gain revenue and profit from our activities. You'll have to ask our competitors if they'll make money on free things."Internet explorer. Bing. Microsoft's new security software. All free. All offered by Microsoft. Is Steve Ballmer admitting that he doesn't know about any of these things... or is he just expecting that the reporter and the readers of the article are flat-out stupid? Clearly, Microsoft seems to recognize that free is a part of lots of smart business models, so why is it's CEO apparently acting clueless on this front? As clearly anyone who thought this through knows, free by itself is not a business model, but free, in combination with a larger business model often makes a lot of sense. That's what Google is doing, and it's what Microsoft is doing as well. So why is Steve Ballmer pretending otherwise?

Saw one of these on Burnet Rd. in Austin today. It's a Piaggio MP3. Apparently the front wheels "loosen up" at speed to allow for cornering, but are stiff at idle so you don't have to hold the bike up with your legs. There are, supposedly, other advantages as well. I'm no bike expert, but it seems like an interesting novelty. Glad, as always, of comments from those in the know.
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"MU Researchers Create Smaller and More Efficient Nuclear Battery"(Professor Jae Kown's) innovation is not only in the battery’s size, but also in its semiconductor. Kwon’s battery uses a liquid semiconductor rather than a solid semiconductor.
“The critical part of using a radioactive battery is that when you harvest the energy, part of the radiation energy can damage the lattice structure of the solid semiconductor,” Kwon said. “By using a liquid semiconductor, we believe we can minimize that problem.”
In the future, they hope to increase the battery’s power, shrink its size and try with various other materials. Kwon said that the battery could be thinner than the thickness of human hair.

Tired of listening to the moon? Then take your ears to the stars with Jim Bumgardner's Wheel of Stars. Jim grabbed a bunch of freely-available data from the Hipparcos mission, and set it up like a music box to see what the sky might sound like. This is accomplished by making a projection of the stars as they appear from earth, then slowly spinning it around the north star, as illustrated below. The stars act like the pins on a music box, and are triggered when they cross the red line. The particular sound each makes is based on temperature, brightness and distance from the North Star. [via boingboing]

• "Too Smart City" is a set of three street furniture pieces that come to life with embedded intelligence and robotic systems. The Smart Bench (image above), for instance, is described by its creators as "a gorgeous two seater that recognizes vagrancy and is capable of lifting people up and dumping them."Toward the Sentient City exhibition
• "Amphibious Architecture" presents two networks of floating interactive tubes, installed in sites in the East River and the Bronx River, that house a range of sensors below water and an array of lights above water (image above). The sensors monitor water quality, presence of fish and human interest in the river ecosystem. The lights respond to the sensors and create feedback loops between humans, fish and their shared environment. An SMS interface allows citizens to text-message the fish, to receive real-time information about the river and to contribute to a display of collective interest in the environment.
• "Natural Fuse" harnesses the carbon-sinking capabilities of plants to create a city-wide network of devices that act as both electric outlets and resources that offset CO2 generated in the production of electricity.
• "Trash Tank" focuses on how pervasive technologies can expose the challenges of waste management and sustainability. The project uses hundreds of small, smart, location-aware tags, a first step towards the deployment of smart-dust -- networks of tiny, locatable and addressable micro-electromechanical systems. These tags are attached to different types of trash so that these items can be followed through the city's waste management system, revealing the final journey of our everyday objects in a series of real-time visualizations.
• "Breakout!" (co-created by my IFTF colleague Anthony Townsend -dp) uses three sets of special tools to explore the dynamic possibilities of a single question: what if the entire city was your office? Drawing inspiration from the shared office spaces of the co-working movement, "Breakout!" creates alternative venues for collaborative work outside of traditional office buildings by injecting lightweight versions of essential office infrastructure into urban public spaces.
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Big year for flu suit fashion... In Japan -
The company has produced 50,000 of the suits and will start selling them on Thursday, according to a company spokesman. The suit is coated with the chemical titanium dioxide, which reacts to light to break down and kill the virus when it comes into contact with it, according to Junko Hirohata. The chemical is a common ingredient in toothpaste and cosmetics. The suit - which is indistinguishable from any other worn by Japan's legion of "salarymen" - comes in four colours and styles, which are medium grey, charcoal, navy and a grey pinstripe.Read more | Permalink | Comments | Read more articles in News from the Future | Digg this!
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The sponsors of this year's Halloween contest have sent us a bundle of, er, bundles to give away in the weeks leading up to the 31st, and we're gonna start chucking 'em up in the air pretty fast now. Beginning at noon PST today, and closing at noon PST tomorrow, we will be accepting comments, below, describing the Halloween-y use (or uses) to which you would put the prize bundle consisting of one Microchip Technology PIC10F Cap Touch Demo Board and one MCP1650 Multiple White LED Demo Board. The winner will be announced tomorrow afternoon at the bottom of the comment thread.
Make: Halloween Contest 2009
Microchip Technology Inc. and MAKE have teamed up to present to you the Make: Halloween Contest 2009! Show us your embedded microcontroller Halloween projects and you could be chosen as a winner.
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All that from one little button! Who knew that Congress passed a special 16:9 = piracy bill?
First, some history: Way back in the olden days, when 8 bits were enough to blow your mind on a 13-inch television and digital watches were a pretty neat idea, the concept of the Dungeon Delve was born. It's pretty straightforward: a group of players and a Dungeon Master sit down together, and the players have 45 minutes or so to make it through the end of a short dungeon, while the Dungeon Master does his best to kill them. The delve ends when the players defeat the final boss (or solve the final puzzle, or something like that), the time limit is reached, or the players all die horrible but noble and heroic deaths.Wil Wheaton's 2009 Dwarven Dungeon Delve of Doom! Benefitting the Child's Play CharityIt's different from the collaborative storytelling experience that we experience in my regular D&D games, but it's still a hell of a lot of fun, and the time limit makes it perfect for running at conventions.

Check out this solar food deydrator made from reclaimed materials, and get started on your dried fruit recipes!
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This mini-dress sold on Etsy looks just like a pair of 3D glasses. The seller marked it as a Halloween item, but I think it's actually kind of cute for everyday wear... maybe?
3D glasses dress
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When I was visiting BoingBoing last spring, I told y'all about some research being done by Lewis Ziska from the USDA and Jackie Mohan from the University of Georgia on how poison ivy responds to rising levels of carbon dioxide in the atmosphere. (Answer: In a way that kind of sucks for people.)
What I didn't tell you was how the scientists figured out that CO2 makes ivy grow incredibly fast, and problematically poisonous. While some of the evidence comes from controlled studies done in a tidy, little lab, there's more to it than that.
These look a bit like high-voltage electricity transmission towers, or a Stonehenge-style monument built for some forest-dwelling version of Burning Man. Suffice to say, they are neither. Instead, they're actually giant structures of PVC pipe that Ziska, Mohan and their colleagues built to test the effects of CO2 on wild forest. The base rings are a 100 feet in diameter and vertical piping goes up to the very top of the forest canopy. Six towers total, in use from 1998 until 2004. Three blowing air. And three blowing a heady mix of air and carbon dioxide that pumped parts of the forest up to the ambient CO2 levels predicted for the year 2050.
And that was how the team learned something really neat. When I posted about this research before, somebody here asked whether other plants, besides poison ivy, got the same growth spurt from CO2 exposure. At the time, I didn't know. But talking to Mohan more, I found out that there's at least some basis for comparison. In particular, let's talk trees, turkey.
Both trees and poison ivy grew faster, when exposed to higher concentrations of CO2, than their oxygen-only counterparts. But poison ivy grew faster than the trees--150% faster, in fact, compared to a 20% increase in tree growth. The difference, according to Jackie Mohan, is that poison ivy, like all vines, is a bit lazy.
"Vines don't need to devote so much of their CO2 resources to growing these big, woody trunks," she says. "Instead, they can devote that to growing more green leaves, which increase photosynthesis some more. And it becomes a cycle."
This study was the first time the effects of CO2 had been researched like this in the wild. The next step will be to see how the growth of poison ivy differs between rural areas and cities, where CO2 levels are naturally higher thanks to a higher concentration of cars and industrial pollution. Mohan is working on that now. It's too early to tell, but she expects to find that the urban ivy is bigger and tougher than its country mouse cousin.
All images courtesy Jackie Mohan and Duke University.
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From Marihuana Reconsidered:
I do not consider myself a religious person in the usual sense, but there is a religious aspect to some highs. The heightened sensitivity in all areas gives me a feeling of communion with my surroundings, both animate and inanimate. Sometimes a kind of existential perception of the absurd comes over me and I see with awful certainty the hypocrisies and posturing of myself and my fellow men. And at other times, there is a different sense of the absurd, a playful and whimsical awareness. Both of these senses of the absurd can be communicated, and some of the most rewarding highs I've had have been in sharing talk and perceptions and humor. Cannabis brings us an awareness that we spend a lifetime being trained to overlook and forget and put out of our minds. A sense of what the world is really like can be maddening; cannabis has brought me some feelings for what it is like to be crazy, and how we use that word 'crazy' to avoid thinking about things that are too painful for us. In the Soviet Union political dissidents are routinely placed in insane asylums. The same kind of thing, a little more subtle perhaps, occurs here: 'did you hear what Lenny Bruce said yesterday? He must be crazy.' When high on cannabis I discovered that there's somebody inside in those people we call mad.
When I'm high I can penetrate into the past, recall childhood memories, friends, relatives, playthings, streets, smells, sounds, and tastes from a vanished era. I can reconstruct the actual occurrences in childhood events only half understood at the time. Many but not all my cannabis trips have somewhere in them a symbolism significant to me which I won't attempt to describe here, a kind of mandala embossed on the high. Free-associating to this mandala, both visually and as plays on words, has produced a very rich array of insights.
There is a myth about such highs: the user has an illusion of great insight, but it does not survive scrutiny in the morning. I am convinced that this is an error, and that the devastating insights achieved when high are real insights; the main problem is putting these insights in a form acceptable to the quite different self that we are when we're down the next day. Some of the hardest work I've ever done has been to put such insights down on tape or in writing. The problem is that ten even more interesting ideas or images have to be lost in the effort of recording one. It is easy to understand why someone might think it's a waste of effort going to all that trouble to set the thought down, a kind of intrusion of the Protestant Ethic. But since I live almost all my life down I've made the effort - successfully, I think. Incidentally, I find that reasonably good insights can be remembered the next day, but only if some effort has been made to set them down another way. If I write the insight down or tell it to someone, then I can remember it with no assistance the following morning; but if I merely say to myself that I must make an effort to remember, I never do."Mr. X by Carl Sagan" (via Dose Nation)
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I'm digging the rocks supporting this 'Agua Table' by designer Domingos Tótora. Though they look totally real, they are actually made of recycled paper and glue. His website is made of unlinkable flash, however Contemporist has a nice set of photos showing how they are made.
The table is pretty nice, but I think I would want to make a giant boulder and roll it towards my anthropologist friends. What would you make out of fake rock? [via curbly]
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Every other week, MAKE's awesome interns tell about the projects they're building in the Make: Labs, the trouble they've gotten into, and what they'll make next.
By Eric Chu, engineering intern
Let's admit it. We've all had thoughts of building our own robot of mass destruction. Well, I was able to do just that for my college class Engineering 102: Robotics Design Challenge ... sort of.
Last spring my class used the Lego NXT robotics platform to solve two engineering challenges. The first was to build a robot that can cross a pit filled with ping-pong balls, racquetballs, and mini whiffle balls. The second was to build a robot that navigates through a maze, distinguishes between orange and blue balloons, and pops all the orange balloons. Both challenges had a time limit of 2 minutes.
Meet Poke-e, my team's balloon-popping, maze-navigating robot:
Poke-e is made completely out of Lego Mindstorms NXT parts, except for the straight pins that are attached with green duct tape (generously donated by my friend, Dan). I felt horrible putting the non-Lego parts on, but at least it looked pretty killer afterward!
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Earlier this week I remarked on Twitter how much I enjoyed Stanley Kubrik's 1956 movie about a race track heist, The Killing. Jack Shafer replied, "Okay, now you're ready for Detour (Edgar G. Ulmer). It will change your life."
I checked Netflix and learned that Detour isn't available there. But I remembered that archive.org has a large collection of public domain movies, so I looked there and lo and behold, they had it. I downloaded the highest resolution version watched it. The quality was quite good, aside from a couple of wobbly parts and a second of missing dialogue.
Detour
Jack steered me straight. This 1946 black-and-white film is as grim, hard-boiled, and twisty as any film noir title I've ever seen. Al (Tom Neal) plays a talented pianist stuck in cheap joint in New York. He's got an attitude to match the atmosphere (when a patron gives him a ten-dollar tip after he plays an insanely complex piece, he remarks that it's just "a piece of paper crawling with germs.")
Naturally, Al falls for the house singer, but she won't marry him because he doesn't have enough money. When she goes to Hollywood to try to become an actress, Al quits his job and starts hitchhiking across the country to be with her. He doesn't know it, but when a flashy loudmouth in a big car picks him up, Al's fate is sealed. Ann Savage, playing a femme fatale who seethes with bitter poison, is a show stealer.
It turns out that Archive.org has a collection of 43 film noir titles. If you've seen any of them, I'd appreciate it if you added your recommendations in the comments.
Archive.org's Welcome to Film Noir: expressionistic crime dramas of the 40s and 50s: tough cops and private eyes, femme fatales, mean city streets and deserted backroads, bags of loot and dirty double-crossers.
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Possibly the coolest thing I have ever seen. A work by Austrian composer Peter Ablinger. [via Neatorama]
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(Re)cycler is the sequel to Lauren McLaughlin's fantastic debut YA novel, Cycler, an sf story about Jill McTeague, a high-school senior who turns into a boy for four days every month. Like Cycler, (Re)cycler is a smart, sensitive story about gender, sex and sexuality, leavened with a lot of wit and sass.
(Re)cycler picks up where Cycler left off, with Jill and her two best friends leaving small town Massachusetts for parts elsewhere. Jill lands in Brooklyn with her pal Ramie (who is also dating her male alter-ego, Jack) and commences to come of age in a setting that is frightening, dangerous, exciting and exotic.
Both Jack and Jill's voices are carried off fantastically in this story, coming across as confused but confident, and both characters grow in ways that are unexpected and extremely satisfying.
There's plenty of YA literature that treats sexuality as a problem to structure a morality play, but McLaughlin transcends cliche, and delivers instead a book that is sexy, smart, surprising and fun, without skimping on the hard emotional stuff.
Think yourself a better pictureSixty people in turn were shown the same video clip on the same television. Half were told to expect clearer, sharper pictures thanks to HD technology: an impression backed up by posters, flyers and the presence of an extra-thick cable connected to the screen. The other half were told to expect a normal DVD image.
Questionnaires revealed that the people who had been led to expect HD reported seeing higher-quality images. "Participants were unable to discriminate properly between digital and high-definition signals," says Lidwien van de Wijngaert at the University of Twente in Enschede, the Netherlands, who carried out the study with colleagues from Utrecht University...
The results of the experiment might have been different had it taken place in North America, though, where conventional television uses the NTSC instead of the PAL technical standard. Picture quality is lower with NTSC, "so the difference compared with HD is much larger than for Europeans", says van de Wijngaert.
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Animator/illustrator Giles Timms, whose short films we've featured on Boing Boing Video before, has just released a new video with a song by Ceri Frost.
The short version? "Enchanted by a pixie, a child called Yorick enters a magical kingdom, but when Yorick returns he finds his world ravaged by time." The video is set in a hand-drawn pen-and-ink world inspired by Edward Gorey, animated in a "paper cut-out" style.
Dead All Along (YouTube).

Here's yet another fun way to lace your shoes using the loop-back method, if you're tired of the way you've got 'em now!
More:
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Last month, Xeni blogged about the photoshop disaster that is this Ralph Lauren advertisement, in which a model's proportions appear to have been altered to give her an impossibly skinny body ("Dude, her head's bigger than her pelvis"). Naturally, Xeni reproduced the ad in question. This is classic fair use: a reproduction "for purposes such as criticism, comment, news reporting," etc.
However, Ralph Lauren's marketing arm and its law firm don't see it that way. According to them, this is an "infringing image," and they thoughtfully took the time to send a DMCA takedown notice to our awesome ISP, Canada's Priority Colo. One of the things that makes Priority Colo so awesome is that they don't automatically act on DMCA takedowns. Instead, they pass them on to us and we talk about whether they pass the giggle-test.
This one doesn't.
So, instead of responding to their legal threat by suppressing our criticism of their marketing images, we're gonna mock them. Hence this post.
As Wendy Seltzer from the Chilling Effects project said, "Sounds like a pretty solid fair use case to me. If criticism diminishes its effectiveness, that's different from the market substitution copyright protects against. And I've rarely seen a thinner DMCA form-letter."
So, to Ralph Lauren, GreenbergTraurig, and PRL Holdings, Inc: sue and be damned. Copyright law doesn't give you the right to threaten your critics for pointing out the problems with your offerings. You should know better. And every time you threaten to sue us over stuff like this, we will:
a) Reproduce the original criticism, making damned sure that all our readers get a good, long look at it, and;
b) Publish your spurious legal threat along with copious mockery, so that it becomes highly ranked in search engines where other people you threaten can find it and take heart; and
c) Offer nourishing soup and sandwiches to your models.
Update: Looks like Photoshop Disaster's ISP caved to a similar notice.
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When I saw this picture last summer on the Awkward Family Photos blog, I had to know where it came from. Most of the commenters were convinced the answer was "a really freaky, messed-up hippie family." But one intrepid denizen of the Interwebs offered a better explanation.
In reality, these hand-knit people suits--made from angora--are the work of artist Anna Maltz. She makes them in the aforementioned "natural" version, but also in muppet-esque blue, mermaid, and Superman styles. Then she takes photos of people wearing the suits.
This video from San Francisco's KQED takes you along on one of Maltz's shoots.
And, if that's not enough to make her completely awesome, in 2004 Maltz apparently wrote an essay about her work called "Don't Be the Bunny." "Urinetown" references = +1000!


Everybody's favorite Xeni recently linked to this cool collection of slayer kits from around the web. Many of these are antiques and have sold for large sums at major auction houses, but I remain dubious as to how serious anyone ever really was about the whole business. [via Boing Boing]
Make: Halloween Contest 2009
Microchip Technology Inc. and MAKE have teamed up to present to you the Make: Halloween Contest 2009! Show us your embedded microcontroller Halloween projects and you could be chosen as a winner.
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Baby poop: A visual guide (via Neatorama)
This photo guide to baby poop will give you a good idea of what's normal and what's not as your newborn grows, drinks breast milk or formula, and starts eating solids. You'll find out when not to worry and when it's wise to be concerned.As a general rule, if you see anything completely out of the ordinary in your baby's diaper, play it safe and call the doctor.
Fair warning: These are pictures of real baby poop! Please view only if you're comfortable with that. If not, you can read this description without photos instead.
(Image: Diaper pail, a Creative Commons Attribution photo from Ingamun's photostream)
Take a bite out of this, bitch. A mere $25,000 apiece! The very same cupcake art cars I zoomed around in for this Boing Boing TV episode are now offered for sale at upscale (and econopocalypse-beleaguered) retailer Neiman Marcus. Congrats to Lisa Pongrace and her fellow designers and builders bakers. Customized Cupcake Car (thanks, Susannah Breslin)
I'd like to reassure everyone that Stormdrane is not paying me under the table. But public denials cost an extra $50 and he won't pony up the dough. So you're just gonna have to wonder. Seriously, I think I can't stop clicking through his blog because I'm looking for a "practical" excuse to tie one of these awesome knots. So far, this is the best one I've found. I may actually have to cave in and buy some neon paracord.
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The twice-monthly Lost Knowledge column explores the possible technology of the future in the forgotten ideas of the past (and those just slightly off to the side). Every other Wednesday, we look at retro-tech, "lost" technology, and the make-do, improvised "street tech" of village artisans and tradespeople from around the globe. "Lost Knowledge" was also the theme of MAKE, Volume 17
One of the cool things about doing this column is discovering lost technologies myself, things I knew nothing about before bumping into them while poking about the virtual attics and basements of cyberspace, looking for things to write about. For instance, I knew nothing about stick chart navigation before covering it here. And I'd certainly seen timbrel vaulting before, but didn't know that's what it was called, or how it worked.

We got such a great response to my last column on wire-wrapping (which was awhile ago, thanks to a most unwelcomed medical absence). There were site comments, emails, tweets, and Flickr photo pointers of people fondly, or not so fondly, remembering this disappearing art of circuit assembly. Several people mentioned cable lacing and that I should do a column on that next. I had no idea what cable lacing was, but one of the commenters pointed me to the Wikipedia page and another to Impulselabs' amazing photos on Flickr. Impulselabs describes the practice very succinctly:

The bundling is done with a technique called "cable lacing". A series of knots and stitches from a continuous piece of wax impregnated cotton or twine are used to bundle cables together. It takes some practice, but it'll outperform zipties in that it won't crush the insulative jackets on wiring and that it's not going to shift axially on you if it's loose. Likewise, my bundles have a rectangular cross section. Zipties can't conform and keep bundle shapes other than ellipses.
Cable lacing was cable management technique before zipties, used in the telecom industry, aerospace, marine applications, and elsewhere. The thin cord used is traditionally a waxed linen. Modern materials used today in flat "lacing tape" include nylon, polyester, and Nomex. There are different methods of lacing, such as the common marline hitch, seen here:

Here's an illustration from an old ARRL Amateur Radio Handbook, showing the marline hitch:

This one is another common lacing method, the "NASA-style" spot tie. Not nearly as elegant as a marline, but I guess it gets the job done:

Here's a page from "Workmanship and Design Practices for Electronic Equipment," showing different lacing and tying methods.
And here's a how-to on the Historic Naval Ships Association website.
There's not much more out there on the practice. If you do a search, you will find some images on various discussion boards of computer modders and others trying their hand at cable lacing the wiring inside of their computers and between the gear of their home media centers. It's nice to see that at least some folks are keeping the art alive.

Our friends over at iFixIt.com just couldn't keep their screwdrivers and spudgers off of the new Coolpix S1000pj, the digital camera with a built-in video projector. They just had to find out how Nikon fit all that bleeding-edge tech into that tiny camera case.
Here's some of what they discovered in their testing and teardown:
* A room has to be quite dark to view the projector's image properly. We expected as much given the size of the projector, but the image quality is mediocre at best. Anything that's projected looks like it was shot in the '70s.
* Surprisingly, both the front and rear outer cases are machined out of aluminum. It's quite a solid camera.
* The speaker pumps out some pretty solid sound when the camera is in projector mode.
* Like most compact digital cameras with no externally telescopic lenses, the S1000pj's internal zoom lenses move perpendicular to the front face.
* Light has to travel through at least four glass lenses until it shines on the CCD sensor. What a journey!
* Disassembling this camera is not for the faint of heart -- Nikon definitely did not intend this device to be user serviceable. We had to de-solder a bunch of components including the camera cover actuator, projector LED, and flash bulb.
* Light for projecting images is supplied by a very powerful LED that even has its own heat sink to conduct heat to the aluminum front panel.
Nikon Coolpix S1000pj Teardown
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You remember that Ralph Lauren marketing image featuring an implausible thin model whose head is bigger than her pelvis? The one that prompted Ralph Lauren's marketing arm to send us a legal threat because we made fun of it?
Yeah, that one.
Well, Natasja Capelle, a freelance designer, has detouched the image to restore the model to something like a healthy, well-proportioned stature. Want to play along? Make your own detouched image, post a link in the comments. The best images will receive (possibly) a legal threat from Ralph Lauren and an entirely virtual but nevertheless highly valuable appreciative ovation from all over the world.
The criticism that Ralph Lauren doesn't want you to see!
(Thanks, Natasja!)
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I've come across some pretty cool headphones, but most of them lack the mic and remote of the newer Apple earphones that come with the iPhone. This mod is pretty much what you'd expect, but sometimes a good visual cue helps trigger the creative process. In the accompanying video Andreas Ødegaård walks through swapping out the inferior Apple drivers for a set of Sennheiser CX300 drivers from a broken pair. Not only does this create a superior product that could never be purchased in a store, but it re-uses something that would otherwise have been thrown out with the trash.
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I'm working on a new project and I need an electrical connection that can rotate 360 degrees. I could purchase a slip ring, rotating electrical connector, or better yet a rotary transformer. Then again, I could just try to make one from a DC motor. Do you have any suggestions for making, or *gasp* buying, a slip ring connectors? If so leave them in the comments. Thanks!
In the Maker Shed:
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MiniPOV kit
Protecting a copyright often seems to fly in the face of good business.Bingo. This is an argument we've been making for over a decade. There are many in both business and law who seem to assume that because you can enforce a right, it means that it always makes business sense to enforce that right. And yet, as we see over and over and over again, it's quite often not the case at all. In an awful lot of cases, very strong arguments can be made that the reverse is true and that protecting your copyright actually does a lot more damage than good.

Absinthe & Flamethrowers: Projects and Ruminations on the Art of Living Dangerously. Need we say more? Written for reasonable risk takers and suburban dads who want to add more excitement to their lives. This daring combination of science, history, and DIY projects explains why danger is good for you and details the art of living dangerously.


Warren Ellis has put an open call out to Whitechapel readers who have Etsy stores for their crafts to pimp their offerings for early Xmas shopping. So far, we've got wool candy, steampunk jewellery, surreal paintings, paintings of demon cats, handmade jewellery, custom toys, fashion, goggles, felted dissected animals, hand-dyed wool, chainmail, etc etc. Instant clicktrance!
Warren's Pub Table: [Sticky] Etsy People Stand Up (late 2009)
(Image: Knitted Fetal Pig Biology Project)
Hands, Eyes Convey Emotions For Disney's Audio-Animatronics Technology
Imagineers realize that the eyes convey emotions and a two-foot eye prototype showcases our newest concept. It's a new type of mechanism that uses electromagnets to create realistic eye motions. There is only a single moving part -- the eye itself -- and no wear points. That means faster, more realistic movement and longer life.As Disney Parks continues to experiment and innovate, as with our newest Autonomatronics technology, we'll certainly be talking about it on this blog. Stay tuned.
MakerBot LOVE (Thanks, Bre!)
The ring I printed, and then used to propose to my girlfriend.I printed it with black ABS, and then printed a small white cube and set it with some magic glue eagleapex left at Hive.
I drew the 2d shape in gimp, then had a friend render it in 3d using sketchup (I fail at 3D). I made some adjustments using Blender for the final print.
She said yes! Now to get our MakerBot to print with white gold.

Eileen Gunn sez, "Michael Swanwick and I have dragged steampunk kicking and screaming out of the Victorian era, slapped it about a bit and tossed it, still writhing, into an Art Deco cityscape. Tor.com editor Patrick Nielsen Hayden described our story, Zeppelin City as "a stew of Metropolis, King Kong, Brazil, and the Critique of the Gotha Programme" and has published it as part of Tor.com's Steampunk Month. Michael and I worked on this story for so long that-- well, suffice it to say, as Michael does, that when we started it, the technology was cutting edge. Is it really steampunk? You decide. The fabulous illustration for the story, by Benjamin Carre, totally captures the cityscape with autogyro and zeppelin."
Zeppelin City
(Thanks, Eileen!)

Top 8 of 2008 CEO Compensation
(via Digg)

Ravensblight has a great collection of free spooky papercraft models, just in time for Hallowe'en.


Reader JC just submitted this fantastic haunted house prop to our Make: Halloween Contest 2009. It's a recreation of the always-lovely female lead from 1962's sci-fi camp classic The Brain That Wouldn't Die, immortalized in 1993 as Mystery Science Theater 3000's experiment 513 (and, arguably, before that by Steve Martin's The Man with Two Brains).
"She won't be doing any heavy lifting for awhile..."
Make: Halloween Contest 2009
Microchip Technology Inc. and MAKE have teamed up to present to you the Make: Halloween Contest 2009! Show us your embedded microcontroller Halloween projects and you could be chosen as a winner.
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Tony sez, "Attached is a stop-motion video my filmmaker friend Justin Grizzoffi and I made a couple of years ago. It was super easy to make - we simply edited together a couple hundred still photos of Post-Its stuck to a wall and scored it using samples from an old Casio SK1 keyboard."
Post-It Note Atari
(Thanks, Tony!)
Saturday is Litquake Day! And we have a very special reading for you.Saturday is Litquake DayColor Me SF: The Science Fiction Worlds of Octavia Butler and Carl Brandon
Our guests reading will be Jewelle Gomez & Claire Light. There will also be discussion on Butler and Brandon,and Q & A moderated by Terry Bisson. We will be charging $5 at the door, with all of the money going to the Octavia Butler Scholarship. Bar proceeds for the night will also go to the Scholarship. Tips, as usual, will go to Variety Children's Charity of Northern California.
At The Variety Preview Room, The Hobart Bldg., 582 Market St. @ Montgomery, 1st floor of The Hobart Bldg. Entrance is between Quiznos and Citibank
Doors Open 6:00pm
Readings start 7:00pm
Seating is limited; first come first seated; we will have the event miked so that you can hang in the lounge and listen.
I had the good fortune of receiving a choreographic fellowship from the Maggie Alessee National Center for Choreography (MANCC) to support the research and initial development of Punk Yankees, which is the title of our anniversary concert. While at MANCC, I began working with the ensemble to address my research questions: What defines "fair use" in dance? Is it permissible to "borrow" choreographic devices if the movement is reinvented? If the dancers can't execute the movement in the way it was originally intended, is there something interesting about that failure? If someone "stylistically" references a choreographer, should it be acknowledged as a derivative work, or is it what naturally occurs through dance education and lineage? Ultimately what we created was a work-in-progress that experimented with meta-theatrical devices and formal conventions to elucidate these provocative questions with transparency and humor.How do appropriation and copyright inform your work?The title Punk Yankees came from some research I was doing online about piracy and art. Matt Mason, author of the book The Pirate's Dilemma, talks about the fact that piracy and appropriation (in the sense of intellectual property) has historically been linked to the creation of new markets, which he calls a form of "punk" capitalism. He also traces the word "Yankee" to an old Dutch slang word "Janke," meaning pirate. Ironically, Matt Mason was recently a keynote speaker at Dance/USA's Annual Conference in Houston, TX (June 3-6), in the session "Fair Use and Piracy: How They Each Support a Sustainable Dance Field."
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Oh, the unfortunate irony. The annotations on this Google Map are all in Chinese, so it's of little utility for a non-Chinese-speaker like myself -- but it's the most extensive such documentation I've seen about the jail locations of persons in China imprisoned for online dissidence. (via @rmack)
German expressionism meets film noir meets Saturday morning cartoon funnies. Quickdraw Noir. "The rare noir episode of Quickdraw McGraw that featured Peter Lorre. With music by Andy Prieboy." Created by the great Merrill Markoe, who is perhaps best known as David Letterman's original head writer -- she won 5 Emmys for the show. She oughta get one for this, IMHO. (Thanks, Susannah Breslin)

Rad...
Astronaut Mike Massimino became the first human to tweet from space on his final trip to repair the Hubble telescope. It was no contest, however, that he recently also became the first astronaut to reach one million followers on Twitter (@Astro_Mike).Who will be the first chemist to have 1 million followers? Measuring things by twitter is silly, but still - it's encouraging.
Sean Bonner, upon whose blog I discovered this, says, "I highly recommend fullscreen and the use of headphones. Listening to this is hypnotic. I want it to play constantly in the background of my life."I downloaded public data from Hipparcos, a satellite launched by the European Space Agency in 1989 that accurately measured over a hundred thousand stars.
The data I downloaded contains position, parallax, magnitude, and color information, among other things.
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Dr. BROWN: No problem. Incidentally, "Plan B 4.0" is online at earthpolicy.org. It can be downloaded free of charge.Of course, this is hardly the first author to recognize this, but add another one to the pile. It's about recognizing that obscurity is a bigger risk that piracy, and then figuring out how to get more attention and then giving people a real reason to buy on top of that attention.
FLATOW: No kidding.
Dr. BROWN: Yeah.
FLATOW: Wow. You do feel strongly about this.
Dr. BROWN: Yeah. And it's interesting, people think this must reduce sales. In fact, it increases sales.
(Soundbite of laughter)
Dr. BROWN: Just between the two of us
"It", in this case, referring to "The Right Stuff". Brandon Keim at Wired Science had a great post yesterday about attempts by NASA contractors to get women into the space program during the late 1950s. The (ultimately unsuccessful) charge was led by Randy Lovelace--the doctor responsible for putting together health tests for astronaut hopefuls during the original Mercury 7 selection process--and Donald Flickinger--an Air Force general. Flickinger founded the Women in Space Earliest program in 1959, Keim writes...
But the Air Force canned it before testing even started, prompting Lovelace to start the Woman in Space Program. Nineteen women enrolled in WISP, undergoing the same grueling tests administered to the male Mercury astronauts. Thirteen of them -- later dubbed the Mercury 13 -- passed "with no medical reservations," a higher graduation rate than the first male class. The top four women scored as highly as any of the men
It's pretty fascinating stuff, I just wish Keim had included more biographical information on the women involved. Unlike the male astronaut candidates, they couldn't have come from the Air Force (and 1959 seems a little late for women who'd been with the WAC in World War II to be in prime physical condition), and yet, the women were trained, experienced pilots. There's some great stories fluttering in the shadows around this piece. I, for one, would love to know more.*
*Read: I would kill to interview one of these women. If you, your mom, or your grandma were involved, email me. Seriously.

Fall is the perfect time for hiking, it's not too hot and not too cold. Last weekend I took a day trip to hike up High Mountain in New Jersey and activate SOTA summit W2/NJ008. It's really easy to set up an HF portable radio and not a whole lot to carry up the mountain. This video shows how to get set up including how to hang the antenna in a cluster of trees and making contact with Italy.
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Too lazy to actually get out and take pictures? Then you might want to check out Photosketch, an interesting research project by researchers at Tsinghua University. Starting with a basic sketch consisting of shapes and tags describing what you want, the software searches a database of images and finds things that will fit.
Their site is suspiciously down, at the moment, however kottke posted a link to their research paper. Hopefully this actually gets released!
[Thanks Stuart!]
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Derek Kerton is an expert at the Insight Community. To get insight and analysis from Derek Kerton and other experts on challenges your company faces, click here.
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