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Do you smell a terrorist? Did you know that "terrorism is a crime?" This iWatch PSA stars a cast of pretend-earnest actors encouraging you to rat out your neighbor, "if you see, hear, or smell something suspicious." Don't hesitate -- "let law enforcement determine if it's a threat, (says this fellow, who plays a sex-crazed Mr Pringles when he's not playing a fear-mongering alarmist)" and "let the experts decide." Be sure to report on anyone drawing important buildings, a favorite tactic of terrorists with an artistic bent!
Here's Fox News' pretend news story that explains iWatch.
Do you recognize any of the other actors in this waste of money PSA?
UPDATE: Am I wrong, or is the guy who says he's "Chris Matthews" in the iWatch campaign (left) the same guy who calls himself "Michael Busch" at UCBComedy (right)? It seems suspicious. Should I let law enforcement determine if it's a threat, and let the experts decide?
Read more of this story at Slashdot.
Read more of this story at Slashdot.
According to the US Department of Justice, over 2,000 children are reported missing every day. And while most of them don't stay missing for that long, it's a terrifying experience for any parent or guardian to go through. For the past quarter century, the National Center for Missing and Exploited Children, a private non-profit established by Congress, has acted as a resource for people who have lost a child. One of cool things the Center does is age progression — the creation of computer rendered images that show what a child might look like now. We saw this most recently with the horrible case of Jaycee Dugard, who was kidnapped in 1991 by a sick criminal who kept her captive and raped her for 18 years. Last week, People Magazine revealed the first real photo of Dugard at her current age, and it was strikingly similar to the age progressed photo that the NCMEC had created.
The NCMEC has a 97% recovery rate of all missing children reported to it, with over 900 safely returned children whose age progressed photos were advertised on TV and on milk cartons. So how do they do it? Turns out there's a small team of retired forensic detectives using Photoshop and fine art skills to re-imagine what these children might look like as they grow older.
Joseph Carson was abducted by his non-custodial dad as a toddler and was missing for about five years when a customer at an auto parts store saw that a PSA showing his age progressed image was strikingly similar to a kid who just happened to be in the store at that exact time.
Glen Miller, NCMEC:I supervise the forensic imaging unit here at the National Center for Missing and Exploited Children. I'm a retired police forensic artist — I've been here since 1992. As a detective in the police force, I often created composites from witness memories of bank robbers and rapists. Here at the Center, the emphasis is on aging faces of long-term missing children. It's different than working from memory, but there isn't a software available that automatically ages photos. When a child goes missing, we usually get a photo with the report. As time goes on, though, the photo becomes less and less valuable, especially if the child was very young when he went missing. That's where age progression comes in. To come up with the best possible progressed image, we begin with a photo of the child and of the biological parent &mdash the father if it's a little boy, the mother at if it's a girl — at the age that the child would now be. My colleague Joe Mullins worked on the most recent image of Jaycee. He had to study 11-year old Jaycee's face closely, and become familiar with all her unique features — the eyes, the eyelids, the shape of the nose. 80% of likeness is recognizable in the eyes. We're constantly dealing with the subtleties of aging. What makes someone appear 15 and not 29? He battled that while holding onto the unique facial qualities that set Jaycee apart.
When Jonathan Ortiz was just two years old, his mom ran off with him to Guadalajara Mexico, after attempting to kill his dad by feeding him a milkshake laced with pesticide. She was arrested and extradited back to the US eight years later, but Jonathan wasn't with her. Here, you can see that the age progressed image of 10-year old Jonathan (middle) created from a photo of him as a one-year old is quite similar to the actual photo taken (far left) when he was found — especially around the mouth.
We use Adobe Photoshop CS4 to manipulate the photos. We stretch the face to approximate growth, blend it with parental photos, and put a hairstyle on each child. The clothes are transformed to be more appropriate for that age. We use powerful Macs with lots of memory and speed, and drawing tablets instead of mouses. With this technology, we can complete one age progression in about three hours. When we look at the child's face and family photos, we pretty much know what we're going to do with it right away. We try to do an age progression every two years until age 18, and then every five years after that. We continue to age progress children unless we're specifically told not to or until the child is located. Last quarter, we produced 131 age progressions. I enjoy seeing the transformation as I manipulate the photos. We build faces in virtual environments for people to recognize, but the only way we really know we're successful is by having results. We can compliment each other on how great an age progressed image is, but the public is the true test of success. To say we love feedback is an understatement. We crave it. It encourages parents of long term missing kids that there's hope, and that's one of the most important things about what we do. We're giving people their identity back.

John Boiles, he of the iPod-controlled RC car, also produced this sweet wirelessly controlled light dimmer, which he demonstrates in this video, controlling different sets of X-mas lights by shaking his iPod. See it work around 1:40, then be sure to check out the dance party at 2:40. The iPod is enclosed in the "law book" prop everyone is shaking around, together with their booties, while they rock out to vintage Bon Jovi, et. al.
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I pitched a simple idea at yesterday's GigaOm meetup, one that is easy to explain verbally but I've not yet attempted to explain it in writing. So here goes.
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"A is for Atom" is a 1953 science cartoon with a snazzy soundtrack and a genially authoritative narrator. It's about 12 minutes long. A downloadable version of "A is for Atom" is available at Archive.org.
Welcome to the uncanny mogul: Bojan Nemec at the Jožef Stefan Institute in Slovenia developed this skiing robot.
It consists of two computing systems, one that acts as a vision and route planning system, and the other for stabilization and steering. Besides using it to make funny videos, they also plan to use it to test ski equipment and to build virtual reality models of the winter sport.
Researchers at the Jozef Stefan Institute built this fun skiing robot. It consists of two computing systems, one that acts as a vision and route planning system, and the other for stabilization and steering. Besides using it to make funny videos, they also plan to use it to test ski equipment and to build virtual reality models of the winter sport. I just hope it can move fast enough to avoid the abominable snow monster!
There doesn't seem to be a web site to document the robot, however the folks at IEEE Spectrum have a nice writeup of the conference talk it was presented at, and the paper is here (behind a paywall). [via neatorama]
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"Leech convicts Australian robber" (Thanks, Antinous!)When police came to investigate the robbery, officers found a leech near the safe, and the resulting DNA sample was recorded in the Tasmania Police DNA offender database.
Cannon would probably have got away with the crime had he not been charged with drug offences late last year, and asked to give a DNA sample - which matched that from the crime scene.
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"We are a bit dumbfounded that a group that made its reputation for being banned is trying to ban one of our ice creams and claim copyright over the national anthem and the Queen."
(Download MP4 video or Watch on YouTube, or view with subtitles on Dotsub).
Institute for the Future teamed up with Sun Microsystems and Boing Boing Video to co-host the Digital Open, an online tech expo for teens 17 and under around the world.
In this video, you'll meet awesome 16 year old Nick Brenn. His crafty Altoids tin hacks led to a winning "Electronikits" project for the Digital Open, which sells electronics kits for pocket-sized tin-mod flashlights and other DIY oddities.
I loved his answer to the "Who is this project for?" part of the Digital Open Questionnaire: "Anyone with a passion for being a DIY-er and a fiend for building cool projects. Who wouldn't want a sweet Altoids LED Flashlight? You could have the freshest flashlight on the block! Or an Altoids night-light! It is rare to find someone with such cool projects as you would have!"
Nick tells us more about how "Electronikits" came to be, below and after the jump:
It all started with instructions that I posted on Instructables.com, on how to build a "Super Awesome Altoids MINI Flashlight." Soon after winning a contest on Instructables, I was contacted by a sales associate at the science supply company Edmund Scientific. I was like, "WOW!", someone wants to buy kits from me that I don't even have! This was an opportunity too good to pass up.
I created my business known as NGB Enterprises. To sell to Edmunds, I needed a tax i.d, and since I was a minor, I created a "dba" (doing business as), under my mom's business. So in just months, I had established a business based on instructions I submitted that could be viewed by the whole world! So I then bought the necessary components for the kits that Edmunds wanted to buy, and I shipped them out to the company. I was paid, I had a profit and life was good! I wanted to keep this going, and I did not want this to be a one time thing. So in order to keep with "openness," I did not take down the instructions that I posted on the Instructables website, because I was confident that I did not have to worry about anyone trying to do something silly with my work, and I used those instructions for my kits.
Read more of Nick's story here, with links to features about his projects at HowStuffWorks and other science-y sites.
Read more about the youth competition in IFTF's press release announcing Digital Open winners.
Today's AP release, in entirety, here. The federal court filing and related material are here.The Associated Press today filed a motion seeking to amend its Answer, Affirmative Defenses and Counterclaims from last March in the lawsuit filed against the news cooperative by Shepard Fairey and Obey Giant Art, Inc., based on Fairey's recent revelations that he fabricated and destroyed, or attempted to destroy relevant evidence and other newly discovered information in the lawsuit. The AP disputes Fairey's most recent allegations that he made a "mistake" about which AP photo he used to create the Obama Hope poster, saying such allegations are "simply not credible."
Previously: Legal battle over Shepard Fairey Obama poster takes an unexpected turn.
Earlier today, we looked at why leaves change color--or, more specifically, why some trees change to red and some to yellow. Now, we turn our attention to the skies.
So, birds fly south for the Winter. But how do they pull off a trip like that, while you and I (or, maybe, just I) have no idea which way is north outside our hometowns? Actually, nobody knows for certain. But Matt Soniak at mental_floss has summarized three of the theories. My favorite:
A particularly cool study showed that migratory birds also use "celestial navigation" to find their way around in the dark. Captive birds placed in a planetarium changed their directional orientation when the star pattern on the ceiling shifted and became confused when the images of stars were dimmed. The scientists conducting the experiment suggest that birds use the layout of constellations in the sky as a compass.
I just like to imagine the phone calls between the bird guys, and the owner of the planetarium, both before and after the experiment.
Image courtesy Flickr user Corey Leopold, via CC

Beginning at noon PDT today, and closing at noon PDT tomorrow, we will be accepting comments, below, describing the Halloween-y use (or uses) to which you would put the prize bundle consisting of one Microchip Technology PIC10F Cap Touch Demo Board and one MCP1650 Multiple White LED Demo Board.
For this giveaway, the prompt is: "How would you use the prize bundle in a Halloween costume?"
The winner will be announced tomorrow afternoon at the bottom of the comment thread. Be sure to include a valid e-mail address.
Make: Halloween Contest 2009
Microchip Technology Inc. and MAKE have teamed up to present to you the Make: Halloween Contest 2009! Show us your embedded microcontroller Halloween projects and you could be chosen as a winner.
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Researchers have designed micro-unmanned aerial vehicle inspired by a maple seed. The University of Maryland engineers studied the spiral flight the seeds take when they fall from a tree and created what the university claims is the "world's smallest controllable single-winged rotocraft."
In the 1950s, researchers first tried to create an unmanned aerial vehicle that could mimic a maple seed's spiraling fall. Ever since, their attempts have been foiled by instability, resulting in a lack of control over the tiny (less than one meter) vehicles, which were easily knocked off course by wind."Spiraling Flight of Maple Tree Seeds Inspires New Surveillance Technology"
The Clark School (Aerospace Engineering) students have solved the steering problem and provided a solution that allows the device to take off from the ground and hover, as well as perform controlled flight after its initial fall to the ground after being deployed from an aircraft. The device can also begin to hover during its initial descent, or after being launched by hand.
Read more of this story at Slashdot.
In 1964, (Dan) Nowell was a skinny 11-year-old who volunteered to help launch a hot air balloon in Mill Valley. But when the balloon abruptly lifted off, his fingers became entangled in the rope. As a horrified crowd of 200 spectators watched, the sixth-grader from Tamalpais Valley Elementary School was hoisted 3,000 feet into the air. ...As his feet flew off the ground, one of his father's friends grabbed his legs and tried pulling him down. The yank wasn't strong enough to bring the balloon back, but it did cinch the rope tightly around four fingers of his hand. ...Nowell says it hurt so much he was trying to reach his pocketknife, thinking he would cut the rope, even if it meant dropping from the sky.Lucky for Nowell, he was able to get the attention of the balloon's pilot (there was one, he was just unaware that there was a kid hanging from it) and he landed relatively safely on a nearby plum tree. There's a picture of him in mid-air here. Bay area's balloon boy scaled heights of fame

Andrew Plumb is a really active member of the MakerBot community, and there's a nice interview with him about his experiences up on the MakerBot blog. I'm writing a piece about MakerBot for Make: 21, and found his story particularly interesting.
Read more | Permalink | Comments | Read more articles in 3D printing | Digg this!I was fortunate to be going through university in the early ’90s right when Linux was making the rounds – Math and Engineering, Control and Communications Systems program at Queen’s University in Kingston, Ontario. (Cool! There wasn’t a Control and Robotics option back then.) That box of a hundred-odd 3.5? floppies landed on my desk and I was plunged into the second emerging wave of Open Source software – the first being the BSD origins of UNIX. With healthy wiki, forum, google group and twitter extended participation (to name a few channels), the RepRap+MakerBot+Thingiverse projects feel like they could be leading a third wave of open source innovation and community.
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I refuse to solve the problem only for Scripting News, because I don't want future generations to think I was the only one writing in the early part of the 21st century. One of our bloggers is the next Ernest Hemingway or William Faulkner, Willa Cather or Emily Dickinson. Let's make sure we have their earliest emails, Flickr-ings and tweets.
ThinkGeek has these fun maternity t-shirts perfect for parents who want their kids to be labeled as geeks even before they are born. I love the Loading... Please Wait design — unfortunately, the progress bar does not actually move.
ThinkGeek

Gio writes in to tell us about his latest vacuum tube-based audio amplifier design, the
5751 SRPP / EL84 (6BQ5) Push-Pull Tube Amp. If you've been itching to try your hand at building such a thing, this looks like it could be a good place to start. The circuit has been designed to have high enough gain to connect directly to an MP3 player, and they are using simpler parts to keep the cost of the project down.
Curious about what all those things in the name mean? Well, 5751 and EL84 are the model numbers for the vacuum tubes used in the project, and push-pull refers to the type of audio amplifier circuit that the project is based around.
Circuit schematics are included, however you need to be careful when working with this and any other vacuum tube projects, as the high voltage required to run them can be deadly.
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BREAKING NEWS: Stephen Hawking's successor named. We had a contest to guess who it would be, no one got it, some great guesses though!
Cambridge University has named the man who will succeed Professor Stephen Hawking in one of the world's most prestigious academic positions. The celebrated physicist, who has motor neurone disease, completed his last day as Lucasian Professor of Mathematics on 30 September. The university said Professor Michael Green had been elected as the 18th person to take up the position.
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It's like a pop-up book, kind of, except way more complicated and expensive and made of Lego elements by YouTube user talapz. Words fail me, too. [via The Brothers Brick]
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More Dorkbot Austin goodness! John Boiles demonstrated this radio-controlled car steered using his iPod's built-in accelerometer via its built-in WiFi transmitter. All you have to do is tilt the iPod, and the car goes. It starts to move around 1:10.

Just posted! Our lens review of the Panasonic Leica DG Macro-Elmarit 45mm F2.8 Macro ASPH Mega OIS (or, obviously, the H-ES045 for short). Rounding off our Micro Four Thirds mini-season, we take a look at this latest marvel of miniaturization, which shoehorns 1:1 macro focusing and optical image stabilization into a lens just 2.5" in each dimension. Click through to found out if it's a hat-trick of hits for Panasonic's September releases. Comments Off [link]
Jonathan Worth is a talented commercial photographer (he shot me for a feature in Popular Science a few years back) who was recently asked for his shots by National Portrait Gallery in London, and asked if he could come and take my pic for it, offering to give me the right to use the resulting print for publicity, book jackets and so on.
The National Portrait Gallery's crazy copyright stance sparked an interesting conversation about copyright with Jonathan (who also shot some killer photos!) and in the end, he agreed to license the photos he took of me for the exhibition under a very liberal Creative Commons Attribution-ShareAlike license, one of the most liberal licenses, allowing for both commercial uses and remixes.

One of Jonathan's pictures showed me in my office, and I went a little Flickr-crazy marking up the photo with notes explaining what everything was. I tweeted the photo, and lots of people came by to see it -- several thousand, some of whom ended up offering Jonathan paying work. It was a win all around.
This got us to talking about how producers of images and other works that are well-known digitally can use that familiarity to sell physical objects (I give away my books as ebooks to sell the print books), and Jonathan decided to try an experiment, producing 111 prints of the iconic image (without the Flickr notes!). I kicked in the 111-page initial manuscript printing of my forthcoming (April 2010) young adult novel For the Win, which I had just finished a week before. I had printed ten copies of the manuscript to pass around, and I had one copy left, and so I signed every page and handed it off to Jonathan.
Jonathan is selling his prints on a sliding scale depending on which manuscript page you get with it -- high numbers are cheaper -- and the one-of-a-kind super-premium offering is page one accompanied by a 100cm x 140cm special edition print that include the contact-sheets from the shoot (proceeds from this go to a local school raising money for new buildings).
I think that this is just too cool for words. Jonathan's a professional shooter who's also an artist, and the portrait shots are fantastic enough. But he's also experimenting with new business-models for photography that leverage, rather than fight, the Internet. I don't receive any of the money from this -- Jonathan did the work and sank in the capital, so it's his reward to reap.
Cosina has announced the availability of its first Voigtländer branded lenses for Canon EF mount, in the shape of Color Skopar 20mm F3.5 SL II Aspherical ultra-wide angle lens and Ultron 40mm F2 SL II Aspherical pancake lens. Measuring just 24.5mm lengthwise, the Ultron lens is probably the most compact lens available in an EF mount to date. These two manual focus lenses are now available at a retail price of 58,000 yen and 53,000 yen respectively. Comments Off [link]
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A century ago, farmers relied on these big, steampunk-y contraptions called threshing machines to bring in the harvest. The machines were portable, and expensive--they were usually owned by a third party, or by a cooperative of farmers. The threshers traveled from farm to farm, region to region, separating grain from stalk and turning crops into commodities.
Pictured: This threshing machine's body lies a mouldering in a barn, but its spirit is marching on. From Flickr user exfordy, via CC.
Now, researchers from the University of Minnesota are hoping to repeat history with a portable machine that could turn prairie grasses, small trees and corn stalks into liquid biofuel. It's a nifty idea that could be great for both the environment and rural economies...provided the boys in the back room can work out a few bugs.
Portable microwave pyrolysis could be the future's answer to the threshing machine. Obviously, what's being made is different, but the basic idea is the same: Take this big machine around from farm to farm and use it to help farmers turn plants into a higher-profit product.
Pictured: A higher-profit product.
Pyrolysis is all about using heat to break down organic materials into a form better suited to usable, commercial energy. To get things cooking, the University's system relies on microwaves, stronger versions of the same technology you use to make popcorn and heat up leftover pizza. It's a handy, and somewhat outside-the-box, approach. Typically, before any material is put into a pyrolysis system, it has to be ground into tiny pieces to improve the transfer of heat through the mass. But as you may have noticed, microwaves heat up the center of a solid object just fine. If you're cooking on the stove, it saves time to break a chicken breast into smaller chunks. But microwave that breast whole, and the center cooks at about the same rate as the outside. Same principal applies here. Using a well-established technology like microwaves also means the University's pyrolysis set-up could, potentially, produce fuel for less upfront cost compared to typical pyrolysis systems, and some of the other biofuel-making methods.
The main product of the University's system is a liquid fuel. It does produce enough combustible syngas that, once started, it can power itself. But, in general, liquid is what comes out. On one hand, this is a bit limiting. Other methods of breaking down organic material focus on producing just the syngas, a veritable chemistry Christmas present of hydrogen and carbon monoxide. Syngas can be burned like natural gas. You can use it to make certain chemicals that normally have to be derived from fossil fuels, like the ones used in agricultural fertilizers. Or you can turn it into a liquid fuel. Whatever you want. If alternative fuel production were baking, syngas would be the water and flour.
The liquid fuel produced by pyrolysis, on the other hand, is more like ending up with cupcake batter. Still nice, but you'll only be making dessert. On the other hand, if you really want cake, microwave pyrolysis gets you to that endpoint in fewer steps.
But biogas also needs some cleaning up. An engine will run on fresh biogas, but over time the acidic fuel will tear it apart. Paul Chen, senior research associate in the Department of Bioproducts and Biosystems Engineering, is one of the researchers working on the University of Minnesota microwave pyrolysis system. He says his team is working with chemical catalysts that can make biogas more engine-friendly, but they're still trying to figure out the best way to tackle the problem.
Another kink that still needs to be worked out in the portable pyrolysis plan: The whole "portable" part.

Pictured: Not a portable system.
Right now, the University's machine is a Rube Goldberg-like mass of conveyors and pipes that stands almost two stories tall with a floorplate that would fill a three-car garage. It is innovative, but it's not quite ready to load on a truck. Chen and company say they're close to working out a design for a smaller pyrolysis system they could take on the road. Armed with a $500,000 grant, they hope to have the pilot version built by early next year. If it works, the system could give farmers a relatively easy way to produce fuel for use on their own farms or, if it traveled with a tanker truck, that they could sell through local farming cooperatives, which already have a license to sell and ship fuel.
Rachel @ CRAFT writes:
Read more | Permalink | Comments | Read more articles in Arts | Digg this!This collection of space-inspired quilts from artist Jimmy McBride have left me breathless. What really has me excited, though, is his post about his next project. I'll give you a hint: Pillars of Creation. Check out the diagram and fabric selection he's put together. Amazing.
Read more of this story at Slashdot.
Footnote.com collects 59,818,947 (Why yes, that is a very exact number, isn't it?) scanned historical documents, from places like the National Archives and Library of Congress. But that can be a little overwhelming when you don't have a specific item you're trying to find.
Enter "Unfortunate Cookie", Footnote.com's random document generator that pulls up some great, eye-catching news headlines (and full stories) from decades past, such as:
Woman Becomes Insane on Train (San Francisco Chronicle, 1907)
Murdered in His Bed: Aged Roanoke Man Victim of Stealthy Assassin:
Head Cut Open With an Ax (The Washington Post, 1906)
Wheel Gone, Santa Flips His Car (Florida Today, 1969)
I'll confess, I'm not sure why the site includes a fortune cookie theme, the documents are interesting enough without it. But in general, it's a great (and quickly addictive) peek into the past.
Lev Grossman's novel The Magicians may just be the most subversive, gripping and enchanting fantasy novel I've read this century. Quentin Coldwater is a nerdy, depressed, high-achieving Brooklyn kid who finds himself hijacked from his Princeton interview and whisked away to Brakebills Academy, a school of magic upstate on the Hudson. He passes the entrance exam and begins his education as a wizard.
This is a familiar-sounding setup, but Grossman's extremely clever hack on the fantasy novel is in his complete lack of sentimentality about magic. Quentin has lived his whole life waiting to be taken to an imaginary magic kingdom ("Fillory," a thinly veiled version of Narnia) but he quickly discovers that real magic -- like stage magic -- is about an endless grind of numbing practice in the hopes of impressing someone -- anyone. All of Brakebills, from the faculty to the student body, is broken in some important way, and Quentin is no exception. In a place of scintillating minds and bottomless commitment to craft, Quentin's life is not substantially better than it is in Brooklyn. Brakebills isn't Hogwarts (at one point, the narrator notes that magic wands aren't used at Brakebills, being regarded as a kind of embarrassing prosthesis -- like a sex toy for magic).
Quentin's cycle -- mundane, magic student, magician in the world, questing adventurer -- serves as a scalpel that slices open the soft, sentimental belly of the fantasy canon, from Tolkien to Lewis to Baum, but still (and this is the fantastic part), it manages to be full of wonder. Wonder without sentimentality. Wonder without awe.
Grossman is a hell of a pacer, and the book rips along, whole seasons tossed out in a single sentence, all the boring mortar ground off the bricks, so that the book comes across as a sheer, seamless face that you can't stop yourself from tumbling down once you launch yourself off the first page. This isn't just an exercise in exploring what we love about fantasy and the lies we tell ourselves about it -- it's a shit-kicking, gripping, tightly plotted novel that makes you want to take the afternoon off work to finish it.
It must run in the family; Lev is the identical twin brother of Austin "Soon I Will Be Invincible" Grossman, another one-of-a-kind novelist.
I read the paper edition of The Magicians, but I'm delighted to see that there's an unabridged audio edition on DRM-free CDs. This is the kind of fairy story I could seriously dig having read aloud to me the second time around (and I don't think I'll be able to read this one just once).
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Windosill [Vectorpark, web/PC/Mac]
At the opposite end of the spectrum is Patrick Smith's Windosill, a game written up at greater length in the past at Offworld. Part of his Vectorpark series of gorgeously hyper-surreal click-toys, Windosill is as far from a character-driven narrative adventure as you can come.
Instead, Smith pulls you into his somehow at once super-flat and mind-bogglingly physical and living worlds that writhe and bounce and squish at every prod. Each screen presents a new diorama to be explored, and while you'll get a good taste via its demo version, do move on to the full, paid version to see the screen I've been squirming for months to not spoil online (when you've reached a room with three residents, you'll know you're there).
Play online at windosill.com -- where you can also get the PC/Mac downloadables -- or find it at Steam.
Lexar has announced the Professional 600x (90MB/s) UDMA CompactFlash memory card in 32GB, 16GB and 8GB capacities. The fastest CF card from Lexar to date, it is compatible with the new generation of UDMA-enabled DSLR's. The company has also introduced a new Professional ExpressCard CompactFlash reader, supporting read/write speeds of up to 133MB/s (886x). In addition, Lexar has also upgraded it's Image Rescue image recovery software to version 4. Comments Off [link]
The UK-based electronic instrument maker known simply as the Sonic Manipulator demonstrates some of his unusual audio devices for the fine people of Earth -
The Claude-a-tron - sort of a throttle-synth that seems surprisingly playable, with "pitch & volume, with oscillator modulation, bass & percussion control"
… and the Rap Rod, a push/pull controlled audio scratching device, which appears to use a handheld cassette playhead with tape samples (though more likely an advance alien technology?)
Check out the Sonic Manipulator's site for his (its?) full collection of instrument demos. [via Create Digital Music]
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Gordan Savicic and Gottfried Haider of DSbrut fame have tipped us off that they've just released their DS Bluetooth adapter for the Nintendo DS.
Almost two years in the making, we're happy to finally release our DS Bluetooth adapter. The tiny Slot-1 cartridge allows you to hook up the Nintendo DS wirelessly with other devices such as GPS-receivers, robots and so forth. Today we're making all materials of the project openly available, including the schematics and a GPL-licensed software library for the Nintendo DS, because we believe in open hardware design and want to encourage collaboration in the hardware hacking community.
If you've got a homebrew Nintendo DS project that we should know about leave a link in the comments.
The Engadget Show takes a trip out to Madison, WI to visit the workbench of console-modder extraordinaire (and Make contributor) Mr. Ben Heck. Can't wait to see the finished Paxton pinball!
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Canon has announced the development of a firmware update for its EOS 5D Mark II digital SLR. The updated version will enable full frame high definition (1080p) video recording at 24 and 25 frames per second.The new firmware is expected to be made available for download in the first half of 2010. Comments Off [link]
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The Gakken Cross Copter EX has two contra-rotating rotors, driven by one small electric motor that's connected via a cord to the hand-powered generator. Build one of three different configurations, or try one of your own!
Easy to build -- instructions are in Japanese but feature highly detailed assembly pictures (sorry, no English translation at this time). MAKE is proud to be the exclusive distributor in North America for these brilliant kits from Gakken.
Note: The original video is 45 seconds long....YouTube seemed to add a second just to make us look silly!

OK, I admit it: I was pretty excited about getting to use the word "corpsification" in any context. But that doesn't mean this tutorial from the folks at Yard Haunt about how to make a clean, sterile, white plastic skeleton into a nasty, rotting, reeking bag o' bones is any less cool. In case you're wondering, the "Bucky" skeleton referred to in this and many other haunt prop tutorials is a brand name of Anatomical Chart Company, which sells serious anatomical models to educational institutions but also does a tidy trade in "4th quality" seconds on the Halloween market.
Make: Halloween Contest 2009
Microchip Technology Inc. and MAKE have teamed up to present to you the Make: Halloween Contest 2009! Show us your embedded microcontroller Halloween projects and you could be chosen as a winner.
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Canon has announced two new Wireless File Transmitters for the new EOS-1D Mark IV and EOS 5D Mark II digital SLRs. The WFT-E2 II (for the EOS-1D Mark IV) and WFT-E4 II (for the 5D Mark II) allow photographers to transfer image files securely to a computer or server, control the camera remotely and connect to Wi-Fi enabled devices to view images directly from the camera. Unfortunately there's still no support for the faster 802.11n standard. Comments Off [link]
Canon has announced the long-awaited successor to the EOS-1D Mark III. The EOS-1D Mark IV features a totally new 45-point autofocus system that's claimed to fix all the issues reported with its predecessor, and has been extensively tested by professionals prior to launch. The new model also sports 10 fps continuous shooting, a new 1.3x crop (APS-H) 16.1 megapixel CMOS sensor and 1080p HD video capture. Like the recently announced Nikon D3S, the EOS-1D Mark IV pushes the sensitivity barrier with a top rating of ISO 102,400. Comments Off [link]
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Rebecca from the Electronic Frontier Foundation sez, "Join the Electronic Frontier Foundation on Thursday October 22nd at the Web 2.0 Summit in San Francisco in a fundraiser honoring the 2009 Pioneer Award winners. Awarded every year since 1992, the Pioneer Awards recognize leaders who are extending freedom and innovation on the electronic frontier. This year's winners include hardware hacker Limor 'Ladyada' Fried, e-voting security researcher Harri Hursti, and public domain advocate Carl Malamud. EFF will also present a 2009 Cooperative Computing Award to Mersenne Research, Inc., Great Internet Mersenne Prime Search, for finding a record breaking prime number. Tickets are $60."
I am a previous Pioneer Award recipient and was doubly honored this year to be a Pioneer Judge. Congrats to all the winners on their much-deserved honor!
Here's the pitch: the book is called With a Little Help. It's a short story collection, and like my last two collections, it's a book of reprints from various magazines and other places (with one exception, more about which later). Like my other collections, it will be available for free on the day it is released. And like my last collection, Overclocked, it won't have a traditional publisher.Doctorow's Project: With a Little HelpLet me explain that last part: Overclocked was published in January 2007, just weeks after Advanced Marketing Services, the parent company of Publishers Group West, which distributed Thunder's Mouth, the publisher for Overclocked--went bankrupt. You remember Advanced Marketing Services. What a mess. First, a senior executive was arrested and convicted of fraud for falsifying the company's earnings, then the company tanked, and the resulting whirlpool threatened to suck half of New York publishing down with it. As a result, Thunder's Mouth went though a series of mergers and acquisitions. My editor and then his replacement both left or were let go (I never found out which). By spring, no one was communicating with me.
Later that year, I did a kind of self-financed minitour, piggybacking on speaking gigs, and every time I went into a bookstore it seemed like I was seeing another edition of the book with a different publisher's name on the spine. The book's currently listed in Perseus's catalogue, for which I am glad. The royalty checks keep coming, and the book continues to do well, but I could no longer be said to have any particular relationship with this publisher. As far as I can tell, it is listing the book in its catalogue and filling orders, but not much else.
This makes Overclocked into a fine control for my little experiment. It is a good book. It sold well and was critically acclaimed. But it is solidly a midlist title, a short story collection published by a house turned upside down by bankruptcy. It will be the baseline against which I compare the earnings from With a Little Help. And those earnings will be diverse--like the musicians who've successfully self-produced albums in a variety of packages at a variety of price points (Radiohead, Trent Reznor, David Byrne and Brian Eno, Jonathan Coulton), I have set out to produce a book that can be had in a range of packages and at a range of price points from $0.00 to $10,000.
In today's XKCD strip, "Bag Check," Randall explores the limits of reason in dealing with airport security.
In looking to reconstruct journalism, I'd start not by asking how do we get money for what we've always done. I'd ask instead: How do we provide something worth paying for? As a long-time news consumer, I have recoiled at much of what we are rendering as "journalism."None of this is particularly new, but it's great to see CJR finally realize that's the issue, rather than how to best structure the paywall.
What if it's not just the business model of journalism that is broken? What if the way we are doing our journalism is broken, too? How are some of the new media makers trying to fix that?
Misty Lackey's work is well-loved by fanfic writers; this allows them to come in from the cold and produce their work (which celebrates her work) without fear of legal reprisals. Good move all around (and my agent, Russ Galen, is a smart cookie!).
What this means is: NO, you cannot make money on it. NO, you cannot self-publish a fanfiction novel of Valdemar (or any of my other stuff) and try and sell it on Amazon. And NO, I still am not going to read it, because I am already so far behind on my research reading I barely have time to read that.News: Concerning Fanfiction: (Thanks, Chris!)But YES, you may write and post away, folks, so long as you license it as derivative and under Creative Commons. If it is anything other than PG-13, please take all the proper precautions to stick it somewhere that innocent souls won't be corrupted. Do not scare the children or the horses. Have fun!
I think there are two pieces of news that will be most salient for people as they look at this report. The first is a response to the question: 'how are we [the U.S.] doing?', and the answer is that we're overall middle-of-the-pack, no better. The second responds to the question: 'What policies and practices worked for countries that have done well?', and the answer to that is: there is good evidence to support the proposition that a family of policies called 'open access,' that encourage competition, played an important role.PDF: Next Generation Connectivity: A review of broadband Internet transitions and policy from around the world (Thanks, David!)
A reader writes, "A man on Hornby Island, BC built a spiral staircase around a 75-foot cedar tree. He put a platform on the top to get a view of the ocean. This video shows what it's like to climb up and then down the staircase."
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We've been following artist Shepard Fairey's work here on Boing Boing for some time now. A disclaimer, first: I love his work, we have mutual friends, he strikes me as a stand-up guy. Last year, Pesco was among the first to blog the Obama "Hope" poster which quickly grew far more popular than anyone anticipated. The iconic artwork spawned street cottage industries worldwide, and became an official element in the presidential campaign.
Then, the Associated Press (the same DRM-happy copyright bullies who threaten their own affiliates and try to shake down bloggers over 5-word excerpts) threatened Fairey over claims the poster was based on an AP photo, and violated their copyright. Fairey and his supporters fought back. They argued the poster was permitted under the concept of fair use because the artwork was significantly changed from the reference photo. Additionally, they added, the poster was not based on the specific photo the AP claimed -- but on a different image that required more cropping and alteration, further supporting the fair use argument.
On Friday, that high-profile case took a turn nobody expected that I did not anticipate. Fairey confessed to having made false statements to a federal judge about exactly which AP photo he used. He also admitted having fabricated evidence. Snip from his statement:
The new filings state for the record that the AP is correct about which photo I used as a reference and that I was mistaken. While I initially believed that the photo I referenced was a different one, I discovered early on in the case that I was wrong. In an attempt to conceal my mistake I submitted false images and deleted other images. I sincerely apologize for my lapse in judgment and I take full responsibility for my actions which were mine alone. I am taking every step to correct the information and I regret I did not come forward sooner.The attorneys representing Fairey will soon step down. Nobody knows what will happen in the case. The question of which photo was used was a minor, tangential issue before -- but Friday's revelation is not minor. As David Kravetz says in his account at Wired News, "Everybody agrees the case is now tainted and that Fairey's courthouse actions could undermine his case, even if he did not commit copyright infringement." But for those who believe in the merits of the original fair use argument, there is still hope.
Read Kravets' story (some interesting links between this case and that of the BitTorrent tracker TorrentSpy), and check out Marquette University professor Bruce Boyden's blog post here. Here's Shepard's mea culpa. Here's the AP's statement - and a note on that: I found it odd that many news organizations were sourcing that statement and a subsequent report from the AP as if they were regular wire service items, without regard for the fact that the AP is also a plaintiff in the case, and therefore inherently biased.
More awesomeness from Terra of Halloween Forum. The UV-reactive bubble juice is from Tekno Bubbles.
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Make: Halloween Contest 2009
Microchip Technology Inc. and MAKE have teamed up to present to you the Make: Halloween Contest 2009! Show us your embedded microcontroller Halloween projects and you could be chosen as a winner.

(click for larger image). Sweet baby Jesus and biscuits, I can't hardly believe my eyes. Above, the truly awesome cover of a 1980 issue of Wild Mook, one of many fanzines produced in the early 1980s by the late Haruo Mizuno. "Mook" refers to a type of publication that's kind of halfway between a magazine and a book. Matt Alt (who I reached out to for comment in this BB post today) says
[Mizuno was] so obsessed with American cops that he actually managed to talk the NYPD and LAPD into letting him ride along with officers. This amazing book is but one of dozens he authored on the topic. None sum up the Japanese fascination with the American power aesthetic as much as this fetish-like pastiche of uniform, hamburgers, weapons, and mountains of french fries, though.More on Matt's blog. Man, if anyone out there has a copy of Wild Mook, please scan it and share online. I want a hard copy so bad!
Such art direction, too! I mean, just look at the pile of fast food surrounding the cop (or model) on the cover, above. I count six Big Macs, a couple Filet-o-Fishes, 5 metric craploads of fries, and at least one jumbo gordito taco supremo with guacamole.
He is RESTING HIS BILLY CLUB ON THE FRIES. The billy club may actually be PROTECTING THE FRIES. And there's that steely gaze in his eyes... as if to say, "You touch my hamburger, punk, and it'll be your last."
Below, scanned covers from two other issues.
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Nice work Ian.

Need extra bling on your bike? How about some human powered, light-up pedals? Rather then drawing power from a wheel-mounted generator, each of these pedals actually has a tiny generator built in. Neat! [via Gadget Lab]
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A spectacular specimen of traditional Japanese yokai (mythic "monster") art has popped up on eBay. Wow, talk about where the wild things are! From what I can tell, this scroll may be a vintage copy of a centuries-old original, and really ought to be in a museum.
I hope the auction stays up for a while, and someone takes some time to copy the images elsewhere -- each one of these detail shots is so full of personality and mischief! The "Buy it now" price? $15,000.
I asked Yokai Attack author Matt Alt to tell us what we're seeing in this monstrous tableau, and he kindly obliged. His analysis below (with more after the jump).
The Haykki Yako (????), literally "the night parade of a hundred demons," is one of the most famous tales in Japanese folklore. It first appeared in a Buddhist text in the 13th century, and is the story of a nightmarish evening during which legions of yokai, oni, and other fearsome creatures erupted from their usual hiding places to openly terrorize the world of the living. According to one version, they paraded down Kyoto's Ichijo-dori avenue in the late 1100s. The Hyakki Yako (also spelled "Yagyo") inspired countless generations of Japanese artists, including Toriyama Sekien, who penned an influential series of yokai guides in the 1770s; woodblock artists of the 1800s; and manga masters such as Mizuki Shigeru in the 20th century.
A handful of illustrated scrolls depicting the event are known to exist, mainly from the early Edo period (1603 - 1868). They weren't created as fine art but rather as entertainment, passed around and scrolled through together with friends, just as people enjoy comic books, television shows, or video games with friends today.
And now, somewhat incredibly, one has appeared on eBay -- tattered, worm-eaten, but its yokai and creatures marching along the page clear as the day they were painted. The opening bid? A cool $15,000."Japanese Antique Rare Scroll : "HYAKKI-YAKO" @b666" (eBay, Thanks for the heads up, Darren Garrison!)Earlier this year, I had the pleasure of seeing the original, authenticated Hyakki Yako scrolls when they were briefly displayed at the National Museum of Japanese History. (We covered the event for a special Yokai and Yurei episode of NHK's Tokyo Eye show: video part 1, part 2, part 3.)
This eBay specimen is very much in keeping with their style. The depiction of "tsukumo-gami," or "artifact-spirits" -- everyday objects and tools taken haunted, sentient form -- is a hallmark of the genre. And that is precisely why I have such mixed feelings about seeing it put up on the auction block.
Who painted this scroll? When did they paint it? Is it even real? If it really is a vintage scroll -- something we won't truly know until a real expert authenticates it -- it is a part of Japan's cultural heritage. To quote a certain archaeologist-adventurer, "it belongs in a museum!"
But that said, anyone have $15K they just have lying around and want to buy this for me, I promise I will get it authenticated and put it somewhere where the world will enjoy it instead of locking it away in my closet.
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The reason this matters is that to find someone to be liable under secondary infringement (contributory liability), a plaintiff must show that the defendant had knowledge or reason to have knowledge of the direct infringement. This is one of the two mechanisms, along with fair use, that shields libraries from liability if they keep a copy machine by their shelves. If an entity can be directly liable for providing and maintaining a copy machine, and taking payment for copies made on the machine, then libraries have lost a not insignificant shield.So, watch out librarians. You may have just acquired a bunch of liability. Look out for copyright holders stopping by to seize your photocopiers.
What Bildr is attempting to do is very admirable. It makes good sense. It will be glorious, if it happens. Something similar has been talked about in tech DIY circles for years. The idea is to create a visual Web-based library of componentized instruction sets, "building blocks," for doing various hardware and software constructions. Put a bunch of these components together, and you have all of the instructions you need to execute a multi-part project. It's extraordinarily ambitious, but when you look at other crowdsourced creations, such as Instructables and Wikipedia, it just seems so doable. But to make it happen, it'll need LOTS of love, care, sweat-equity, money, and people power. Let's hope it happens, 'cause... how cool would such a resource be?
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