inglishmayjer was one of several readers to send in the news of a major bug in Apple's new OS, 10.6 Snow Leopard, that can wipe out all user data for the administrator account. It is said to be triggered — not every time — by logging in to the Guest account and then back in to the admin account. Some users are reporting that all settings have been reset and most data is gone. The article links to a number of Apple forum threads up to a month old bemoaning the problem. MacFixIt suggests disabling login on the Guest account and, if you need that functionality, creating a non-administrative account named something like Visitor. (The Guest account is special in that its settings are wiped clean after logout.) CNet reports that Apple has acknowledged the bug and is working on a fix.

Read more of this story at Slashdot.

nk497 writes "A woman in Tennessee has been arrested for poking someone over Facebook. Sharon Jackson had been banned by courts from 'telephoning, contacting or otherwise communicating' with the apparent poke recipient, but just couldn't hold back from click the 'poke' button. She now faces a sentence of up to a year in prison."

Read more of this story at Slashdot.

German Chancellor Angela Merkel got plenty of attention over the weekend for speaking out against the Google Book settlement, making some odd claims that suggest she's not particularly familiar with what the debate is actually about:

"The German government has a clear position: copyrights have to be protected in the Internet," Merkel said, adding there are "considerable dangers" for copyright protection in the Internet.

"That's why we reject the scanning in of books without any copyright protection -- like Google is doing. The government places a lot of weight on this position on copyrights to protect writers in Germany."

But... what Google's doing is not about scanning books "without any copyright protection." That's a fabrication. Hell, even a German court ruled that Google's book scanning project doesn't violate copyright. You would think that Merkel would be familiar with rulings in her own country. Separately, it seems worth noting that at one point, Germany was heavily involved in Quearo, a European project that was originally designed to compete with Google's book scanning project. While Germany eventually dropped out of that program, it's difficult to claim that Merkel is an unbiased party in this matter, as her government at least initially supported a project to compete with Google in scanning books.

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An anonymous reader writes 'I'm a recent university graduate and I have been offered a software developer position in a company that supplies software to the gambling and betting industry. At first I was very excited about the opportunity, however, a few of my friends have told me that working for the gambling industry will put a permanent black mark on my career as a software developer. I don't know that many people in the industry with experience in hiring. Google has not helped, and everybody else I ask doesn't know. So I'm asking Slashdot. In your experience is this true? When you hire developers, is the fact that they worked for a gambling company a big turn off? Also, I'm currently in the UK, but would like the freedom of working in US or somewhere else later on in life. So experience from anywhere in the world is welcome.'

Read more of this story at Slashdot.

A major obstacle standing in the way of total self-replication by rapid prototyping machines, notably RepRap, is that certain of the components, particularly ground shafting (or threaded rod) for the Cartesian robot's linear actuators, require greater precision than the machines are currently capable of. Thingiverse user fdavies is engaged in a noble effort to design printable linear actuators that require no shafting and are instead based on the hinged Sarrus linkage (Wikipedia). Excelsior!

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myrrdyn writes to tell us that a new superconductivity record high of 254 Kelvin (-19C, -2F) has been recorded. According to the article this is the first time a superconductive state has been observed at a temperature comparable to a household freezer. "This achievement was accomplished by combining two previously successful structure types: the upper part of a 9212/2212C and the lower part of a 1223. The chemical elements remain the same as those used in the 242K material announced in May 2009. The host compound has the formula (Tl4Ba)Ba2Ca2Cu7Oy and is believed to attain 254K superconductivity when a 9223 structure forms"

Read more of this story at Slashdot.

Last week, we wrote about the International Olympic Committee's complaints concerning a guy, Richard Giles, who had posted some images he took at the Beijing Olympics on Flickr under a Creative Commons license. At the time, it wasn't entirely clear if the complaint was the license or that the photos were up, at all, but as we noted, either way, it didn't make sense. The IOC has responded and said the main complaint is with the Creative Commons license, but, again, it's difficult to see how the IOC has any argument at all. The photos were taken by Giles, and thus he has every right to license them as he sees fit -- including under CC licenses. Furthermore, as Thomas Hawk points out in the link above, once you license something CC, you can't go back on it. It's still not clear why the IOC sees this as a bad thing. Giles is helping to promote their event. For free. Next time, maybe he should just send them a bill.

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It's been a decade since Columbia University professor Dickson Despommier launched his "Vertical Farm" project, devoted to the design of skyscrapers that house farms, instead of people or offices. It's an engagement science fiction-esque idea -- no surprise that we've followed it closely on BB (see previous posts below). Last year, the meme spread rapidly when Despomier appeared on The Colbert Report, exposing Manhattan borough president Scott M. Stringer who then evangelized it to the City of New York. For more on that, see "Country, the City Version: Farms in the Sky Gain New Interest" from the New York Times, July 15, 2008.

Of course, the practical challenges of vertical farming -- from energy needs to security -- aren't easy to wave your hand past. Still, the conceptualists press on and the Vertical Farm Project remains the hub for news on these efforts. Blake Kurasek of the University of Illinois at Urbana-Champaign's Graduate School of Architecture recently published his designs for "The Living Skyscraper: Farming the Urban Skyline." I find the renderings to be incredibly exciting, giving me the same optimistic feeling that I had when I first saw the striking images below from T.A. Heppenheimer's 1977 classic book "Colonies In Space."


From The Vertical Farm Project:

By the year 2050, nearly 80% of the earth's population will reside in urban centers. Applying the most conservative estimates to current demographic trends, the human population will increase by about 3 billion people during the interim. An estimated 109 hectares of new land (about 20% more land than is represented by the country of Brazil) will be needed to grow enough food to feed them, if traditional farming practices continue as they are practiced today. At present, throughout the world, over 80% of the land that is suitable for raising crops is in use (sources: FAO and NASA). Historically, some 15% of that has been laid waste by poor management practices. What can be done to avoid this impending disaster?

The concept of indoor farming is not new, since hothouse production of tomatoes, a wide variety of herbs, and other produce has been in vogue for some time. What is new is the urgent need to scale up this technology to accommodate another 3 billion people. An entirely new approach to indoor farming must be invented, employing cutting edge technologies. The Vertical Farm must be efficient (cheap to construct and safe to operate). Vertical farms, many stories high, will be situated in the heart of the world's urban centers. If successfully implemented, they offer the promise of urban renewal, sustainable production of a safe and varied food supply (year-round crop production), and the eventual repair of ecosystems that have been sacrificed for horizontal farming.

The Vertical Farm Project

Not sure what to do with that old gas guzzler? How about turning it into a giant ball? That's what artist Keny Marshall did with this 1983 Jeep Grand Wagoneer. There aren't any build instructions, but you should be able to figure it out from the construction video.

It's probably not street legal any more, but it will get you from place to place, as long as you want to go downhill.

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With the latest release of the popular anti-malware tool Ad-Aware, Lavasoft has added what is being referring to as "Genotype," a heuristic-based behavioral detection engine. In addition to a new (and what appears to be faster) method of detection and elimination, there are a few incremental updates like the simple/advanced toggle and a potentially always-on "gaming mode," which attempts to do real-time filtering while you are playing games, watching videos, or just browsing.

Read more of this story at Slashdot.

On Saturday night, I staggered over to downtown Minneapolis for the 5th annual Zombie Pub Crawl, a celebration of creative horror makeup and playful kitsch. I'd gone to the Crawl once before, in 2007. On that outing, it was enough to just show up in (blood covered) street clothes and zombie makeup. This year, however, featured some fabulous new directions in themed zombies. Thanks to the excellent work of my friend and photographer Leah Shaffer, I'm able to bring you a sampling of the Twin Cities' finest in zombie couture...

What do we want?
Brains!

When do we want 'em?

Brains!

Technically, she was a cavewoman cannibal. But she looked like a zombie.

There was also a scarecrow, a cowardly lion, Dorothy and two flying monkeys.

Sister Mary Brains prays for your undead soul.

Santa promised Leah a dead puppy for Christmas.

This may well have been the creepiest costume of the evening.

Ladies and gentlemen, the dead presidents: Teddy Roosevelt, JFK, and Thomas Jefferson.

The buck stops with Zombie Harry Truman.

And, finally, Leah as a Zombie Viking and me, as Zombie Julia Child.

Good work, Twin Citians! As usual, I'm impressed by your creativity and general awesomeness.

All photos by Leah Shaffer, except for last shot, which was taken by Neal Spinler. Photos used with permission. Please credit the photographers if you re-use.

NBC Universal is one of the more hard core supporters of stronger copyright law, with regular statements from execs that border on ridiculous -- such as the time its General Counsel, Rick Cotton, tried to convince the world that file sharing was harming corn farmers, because people ate less popcorn while watching pirated movies (seriously...). However, apparently even the "copyright maximalist" lawyers and lobbyists over at NBC Unversal slip up once in a while. The company is being sued for over $2 million for infringing on a font (yes, a font). Of course, I think it's ridiculous that any font company thinks it's owed $2 million for such things (yes, font developers, I know you have strong feelings on this, but we've discussed them in the past). For all I care, NBC Universal should be able to do whatever it wants with the fonts it has. But, for a company that seems to tilt so far towards the copyright maximalist position, it seems worth noting when it faces a lawsuit for violating copyrights.

Now, in an ideal world, it would be a teachable moment, where those lobbyists and lawyers might finally realize that in a modern digital world, perhaps copyright maximalism doesn't make much sense (as if it ever did)... but that seems unlikely.

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This phototutorial from central Florida is actually called "Flamingos with frickin laser beams," which was a pretty hard title to resist. However, it looks to me like there are, in fact, only LEDs involved here, and Make: Online readers are sensitive to such distinctions. [Thanks, Shawn!]

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Techdirt is reporting that one unfortunate, unemployed New York lawyer recently had her unemployment benefits greatly reduced because of the incredible $1/day she was earning via ads on her blog. "The whole thing sounds like a bureaucratic nightmare, with NY State asking her to get a form from her new 'employer' who didn't exist. Then NY Department of Labor started giving her all sorts of contradicting information, and eventually an 'investigation' into her 'business' — during which time her unemployment benefits were stopped entirely. She's now pulled the Google AdSense from her blog (total earned over the life of the blog $238.75)."

Read more of this story at Slashdot.

Following last week's hubbub over Ralph Lauren and its lawyers sending bogus DMCA takedowns to sites who posted a Ralph Lauren ad that appeared to show an inhumanly skinny model, the company has put out a statement confessing that the ad was terrible:

"For over 42 years we have built a brand based on quality and integrity. After further investigation, we have learned that we are responsible for the poor imaging and retouching that resulted in a very distorted image of a woman's body. We have addressed the problem and going forward will take every precaution to ensure that the caliber of our artwork represents our brand appropriately."

That's nice and all... but it doesn't address the question of sending bogus takedown notices to both the Photoshop Disasters' webhost and Boing Boing's webhost. The fact that the company later admits that its photoshopping was done poorly actually makes the situation seem even worse -- as the company, rather than admit that at first, used a bogus legal proceeding to take down legitimate criticism -- criticism that the company itself is now admitting was perfectly legitimate.

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Details on the new Eee keyboard, previously held secret during the FCC filing, have now been made available. You can now take a look at the innards and a full spec sheet detailing exactly what is being promised. "Beneath the 5-inch, 800 x 480 pixel touch panel (with stylus) we'll be getting Windows XP Home running on an Intel Atom N270, 945GSE / ICH7-M chipset with Broadcom AV-VD905 video decoder, 1GB of DDR2 memory, either 16GB or 32GB of flash storage, 4-hour battery, Bluetooth, 802.11b/g/n WiFi, gigabit Ethernet, HDMI and VGA outputs, integrated stereo speakers and mic, 3x USB, headphone and mic jacks, and external WiFi / UWB antenna. The Eee Keyboard's on-board Ultra-Wideband (UWB) throws 720p content to your TV within a 5-meter range (10-meters for non-video transmissions) via a UWB receiver packing 2x USB ports, another mini-USB port, audio out, and HDMI."

Read more of this story at Slashdot.

Mike Galloway made this star field ceiling, rad!

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stoolpigeon writes "Google's mobile OS Android has received plenty of press. As with a lot of Google products, there was much anticipation before any devices were even available. Now a number of phones are available, with many more coming out world-wide in the near future. Part of the lure of Android is the openness of the platform and the freely available tools for development. The SDK and accompanying Eclipse plug-in give the would be creator of the next great Android application everything they need to make their idea reality. The bar to entry in the official Google Android Marketplace is very low and it doesn't seem to be much of a stretch to predict that the number of developers working on Android is only going to grow. As with any hot technology the number of books will grow as well and O'Reilly's Android Application Development has jumped into the fray, promising to help budding Android developers what they need to get started." Read on for the rest of JR's review.

Read more of this story at Slashdot.

I don't normally believe in throwing around superlatives, but this suspended black steel fireplace designed by French company Focus just won the award for World's Most Beautiful Object at the Pulchra design competition in Italy. Pulchra calls itself "the first beauty contest devoted exclusively to objects." Other candidates included a Philips TV, a Sony Ericsson phone, and a diamond. World's most beautiful object... officially

WebUrbanist has a fun roundup of chairs and sofas that you probably don't want to sit on. Among them, a cactus couch (it's not real, but still painful to imagine), the electric chair, and Tokujin Yoshioka's natural crystal chair, which I posted about back when I was guest blogging. Oh sit! The world's most uncomfortable chair designs

The folks at BERG developed this neat method for visualizing the sensitivity of an RFID reader. Rather than using an expensive set of test equipment to measure the magnetic field intensity, they just hooked their reader up so that it lit an LED every time their card was detected, and then captured it using a camera. This is pretty similar to the technique used to make the Roomba art. They were also able to show that (due to polarization) the orientation of the card with respect to the sensor changes how it responds. Fascinating!

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While the RIAA keeps pushing and pushing for a performance tax for radio stations, it looks like ASCAP and BMI on the songwriter/composer side are apparently now looking to increase their existing tax on stations (via Michael Scott). As you probably know, right now, stations do pay royalties to ASCAP and BMI for the "performance right" on music they play on the radio, which gets distributed to the composers and songwriters. But performers don't get a royalty, as Congress recognized (correctly) that radio was free advertising for musicians. So, the first battle is about adding another tax, but this newer battle would be about increasing the existing one.

Again, this shouldn't be a surprise. As we've been detailing lately, ASCAP, BMI and other similar groups around the world have gone on something of a rampage lately, trying to get larger and larger fees from just about any use of music -- including ringtones, the 30-second previews on iTunes, and YouTube videos embedded in blogs (despite the fact that YouTube already pays a fee). Sucks to be a terrestrial radio station these days. Not only do you have a ton of new competition from other sources, but the rest of the industry is looking to tax you until you're gone.

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What do you think you know about Brazilian women?

When Racialicious blogger Wendi Muse lived in Brazil she found that the first question her American friends would ask was, "Are the girls hot?"

It turns out, the answer is a little more complicated than you might think. Understanding beauty in Brazil means understanding how the concept intersects with gender, race, and class...in ways that are often very different from how the system works here.

...what we would consider "high maintenance" in the United States is the accepted norm for women's appearance. A woman must always be "bem arrumada." This means that even when one goes grocery shopping, heels, nice clothes, and styled hair is the norm. One of my students once told me that she felt absolutely dirty when her nails were not done, and another informed me she would never leave the house with wet hair because that was super "pobre" ("ghetto").

All three issues affect Brazilian's women's concept of themselves and our concept of them from the outside. Very interesting stuff and worth a read. Check out the posts on Gender, Class, and Race.

caffiend666 writes "'Marge Simpson is posing for Playboy. The magazine is giving the star of "The Simpsons" the star treatment, complete with a data sheet, an interview and a 2-page centerfold. 'We knew that this would really appeal to the 20-something crowd,' said Playboy spokeswoman Theresa Hennessey. Playboy even convinced 7-Eleven to carry the magazine in its 1,200 corporate-owned stores, something the company has only done once before in more than 20 years." Worst issue ever!

Read more of this story at Slashdot.

Propnomicon has an ongoing project to assemble a set of props from the fictional Miskatonic University expedition to Antarctica from Lovecraft's At the Mountains of Madness.

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Cartographer's Guild is a thriving online community for folks who are interested in making maps of places that do not exist. There are some really beautiful graphics to be found, particularly, in their Cartographer's Choice forum. Shown at the top of the post is Sapiento's Post Apocalyptic Amerika, and immediately above is töff's Map of Ceres: 16th Millenium.

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This video shows an absolutely stunning cloud formation over Moscow. It was reportedly shot in Moscow's Western District last week. It makes me want to reread the fantastic intro to cloud watching, The Cloudspotter's Guide: The Science, History, and Culture of Clouds. From The Telegraph:

Talking to the Daily Mail, a spokesman from Moscow's weather forecasting service said: "Several fronts have been passing through Moscow recently, there was an intrusion of the Arctic air too, the sun was shining from the west - this is how the effect was produced.

"This is purely an optical effect, although it does look impressive," he added.

"If you look closer, you can see sun rays coming through that cloud. Most likely, the sun was setting when the video was being made.

"If you observe clouds regularly, you may see many other astonishing things. Clouds of the same class may look absolutely different in different areas," he said.

"Bizarre 'Independence Day' cloud spotted over Moscow"

Last Friday Bryce Byfield gave us a little insight into the fallout surrounding his article on sexism in the FOSS world. Unfortunately it seems that FOSS junkies did little better than the rest of the world with respect to sexism, displaying similar levels of denial, abuse, and ignorance. "But the real flood of emotion comes from the anti-feminists and the average men who would like to deny the importance of feminist issues in FOSS. Raise the subject of sexism, and you are met with illogic that I can only compare to that of the tobacco companies trying to deny the link between their products and cancer. Because I took a feminist stance in public, I have been abused in every way possible — being called irrelevant, a saboteur, coward, homosexual, and even a betrayer of the community. I know that many women in the community have been attacked much more savagely than I have, so I'm not complaining. Nor am I a stranger to readers who disagree with me, but the depth of reaction has taken me back more than once. I think the reaction is an expression of denial more than anything else."

Read more of this story at Slashdot.

One of the highlights of this year's Austin GDC was a session by game design veteran Greg Costikyan on the 'blight or bane' of randomness in games -- a wide-ranging talk that covered the history and delicate balance of luck or chance in games, and their interplay with the idea of skill. Of particular note were his final slides on algorithmic content: randomly or procedurally generated games, starting, of course, with the genre-defining early computer RPG Rogue, a game highly dependent on luck but also one of near infinite variety with each successive playthrough. The idea is one that's been prevalent throughout videogame history, but it's also one that's most recently and notably being embraced by indies for its exploit-ability in adding 'cheap' (once your algorithms have been perfected) content and replayability on a tight budget and tiny team. Derek Yu's Spelunky (at top) is easily the best example, and where all discussion of the indie embrace of procedural generation needs to start. Taking the Rogue formula and applying it to the 8-bit platformer genre, Spelunky's enduring power and charm (having been finessed for nearly a year, and only just now hitting its 1.0 release) is its ability to create "situations" rather than rote level layouts. Though your only goal is 'simpy' to reach an exit at the bottom of each generated cave, without the benefit of memorization (think of how easily, 25 years later, you can now anticipate each impending Goomba and pitfall in World 1-1 of Super Mario Bros.) every new twist in Spelunky is a fresh test of more overarching skills: arrow-traps lining the walls of your next drop, a giant spider hovering near a precious gem, a distressed damsel crying for help at the bottom of a snake pit. None of these situations are ever presented the same way or in the same sequence twice, nor are their solutions any less unique, and each failure presents a learning opportunity that feels as rewarding as each victory (particularly in how it avoids the Groundhog Day frustrations of butting up against identical deaths). Play Yu's free PC release of the game and you'll understand instantly, and prep yourself for the 2010 release of the Xbox Live Arcade version. Adam Saltsman's embrace of these ideas goes even deeper: his decision not to include GUI level-editing utilities in his recent free Flixel Flash engine was meant to encourage new developers to experiment with script-based procedural techniques, starting with his own game Fathom (and Flixel demo game Mode). Where that's shined most brightly, though, is in his Experimental Gameplay contribution Canabalt (just recently released for the iPhone [App Store link]). Stripped down even further than Spelunky, Canabalt is one-button economy over-top procedural play. Your only interaction in Canabalt is to jump from roof to algorithmically-heightened and extended roof in a break-neck escape from a situation unspecified, giving the game a laser-focus on speed and reaction time. It's that simplicity and variety that's made it not only one of the most compulsive indie games of the year, but also the near-instant viral hit it's now become (alongside Saltsman's smart social network promotions). Finally, procedure meets sandbox in Farbs' Captain Forever, the least overtly or recognizably generated game of the three, but no less infinitely replayable, as signified by its title. Your goal in the game? Merely to act and excel as a star pilot -- and by 'you' I mean 'you': Forever's best fourth-wall-breaking trick is to use your PC's webcam to project your own face as a ghostly reflection on its low-bit display, visible primarily on direct-hit enemy explosions, which places you directly inside your ship's cockpit even as you sit slumped at your MacBook. To progress further into its infinite universe, Forever lets you procure scrap from demolished ships to build your own ever-more-fearsome craft, which elicits a further push-pull by generating both more powerful foes with higher-grade shields and weapons, and easier prey as you lose your own components in firefights. Still in pre-release, you can donate to Farbs to get an early look into the infinite space of his generated space, and, as with the other games above, become a firm believer in the church of procedural gaming.

I'm pleased to welcome our new guest blogger to Boing Boing: Connie Choe! I met Connie last month at Machine Project's krautfest 2009, where Connie and her mother, Granny Choe, showed everyone how to make kimchi. Take it away, Connie!

Good people of Boing Boing, I hope you appreciate the fact that this picture has been censored for your sake. I'm not flashing the camera or anything... In fact, I'd probably be the last person on the interweb to let the girls go out for a public swim. Yes, there's a good chance that I'm the most annoyingly squeaky clean, law-abiding citizen you will ever virtually meet, and if I were half as smart as I used to be, I would take advantage of this by starting a career in politics. Unfortunately, politics makes me sleepy and large crowds of people make me hyperventilate. It's a shame, really. The censorship is due to the fact that I'm wearing a big company logo and I didn't want to offend you with shameless self-promotion. 

I'm a health and culture writer whose work has appeared in Shape magazine and on LA.com. I'm also co-founder of a burgeoning kimchi empire: the award-winning Granny Choe's Kimchi Co.

For the next two weeks I'll be sharing about the little things that amuse me personally including health/psych news, the cleverness of Asians, and squirrels. 

A plastic skull and ribcage, a stick, and some old curtains dunked in gray house paint. From Dave Lowe Design.

Make: Halloween Contest 2009

Microchip Technology Inc. and MAKE have teamed up to present to you the Make: Halloween Contest 2009! Show us your embedded microcontroller Halloween projects and you could be chosen as a winner.

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I bought the very first Danger smartphone the day it came out (rare for me -- I'm not so much of an early adopter on mobile phones). One of the features I liked the best was the fact that all of the data on the phone was immediately and automatically backed up to Danger's servers. Since then, I've always been amazed that other providers didn't make similar features standard. Danger never fully lived up to its hype, and eventually sold out to Microsoft. It was never entirely clear why Microsoft would want Danger, but at the very least you would think that it would make sure that the servers were pretty safe and redundant. Or so you would think. Apparently Danger had a massive server failures and is warning people that their data may be completely lost. The company is telling people not to turn off their devices, as the only way to keep the data alive is to keep the phone going.

It's difficult to think of a system failure that makes a company look quite this bad. Tons of people have Sidekick phones and rely on server backup to keep their data. Not having a working redundant backup is a stunning sort of failure for Microsoft, and should remind people of the inherent dangers in relying on a cloud based service. While there are lots of cloud-based solutions that are quite useful, people are definitely going to need to be able to have alternative local and remote backups to make sure that, in this kind of situation, they're not totally relying on a company who should do things right, but perhaps did not.

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I was thumbing through the Summer 2006 issue of The FretBoard Journal (Number 2), a gorgeous magazine for stringed instrument players, collectors, and builders, and came across this short piece about "tone balls." These are the "nebulous balls formed from the bits of lint, dust, hair and insect husks that fall into the soundholes of guitars and mandolins."

Steve Olson, who repairs guitars at Elderly Instruments in Michigan has been collecting tone balls for years and has "catalogued dozens of examples by make, model and year of the host instrument." He says his favorite tone balls are the "densely compressed, perfect spheres formed by rolling around under the cone of old National guitars (top left)."

The Fretboard Journal Number 2 is sold out at the publisher's website, but is available at Elderly Instruments' website for $9.95 (the same issue contains an article I wrote about a ukuele strumming robot used to break in newly-made ukuleles).

Tara McGinley of Dangerous Minds reports on mucus-like blobs that are forming with increasing frequency in the Mediterranean. They're loaded with bacteria and viruses and the larger ones are 200 kilometers (125 miles) long. Sea snot invasion!

Life.com has a great gallery of little models of spacecraft built by NASA engineers.

Photo above is from 1967.

Artists and engineers share this bond: the fruit of their labor is often first embodied in rough, rudimentary form. Namely, a model. Pictured: An early and brilliantly minimalist model of the lunar module that, on July 20, 1969, landed on the moon with Neil Armstrong and Buzz Aldrin aboard.

Weirdly Beautiful Spacecraft Models

We recently redesigned the Submission Form to make it (hopefully) a little easier for you to shovel news our way. The new system also will allow you to tag your submissions. A reminder that you can participate in rating stories and filtering spam from the recent submissions page. And by bookmarking this convenient bookmarklet you can submit stories from the comfort of whatever web page you are browsing.

Read more of this story at Slashdot.

The MakerBot frostruder is coming along, now printing news headlines on toast. Delicious and informative!

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It's going to be a slow reboot for my new life, one step at a time.

Frank X. Shaw, who has been through it, says the hole in your heart will never close. I truly believe it.

I've heard from so many people who have lost a parent, it seems the experience opened them up, and if they won't say it, I will -- made them better, stronger, sweeter. There are a dozen people who, next time I see them, will have an interesting and personally warm conversation that wasn't possible before. Another way a big tree falls.

I know my father much better this week than I did last week. So weird. But the barriers he put up, and he was a man with a very high wall around him, come down. Just going through some of the pictures he left behind is an eye-opener.

Yesterday I went through each page of a family photo album. I had seen it before, of course, but had never studied it so closely. I had to this time, to choose a picture from each page for a thumbnail. One thing I can see clearly is that I was me very shortly after birth. Even though I don't remember any of it. The relationships you have with your family form very early and don't really change. And of course those are the relationships you have with the world. I've put my favorite picture of myself in the margin of this post. What a typical Dave expression. And it's funny how relaxed Mom looks, almost as if we had arranged before-hand that I would make the face.

And my father, as a boy of seven or eight, was the same person he was a few days before the end. You can see it in his eyes, and in the tentative smile on his face.

There are a few pictures of my parents where they are truly relaxed. There's one where I'm pretty sure they just did it. For all I know that might have been my moment of conception.

Anyway, this is all good.

Update: Here's the first batch of photos that are not in an album. I'm writing scripts to do the processing. The captions were written by Dad. I'm storing the originals and thumbs on Amazon S3. WordPress is doing the user interface.

harrymcc writes 'We now know that a remarkable percentage of consumers and businesses decided to spurn Windows Vista and stay with XP. But did the reviews of Vista serve as an early warning that it had major problems? I looked back at the evaluations in nine major publications and found that they expressed some caution--but on the whole, they were far from scathing. Some were downright enthusiastic.'

Read more of this story at Slashdot.

I stole this post title and all from Tiffany of Curious Goods.

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At a media summit in Beijing this week, Associated Press CEO Tom Curley and News Corp CEO Rupert Murdoch declared that "It's time to demand payment for online use of content." This combative language rings ironic, considering the fact that without its content being published on "kleptomaniac" sites like Google News, not many people would even hear about this very article. As Weston Kosova at Newsweek astutely points out, if Rupert Murdoch truly wanted Google to stop "stealing" content, they could very easily stop that today with a simple robots.txt exclusion.

News organizations that are contemplating charging for access to their content might also want to stop calling their potential customers criminals -- that's really not great customer service. And after all, many sites, including Google, are already paying to license some of their content. So, instead of accusing customers of not paying enough, offering better reasons to buy would probably get more sites to pay up. But, that's hard, so jumping up and down and demanding payment in a juvenile manner is much easier.

However, perhaps this is all merely negotiation brinksmanship -- threatening to charge for access to their free content to see if anyone cares enough to pay. The problem is, if the search engines call their bluff and remove their content from their services, then the news organizations actually risk losing much more. As we've pointed out time and time again, news organizations like the AP have been continuing down this road of implosion, where they clearly don't seem to understand the nature of their own business. For example, the AP's obsession with creating a "news registry" that would enable the AP to track down "unlicensed" uses of its content hints at this fundamental misunderstanding. In his speech to the summit, Tom Curley said:

"Crowd-sourcing web services such as Wikipedia, YouTube and Facebook have become preferred consumer destinations for breaking news, displacing Web sites of traditional news publishers.

To turn the tide, AP is creating a News Registry -- a rights management and tracking system."

Really? The AP's response to people linking to and discussing AP articles is to go after sites for money? I am waiting to see which news organization will be the first to go after Twitter for payment for news tweets. Instead of focusing on how to demand payment for the distribution of an infinite good, news organizations should recognize the new opportunities afforded by the free distribution of their content and focus on how to build a business off their scarce goods.

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I love this transformation of a Solarbotics Photopopper into a drawbot, simply by attaching an alligator clip to the back of the bot and clipping on a pen. The site is in Spanish. Here's a translation of the page, though the image pretty much speaks for itself.

In the Maker Shed:

Photopopper Photovore 5.0
Our Price: $45.00
The Photopopper Photovore utilizes very small high-efficiency motors in combination with elegant circuitry to make a very active solar-powered robot capable of covering a meter (3.3 feet) in under a minute!

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miller60 writes "There's a vigorous debate among cloud pundits about whether the apparent loss of all Sidekick users' data is a reflection on the trustworthiness of cloud computing or simply another cautionary tale about poor backup practices. InformationWeek calls the incident “a code red cloud disaster." But some cloud technologists insist data center failures are not cloud failures. Is this distinction meaningful? Or does the cloud movement bear the burden of fuzzy definitions in assessing its shortcomings as well as its promise?"

Read more of this story at Slashdot.

Painter and sculptor Kiel Johnson created a gorgeous cardboard model of a twin-lens reflex camera. It actually functions as a pinhole camera. His next exhibition, opening October 17 at the Mark Moore Gallery in Santa Monica, CA, is dedicated to the printing press. The centerpiece of the show, titled "Publish or Perish," is a huge metal and cardboard of a printing press with a 70-yard drawing fed through it. For more, see the upcoming print issue of Hi-Fructose, Volume 14.

From Johnson's artist statement quoted on the Hi-Fructose blog:

An interest in "the way things used to be" as well as the "way they might end up". I enjoy engineering and design features of the past. A time when objects were well crafted and meant to last for a generation or more, not just a season. I enjoy thinking about a time when your fancy new sewing machine came in a big pine crate and you needed a pry-bar to open it. Once opened, the machine had thousands of moving parts all cast in iron and aluminum, with levers, knobs and switches. You could see how it was built and if something broke down, you might even fix it yourself with a basic set of tools and some ingenuity.

I'm thinking about dying technologies, communication highways, information networks, power of the press, memories of youth, searching, investigating, lessons learned, stories told, Thomas Paine, W. R. Hearst, printed images, reproduction, news feeds, "live at five", "this just in", "Exclusives", HIStory vs THEIRstory vs HERstory vs the PRESStory vs FAMILYstory.

Publish or Perish: Kiel Johnson

Sockatume writes "Scientists in Italy have developed a robot which will move around the lower digestive tract using legs. The "Spider-Pill" is fitted with a camera and will stow its legs until it reaches the lower intestine. Once there it can crawl around and take pictures under direction from surgeons. Its USP is that it's more appealing that an endoscopy." The BBC also has video.

Read more of this story at Slashdot.

I love discovering a blog like Paul Elkins'. He's an obsessive designer and tinkerer who's made all sorts of bikes, trikes, boats, trailers, tree houses, stoves out of mail boxes, and even mobile homes for birds (see above). He writes of his life-long passion for designing and building:

I've been doing this idea hatching thing since I was a kid. I received my first serious sketch pad on Christmas morning when I was 8 years old. Each day I'd think of something weird and sketch it out, and every year, another book would appear under the tree. I have at least 26 of these sketch books now, filled with hours and hours of figuring and redrawing, making lists of pros and cons on an idea. Many hours were spent drawing cartoons and the human figure. These sketches led to paintings and other forms of art, but that's for another future blog. My real passion was and is design, with subject matter varying from bicycles, trikes, cars, boats helicopters, submarines, home design or whatever happens to cross my mind. Each idea has to be original, or an elaboration of something I've seen or read about. At 16 I built my first recumbent bicycle which was never photographed or completed. Several other recumbents were made as time went by. It wasn't until I was divorced and started to enter my 40's that most of what you'll see here really started to materialize. Some of these ideas have miraculously worked out great and I've spent many hours enjoying them, while others have not. For the ones that did, I have pride in knowing that my mind and hands had a part in their creation and existence. For the ones that didn't, I chalk them up as a lesson.

High mileage trikes and more

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An anonymous reader writes "Individuals are turning to P2P networks and auction sites in staggering numbers to acquire or transfer illegal software and in doing so are harming the economy whilst exposing themselves to malware, identity theft and criminal prosecution, according to a report from the Business Software Alliance. Beyond P2P and auction site piracy, the report also draws correlations between Internet piracy and the spread of malware such as viruses, trojans and spyware, which often exploit vulnerabilities in illegal software that does not benefit from security updates provided by manufacturers. Although the correlation is not universal, geographies with high instances of software piracy suffer from high instances of malware."

Read more of this story at Slashdot.

onOne Software, a maker of software and plug-ins for photographers has released a new version of its DSLR Camera Remote Server software, which allows users to remotely control Canon and Nikon DSLRs using their iPhone or iPod Touch. Version 1.2 extends support to the Nikon D300s DSLR and brings in a host of improvements and fixes.

For quite some time, many people credited part of the rise of blogging to the fact that many folks in the tech industry found themselves out of work in the wake of the dot com bubble bursting. Suddenly there were lots of tech geeks, who were always online and had stuff to say -- and now plenty of extra time to say it. It didn't take long for a whole slew of tools to pop up to make that happen, and voila, blogging revolution. I'm not sure I really believe that story, but there have been some suggestions that the current financial crisis my lead to something similar, with the unemployed speaking up online. Except... you might not want to do that if you're unemployed and in New York. Forbes is reporting that a lawyer's unemployment benefits were greatly reduced, because his blog earned about $1/day in ad revenue. The whole thing sounds like a bureaucratic nightmare, with NY State asking her to get a form from her new "employer" who didn't exist. Then NY Department of Labor started giving her all sorts of contradicting information, and eventually an "investigation" into her "business" -- during which time her unemployment benefits were stopped entirely. She's now pulled the Google AdSense from her blog (total earned over the life of the blog $238.75).

It's really stunning how various labor departments are simply ill-equipped to handle a modern labor force. Reading through the story of this lawyer is not at all surprising. While most of our employees are in California, we've had employees in a few other states, and none of them seem to know how to deal with the idea that people in their state might work remotely for a company in another state. Just last week, we were dealing with one particular state, where we had an employee who hasn't worked for us in nearly two years -- but the state insists we still owe taxes for him and on our "office" in that state, for every day since he no longer worked for us. We've written letters, filled out forms, spoken to people at the local labor department -- and all to no avail. Every couple of months, they send us an updated statement insisting we still owe them money for someone we haven't employed in ages. All of these labor departments are designed based on an old model whereby there was a big company that had a presence in the state, and employed people. They can't handle the idea that someone might work remotely or that people might make some other income from a blog or other source. One of these days, perhaps they'll update their systems, but until then, it's just a bureaucratic nightmare.

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An anonymous reader writes "People still don't understand SSL. This isn't much of a surprise... no one expects that grandma and grandpa know what SSL is and what it does. What is surprising and downright scary is that most IT professionals don't understand SSL, and many consider it to be the be-all, end-all of security in their organization. With all the tools out there to manipulate SSL connections, and the browser vendors unable to settle on a single method of showing if a site is secured by SSL or not, is it any wonder that no one gets it?"

Read more of this story at Slashdot.

An anonymous reader writes 'People still don't understand SSL. This isn't much of a surprise... no one expects that grandma and grandpa know how to what SSL is and what it does. What is surprising and downright scary is that most IT professionals don't understand SSL, and many consider it to be the be-all, end-all of security in their organization. With all the tools out their to manipulate SSL connections and the browser vendors unable to settle on a single method of showing if a site is secured by SSL or not, is it any wonder that no one gets it?'

Read more of this story at Slashdot.

This has to be my favorite iPhone stand to date. Its simple one piece design is easy to fabricate and lays flat when not in use. Follow along with this Instructables as maker jonpoate steps through the process. [via lifehacker]

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Zachary Christie is a six-year old student in Newark, Delaware who is facing 45 days in reform school because he brought his new Cub Scout eating utensil to school for lunch. The utensil includes a knife, and this violates the school's brainlessly, robotically enforced zero-tolerance policy on "weapons on school property."

Critics contend that zero-tolerance policies like those in the Christina district have led to sharp increases in suspensions and expulsions, often putting children on the streets or in other places where their behavior only worsens, and that the policies undermine the ability of school officials to use common sense in handling minor infractions.

"Something has to change," said Dodi Herbert, whose 13-year old son, Kyle, was suspended in May and ordered to attend the Christina district's reform school for 45 days after another student dropped a pocket knife in his lap. School officials declined to comment on the case for reasons of privacy.

Ms. Herbert, who said her son was a straight-A student, has since been home-schooling him instead of sending him to the reform school...

"I just think the other kids may tease me for being in trouble," he said, pausing before adding, "but I think the rules are what is wrong, not me."

It's a Fork, It's a Spoon, It's a ... Weapon? (Thanks, Ron!)

(Image: Case Boy Scouts of America Caramel Jigged Bone Hobo Knife 4-1/8", Knifecenter.com; illustration only, this is not necessarily the cutlery Zach Christie got in trouble for carrying)

The following true story was told to me by a woman who chooses to remain anonymous for privacy reasons. If you think you have Persistent Genital Arousal Disorder, you can visit this forum for help. I had my first orgasm at the age of 17. I was sitting at my desk at school when all of a sudden, I felt a warm, pulsing feeling in my genital area. My vagina flared up and I couldn't think straight. It was like someone had squeegeed my thoughts away. I was like, whoa, what's that? It felt really erotic and good, but I was also freaked out, scared, and confused. After that, it started happening a few times a day. I searched online for spontaneous orgasms, but all I found was weird porn. It kept getting worse. During my second semester of senior year, I counted orgasms on a sheet of paper. I was having 100 and 200 a day. I ran to hide in the bathroom between classes to relieve the pressure. By the time I started college, the orgasms became even more intense and disruptive, and I was having trouble concentrating. I became really depressed. I didn't know what was wrong with me, and I wasn't getting any better. I cried a lot. I hid in the bathroom. I became violently protective of my privacy. In the beginning, I told everyone I trusted about my condition. People said things like: "You're so lucky!" and "Dude, I'd love to date you." They didn't understand why I wanted it to go away, and labeled me a drama queen. The school psychiatrist thought I was crazy. After my sophomore year, I bought a bunch of vibrators and took medical leave.One day in 2003, a friend sent me an article in the Boston Globe about a newly discovered condition called Persistent Sexual Arousal Syndrome*. When I read it, I started crying hysterically--it described exactly what I was going through. I immediately made an appointment at the institute the article linked to, and after hours of tests, I was diagnosed with PSAS. My engorged genitalia and hypersensitivity made me a textbook case. Every other doctor had thought I was just a delusional hypochondriac. PSAS feels like having a second heartbeat. No, it's more than that. It's alive — it has its own life force, a mind of its own. I often wonder if this is how teenage boys feel about their erections. My parents pretend my PSAS doesn't exist. It makes me feel uncomfortable and rejected. My mother is very conservative — she has trouble saying the word "orgasm" out loud, and she thinks I'm a pervert because I have toys. A couple months ago, out of the blue, she said, "You still having that orgasm problem?" That was only the second time she asked about it since 2003. I sometimes wish I could make reference to it in normal conversations without feeling like a freak, but I understand that PSAS isn't exactly dinner conversation. Every time I do something, I have to evaluate my situation. Where am I? Are there other people around? How well do I know them? What is the likelihood that, if I don't get someplace private in time, things could get complicated? Can I make noise? (Being vocal isn't necessary, but it helps release more of the pressure.) I avoid triggers — things like music with heavy bass, vibrations from riding a train or an idle car, cold air, musky cologne, darkness, stress, scary movies, romantic movies, unexpected touch, a full bladder. PSAS is completely unrelated to sex drive. Watching sex scenes does nothing for me, but the other day, when a friend put his hand on my back, I found it really hard to contain a screaming orgasm. If my heart rate shoots up too high for too long, I flare up. I avoided exercise and gained a lot of weight. One time, I was hugging a male relative and I felt an orgasm arise. It felt really dirty and wrong, and I totally freaked out. Now, I try to avoid hugs in general unless I feel ready for them. I've been with my boyfriend for about six years, but we still haven't had sex. I don't know if I'll ever be ready to do it. Because of a vulvar pain disorder I have that sometimes comes with PSAS, I know it will hurt like hell. Others who have PSAS say that sex is not satisfying at all — the orgasms associated with sex are nothing compared to the ones induced by the condition. Sometimes I wish I could have sex with him because I think he deserves to have a 'real' girlfriend, but honestly, I just enjoy being held by him and not having it feel inappropriate. He's been very patient and understanding; he's my best friend, and we talk every night. I'm 24 now, and have learned to manage PSAS pretty well. I discovered dancing — it's a great alternative to jogging because it's not as cardio-intensive. As long I take breaks between routines, folk dancing or doing salsa doesn't cause a flare up. Last week, I was at the movies and had to leave twice because I was flaring up. Each time, I ran to the bathroom and tapped my heels on the floor to hear if there was anyone else around. Then I locked myself into a stall, braced myself against the stall door, and let the orgasm run its course. I missed about 15 minutes of the film, but that's just one of the many things that result from managing PSAS and its collateral damage. My orgasms feel like a cosmic joke. I don't know why this happened to me and not someone else. If I didn't have PSAS, I'd be much more outgoing, and I probably would have finished college two years earlier. I'd have a normal sex life. I feel like I'm lugging around a shadow, a ghost that I just can't shake. It depresses me that I'm stuck with it, probably for the rest of my life, but strangely enough, I don't want to be cured instantly of PSAS. It appeared suddenly in my life, and if it disappeared just as suddenly, I would always be looking over my shoulder, and I'm not sure I would know who I was. I would rather have it slowly fade away, but if it doesn't, well, I'm doing my best to make peace with this part of my life. *The name of this condition was recently changed to Persistent Genital Arousal Disorder to remove the stigma that this is a sexual disease. PGAD will be officially recognized in the next edition of the Diagnostic and Statistical Manual of Mental Disorders, which comes out in 2012.

Dennis Laumen alerts us to an update on the story concerning Dutch music collection society Buma/Stemra's plan to charge bloggers for embedding YouTube videos on their site. After the story got lots of publicity, Buma appears to have backed down ever so slightly, saying that "amateur" bloggers are off the hook. But, the definition of "amateur" is basically only if you don't have any ads. Put up some Google AdSense... and suddenly you're a "pro" who has to pay up.

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Adobe has released a version of their Photoshop.com Mobile app for the iPhone. It's not the full-featured professional software known for it's reality altering effects, but rather a slimmed-down version compatible with their photoshop.com service. You'll have the ability to perform basic operations on your images like crop, rotate, and flip. You'll also be able to do basic color correction and apply simple filters and effects.

After making personalized edits, users can upload photos from their iPhone to their Photoshop.com account to view and retrieve their images at a later time from any Internet-connected computer. In addition, Photoshop.com Mobile for iPhone provides the ultimate digital photo wallet, giving users access to their entire Photoshop.com library directly from their iPhone.

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Carl Zeiss has announced the Distagon T* 2/28 wide-angle lens in Canon EF mount, for both analog and digital EOS SLRs. This manual focus lens, with its large f2 aperture, is made up of 10 elements in 8 groups and uses a floating focus mechanism for high image quality across the full range of focus distances. It will start shipping this autumn for a suggested retail price of €965.55.

Open source banjo maven Patrick Costello writes,

We have been hosting folk musician retreats for the last couple of years here in Crisfield, Maryland. The idea is to bring musicians together in a funky old house on the banks of the Chesapeake Bay to jam and share ideas. From our very first event we have been able to draw musicians from all over the world and the mix ranges from rank beginners to seasoned professionals. When we started the project we were charging a registration fee to cover food and lodging, but as the event started to grow we realized that we had to rethink how we running things.

For our last retreat on September 17-20 2009 we decided to take a risk and make the event free - food, lodging and access to the event all at no charge. We simply passed the hat and asked folks to contribute what they could to keep the event going. (Canada Goose Records has released a soundscape of our April 2009 Retreat under a CC-license.) This probably won't surprise you, but we wound up bringing in enough to cover a good deal of the expenses for our next retreat on May 6-9 2010.

So we are going to continue running the Crisfield Folk Musicians Retreat as a pass-the-hat funded event. Four days of amazing music, fellowship, good food and amazing scenery for whatever you can afford to throw into the hat.

The Crisfield Folk Musicians Retreat 2010

(Attentive readers will remember that Patrick had been legally and painfully deaf for some time, and recently had corrective surgery via a BAHA implant; he adds, "My Baha implant is amazing. I can hear! For the past month I have been wandering around like a little kid listening to birds and crickets. Most of all I can hear my instruments again. It has been so wonderful being able to just kick back with my guitar and play without struggling to make out the sounds or having to hunch over and rest my teeth on the upper bout. My father caught the activation of the device on video. I have a hard time watching the bit where I hear my guitar for the first time in years. Technology is just grand!)

Hiraga Gennai (1729-79) was an Edo period Japanese pharmacologist, physician, author, painter, and inventor of the Erekiteru (electrostatic generator). The Gennai Hiraga's Spark Generator kit in the Maker Shed replicates his early work in creating static charges.

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Adobe has introduced Photoshop.com Mobile as an application for Apple's iPhone. It enables users to view, edit and apply effects to images via gesture-based editing. Once edited, images can be uploaded to the user's Photoshop.com account for sharing or back-up purposes. The application is available as a free download from Apple's App Store.

sevarac writes "The latest release of Java Neural Network Framework Neuroph v2.3 comes with ready-to-use image recognition support. It provides GUI tool for training multi layer perceptrons for image recognition, and easy to use API to deploy these neural networks in end-user applications. This image recognition approach has been successfully used by DotA AutoScript tool, and now it is released as open source. With this Java library basic image recognition can be performed in just few lines of code. The developers have published a howto article and an online demo which can be used to train image recognition neural networks online."

Read more of this story at Slashdot.

Small businesses are the driving force behind growth and innovation in the American Economy, and their inspiring stories reverberate across all industry sectors. American Express and NBC Universal are proud to support the small business community, so they've partnered to create the Shine A Light program in order to honor standout small businesses everywhere.

It's down to the wire with three finalists vying for the winning nod. And who provides that winning nod? You do! Your votes will determine which of these three hard working small businesses will receive $100,000 in grant and marketing support from American Express.

Read through the inspiring stories of these three finalists - a telecommunications company, a paint and hardware store and an organic baby food company - and cast your vote for the most inspiring story. It means a lot and can make a real difference to one inspirational small business.

Vote today!

See, it says so right there on the sign.

Crop art is exactly what it sounds like: Art made with crops. Generally speaking, that means everything from crop circles to grape-vine wreaths. But we're talking about a very specific kind of crop art. One seldom seen outside the surreal confines of the Minnesota State Fair. This crop art is all about seeds--thousands of them--glued together to form an image. Right now, you're thinking about preschool macaroni pictures, aren't you? Don't. Real crop art is much more challenging.

Everything you see here is seeds. Artists like Kimberly Cope--the Minneapolitan responsible for this punny little number, which references the grand Fair tradition of serving anything and everything fried and on a stick--painstakingly glue the seeds to a masonite backer board. It's an artistic technique that stems from historical attempts to display crops for show. You wanted something aesthetically pleasing, but you also wanted to show off the quality of the crops themselves.

"It's telling that these pieces are displayed in the horticulture building, alongside the blue-ribbon corn and flax," says Colleen Sheehy, director of the Plains Art Museum and the author of Seed Queen, a book about crop art and the woman who revolutionized the medium.

These are all the different types of seeds that make up Conan. You see the teeny canola seeds and quinoa? You put those on individually with a toothpick, Sheehan says. Unsurprisingly, that kind of work doesn't have particularly widespread appeal. When Sheehan was researching a book about Lillian Colton--the mother of modern Minnesota crop art--she contacted every state fair in the U.S., looking for similar competitions. Nobody had one.

"You will see some crop art in other states, mixed into a different category, like in arts and crafts," she says. "But Minnesota is really the only place where this isn't just nostalgic and cute. It's still a live art here. It's still evolving."

(Ms. Cope, by the way, deserves some sort of award for most puns shoehorned into a State Fair art entry.)

Lillian Colton deserves the credit for keeping crop art alive in Minnesota. This Abe Lincoln--again, all seeds, including the background--is one of hers. Colton first entered the crop art competition in 1966, the second year of its existence as a special category. Back then, Sheehy says, people were using the seeds like stitches of thread. You'd have a big, blank background with seeds forming some abstract shapes or mimicking old-fashioned embroidery samplers. Colton (truly, a Happy Mutant before her time) went in an entirely different direction. At the 1967 fair, she unveiled her first portrait, using seeds like drops of paint to create texture, depth and shadow.

"She really blew it open by showing you could do any subject matter," Sheehy says. "And the virtuosity she introduced by using the really tiny seeds, it raised the bar with obsessive quality in the art."

Colton, as the kids say, brought it. She entered a new portrait every year, and it eventually got to the point where the judges may as well have printed her name on the blue ribbons in advance. Thus, did the backlash begin. It started with subject matter. Colton's portraits, innovative as they were, were very Lawrence Welk, culturally speaking. You got your presidents. You got your un-controversial movie stars. You got your Jesus.

In response, younger Minnesotans started turning up with portraits of Bob Marley and Che.

Which leads us to this snappy little number from the 2009 Fair. One of the first reasons I got curious about Minnesota crop art was its tradition of political commentary, often featuring a strong lefty bent--a somewhat unexpected tendency for a state fair art competition involving commodity crops. It's quite a bit different from Lillian Colton's polite portraiture, but Sheehy says the credit goes to Colton all the same.

"Even to those who reacted against her, she was really the standard people measured themselves against. Good and bad she sent crop art in a lot of different directions and made it seem alive and viable," Sheehy says. "What you see here today is more interesting, artistically, than anything over in the fine art building."

For the record, the liberal bias of modern crop artists does attract its own dissent. No, I'm not sure why Nancy Reagan has a parrot. Or why Barbara Bush was left out.

And the competition isn't all about politics.

The competitors also aren't all Minnesotan. There is a category for would-be seed kings and queens who live out of state. The most out-of-state of all the out-of-staters, according to the St. Paul Pioneer Press, is Zambian artist Obrien Shipeka. Shipeka has long worked with seed art and entered this portrait of his little sister after a U.S. Embassy public affairs officer told him about the Minnesota State Fair. Unique to Shipeka's work is the technique of roasting seeds--in this case, millet--to alter their color. The innovation helped earn him the 2009 overall Best in Show, the out-of-state blue ribbon and a $40 prize. To put the prize in perspective, Shipeka just made about as much as a Zambian security guard could expect to earn in a year, according to the 2002 Economic and Social Development Research Project of the Jesuit Centre for Theological Reflection.

Over at Instructables, Mike Galloway posted a howto for creating a lovely, twinkling star field ceiling using fiber optics. Inspired by a star field ceiling he saw at a movie theater, Galloway decided to install one in his soon-to-be-born baby's room! "How to create a fiber optic starfield ceiling"

MikeChino writes "At first glance, e-readers offer a great set of benefits over paper-bound books – they’re light, versatile, and a great alternative to lugging around a tote full of dead tree tomes on your next trip. However these new reading mediums have one glaring fault – can you imaging the frustration of running out of juice mid-sentence and halfway through Infinite Jest? LG’s new solar e-book aims to address this issue by harnessing the sun's rays to power its display. The device features a 10 centimeter wide thin-film photovoltaic panel that can power the reader for a full day's worth of reading after 4-5 hours spent sitting in the sun."

Read more of this story at Slashdot.

On the news that Bobtown, Pennsylvania has outlawed Hallowe'en to "keep kids safe," Lenore "Free Range Kids" Skenazy points out that there has never been a single substantiated incident of a kid being sickened, hurt or killed by doctored candy handed out during trick-or-treating in the history of America.

Ever.

Was there ever really a rash of candy killings? Joel Best, a professor of sociology and criminal justice at the University of Delaware, took it upon himself to find out. He studied crime reports from Halloween dating back as far as 1958, and guess exactly how many kids he found poisoned by a stranger's candy?

A hundred and five? A dozen? Well, one, at least?

"The bottom line is that I cannot find any evidence that any child has ever been killed or seriously hurt by a contaminated treat picked up in the course of trick-or-treating," says the professor. The fear is completely unfounded.

Goodbye Halloween, Hello "Safety"

(Image: Me as a pirate, Hallowe'en 1975, Toronto, Canada -- photo by Gordon Doctorow)

Nice work from Ars Technica's Nate Anderson on the ways that entertainment companies have spent the past century decrying new technology, claiming that it would destroy copyright, from the record player to the xerox machine to the VCR to DTV to Napster.

Chief movie lobbyist Jack Valenti appeared at a Congressional hearing on the VCR and famously went hog-wild. "This is more than a tidal wave. It is more than an avalanche. It is here," he warned after reciting VCR import statistics. "Now, that is where the problem is. You take the high risk, which means we must go by the aftermarkets to recoup our investments. If those aftermarkets are decimated, shrunken, collapsed because of what I am going to be explaining to you in a minute, because of the fact that the VCR is stripping those things clean, those markets clean of our profit potential, you are going to have devastation in this marketplace... We are going to bleed and bleed and hemorrhage, unless this Congress at least protects one industry that is able to retrieve a surplus balance of trade and whose total future depends on its protection from the savagery and the ravages of this machine..."

"We're in favor of HD radio," said the RIAA's Mitch Bainwol in a 2004 interview. "It offers great benefits for consumers and everyone involved, but we're not blind to several concerns. Someone could cherry-pick songs off a broadcast and fill up a personal library and then post it on Kazaa... We're concerned for ourselves and the artists. If you don't have protection, it undermines the future investment in music."

100 years of Big Content fearing technology--in its own words

"Self portrait in a state of fragmentation," is not, in fact, the title of this amazing work by American everyday-object sculptor Tom Friedman. Formally, it's "Untitled." Anyone care to guess what it recently sold for?

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Nethead writes "Due to some down-time, I'm looking for some Linux games to pass the time. I've been playing BattleMaster, a PHP web game but it's only two turns a day, and I'd like something a bit faster. I've not really played PC games since the Doom era so I'm really out of touch here. I don't have a real gamer box, just a simple video card. What do Slashdotters think I should try? A simple FPS or some type of networked game would do. What's out there for Linux?"

Read more of this story at Slashdot.

As a summation assignment for the CD scrounging, battery pack and junkbot projects, students made videos showing their junkbot. In the videos, which were made on whatever equipment they had available to them, they were to show the 'bot, explain what they did to make it and explain a bit about how it works. Part of the project was a writing assignment had them write about their Junkbot and tell about what they learned in the project. Not all of the students put the videos online, instead emailing them in. Having the videos online definitely creates a better, more lasting record of the project.

Grayson writes in his video notes:

Three things I learned about components that I did not use on my junk bot are things about LEDs, stepper motors, and potentiometers. I learned that LEDs only allow electricity to flow in one direction. If you hook up an LED backwards, it will not light up. Another thing I learned is that you cannot control a stepper motor without a computer chip. They are controlled with many coils and one person cannot run one with a single battery pack and a motor. I also learned that potentiometers (variable resistors) control the amount of electricity flowing through a circuit. Potentiometers can control things such as volume, motor speed, light intensity, etc.

What are your classroom projects this year? Do you have videos or photos that you could share with us to show off the creative makers you're working with? Post up some links in the comments, and add some photos to the MAKE Flickr Pool.

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