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Watch Senator Al "Kick-Ass" Franken wipe up the floor with this health-care-lobby shill from the Hudson Institute who claimed that universal healthcare would increase medical bankruptcies. This is the perfect mix of being sensible and being devastatingly sarcastic, and I love him for it. Go Al!
Sen. Al Franken (D-MN) humbles Hudson Institute dilettante over health care bankruptcies
When I got there we sat down with a bank employee who asked me for my cash card. He stuck it into a PINsentry and asked me to type my PIN. On that evidence alone, we proceeded to transfer enough money to fund a small country. I find this a little scary. Anyway, when I reviewed the documentation, which I had to sign, it had a little box about ID verification, into which he'd typed "PIN xxxx + SRS" - "xxxx" was (part of?) the code from the PINsentry. I asked him what "SRS" meant and he explained it meant he'd checked my signature. In fact, he hadn't, but he proceeded to do so at that point, commenting that he already knew what my signature looked like, presumably to explain away why he hadn't done the check before..."We Used To Be More Secure"Anyway, at this point my wife mentioned that we were rather expecting them to check ID and stuff, to which he responded in a way I feel sure was not authorised by the bank: "well, we used to be more secure but now the bank believes that PINs are the highest level of verification". I explained to him why I disagreed with the bank. He didn't argue with me.
Oh yes, the signature check? He wasn't even in the room when I signed. For all he knew I carefully copied it from a crib sheet. So, all that's standing between me and complete emptying of my bank account is my PIN. But hey, the only way anyone other than me could know that is if I told them, isn't it? So it would serve me right, obviously.
Obviously all these new boiler room high pressure sales groups that used to be pushing sub-prime refinancings are now trying to convince the unsophisticated listeners of right wing talk that they better buy gold before the dollar becomes worthless because of Obama's reckless spending. But how do firms like Goldline make money? Well it's all there in the fine print of their sales agreement.The Gold Scam Fear MerchantsGoldline's "bid" is the price it pays to clients for a product. Goldline's "ask" is the price it charges clients for a product. Goldline has a price differential or "spread" between its bid (buy-back) and ask (selling) prices for precious metals, rare coins and rare currency...
The price of Goldline's semi-numisimatic and numismatic coins and currency include the bid/ask spread that ranges between 30% and 35%.
OMG! An average stock broker commission is 2% and these scammers are getting 35% off the top. Where is the FTC and the CFTC in investigating this fraud? Why are Limbaugh and Beck propagating this scam?
Brutal MarioThis is obviously a labor of love, as the developer knows her stuff. This game is highly allusive and drops constant references to other works like its Gaiman's Sandman. Super Mario World is its core, but set pieces, backgrounds, and enemies from assorted titles and other Mario games all make appearances. These additions are far from being a cut-and-paste hodgepodge though, as they're carefully woven together to create an enthralling experience. The nod to Tarantino and Shinichiro Watanabe is duly earned. Instead of being a pure homage, though, the game throws constant curveballs at you. I played one level where the On/Off switch actually changed the enemies in the level, and another one that was fully destructible via Mario's fireballs. These subversive quirks are made all the more apparent because they're within the Super Mario World engine, something that is so well-known and played.
The boss battles are what this hack is best known for, and they're reason enough for a download. Bosses are typically the one shortcoming in the Mario franchise, but not here. There are dozens of encounters and they're all throwbacks to various 16-bit games. Oh, and they are a lot of fun too. There is the occasional level that drags a bit, but other than that Super Nintendo fans shouldn't pass this up.
Since 1983, when The Gift came out, Hyde has stayed busy, writing a second book, Trickster Makes This World, and various longer essays, the most recent of which is "Frames from the Framers: How America's Revolutionaries Imagined Intellectual Property." Starting with George Lakoff's idea that conservatives "frame" issues better than liberals, Hyde explains how "the entertainment industry has also been very good at framing its issues." The entertainment industry asserts that downloading an MP3 is the same thing as shoplifting shoes, and anyone who disagrees has to do so in and through their terms.Framing the Issue: Copyright from John Adams to mp3scoverIn the rest of his essay, Hyde tries to describe an alternative: "the democracy frame" imagined by Jefferson, Madison, and Adams. Hyde begins at the beginning, tracing the previous "frames" for art and creativity--they're gifts from the gods, a God, a muse, and on down the line. But Hyde really gets going in the early modern period, when people started talking about intellectual property through "land" metaphors like the "commonwealth," the "estate," and "monopoly." Eventually, Hyde works in ideas like civic republicanism vs. commercial republicanism, feudal titles vs. allodial titles, and legal privileges vs. natural rights. It all ties in to the creative commons--it really does--and you should read the whole thing.
Frames from the Framers: How America's Revolutionaries Imagined Intellectual Property
Tony sez, "The Sofanauts hosted a fascinating discussion, centered on the SF magazine, Asimov's. Guests included both Editor and Managing Editor, Sheila Williams and Brian Bieniowski. Writers, Jeff VanderMeer and Jeremy Tolbert also joined host Tony C Smith. Contrary to growing opinion in the SF community, things are not all doom and gloom for the magazine. Digital sales are up and new methods of delivery are being explored. Yet some things, like website and digital submissions continue to be touchy subjects. Don't miss this frank and engaging roundtable focusing on one of the most established magazines in SF!"
The Sofanauts No 30 The State of Asimov's Special
(Thanks, Tony!)

The Internet Archaeology project is a wonderful collaboration between artists, designers, and tech-minded people around the world, started by an artist named Ryder Ripps in New York.
"Essentially we're going through older, overlooked websites and archiving content," says participant Stefan Moore, "But the main difference between this and archive.org is that here, there's a focus on showcasing what we find."
Old-school webhost Geocities will be shutting down later this month, so the site seems particularly timely right now.
"We just finished archiving and curating a bunch of geocities flash sites," says Stefan, "Check it out under the section marked 'webgrabs."
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The PopTech conference is currently underway in Camden, ME. We sent some emissaries from MAKE, namely Zach and Kim DeBord, Mike Gould, and Stuart Gaines. Zach is an artist and BEAMbot builder. He did the awesome bots (and photos) for my "Pummer, Dude!" [PDF] piece in MAKE, Volume 08. Mike Gould has a project, "Lunchbox Laser Shows," in the upcoming "Kids of All Ages" issue, Volume 20, of MAKE. Stuart Gaines writes:
In Camden Maine this week, the annual PopTech conference has taken over the town's beautifully-restored 18th century opera house where an "A-list" of speakers contemplates the "re-invention" of America.Just down the block, on Elm St., in a converted auto garage, two master makers are demonstrating how to take everyday objects, found in the techno-trash or commonly sourced on eBay, and re-invent them as high-tech gadgets with new purpose. It's a mini-Maker Faire amidst the dazzling fall foliage. All day long, a steady stream of PopTech attendees wander into the garage. In the first bay, they meet Mike Gould and learn how he embeds red, green, and blue lasers into lunchboxes and slide projectors. In the next bay, Zach DeBord and his wife Kim are fashioning buzzing, twittering toys, soldered together from junked calculators, spare motors, wires, and postage stamp-sized solar cells.
Just down Route 1, in nearby Rockland, a lucky group of PopTechies got a chance to pull a spoke-shave at The Apprenticeshop, one of the oldest traditional boat-building schools in the country. Lance Lee, founder of the Apprenticeshop, was on-hand to explain the joys of working with wood, and his boat-building projects, including a smaller version of Tremolino, a 19th Century lateen-rigged Mediterranean workboat used by Joseph Conrad.
Back at PopTech, speakers expound on the impact of new technologies with a thought-provoking mix of optimism and fear. A disturbing contrast to "creative re-use" was photographer Chris Jordan's photographs of seabirds brought down by plastic refuse. Jordan has just returned from Midway Island in the middle of the Pacific Ocean. His photographs were literally "breathtaking." The opera house audience was left speechless by his story of the destructive impact of these everyday materials. See "Midway: Message from the Gyre" on his site.
PopTech runs through Saturday, October 24.

Some years ago, a conversation with my old friend Billy Baque turned to the subject of adapting board games for sightless play. When it came round to Go, Billy mentioned having read of an antique Korean board, hollow inside and strung with wires along the lines of the grid, the wires being tuned such that each intersection produced a unique musical interval when a stone was placed upon it. Whether this was simply an aesthetic embellishment or a means to make the game more accessible to sightless players, he did not know.
I was fascinated, and made every effort to run down Billy's original reference, which I eventually determined was R.C. Bell's Board and Table Games from Many Civilizations, Revised Edition. From p.100:
Traditional Japanese boards are made of a solid block of wood about eighteen inches long and sixteen broad, and some five inches thick, fitted with four detachable feet about three inches high. The board and feet are stained yellow. A square depression is cut into the underside of the board to lighten it, and also to increase its resonance; the pieces making a pleasant click when placed upon it. The Koreans have gone a stage further and some of their boards have wires stretched beneath to produce a musical note when the stones are played.
"A musical note" tends to suggest that the board as a whole played a single tone, interval, or chord, rather than a unique tone or interval for each playing position. Still, it seemed worthwhile to try to run down Bell's original reference, which, thanks to his meticulous bibliography, I eventually found was Stewart Culin's 1895 Korean Games with Notes on the Corresponding Games of China and Japan, which is out of copyright and available in its entirety on Google Books. From p. 91:
The Korean board, pa tok hpan, differs from that of Japan, in being made in the form of a small hollow table, while the Japanese board consists of a solid block of wood. The Korean board is resonant and by an arrangement of wires stretched within emits a musical note when a piece is played. A specimen in the Museum of the University of Pennsylvania (Fig. 96) is eleven inches high and about sixteen inches square.
Again, "a musical note," but the language in both cases is ambiguous.
Culin's Figure 96 is reproduced at the top of this post. I've contacted The Penn Museum to see if collection number 16,431 still exists and/or if they have any record of it. I was hoping, at least, to show you all a photograph. Can't seem to get anyone to respond, however. If anyone has any information about this artifact or about musical go boards in general, I would love to have it. Please drop us all a comment or e-mail me directly.
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Now back to your regularly scheduled nifty, blinky things. Like these LED-enhanced false eyelashes designed by artist Soomi Park. They're hooked up to a motion sensor, so as you tilt your head in different directions, they turn on and off.
Thanks to Chris Tackett at Treehugger!
Here's a neat physical computing project coming to London. The Bus-Tops project is planning to install around 40 LED screens on the tops of bus stations around the city, and is inviting the public to develop content to put on them. Since the screens will be on the roof, they will only be visible from double-decker buses and from buildings.
I like that they are taking advantage of their two-level transportation system. Think it will encourage more people to use it, or is that not an issue in the UK? Either way, it looks like fun, and way cooler then just putting some ads up there. [thanks Dale!]
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I was invited to show a piece in the Natural Resources show, produced by Bigshot Toyworks and Mike Burnett. My piece is above. Here are some of the other fine pieces in the show.
From Shoparooni:
We are super duper excited for the coming opening of "Natural Resources", an absolutely amazing group show featuring wooden DIY toys created by Mike Burnett & Bigshot Toyworks, and customized by over 40 artists!The Shoparooni Annex will be the launch-pad for this amazing traveling show and the opening will also be the retail launch of the "Average Joe Schmoe" DIY wooden figures designed by Cleveland artist Mike Burnett and produced by Bigshot Toyworks.
Come check out some absolutely incredible custom figures by Lola, Chris Ryniak & Amanda Spayd, Mark Nagata, Sean Mahan, Ryan Bubnis, Brian Morris, Mark Frauenfelder, Le Merde, 64 Colors, Julie West, Martin Ontiveros, Mark Murphy, MAD, Jeremiah Ketner, Ken Keirns, and many many more!
The opening party will be Friday, November 6th starting at 7 PM. Some artists will be in attendance.
Natural Resources
Nov. 6th - Dec. 5th
Shoparooni
15813 Waterloo Road
Cleveland, Ohio
"It's time to start getting paid for broadcast content online," he said. Carey said that while everyone cites the infamous Jeff Zucker quip that "We'e exchanging analogue dollars for digital dimes," the industry continues to do exactly that. The strategy needs to be more than just fighting piracy and Google, he says.So... this is really no different than what was said a few months back, when News Corp's Jon Miller started saying that Hulu should add subscription offerings. It's the official News Corp. position, ever since Rupert Murdoch suddenly flip flopped and decided free content online is evil. All News Corp. execs have now been making noise about trying to charge for content.
"I think a free model is a very difficult way to capture the value of our content. I think what we need to do is deliver that content to consumers in a way where they will appreciate the value," Carey said. "Hulu concurs with that, it needs to evolve to have a meaningful subscription model as part of its business."
AdVerse had a quick chat with Carey too and posed the question, when exactly does Hulu start charging then? Carey, who says he's only been to one Hulu board meeting since arriving at News Corp., suggests there is still no timeline but supposes it's at least in 2010. Carey says that while throwing up a pay-wall around all content is not the answer, it doesn't mean there wont be fees for some specially-created content and TV previews
Our friend Jeff Diehl has a new blog called Spots Unknown that's devoted to "exploring & infiltrating the forgotten places, events, and histories of San Francisco." It's off to a promising start. The most recent post is about 1958 film footage of the city (shown above).
A film colorist at a local Chicago production house inherited a bunch of 16mm Kodachrome film shot in the late '50s by his grandparents. Cars driving down Lombard Street. The silhouette of the guy smoking the cigar in the window is classic. I also like the moody accompanying music.

Subscriber Michael Williams wrote in with this clever modification of the traditional pumpkin incision. He explains the logic:
For years now I've been unhappy with the choices for cutting open a pumpkin for Halloween. If you cut the top off in the traditional manner, you end up with singed hand hairs (at best) when attempting to place/light a candle. If you cut the bottom off, you can get the candle in OK but you're stuck picking up nearly the whole pumpkin each time and it never sits quite right. This year is different - I've found the perfect pumpkin cut!
Thanks Michael!
Make: Halloween Contest 2009
Microchip Technology Inc. and MAKE have teamed up to present to you the Make: Halloween Contest 2009! Show us your embedded microcontroller Halloween projects and you could be chosen as a winner.
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Boing Boing guestblogger Connie Choe is a health and culture writer by day and a professional kimchimonger by night.
Meet the AutoExec WM-01 Wheelmate Steering Wheel Desk Tray. This hunk o' plastic with a fancy name must be A) brilliant in its simplicity, or B) hopelessly dumb. But I can't quite decide which. Either way, the grab bag of serious sarcastic/ambiguous product reviews is enjoyable. One customer writes, "This has been a total lifesaver. It allows me to prop my sheet music against the wheel, allowing me to play the guitar with both hands while driving." Deadpan humor? Perhaps... or it might just be this guy.
(via Random Good Stuff)

Wow, this is crazy... Nate writes-
SparkFun is all about open. Whether sharing the pcb design files for our products or posting pictures from the office on flickr, we're pretty open about what it's like to work here. Today we'd like to share with you a cease and desist letter we received from SPARC Industries. Here's a link to SPARC on wikipedia in case you don't know who SPARC is.
SPARC Industries' attorneys seem to think SPARC looks and sounds an awful lot like SparkFun. Tuesday morning we received a cease and desist letter from K&L Gates law firm. Amongst other things they demand that we "immediately take steps to transfer the sparkfun.com domain name to [SPARC International]."
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If you've built one of the marshmallow shooters from MAKE, vol 02, this Saturday's Marshmallow Civil War is for you. Actually, there's still plenty of time to head to the hardware store and make one in time for the event:
A historical reenactment in New York of questionable accuracy. With marshmallows. Many years ago, widespread unrest in the region and a perplexing overabundance of marshmallows led to a soft armed conflict between opposing sides. More moderate citizens flew the flag of Yellow, while the more radical aligned themselves with Red.
Marshmallow pistols, jet-puffed assault rifles, bow-and-mallows and Peep grenades decimated each army until no soldier was left alive. This is a reenactment of that epic battle.
Sides will be chosen, marshmallow weapons will be loaded, and chaos will ensue.
Commenter Shawn Q has set the tone quite nicely by saying "PH34R MY P33P GRENAAAADEZ." [Thanks, Fil!]
More:
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Boing Boing guestblogger Connie Choe is a health and culture writer by day and a professional kimchimonger by night.
This video about a young woman who suffers from dystonia and can only walk backwards is really interesting, but I offer it up with a sprinkling of disclaimers. 1. It's a clip from the evening news, so naturally it reeks of sensationalism. 2. This shouldn't necessarily discourage you from getting the flu vaccine. 3. Some numbskull tweaked about a second of this video so that it sounds like the reporter is saying this should discourage you from getting the flu vaccine.
If you want to explore some neurological case studies that represent patients as actual people, rather than as tragic spectacles, The Man Who Mistook His Wife for a Hat by Oliver Sacks is a great read.
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"[It] felt like an expansion to me, not a full release... [It was] cool, but not quite enough to be a stand alone game ($60) purchase."That's just one quote, but others have expressed a similar sentiment. The music... that's nice, but you can get Beatles' music all over. It's the game that makes this worth buying -- or not worth buying. And just adding new music to an old game wasn't nearly as exciting as many people hoped it would be. This isn't to say the music is "worthless." But it does suggest -- yet again -- that the entertainment industry overvalues the contribution of the content itself.
Let's start this off with a quick clarification. When I say "LED light", I'm not talking about the nifty, little blinky things that are frequently part of the ingredients list in Make projects. I'm talking about the Big Show: An LED light that can replace the incandescent bulbs and/or CFLs you have lighting up your home right now. To do it right, you don't just need a single LED that works, you need an array of them...and you need them to produce enough light, and the right color of light, reliably enough that people can buy an LED bulb and know what they're getting into.That ain't easy. But it is getting easier.
LED lighting really is more than a toy. This is the library of the new Wit Hotel in Chicago. It's not lit entirely by LED, but lighting designers Lightswitch Architectural did use the technology in the coves around the ceiling and walls. Unfortunately, getting this look at home isn't as simple as it's often made out to be.
Trouble is, they're being oversold, like whoa. For about two-and-a-half years, I've been reporting on LED lighting for a trade magazine called Architectural SSL*. During that time, I've watched mainstream press and enviro blogs tout LEDs as the green energy miracle light. Often, with a level of enthusiasm seldom seen outside rooms full of puppies. Don't get me wrong. LEDs are pretty cool. There are places where they're useful now, and places they probably will be soon. But if you're just hearing about the awesome, you aren't getting the full story. And, as more LED products start showing up on store shelves, that really starts to matter.
Join me, won't you, as we put on our Sober Assessment Goggles and take a peek at the current state of light bulb of the tomorrow...
*The glamorous life of a freelance writer, everybody. That said, if you are thinking about freelance, I recommend convincing a trade magazine or two to love you. The work is steady, the pay is decent and the people are good. And that is a better situation than you'll get from a lot of things you could do to pay the bills. /unsolicitedwriteradvice
1. There Are Good LED Lights Out There; But You Probably Can't Afford Them
A Twitter friend lamented the other day that LED lighting technology just isn't getting any better. And that's wrong. Right now, if you were a city manager, the owner of a fine hotel (like the Wit) or somebody with enough cash to hire a lighting designer to pick out the fixtures in your living room, you could go drop some money on LED lights that would work great, look beautiful and (depending on your project) give you some big savings on energy use. The obvious problem here is that, with a few exceptions, you are likely none of those things.
No, what you see is the stuff for sale at Home Depot. And that, my friends, is usually not worth your time or money. Not yet, anyway. Buy 'em if you want, but prepare for disappointment...Christmas tree lights that say "white" and turn out to be blue...$20 lightbulbs that conk out after two weeks. That's a lot of what's out there. Case in point: A couple weeks ago, I was at an LED conference and one of the speakers told a story about buying 10 screw-in LED lightbulbs from his local Costco, just to see what they'd do. The box claimed they'd last 30,000 hours. Within two weeks, four were dark, and one had changed colors and started blinking. Less than two months later, all the lights had dimmed out enough to be useless. I've heard that same, basic story about 50,000 times now. Sure, there may well be good, affordable products out there. But you have no way of telling the difference, which brings me to....
2. Trust No One
See, the LED industry is kind of in this awkward teenage phase right now, where it's doing the business equivalent of tagging public buildings and sneaking cigarettes out behind the barn. There's a lot of misrepresentation and a lot of flat-out lies, and just because a box says something that doesn't mean you can believe it (more so than boxes of other things). In fact, up until last year, there weren't really any useful standards to compare LED lights. Anybody could make any claim they wanted to and even the professionals had nothing to judge it by. That's changing, but for now, assume you're dealing with the early 20th-century patent medicine industry.
Again, yes, there are good products and there are honest companies. But finding them takes a LOT of research. Last year, at that same LED conference, I watched a discussion panel devolve into (literally) tears and yelling over this very topic. The phrase, "Pull up your big boy pants," was shouted. This isn't yet a place where average consumers can just walk in and grab something off the shelf.
The DOE is trying to fix that, though. One way they're fighting back is with CALiPER, basically a secret-shopper program with a lab experiment twist. Researchers from the Pacific Northwest National Laboratory (and other labs) purchase LED bulbs and fixtures anonymously (often via third-parties) and run them through an extensive testing process to see whether they live up to the claims on the box. The majority still don't, though it's getting better. More than 175 products have been tested since 2006. But, while CALiPER is improving the overall situation, it won't help you a lot. The reports are fairly technical--they're written for lighting designers and engineers--and the DOE doesn't name names. CALiPER can tell you whether, in general, you can seriously consider a certain type of LED bulb. But it can't tell you what specific products are bunk.
3. Keep a Close Eye On that "Energy Efficiency" Thing
The biggest selling point--at least for average consumers--is that LEDs are more energy efficient than any other kind of lighting. They'll slash your bills and save the planet! Rejoice!
You can probably guess where this is going. The fact is, LEDs are pretty damn efficient. Much, much more so than the old, incandescent Edison bulbs. But they aren't always a greener choice compared to fluorescent lamps. The thing to look at is lumens per watt, a fancy term that basically just refers to how much light you get out vs. how much energy you put in. The more lumens per watt, the better the energy efficiency. The kind of fluorescent lamps used in offices--the long, narrow ones that are called T-5 or T-8s in Technicalland--regularly get more than 100 lumens per watt. An LED T-8 lamp tested by CALiPER last year got 42.*
Plus, the lumens per watt rating of the LED itself doesn't necessarily mean that a lamp made with an array of LEDs will get the same rating...or that a fixture made with a couple LED lamps will even get close. You lose efficiency each time you add other parts to the system. And many times, when you hear about super-efficient LEDs, you're hearing about just the single LED, not about its efficiency in a complicated system.
If you do happen to be in a position where you can buy LEDs, and you care about the environment, this is something you need to be really critical about. A good green PR campaign isn't the same as actually green numbers.
Again, I want to stress that LEDs don't suck. And where they do suck, they're getting better. But I don't want you to get burned by hype. And right now the amount of hype surrounding these things would make Flava Flav blush.
*Yes, fluorescent lamps contain mercury. But so does the pollution from coal-fired power plants. This is part of what makes the green-ness of LEDs so complicated right now. If you get your energy clean, it might well be more green to buy an LED over a fluorescent, even if it uses more energy to produce the same amount of light. But if your energy comes from coal, that could change the equation, especially when you consider the fact that a lot of cities have good fluorescent recycling programs.
Thumbnail photo: Goins
I am digging these photographs of very large turbans -- perhaps for ceremonial occasions? -- worn by holy men of the Sikh faith in India. If someone is more familiar with their traditions than I, do pop in the comments and tell us more about what we're seeing.
"Check Out These Enormous Sikh Turbans" (urlesque, thanks Stephen Lenz!)
The cellphone business is patented up to its eyeballs. Dumped at ground zero in the wasteland of owned ideas, newcomers typically have to pay as much as ten percent of sales to the old guard. Apple declined Nokia's invitations to give it money, and as a result is now the target of a lawsuit filed by the Finnish manufacturer.
From Reuters:
Apple, a latecomer to the cellphone industry, has won a considerable share of the higher end of the market, but it has limited intellectual property assets compared with rivals, when all vendors work under cross-licensing agreements.
Neil Mawston at Strategy Analytics said Apple could have to pay Nokia anything between $200 million and $1 billion for patents used in 34 million iPhones shipped so far.
The funny part, I suppose, is the implied conceit that if it weren't for Apple's illegal appropriation of its technology, Nokia's own chrome-trimmed touchscreen iClones might have existed (or even, heaven forbid, been released) within years of the iPhone's debut. It's weird to compare the ostensible purpose of patents with the fact that Apple devised a product Nokia would never have cooked up in a hundred years.
Reuters quotes an analyst as saying "It is almost inconceivable that someone can produce a mobile phone without using Nokia patented technologies." Doesn't this sound like a casual, almost unconscious acceptance of the idea that intellectual property exists to prevent competitive innovation?
Nokia could seek up to $1 billion for iPhones: analysts</a [Reuters]
Here's what looks like a great, culturally sensitive way to tear down old buildings. D-Build, a project started in Syracuse, NY, is aiming to document and catalog entire decommissioned buildings as they are taken apart.
All well and good, but what does this have to do with makers, you ask? Well, the other half of their equation is to provide a market where you can purchase the raw materials taken from the houses, and even sell things back that were made with them.
This seems like a excellent way to recycle usable building materials, that would probably otherwise just end up in a dump. [via core77]
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I'm a great fan of Bill Willingham's Fables comics and its numerous spinoffs (nutshell description: all fictional characters, legends, and fables are actually alive, always have been, and are living in secret exile in New York, having been chased out of Fableland by "The Adversary," a rapacious conqueror).
One of the most fun of these is the Jack books, which feature a set of parallel adventures of Jack -- as in "Spratt" and "and the Beanstalk" and many other tales. Jack is handsome, womanizing, preternaturally lucky and cheerfully amoral doofus of a fable who is forever incurring the wrath of the Fable establishment by violating their rules by, say, pursuing a career as a Hollywood executive (he fits right in in Tinseltown, naturally).
In Jack of Fables Vol. 6: The Big Book of War , Jack finds himself heading the Fable/Librarian army against the vicious Bookburner, who would destroy all of fabledom for his own reasons. Jack takes this command with the help of his sidekick and pal The Pathetic Fallacy (AKA "Gary"), an immortal "Literal" who changes the world to suit his moods.
Jack is a terrible commander, but a very funny one, and he doesn't distinguish himself much as a general, but he does an admirable job of evincing yuks from the reader; and Willingham uses the story to make some really thought-provoking points about the dark and primal nature of stories and the danger and blood that lurks in their hearts.
The Big Book of War would probably stand alone reasonably well, but if you just read this volume, you're really missing out. The whole Fables canon deserves your attention (and will reward it handsomely). It is both gripping and thought-provoking; philosophically substantial and sparklingly funny.
Jack of Fables Vol. 6: The Big Book of War
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The title really says it all. Follow this link to see a metric crap-ton of fruit bats (the largest such gathering in the world) converge on a remote swamp in Zambia--an area only about the size of two or three soccer fields.
To take the shots, BBC camera crew had to swoop in on a powered hot-air balloon. Because there were so many bats that a helicopter couldn't fly. Oh. My. God.

Image by zrim via Flickr
When I got a bag of chile peppers in our CSA delivery last week, I had a really hard time trying to figure out how to cook them. I tried putting them in pasta, but that turned out numbingly spicy. And then I remembered that chile peppers = togarashi in Japanese, and that they are a key ingredient in one of my all-time favorite spices — shichimi togarashi, a Japanese spice mix commonly found at home dinner tables and yakitori restaurants that is designed to enhance the natural flavors of high quality meat and veggies. For this week's Taste Test, I thought I'd share a simple recipe for shichimi and give you some tips on other ways to use it.
An excerpt from my book, Urawaza: Secret Everyday Tips and Tricks from Japan, offers a toe-warming chile pepper trick.
1 tbsp ground chile pepper 1 tbsp black peppercorns 1 tbsp dried tangerine peel 2 tsp flaked nori 2 tsp black sesame seeds 2 tsp white poppy seeds or black cannabis seeds 2 tsp minced garlic Combine all the ingredients in a small container, then grind together using a grinder or a wooden seed-grinder.Of course, there are many other ways to make the chile pepper a part of your diet — it's great in salsas, hot sauces, and on pizza — I'm sure many of you have your own favorite uses for the versatile fruit. If you just don't like the taste of chile peppers at all, it makes a lovely Christmas tree ornament. Every installment of Taste Test will explore recipes, the science, and some history behind a specific food item.
There are the net neanderthals who think everything should be free all the time.Pretty scary that someone who's the managing editor of the most well known and well-respected business newspaper out there thinks this, huh? First off, I don't know anyone who thinks "everything should be free all the time." People are more than willing to pay for scarce goods of value. Where they fundamentally have issues is with being charged for content that can be made free at no additional cost. And that's not "neanderthal" thinking, it's good old classic economics -- the kind we thought the WSJ supported.
Read more of this story at Slashdot.

My cell phone has a little eye molded into the case for attaching a lanyard strap. I want my A/V remotes to have the same thing so that if I should decide that I want to tie one of them to ,say, the leg of my coffee table, I won't be driven to the same lengths as this guy.
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CNN's Kristie Lu Stout met with Noridan, a South Korean band that makes its instruments from cast-off objects.
Noridan's eco-friendly music Read more | Permalink | Comments | Read more articles in Music | Digg this!
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Here's a video for a new book that I received from the publisher a couple of days ago called Rules for My Unborn Son, by Walker Lamond, based on his entertaining blog 1,001 Rules for my Unborn Son.
The Lamond's rules are good advice for sons, as well as anyone else, really. I wish my wife would remember the rule, "Never under any circumstances ask a woman if she is pregnant," which she has broken several times with embarrassing consequences.
More of Lamond's rules:
After writing an angry email, read it carefully. Then delete it.Stand up to bullies. You'll only have to do it once.
If you trip in public, don't blame the sidewalk. Pick yourself up and pretend nothing happened.
Your best chance of being a rockstar is learning the bass.
Thank the bus driver
Don't gloat. A good friend will do it for you.
Don't spit
A few of the rules on his blog I don't recommend (e.g., "All drinking challenges must be accepted") but most of his rules offer specific tips for living a life of kindness, politeness, and preparedness.

Katherine Sharpe at ReadyMade did an interview with Doug Repetto, founder of Dorkbot, Artbots, and the director of Columbia U's Computer Music Center, focusing on how he got where he is today.
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With Keychest, when a consumer buys a movie from a participating store, his accounts with other participating services--such as a mobile-phone provider or a video-on-demand cable service--would be updated to show the title as available for viewing. The movies wouldn't be downloaded; rather, they would reside with each particular delivery company, such as the Internet service provider, cable company or phone company.The idea, supposedly is:
to address two of the biggest hurdles blocking widespread consumer adoption of movie downloads: the difficulty of playing a movie back on devices other than a PC or laptop, and limited storage space on those computers' hard drives.Now, while you must admit that allowing people to access the same content after a single purchase on multiple devices is definitely a step up from the "old" way of doing things, it does kind of ignore some important points: such as the fact that, for the most part, you could already do this on your own. As we know, it's legal to rip your CD's and then store that content on an iPod or on your computer and listen to the music how you want to do so. And, even though this is perfectly legitimate fair use of content for movies as well, Hollywood has used the worst provision in the DMCA -- the anti-circumvention provision -- to block people from doing what is accepted fair use with movie and television content.
And Keychest would allow movie studios to dictate how many devices, connected to which distribution networks, a given title can be played on.So, kudos to Disney for recognizing that people hate having to buy the same content over and over again and hate being limited on what devices they can view content on... but, creating a new, more permissive DRM solution, just to give back some of an individual's fair use rights, isn't really a huge win.
Read more of this story at Slashdot.
Read more of this story at Slashdot.
The Cove, the provocative film that documented the hidden dolphin slaughters in Taiji, Japan, made its Japan debut at the Tokyo International Film Festival this week, and director Louie Psihoyos was there to bear witness to its unveiling. I talked to him just two hours after he got off the airplane from Narita on Thursday morning. Here's what he had to say about his experience in watching the film with the actual dolphin killers in the audience:
All the bad guys there, front row center. The mayor, the International Whaling Committee delegate, fishermen dressed up in suits...I couldn't have dreamed of a better screening. They had all come to Tokyo with their lawyers to see if there would be any kind of litigation against the film. The screening sold out within a few hours, so I offered to give them tickets. At one point, the mayor stormed out, and the IWC delegate held his head in his hands.
I thought I might get arrested when I got off the airplane in Tokyo — there are arrest warrants out for me in Taiji for things like trespassing, conspiracy to disrupt commerce, and photographing undercover police. I was invited by the TIFF, though, so that's probably what kept me safe. Stories about dolphin hunting have been taboo in Japan for the past 30 years. The only reason this film was able to show there this week was because the Liberal Democratic Party was voted out. The government is a major sponsor of the film festival, and about two weeks after the regime change, the festival's director contacted me and said, "Given the 'environment' theme of this year's film festival, it would be hypocritical not to show The Cove." Still, the festival did seem to bury it — we had a 10:30AM screening and not a single promotional poster in sight. All the Japanese who approached me about the film had very positive things to say about it. It was mostly young people, 18-35 year olds. They said, how can I help you get this film out in Japan? I think many were in shock. I told them that this was just the Disney version of what really happens at the cove. During the Q&A session, I pointed out that this is not just an animal rights film, but that these dolphins have about 5000 times more mercury than allowed by Japanese law. Unfortunately, it's not enough to argue that these are the only animals in human history that have saved humans. The only way we can save them is by reminding people that human beings have made their environment so toxic that we can't eat them anymore. The question of intelligence of other animals as judged by our own intelligence is such a specie-centric thing. We're about to go through our sixth major extinction now, so how smart does that make us really? I think the most important thing that could happen is that the film would show in Taiji. I've sent them a formal letter to see if they'd like to do an ocean-themed film festival at a national park that would include The Cove. I also told the Taiji mayor and councilmen that all profits generated from the film in Japan would go directly to the dolphin hunters if they stopped their dolphin hunting. I would gladly support them if they switch to crab hunting or whale watching. I was only in Japan for two days — the whole thing was so surreal. At Sundance earlier this year, people thought that this movie would never screen in Japan. Now there are two major distributors in Japan negotiating for the rights. And flying back over the Pacific today, I knew there are now several thousand dolphins swimming free because of this movie.
By subjecting nationalist toad Nick Griffin to the Two-Minute Hate, the U.K.'s media establishment turns a fool into a victim. His dismal performance on the BBC's Question Time would have been satisfying were it not for the hand-wringing hostility that turned it into a circus. Coming next to Britain's inane tabloids: Nazis portraying themselves as victims of oppression.
It's no wonder he smirks so much, when his presence induces demands that his political party be banned, his speech suppressed and his opinions abolished. These instincts represent everything his followers want Britain to become: perhaps the irony is not lost on him.
To paraphrase one noted humanitarian, a civilized society would either kill him or give him his bookings.
The BBC disclaims the appearance as part of its duty to impartiality, then spins around to congratulate itself for orchestrating Griffin's public "humiliation." Paradoxically British! But the whole mess only goes to prove a simple fact: no-one has ever been so inadvertantly adept as the well-breakfasted BNP leader at poking holes in our pretentions to democratic toleration.
Public convulsions over the BNP's inconsequential electoral successes make the country appear more divided and insecure than it is. But the BNP's advances are trivial: proportional representation, a changing media landscape and voter disgust merely reveal the exact form of a longstanding political presence on the fringe.
Freaking out over it just creates a narrative that can be exploited and expanded into yet another bestselling British moral panic. The BNP is like salmonella, satanic abuse and paedogeddon all in one: yummy! And Griffin is thimerosal in your vaccination against media bullshit.
The repsonse to these far-right nutjobs reveals not a principled objection to racism and fascism, but rather the weakness of a political culture built on tradition and the expectaton of common sense. Shouldn't a democractic society accept a plurality of idiots?
"You go down the Latino people, the deaf people, the farmers, and choose them.... You say, 'I can't use this one--I already used them last time...' We had their letterhead. We'd just write the letter. We'd fax it to them and tell them, 'You're in favor of this.'"Indeed. Well, it looks like in the process of faxing and telling a senior citizen's group what they were in favor of, AT&T's anti-net neutrality lobbyists forgot to do a bit of searching and replacing. Karl Bode points us to a hilarious letter filed with the FCC about net neutrality (pdf), officially on behalf of the Arkansas Retired Seniors Coalition -- the exact type of group often used in these astroturfing campaigns -- which suggests that someone didn't proofread the letter first: Right in the first paragraph, it looks like the Arkansas Retired Seniors (or perhaps the lobbyist directly) forgot to change out the boilerplate statement: "XYZ organization shares this concern." XYZ organization, huh? Here's an editing tip for AT&T's lobbyists: when crafting such letters with boilerplate language that's supposed to get changed at a later date before being sent off to the FCC, you should highlight that text in a different color. Saves embarrassing mistakes like this one.
Read more of this story at Slashdot.
No photos yet. That's a homework assignment for the bubble chemists in the audience. But I couldn't resist sharing my excitement over this paragraph from US patent 5,246,631 for glowing soap bubbles:
An example of practice of the present invention involves using a liquid dish such as LEMON JOY available from Procter & Gamble Company (Cincinnati, Ohio). Although the LEMON JOY may be diluted with varying amounts of water, it is preferred that the dishwashing liquid be used at full strength. Approximately 9 milliliters of CYALUME solution made in accordance with the manufacturers instructions are added to approximately 120 milliliters of the dishwashing liquid. Although this particular mixture may be used to produce adequate self-illuminated bubbles, it is preferred that 3 to 4 drops of glycerin be added to the solution as a bubble hardener. The solution is then ready for use to form self-illuminated bubbles.
I've never actually measured how much Cyalume (Wikipedia) is in a standard glow-stick, but I'm betting you could come up with 9 mL of the stuff by cutting open two or three at most.
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The "tools" section of media artist Karl Klomp's website documents an impressive amount of bent, hacked and homebrew hardware for video manipulation. Devices such as the Failter (seen above)series go through a number of incarnations while Karl experiments with different hardware and uncovers its glitch-ability. The retro-simple feel of the enclosures give give it all a nicely 'scientific' almost medical feel. Be sure to check out his device gallery/ project list for more examples. Thanks to Becky for pointing this one out!

Here is an easy to make ancient yet modern device that hurls spears at up to 100mph.
Thanks go to Daryl Hrdlicka for the original article in MAKE, Volume 12.
To download The Atlatl video click here and subscribe in iTunes.
Check out the complete Atlatl article in MAKE, Volume 12
and you can see that in our Digital Edition.

Here is an easy to make ancient yet modern device that hurls spears at up to 100mph.
Thanks go to Daryl Hrdlicka for the original article in MAKE, Volume 12.
View the PDF of this project. and then subscribe to MAKE Magazine for other great projects
you can do over the weekend.
Read more of this story at Slashdot.
Stretta managed to build a fully functional (and apparently quite fun) foosball table from LEGO parts -
My son is really attracted to foosball tables, and, if I'm honest, I'd have to say I am too. I considered the idea of buying a small, tabletop unit, but I was unsure how much use it'd see. I was afraid it might become one of those things you play with for a bit, then collect dust. Once again, I see a solution in the form of Lego.
[…]
I personally prefer the design and building stage, and my son enjoyed that too, but he REALLY enjoys playing with it and now insists we play a couple matches every night.
Seems he's not exxaggerating about that urge to solve problems with plastic bricks. See exhibit A: When a new synth module didn't quite fit rackmount specs, Lego made it all better -

Yaknow, that actually makes for a pretty nice aesthetic!</P Read more | Permalink | Comments | Digg this!
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Reminder! Tonight's the launch for my latest novel Makers at Forbidden Planet London from 6-7. Forbidden Planet's happy to take your pre-orders for inscribed copies if you can't make it, and they'll cheerfully ship 'em wherever you are.
Forbidden Planet Megastore: Cory Doctorow signing Makers
If you live in Canada or the US, click below for more info:
I'll also be coming to Canada and the US next month for a quick book-tour, kicking off with a signing and reading at the Merril Collection in Toronto (Nov 12, 7pm, The Merril Collection of Science Fiction, Speculation, and Fantasy, 239 College Street, 3rd Floor, Toronto, Ontario M5T 1R5, +1 416 393-7748), and Bakka Books, the bookseller, is also glad to take orders for inscribed copies beforehand. I'll sign them all for shipping on the day.
After that, I'll be coming through NYC, NJ, Boston and Philadelphia -- details are still a little shaky, but if you drop me an email, I'll send you a mailout once I have them in hand.
Here's a little more about Makers, courtesy of Publishers Weekly: "In this tour de force, Doctorow (Little Brother) uses the contradictions of two overused SF themes--the decline and fall of America and the boundless optimism of open source/hacker culture--to draw one of the most brilliant reimaginings of the near future since cyberpunk wore out its mirror shades. Perry Gibbons and Lester Banks, typical brilliant geeks in a garage, are trash-hackers who find inspiration in the growing pile of technical junk. Attracting the attention of suits and smart reporter Suzanne Church, the duo soon get involved with cheap and easy 3D printing, a cure for obesity and crowd-sourced theme parks. The result is bitingly realistic and miraculously avoids cliché or predictability. While dates and details occasionally contradict one another, Doctorow's combination of business strategy, brilliant product ideas and laugh-out-loud moments of insight will keep readers powering through this quick-moving tale. (starred review)"
And, of course, I'll have a site up in a couple of days with free, CC-licensed downloads of the whole text.
Read more of this story at Slashdot.
Tamron has announced the availability of its 17-50mm f/2.8 Di II VC midrange zoom for Canon mount. This image stabilized version of the company's popular APS-C format fast standard zoom, announced in September, will ship from the end of this month. It is already available for Nikon with a built-in motor. Comments Off [link]
Comments Off [link]

The Arduino Ethernet shield allows an Arduino board to connect to the Internet using the Ethernet library. Connect the shield to your computer or a network hub or router using a standard Ethernet cable (CAT5 or CAT6 with RJ45 connectors).
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Beth from The Steel Yard in Providence, RI writes in with news of their upcoming Iron Pour:
Watch the Iron Guild fire up their furnaces for the 4th annual molten metal spectacular. In the past they've brought us fiery hearts, zombie kings, and glowing skulls. This year...pumpkin casting and a giant flaming Jack-O-Lantern!
Music provided by Empty House Cooperative.Enjoy hot cider, doughnuts, and wood-fired pizza while you take in the performance. The event will also feature a bowl sale by the Steel Yard Ceramic Artist Cooperative.
We are looking for volunteers, contact Jackson at jackson@thesteelyard.org or (401) 273-7101 if you are interested in helping out.
Please call or e-mail our office with any questions at 401-273-7101 or contact@thesteelyard.org.
Iron Pour
Iron Pour 2008 - a set on Flickr
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Read more of this story at Slashdot.

MAKE subscriber John Kelbley was doing some expansion/improvements on his kids' "fort" and wanted to deliver music to the (unpowered) space. His solution was to use the rechargeable powerpack from an an old 12 volt Ryobi drill and use the drill body as a stand for two outdoor speakers he found on clearance. Amplification is provided by a Sonic Impact T-Amp he cased inside the gutted drill body. Love the volume control where the drill chuck used to be.
The Best Sounding Drill I've Ever Owned!
Gary sez, "ABC News Online (Australia) is going to release footage (photos, video, audio, text) of Sunday's Brisbane Zombie Walk, under a CC license. Content will feature on ABC Pool, for users to create their own mashups/remixes etc. Not sure if this is an Australian first, but it's pretty rare for MSM to release content like this. ABC Pool is also seeking video/audio/text with a zombie theme, either real or imagined."
Project: The Dead Walk!
(Thanks, Gary!)

When listening to Markram speculate, it's easy to forget that the Blue Brain simulation is still just a single circuit, confined within a silent supercomputer. The machine is not yet alive. And yet Markram can be persuasive when he talks about his future plans. His ambitions are grounded in concrete steps. Once the team is able to model a complete rat brain--that should happen in the next two years--Markram will download the simulation into a robotic rat, so that the brain has a body. He's already talking to a Japanese company about constructing the mechanical animal. "The only way to really know what the model is capable of is to give it legs," he says. "If the robotic rat just bumps into walls, then we've got a problem."Blue Brain Project (EPFL)
Installing Blue Brain in a robot will also allow it to develop like a real rat. The simulated cells will be shaped by their own sensations, constantly revising their connections based upon the rat's experiences. "What you ultimately want," Markram says, "is a robot that's a little bit unpredictable, that doesn't just do what we tell it to do." His goal is to build a virtual animal--a rodent robot--with a mind of its own.
But the question remains: How do you know what the rat knows? How do you get inside its simulated cortex? This is where visualization becomes key. Markram wants to simulate what that brain experiences. It's a typically audacious goal, a grand attempt to get around an ancient paradox. But if he can really find a way to see the brain from the inside, to traverse our inner space, then he will have given neuroscience an unprecedented window into the invisible. He will have taken the self and turned it into something we can see.

If you have a lot of button inputs for a project, keeping track of them (whether they’re pressed, just pressed or just released) and debouncing can get a bit hairy. here is some sample code that will keep track of as many buttons as you’d like. The example shows 6. To change the pins or number of buttons, just put them in the array called “buttons” and the rest of the code will automatically adjust. (The code is in Arduino-ese but its pretty much just straight up C) Enjoy!Read more | Permalink | Comments | Read more articles in Arduino | Digg this!
EFF: Chamber of Commerce Takes Aim at Yes Men (Thanks, Rebecca!)

Gabriel Dishaw's "Junk Dunks" are sculptures of totemic Nike Airs made out of consumer garbage.
"Junk Dunk (Left)"
(Thanks, Gareth!)
Ellen Kushner sez, "The Interstitial Arts Foundation is presenting 8 new original online stories - er, pieces of interstitial writing, a new one each week for the 8 weeks leading up to the November 3 publication of our new anthology, _Interfictions 2_ . So far we've ranged from F. Brett Cox's 'Nylon Seam,' Brett's 'tribute to Bettie Page fandom'complete with soundtrack (vocals & guitar, F. Brett Cox) to Ron Pasquariello's 'Chipper Dialogues' - a man & his mutt converse in haiku. This week, it's Kelly Cogswell's story-and-poem combo, 'For the Love of Carrots' and 'The Luxembourg Gardener.' Check out the Annex Page for a complete list of stories and authors. Interstitial art is found in the interstices of recognized category and genre. "
Annex (Thanks, Ellen!)




The boys from MaceTech cooked up an impressive yard display with eight RGB LED modules in eight different pumpkins around the yard. Garrett explains:
We made a control board for eight pumpkins, using eight ShiftBars, 50mm cables, a Seeeduino, a ShiftBrite Shield, and a 12V power supply. The ShiftBar potentiometers were adjusted to deliver about 100mA to each of the 24 LED channels. We wired the LED array boards to the control board using cheap 4-wire telephone station cable from Home Depot.
Read more about it here.
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(Collins) showed that, in what is known in the psychology research community as "ecological momentary assessment" (EMA) or "right here, right now" data collection, cell phones are more familiar to research participants and therefore training is easier; and that with IVR, data is stored instantly, removing any issues around the loss of information."Two New NIH grants Use Cell Phones to Collect Real-Time Data on Substance Use" (via Dose Nation)
"This is an interesting and useful way to collect data," said Collins. "It eliminates the problems associated with study participants having to recall their behavior, and cell phones are ubiquitous with young people, who are our main targets in these studies. We capture their data right away. It's all computerized and stored immediately."

For years I didn't consider myself very creative. Sure, I always decorated the house for holidays, did crafty projects with my kids, refinished furniture, loved to try new recipes, and shunned store-bought costumes for what I think are way better homemade creations, but a crafter? Not really.
These days I'm trying to convince myself that I am indeed a crafter. And when you're surrounded by knitters, crocheters, professional seamstresses, painters, and soft-circuit mavens, you need lots of convincing! I recently went back through photos of the kids in their Halloween costumes that I've made, and gosh darn it, I am a crafter (of sorts). Enjoy the photos after the jump!
PS: Two of the costumes shown were store-bought, or mostly purchased at a store and then embellished with homey touches.See if you can spot them. And one of the boys is a former intern, not one of my kids, exactly.
Well, after 6+ years on an ancient and highly customized install of Movable Type 3.15, and 4+ years on various homegrown CMS solutions, I’ve finally upgraded the guts of this site. I chose WordPress. Sure, there are several other excellent options out there to power the blogs of 2010 and beyond, but the familarity of WP, its plugins, pricetag and other factors all fed into the decision. Plus, I told Matt in the halls of SWSW in 2003 that I’d try his little weblog project. I’m finally following through on that.
Exporting thousands of entries isn’t fun. But luckily plenty of folks have done this before. Overall, I’m feeling spolied by the little things that have been commonplace for you folks that are smart about upgrading your blogging engine more often than I. With the Notebook sections ported over, I wanted to launch things and tweak as I have time. That said, there are still parts of the site that still need migrating help (namely, the Work section). Eventually all will be under one roof.
Along with the backend switch, I made a few minor visual tweaks to the site as well. Nothing terribly exciting. If anything, it’s a slight step backward, to the layouts of SimpleBits’ past. Like anyone who used to blog with frequency pre-2005, I’d like to post here more often — not just to fill up bits and bytes, but to write again. Remember when blogs were more casual and conversational? Before a post’s purpose was to grab search engine clicks or to promise “99 Answers to Your Problem That We’re Telling You You’re Having”. Yeah. I’d like to get back to that here.
Then again, history teaches us that it probably won’t happen. But at least now I can’t blame the software.
Oh, and there’s a new feed now (although the old feed URLs should redirect if my .htaccess is up to snuff).
Read more of this story at Slashdot.

Metal sculpture artist Gabriel Dishaw uses found objects from typewriters, adding machines, and old computers, held together with fine wire and glue, to create his awesome sculptures. He pays homage to his favorite sneakers by piecing together these replicas. Pictured above is the Junk Dunk (Left), based on the Nike Dunk Low. Here's a side view:

In previous iterations, like the first version shown below, he sacrificed a shoe from his personal collection to harvest the sole as a base to build off of.

The newest addition is the Blazer Pentium 1.0:

(Via Geekologie. Thanks Brookelynn!)
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I'm not normally a huge fan of graffiti, but I like Jesse Grave's this technique of using mud stencils to temporary graffiti. It seems like a nice, low impact alternative to making moss graffiti, plus you get to play with mud! He seems to be getting good results, however I wonder how well it holds up as it dries out. Anyone else try something like this? [via inhabitat]
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"Today's decision is an enormous victory for creators everywhere. It is our hope that ISPs will fully honor their promise to cooperate and that the French government will take the necessary measures to dedicate resources to handle the enormous task ahead."A victory for creators? Really? By kicking fans off the internet for promoting their works? Yikes. Someone's out of touch. Then we have Rick Cotton, of NBC Universal, the man who insisted that movie piracy was really harming the poor American corn farmer since people ate less popcorn with pirated movies:
"The French action recognizes that jobs and economic growth in creative industries are under assault by digital theft. We need a safe and secure Internet that enables consumers to access content easily but does not facilitate illegal file sharing that kills jobs in creative sectors."Yes, and the corn farmers, too, right? So, if it's really all about jobs, what about the people kicked offline who rely on the internet for their job? Apparently those jobs don't matter? In the meantime, it's already pretty clear from multiple studies that it's not file sharing that's "killing jobs in creative sectors" but the inability of executives like Cotton to understand basic economics and business models.
"As a consumer, I would far prefer the successive warnings that French law would now provide to the sudden financial devastation of the John-Doe lawsuit that American law would now require. I thus urge American internet-service providers and copyright owners to work together to provide American consumers with similar relief."Ah, yes, because the only options are to sue everyone or to kick people off the internet? Apparently Tom has such incredibly little faith in the innovation ability of content providers that he assumes that they cannot craft unique and innovative business models that don't involve suing everyone or kicking people off the internet. How insulting of him towards content creators. Every time Sydnor makes a statement like this and PFF promotes it, it just weakens the work that PFF does in other areas. It's tough to take an organization seriously that has someone claiming that kicking people off the internet based on accusations of private companies is "consumer relief."
One of my favorite organisms in Los Angeles is Machine Project, a kind of hacker's art gallery, or as they put it "a non-profit community space...investigating art, technology, natural history, science, music, literature, and food."
We're holding a benefit at Mister Jalopy's place, and it promises to be a wonderful event. We'd love to see you there!
Mister Jalopy writes:
On November 7th, Mister Jalopy's personal 4000 square foot studio will be host to the first Machine Project benefit.
Proceeds from this once-a-year event will enable Machine Project to continue welcoming any and all to free Machine public events in 2010. Tickets start at $75 for members, or $100 for non-members, with a Benefactor level ticket available for $250.
With over 20 participating artists, technologists and musicians, the 2009 Benefit will pack a month's worth of events into a single intimate evening. What to expect? Opportunities to steal art from a laser-protected, action movie-style set, wager on microscopic slime mold races, try your hand at gold panning to prospect for real gold nuggets, stay late to huddle around the firepit to make 'smores, partake from the amply stocked wine and beer bar, have a wood-fired pizza from an on-site brick pizza oven, enjoy music from four different acts, replace your old Getty Museum fake ID, participate in head-to-head speed soldering contests and eat noodles supplied by Kwong Dynasty Noodle Cart.


[via Dinosaurs and Robots]
More:
Laser tripwires for Machine Project art heist