A new feature of listbrowser.org.
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Once upon a time -- in what we might think of as the "Happy Days" era -- courtship was governed by a set of guardrails. Potential partners generally met within the context of larger social institutions: neighborhoods, schools, workplaces and families. There were certain accepted social scripts. The purpose of these scripts -- dating, going steady, delaying sex -- was to guide young people on the path from short-term desire to long-term commitment.I have to admit, in reading this, even as he's condemning it, it sort of feels like Brooks is... envious? Does he feel like he missed out on his opportunity to have been a young player?
Over the past few decades, these social scripts became obsolete. They didn't fit the post-feminist era. So the search was on for more enlightened courtship rules. You would expect a dynamic society to come up with appropriate scripts. But technology has made this extremely difficult. Etiquette is all about obstacles and restraint. But technology, especially cellphone and texting technology, dissolves obstacles. Suitors now contact each other in an instantaneous, frictionless sphere separated from larger social institutions and commitments.
People are thus thrown back on themselves. They are free agents in a competitive arena marked by ambiguous relationships. Social life comes to resemble economics, with people enmeshed in blizzards of supply and demand signals amidst a universe of potential partners.
The opportunity to contact many people at once seems to encourage compartmentalization, as people try to establish different kinds of romantic attachments with different people at the same time.



In July, 1969, a ham radio operator named Larry Baysinger, from Louisville, KY, used a 20-year old radio from an army tank and a homemade folded dipole antenna array to listen to the Apollo 11 astronauts on the moon. This page is an archive with the original newspaper piece, photos, PDFs of a couple of radio hobby mags and books of the time, and a sort of where are they now update. MP3 of Baysinger's recordings of the audio are also there. Fascinating stuff.
Lunar Eavesdropping in Louisville, Kentucky



BIBI is a French artist who almost entirely uses trash plastic in his art. He calls himself a "plastician." [Thanks, Karen!]
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Patrick Rosenkranz, author of a great history of underground comics called Rebel Visions: The Underground Comix Revolution, sent me this trailer for his Rand Holmes Retrospective film.
Patrick Rosenkranz, author of a great history of underground comics called Rebel Visions: The Underground Comix Revolution, sent me this trailer for his Rand Holmes Retrospective film.
The RevolveR notebook uses a design similar to a cloth Jacob's Ladder toy to create a journal with "floating" bindings, so that you can turn it inside-out.
RevolveR
(via Making Light)
The RevolveR notebook uses a design similar to a cloth Jacob's Ladder toy to create a journal with "floating" bindings, so that you can turn it inside-out.
RevolveR
(via Making Light)
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Our pals at GAMA-GO are holding their annual holiday sale in San Francisco this Saturday, Novemeber 7. It's at the Rickshaw Stop at 155 Fell Street from 12-5pm. Plenty o' bargains to be had!
Decomposed school buses resurrected for bus shelter (via Cribcandy)
Dumping auto waste or old auto parts is one of the major problems for most nations across the world. Resurrecting old school buses, sculptor and designer Christopher Fennell has devised a bus shelter that not only looks unique but also helps in reducing the huge piles of auto waste. Made of selective parts and pieces from three iconic school buses, from the years '62, '72 and '77, and old city line seats, the yellow bus shelter is a unique way to attract people toward recycling and adopting a green lifestyle. Check out the video after the jump.
Rudy Rucker sez, "'Unfurling' is a graphic novel drawn on a scroll of paper by Isabel Rucker, going on display from November 5-27, at the SOMArts gallery in San Francisco.
'Unfurling' stretches over 400 feet long, is a foot high, and is drawn in black ink pen with watery washes. The comic panels vary in length (up to ten feet long) to mirror pauses, vast scenery, or thought patterns. The seven-year project began in 2002, when Isabel decided to free herself from the size of regular pieces of paper, canvas or sketchpad.
The opening party for the 'Unfurling' show " is Thursday, November 5, 2009, 6 p.m.-11 p.m."
"Unfurling" by Isabel Rucker
(Thanks, Rudy!)
OK, my awesome meter has kind of overloaded on this one. Everett Bradford's "Prometheus Device" is a hand-mounted appliance that shoots, like, real fire. It looks, you know, dangerous, and all, but it's so cool I don't really care. And he's done a great job documenting the build, although obviously no one should attempt this who doesn't know what they're doing. Amazing work, Everett. Thanks!
Make: Halloween Contest 2009
There's still time left to enter the Make: Halloween Contest 2009! Deadline is 11:59 PM PST, November 3rd. Show us your embedded microcontroller Halloween projects and you could be chosen as a winner.
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Anne Innis Dagg's "Love of Shopping" is Not a Gene is a scathing, entertaining and extremely accessible geneticist's critique of "Darwinian Psychology" -- that is, the "science" of ascribing human behavior to genetic inevitability. Dagg, a biologist/geneticist at the University of Waterloo, identifies Darwinian Psychology as a nexus of ideological pseudoscience cooked to justify political agendas about the inevitability of social inequality, especially racial and sexual inequality.
One after another, Dagg examines the cherished shibboleths of Darwinian Psychology, examining the research offered in support of such statements as "Rape is genetic" or "Black people are genetically destined to have lower IQ scores than white people" and demolishes each statement by subjecting it to scientific rigor, including an examination of all the contradictory evidence ignored by proponents.
Dagg opens the book with what seems to be an issue of personal affront: the story that "many" animals practice infanticide as a means of eliminating the genetic competition. This claim originates in part with Craig Packer, who seemingly lost his head when Dagg dared to point out that the overall data suggested that lionesses, not lions, were apt to kill cubs, and not cubs born to other lionesses, but their own progeny, to give the remaining offspring a better chance of survival. When Packer was sent a paper to review, he sent Dagg a threatening note promising to go public with a "harsh" characterization of her as a "fringe scientist" with a "bizarre obsession." Meanwhile, Dagg's investigation of the references cited in support of infanticide among other animals, especially primates, finds them to be just as specious as the claims of infanticide among lions.
Dagg uses this incident as a springboard to consider the ideological baggage that accompanies claims from Darwinian Psychology: claims about the inevitability of war, the natural subservience of women, the ordained inferiority of visible minorities, and concludes that challenges to Darwinian Psychology are met with such virulence because DP's claims offer comforting, ethical absolution for greed and violence.
Undermining this comfort is a dangerous business.
For example, take the claims about the "natural" emergence of male-dominated hierarchies in other primates: at first, baboons were held to be the poster primates for the inevitability of bosses (especially male bosses). Chimps -- much closer to humans -- were ignored, because the research at the time suggested that chimps didn't organize in hierarchical structures. Then, as baboons were shown to have a largely matriarchal structure, they were abandoned in favor of chimps, just lately "discovered" to have a male-dominated hierarchical system. Likewise sheep -- where the intimidating ram is ignored in favor of the oldest ewe, not to mention the matriarchal lions.
Dagg moves through genetic pseudo-science for inherent "criminality" and the shameful history of this kind of "scientific policing" and then on to the claims for a "rape gene." Here is where Dagg's genetics background allows her to make mincemeat of the Darwinian Psych crowd (whose number includes few actual geneticists): in a discussion of how the mechanics of a "rape gene" would work -- that is, the mechanism by which such a gene could be passed on to sons -- Dagg shows the general nonsensical nature of this sort of claim.
Dagg also does a good job with the IQ-and-race crowd, first by demolishing their research methodologies (using non-normed IQ tests against varying populations from varying backgrounds) and then by showing that their flawed hypotheses about cranial capacity's relationship to intelligence is not borne out by evidence, as many "brilliant" men's brains have been found to be of sub-normal weight after death, and showing that environmental factors produce much wider differences in IQ than does cranial capacity. (She also describes just how bad the cranial capacity data cited in support of this hypothesis is, dating back a century to phrenologists and racist doctors, ignoring modern, comprehensive studies that show no appreciable "racial" difference in cranial capacity).
The book goes on in this vein for 200-some very entertaining pages. As a debunking of pseudo-science, this is very masterful; but it is even better as a piece of social criticism, a look at exactly why Darwinian Psychology has found such a receptive audience among ideologues, particularly from the right. Anne Dagg was my advisor during my brief tenure as a student in Waterloo's Independent Studies program, and oversaw my work on genetic algorithms. She is now my colleague (I'm a "Scholar in Virtual Residence" at IS) and I was delighted to get a signed copy of Love of Shopping from her the last time I dropped in on the department.
"Love of Shopping" is Not a Gene: Problems With Darwinian Psychology
Together, the three of them form The Secret Science Alliance, complete with an underground lair chock full of marvellous inventions, and they set out to create the most wonderful things they can imagine.
But then the sour old R&D chief from down the block begins to steal their inventions, and the three find themselves embroiled in a caper that requires all of their skills.

Funny, inspiring, and wicked-nerdy, The Secret Science Alliance and the Copycat Crook is filled with hyper-detailed drawings of secret lairs and scientific inventions, and handles the idea of multiple intelligences with a good deal of grace and compassion. The author says the book is enjoyable by kids 8 and up -- and as a 38 year old, I can affirm the "and up" part! I'm grateful to Ms Davis for sending me a review copy.
Global Voices has an interactive map showing bloggers who have been threatened, arrested, or killed for speaking out online. The United States has one — Elliot Madison was taken by the FBI for spreading word on Twitter on how to evade police arrest during the G20 protests in Pittsburgh on September 24th and released on bail shortly after. China has the most with 33 on record; Egypt is a close second with 29.
Threatened Voices via Erin Biba on Twitter
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Here's Brand New's take on our old-is-new Boing Boing logo, which I spent all of 15 minutes thinking about and drawing back in 1999.
Committed Boing Boing readers will quickly point out that the After logo is actually an old logo, and they would be right. It was designed by Boing Boing co-founder Mark Frauenfelder and was used from 1999 until 2007, when it was replaced by another pixelated wordmark designed by pixel-happy eBoy, and helped establish a look that would ooze into other Boing Boing ventures like Boing Boing Gadgets and Boing Boing Video. All of it, a kind of crude visual attitude — the pixelated equivalent of a zine no less. This past October, Boing Boing redesigned its web site, to a mixed review worth 285 comments, and brought back Mark’s old logo, which I always preferred to the eBoy one. Gone too, for now at least, is Jackhammer Jill, who had stood by the logo for a long time.Brand New is taking a poll on which version of our logo is the best. So far "Both Suck, Actually" is winning by a factor of 2-to-1. If you have a better idea for a logo, link to your design in the comments. I'm not saying we are going to change it again, but I'm curious to see what others come up with.

Linda and John Meyers built this beautiful chess set using typography, a scroll saw and boxes (in the form of a old type-holding tray). It's from Wary Meyers' Tossed & Found, their new book about re-purposing found objects. [via dudecraft]
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John Young says: Randy Schmidt and I just released our sixth Nerd Merit Badge: FULL STACK WEB DEVELOPER.This is the merit badge for folks that can turn a pile of loose electrons into a fully operating, styled website.
Just like that mythical date in the eighteenth century when there was too much scientific knowledge for one person to learn in a lifetime, we're approaching the event horizon of the full-stack web developer. But until then, this badge is for those folks that aren't scared of "sudo" AND know how to make rounded corners in CSS!
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GOOD online has beautiful photos by Mathieu Young of a Northern California pot harvest
The ongoing battle between medical marijuana advocates and law enforcement has begotten some tricky legality, which has lead to all sorts of uncertainty regarding growth and distribution, and, ultimately, prosecution (or non-prosecution) of distributors. Meanwhile, in places like Northern California’s Mendocino County, it’s currently harvest season for marijuana growers. Last year at this time, the photographer Mathieu Young ventured up north to document, with neither judgment nor agenda, a mid-fall marijuana harvest. “On the one hand it seems like an illicit activity,” says Young. “But on the other hand, you have a bunch of people who are living off the land, which is beautiful.”Picture Show: The Harvest

John Russell made this fantastic haunted house prop. In his own words:
Two aliens contained in suspended animation chambers. A central control unit monitors and sustains life support functions. The control screen is a looping flash animation. Every few minutes, a malfunction state is triggered. Sound and graphics announce the error, and a Make Controller board is used to trigger emergency flasher lights and a fog machine (simulates a cryogenic coolant leak).
The video shows the system going into its "malfunction state." Awesome work, John!
Make: Halloween Contest 2009
There's still time left to enter the Make: Halloween Contest 2009! Deadline is 11:59 PM PST, November 3rd. Show us your embedded microcontroller Halloween projects and you could be chosen as a winner.
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I pulled up my sample ballot for Minneapolis elections today, and found something absolutely fabulous. Take a look at the second-from-last candidate. Specifically, his party affiliation. God, I love this town. The ballot just gets better when you know what an Edgertonite is.
9/11 -- the sheer shock of it, the deaths, the sense of violation-still rouses incredible emotions. The seven years of international adventurism, state-sanctioned torture, domestic spying, rampant privatization, and upward redistribution of income that followed, all of it promoted by waving the bloody flag, have left us more polarized as a society than we've been since at least the 1960s.
I recently heard from Daniel Edd III, a passionate and voluble member of the 9/11 Truth Community. "How do you feel about this guy's qualifications?" he asked, posting a link to the Wikipedia entry on Steven E. Jones. "Have you ever watched the documentary 9/11: Press for Truth?" he continued.
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I do not understand how anyone could watch this documentary, argue against the victim's families, and still consider themseleves a Patriotic American Citizen. The evidence has been served up on a silver platter, and I promise you that I will see to it that the truth gets exposed.
I joined the US Army in a combat arms MOS just three months after 9/11. I believed that defending my family, friends, and fellow countrymen from those who attacked us was a cause worth dying for. My beliefs have not changed. I raised my right hand and swore to defend this country against all enemies, foreign or DOMESTIC. Now that I know beyond any doubt that Osama bin Laden and 19 cavemen did not bring down the towers, I will continue upholding my oath by pursuing the TRUE perpetrators until I take my last breath.
I'm sure I'm not the first to say this, but Yeats's words in "The Second Coming" seem strangely apt when it comes to 9/11 Truth: "The best lack all conviction, while the worst / Are full of passionate intensity." Which isn't to say that 9/11 Truthers are all "bad." Many of them -- Daniel Edd Bland III, for one -- are absolutely sincere and well-intentioned. Part of the reason I try to avoid getting into arguments with them is because I don't want to seem to be impugning their intelligence or their characters. What's "worst" in them is their critical methodology-their emotionally-colored, conspiratorial, often magically deterministic view of the world.
Consider David Ray Griffin, whose qualifications as a liberal theologian are sterling, whose political leanings are idealistic and enlightened, but whose writings about 9/11 are tendentious in the extreme.
My own mind may not be first-rate but, to paraphrase F. Scott Fitzgerald, it's able to hold two seemingly contradictory ideas at the same time. Though I am no Truther, I believe that the Bush/Cheney administration lied to us, repeatedly and brazenly. They cynically exploited the attacks to promote a war that an unholy alliance of interests -- Israel-centric neo-conservatives; profit-hungry oilmen; evangelicals looking to hasten the advent of the End times; expatriate Iraqis seeking their return to power -- were certain would be a cake walk. But I have seen no credible evidence that Bush, Cheney or anyone else in the American government planned or abetted the attacks themselves--and my mind boggles at the sheer nastiness of some of the Truther scenarios that question whether the people on the planes really died.
I was maybe a quarter of a mile away from the North Tower that morning; the jet was over mid-town when it popped into my field of view and I didn't take my eyes off it until it disappeared in the fireball. But an hour and a half later, when I was back in Brooklyn and someone told me that the tower had just collapsed (and indeed, there'd been all kinds of rumblings outside and the sky had darkened noticeably), I insisted that they were mistaken. "It couldn't have fallen," I said. "The damage was all at the top." I was practically there, but I didn't know what I was talking about. No big surprise-as any lawyer can tell you, eyewitness testimony is notoriously unreliable. The next afternoon, I met a hard-hat on the Brooklyn Bridge who'd been working on the Pile. "Was it a bomb?" I asked him. "I don't know," he answered, "But I'll tell you this: Yesterday this country was caught sitting on the crapper, with its pants around its ankles." He didn't know anything either, but it's hard to argue with what he said.
As for Steven E. Jones, yes, he is a well-regarded physicist, but he's not a structural engineer. I've read articles by structural engineers that completely demolish his claim that the buildings collapsed at "free fall acceleration." I'm not able to follow their math, but I suspect that most members of the 9/11 Truth Community aren't either. And from what I've read about the trace quantities of chemicals associated with thermites that Jones detected on debris collected from Ground Zero, they don't remotely prove the presence of incendiary bombs--they can also be found in Freon and paint and computer equipment. I could point to websites like debunking911.com or AE911Truth.INFO or 911Myths, but most true believers would simply direct me to advocacy websites of their own.
William of Occam said it best in the 14th century: Pluralitas non est ponenda sine necessitate. "Plurality should not be assumed unnecessarily." Occam's Razor, also known as the Pinciple of Parsimony, suggests that the most credible theory is almost always the most economical--the one that involves the least number of moving parts. This blog post tallies up all the people who would have had to be involved in a conspiracy in which the government deliberately blew up those buildings, manipulated fake hijackers or suicide operatives into crashing jets (or holograms of jets) into them, and corrupted thousands of scientists, law enforcement authorities, insurance inspectors, construction workers, and firefighters to rubberstamp the official story. It's much easier for me to imagine a small, well-funded group of Arabs with box cutters pulling this off (whose leaders may have hid from US bombers in caves, but who are very far from troglodytes) than half a million silent collaborators, almost none of whom have anything to gain by it-and whose number includes almost every structural engineer in the world (Richard Gage, the founder of Architects and Engineers for 9/11 Truth is NOT a structural engineer).
I didn't watch the movie but I know it was well-reviewed. I salute the Jersey Girls for their courage and assiduousness. I don't believe that all of the political or public safety issues that 9/11 raises have been remotely resolved either (consider NORAD's and the FAA's torpid response to NWA's rogue Flight 188 two weeks ago, if you think that sufficiently-committed hijackers couldn't knock down another American building). I'm completely in favor of airing everything that can be aired in the full glare of the press.
But I don't think it serves truth or justice to misuse science, to pretend that people who died didn't die, that jets didn't crash or that members of the Bush administration-which Lord knows is culpable for so many things-knowingly pulled any triggers.
"We Are Douchebags."
From Wikipedia: A reclaimed word is a word in a language that was at one time a pejorative but has been brought back into acceptable usage—usually starting within the communities that experienced oppression under that word, but often also among the general populace as well.(Via Laughing Squid)
James N. P. Miller of Cincinnati was wearing a breathalyzer costume when he was arrested from drunk driving.
Inside his car, officers allegedly found an open container of Bud Light in the center console.Man in breathalyzer costume charged with drunken drivingOfficers also found what was left of a case of Bud Light in the passenger side front seat and in the trunk.
He was arrested and transported to the police station, where he consented to take a blood-alcohol-content test. His results were a .158 percent BAC.
The Commission has projected that it could cost $350 billion to ubiquitously deploy broadband networks capable of delivering 100 Mbps, which is rapidly becoming the international standard. The Commission, however, should not ignore that illegal content accounts for a vast amount of online traffic. Thus, it could generate substantial savings in this tremendous build-out cost -- to be borne by both government and private sector investment -- by encouraging construction of networks that are designed not on the basis of accommodating capacity-hogging transmissions of unlawful content but rather with the goal of providing consumers a rich broadband experience.And, of course, it pushes for kicking file sharers off the internet (it hides this by calling it "graduated response," of course, rather than the more common term "three strikes"). The filing also goes on about how the MPAA is just so sure that ISPs can stamp out piracy, and because of that, it thinks the government should force them to get on it.
[The] Commission should pay no heed to assertions by some members of the advocacy community that the problem of content theft can be ignored because some amount of legitimate e-commerce already occurs through vendors such as iTunes.... The same holds true for the preposterous notion that the law should be ignored unless a property owner can demonstrate that a thief, in the absence of stealing, otherwise would have legitimately purchased a stolen product. A shoplifter who steals a DVD from a store in a mall is not immune from security intervention, let alone prosecution, simply because he might not have planned to buy the product that he attempted to steal.Except, of course, there's a huge difference there. If someone steals a DVD it's no longer there for someone else to buy. If someone who never would have purchased the movie views it online there's no loss. it's difficult to see how the MPAA can simply ignore this while assuming that FCC commissioners are too stupid to grasp this rather simple economic concept.
Quite clearly, it is the promise of access to the content flowing over the Internet's network architecture that motivates Americans to adopt broadband. The Internet without content would be nothing more than a collection of hardware; a series of computer links and protocols with great capacity to communicate but nothing to say. Television once was unfairly derided as little more than a toaster with pictures. In the absence of compelling content, the Internet would offer consumers even less value than that proverbial toaster. It is the content that flows over and through the Internet that makes the breakthrough technology so potentially powerful.Yes, because even though the internet existed for decades before the folks at the movie studios had even heard of it, they had nothing to say, at all, until people could start sharing the latest camcorded blockbuster. Do they really think people are this stupid? Sorry, Hollywood, but it's not "the content" that you're thinking about that makes the internet so powerful. It's the ability to communicate. Sure, the content is a nice-to-have, but the internet grew and grew because it let people talk to each other, not because it was another broadcast medium. This fantasy story by the MPAA also leaves out the fact that more content than ever before is being produced today, even as "piracy" numbers have gone up. And, oh yes, once again, the movie business is hitting record highs at the box office. Funny that the MPAA seems to spend so much time insisting that its industry is dying, while leaving out the record revenue bit. Instead, it just keeps jumping out and yelling that piracy will kill the movie business...
Throughout history, whenever transformative communications technologies have captured the imagination of consumers, compelling content has been the vehicle for forward progress.Apparently, the MPAA is unfamiliar with the telephone. Hopefully, the FCC is a bit more familiar with that particular technology.
MPAA does not want the Commission's consideration of the important overarching issue of unlawful online conduct to be derailed by backward-looking debates about the pros and cons of any given technology, particularly those that already have been surpassed by new innovations. MPAA firmly believes that future developments will yield an entirely new generation of ever-more-sophisticated online protection technologies.In other words, please ignore how badly we've screwed up in the past. Don't worry about things like rootkits and security vulnerabilities we've created. Also, ignore the fact that DRM doesn't work and only punishes our legitimate customers while driving more people to piracy. That would be a waste of time. Really.
That a tool intended to stop unlawful conduct could be put to ill use, however, is not an argument for prohibiting the use of the tool....Wait... isn't that exactly the argument that the MPAA has used for years against every new file sharing technology out there? Wasn't it the crux of the Grokster lawsuits? That because the tool could be put to ill use, it needed to be prohibited? Yet, now, suddenly it doesn't want its own technologies prohibited just because they can be put to "ill use." Double standard, much?

If you tried to go to the last Make: NYC meeting and were thwarted, like me, by the police blocking the street (for an unrelated construction problem), you'll be happy to read this announcement for the next Make: NYC meeting, featuring fewer cops!
Make:NYC Meeting 16 - Thursday November 12th, 6:30PM
We're bringing back a favorite challenge for all you makers! We're excited to see how new faces and new ideas can take this challenge to the next level
Challenge: Return of the Blimps
You've got brains, we've got blimps! Three teams will compete to make ordinary RC blimps perform extraordinarily. We'll provide the blimps, helium and some standard Make:NYC challenge materials. Arrive on time to make sure you get in on all the lighter-than-air action cause it's gonna be a blast!
Show and Tell
Meet your fellow NYC Makers and show off your creations! Bring your gadgets, gizmos, sketches, ideas, anything you'd like to put in the spotlight. We encourage NYC Makers to collaborate on and discuss DIY projects. If you're planning to bring a project, drop us a note at meetings@makenyc.org.
If you'd like to attend we have plenty of space for everyone, but please RSVP!
Make: NYC meeting 16
Thursday, November 12th, 6:30PM
Bug Labs
598 Broadway at Houston, 4th floor
New York, NY 10012
Do you have an event coming up? Check out the Maker Events Calendar and add yours!
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Fred points out this schematic for a rather interesting radiotelephone transmitter instantaneously powered by the operator's voice -
One of the neatest minimalist amateur radio transmitter circuits around - this one is voice powered - it provides DSB, (double side band)modulation and power from an ordinary 8-ohm speaker - if are in doubt that the circuit works, the maker has the contacts and the voice recordings to prove it!An explanation of how it works + schematic and audio sample can be found on the El Silbo page. Read more | Permalink | Comments | Read more articles in Electronics | Digg this!
A thirsty gentleman with a new bottle of wine, but no corkscrew, shows his friends a neat trick. (Via Cynical-C)
As we look forward to Thanksgiving (and I already am), don't be too intimidated by the Marthas of the world. This short piece in the New York Times ends with an admission by a foodie mag editor that those too-perfect-to-be-true birds are, in fact, too perfect to be true.
"I know it seems like, hey, what could be simpler than roasting a bird? But the perfect roast bird is a challenge," Ms. Cowin said. "Turkey, as a model, is very much like a fashion magazine with fashion models. There are plump turkeys, and, I'm not kidding you, there's skinny turkeys, there are chesty turkeys, breasty turkeys, there are flat-chested turkeys." With one previous year's model, "I was like, 'I just need the breast to get a little bit higher,' " she said, then paused."We have enhanced the breasts of turkeys," she admitted.
I assume this means Photoshop enhancement, but the article doesn't say. She could easily be talking about more physical alterations. Back in the late 80s and early 90s, I was a subscriber to Zillions, Consumer Reports' defunct magazine for kids, which I still mourn. (And not just nostalgically. We need more publications dedicated to introducing children to critical thinking, skepticism and the reality behind the advertainment that's targeted at them.) Zillions introduced 9-year-old me to advertising photo tricks like "ice cream" that's actually lard or vegetable shortening and fast-food hamburgers made to stand tall and proud with the help of cardboard inserts. I wish the Grey Lady had gone more into specifics like that here.
The New York Times "Coming Model of the Month: A Fuller Thanksgiving Turkey", via Barfblog.
Image courtesy Flickr user tuchodi, via CC.

James Bridle built this version of Donald Michie's Tic-Tac-Toe solving computer, MENACE (Matchbox Educable Noughts And Crosses Engine). Not what one would think of as a typical 'computer', the instruction to choose the next move is performed by the user. To do this, they select a bead at random from the matchbox that represents the current game state. The type of bead then represents the move that the computer makes.
At first, the machine has an equal chance of making each possible move, but this is corrected by adding or removing beans at the end of each round. The way this works is that if the computer won the round, an extra bean of the same type played is added to each box involved in that round, to make it more likely that the computer will choose the same path on the next game. Likewise, beans are removed from the path if the computer loses, to decrease the chance that it chooses that path next time. This way, the computer slowly 'learns' to play the game correctly, merely by counting beans.
James uses this algorithm to demonstrate the awesomeness of scale. This strategy should work for learning any game, however it quickly becomes infeasible to make a set of matchbooks large enough to represent anything but the simplest game. For instance, he estimates that a computer to play the game Go would be at least the size of the Crab Nebula!
If you are curious, there is a (Windows only) simulator of MENICE here. [via boingboing]
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Author Jasmina Tešanovi? writes this guest-essay on the work of 63-year old Serbian artist Marina Abramovic (above), the "grandmother of performance art" whose work will be honored in 2010 in a MOMA retrospective:
All her work is centered on body, her body which went through severe trials all these years: cutting, beating starving, public exposure... the dividing line between spirituality and trials is almost invisible, the path of living leads to death. An artist should be prepared to die and prepare her own funeral, that the last performance of her life.Read Jasmina's entire essay, after the jump.
I will allow myself to be emotional since Marina Abramovic, at the end of her Torino lecture about her life work, was in tears.
I believed her: every word she said, every tear she shed. Many words, not too many tears. More than believing. I identified with her, her movements, her words, her Serbian accent onto perfect English vocabulary. Her globalized discourse, her nomadism and all the people and places we had in common: imaginary and real. Even the differences brought me closer to her emotions and her work.
This 63 year old world famous artist, who will next year have a big retrospective show in MOMA, a well deserved one, is in impressive shape: physical and intellectual. I've heard so much about her, gossip and artistic reviews.
I have followed her work in all these years, from the seventies in Belgrade when Belgrade conceptual scene was hot and I lived in Rome, and then on the Italian conceptual melting pot where art ideas were happening and un-happening at the bigger speed than in real time.
But in Torino at GAM, (a renovated gallery of modern art) this graceful, sincere and emotional guru and performance bomb, was not the person I expected. She was so much more, far more alive and kicking. As if her powerful work is only a shadow of her powerful personality.
She spoke of her childhood and early days as an artist. She spoked of her 12 year old love and work with Ulay, the Dutch artist; she showed us how she went on after breaking up with him on the top of the Great Wall of China, abandoning performance art for a while. She showed us musical performances that followed after with Yugoslav songs, songs from a country that does not exist.
Finally she ended her talk with a beautiful optimistic song sung by a young girl: in a down-ridden country that is modern Serbia.
She told us she doesn't not like technology, she thinks people should use telepathy and not telephones, to sharpen the levels of transcendental conscience and spirituality. Her famous tools (among others) for art and knowledge are pain, self-inflicted hunger, thirst and exhaustion for trying the body, for reaching its limits and experiencing the transcendent. How very Balkanic global!
All her work is centered on body, her body which went through severe trials all these years: cutting, beating starving, public exposure... the dividing line between spirituality and trials is almost invisible, the path of living leads to death. An artist should be prepared to die and prepare her own funeral, that the last performance of her life.
The grandmother of performance art, as she calls herself, today is teaching everywhere and proudly: she believes in transmitting knowledge and enhancing young people to perform, to make a contact between their bodies and emotions and those of the audience. Performance needs no rehearsal like theater,as a performer, either you have it or you don't.
For that purpose Marina Abramovi? purchased a theater two hours north of Manhattan in Hudson, NY, intending to establish the nonprofit organization, Marina Abramovi? Foundation for Preservation of Performance Art. She will use the space to work, to develop ideas by including video and post-production equipment, and as a second property to house resident artists.
However her art may look or sound today in this new technological posthuman era, her brisk and bright presence, her manifesto of art in which she exhorts artists to be humble and sincere, and servants of humanity, tell us that we should count on our grandmothers: especially when they, like Marina, walk the Chinese walls, let their body be cut by the audience, and live in the desert for a year.
Some years ago, Marina Abramovic made a performance in Amsterdam where she took the place of a prostitute in the window and had the prostitute took her place in the gallery: she did it to identify with the harsh reality of that woman. For those who doubt of the meaning of her art , I suggest that they do the same. Change your place with the person you want to understand. For just one day.
[ Marina in Torino, photo by Zarko Vujovic ]
Jasmina Tešanovi? is an author, filmmaker, and wandering thinker who shares her thoughts with BoingBoing from time to time. Email: politicalidiot at yahoo dot com. Her blog is here.
Previous essays by Jasmina Tešanovi? on BoingBoing:
- The Murder of Natalya Estemirova.
- Less Than Human
- Earthquake in Italy
- 10 years after NATO bombings of Serbia
- Made in Catalunya / Lou and Laurie
- Dragan Dabic Defeats Radovan Karadzic
- Who was Dragan David Dabic?
- My neighbor Radovan Karadzic
- The Day After / Kosovo
- State of Emergency
- Kosovo
- Christmas in Serbia
- Neonazism in Serbia
- Korea - South, not North.
- "I heard they are making a movie on her life."
- Serbia and the Flames
- Return to Srebenica
- Sagmeister in Belgrade
- What About the Russians?
- Milan Martic sentenced in Hague
- Mothers of Mass Graves
- Hope for Serbia
- Stelarc in Ritopek
- Sarajevo Mon Amour
- MBOs
- Killing Journalists
- Where Did Our History Go?
- Serbia Not Guilty of Genocide
- Carnival of Ruritania
- "Good Morning, Fascist Serbia!"
- Faking Bombings
- Dispatch from Amsterdam
- Where are your Americans now?
- Anna Politkovskaya Silenced
- Slaughter in the Monastery
- Mermaid's Trail
- A Burial in Srebenica
- Report from a concert by a Serbian war criminal
- To Hague, to Hague
- Preachers and Fascists, Out of My Panties
- Floods and Bombs
- Scorpions Trial, April 13
- The Muslim Women
- Belgrade: New Normality
- Serbia: An Underworld Journey
- Scorpions Trial, Day Three: March 15, 2006
- Scorpions Trial, Day Two: March 14, 2006
- Scorpions Trial, Day One: March 13, 2006
- The Long Goodbye
- Milosevic Arrives in Belgrade
- Slobodan Milosevic Died
- Milosevic Funeral
The man widely considered to be the father of modern anthropological study has passed away at 100 years of age. NYT, Bloomberg, Wikipedia, AFP.
"Among the more striking conclusions of his work was the idea that there is no fundamental difference between the belief systems and myths of so-called 'primitive' races and those of modern western societies."
Read more of this story at Slashdot.

Designed for use with the Pocket Piano shield for Arduino, Marc Nostromo's Squealer synthesis engine-
The engine implements a small monosynth with a few waveforms, a HP/BP/LP continuous resonant filter, decay and a few little own tricks that generate a LOT of aliases, making a great dirty digital synth. Since the Pocket Piano has only 3 potentiometers available for control (the 4th one being hardwired to the volume), I use a “page” system to implement series of 3 parameters to fiddle with. To switch “page”, use the rightmost note of the A.P (NOT the one under the led, the one left to to it). To help you know which page you are at, you can use the led: it will flash a number of time equivalent to the current page you are at.The audio samples sound quite awesome! Grab the relevant Arduino code here. [via Create Digital Music] Read more | Permalink | Comments | Read more articles in Arduino | Digg this!
Here’s the parameter list:
Page 1: wave selection / octave / release Page 2: filter type (continuous lp-bp-hp) / filter cut-off / filter resonance Page 3: wave loop position / wave loop length (makes the oscillators go wako)

Instructables user msraynsford presents this detailed tutorial on how to build a prop replica of one of those District 9 guns that makes intelligent, loving, civilized creatures explode with a nauseating SPLAT. I want one!
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You kind of have to see this thing move to get the point. The brand name is RevolveR and, apart from novelty, the "floating spine" binding seems to serve no particular function. Still, it's pretty delightful, and seems to operate on the same principle as the toy commonly known as a "Jacob's Ladder" (Wikipedia). [via Boing Boing]
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Ten years ago, two of my biggest fears were: flying and public speaking. I’ve done enough of both (usually combined) over the last several years to where I’m now OK with either. At times even comfortable with it. I’ll probably always get nervous right before a talk — but the anxiety has shifted from, “crap, how am I going to get through this” to, “I want this to be good. I don’t want to let anyone down”.
With that confession out of the way, the next year is filling up with some great events, and I thought I’d list them here:
Ethan and I are also looking for other unique cities to bring the Handcrafted CSS event to. Have an idea, or know of an event that needs a full-day course that covers CSS3, fluid grids, bulletproof design and more? We’d love to hear about it.
How do you gauge the magnitude of a series of lion attacks that occurred over a century ago? In 1898, construction on the Ugandan Railroad in East Africa was halted due to deadly, nightly lion invasions that took the lives of Indian and African laborers who were working on the project. By some estimates, over 100 people had been devoured by these animals, hungry because drought and disease had reduced the number of natural prey. But researchers at UC Santa Cruz published a report this week that gave a more accurate estimate of how many humans the two male lions really ate. They did it by running chemical tests on their carcasses:
Bones and teeth store carbon and nitrogen isotopes over long periods, while the ratios in hair change more rapidly, allowing the scientists to determine the long-term diet and how it changed in the lions' last months. Humans made up at least half of the diet of one of the lions in the last months of his life, consuming at least 24 people, they concluded. The other lion had eaten 11 people, they found. In other words, even a century later, you are what you eat.Study: Man-eating lions consumed 35 people in 1898 Image via Tambako the Jaguar's Flickr
Jesse Thorn and Adam Lisagor, who are each best known for internet funnystuff, have stitched together a wonderful non-comedy web video series called Put This On.
I attended the premiere last week in Old Town Pasadena, held inside the building that houses the subject of the pilot episode (embedded above). I loved the pilot, loved the hosts, loved the bespoke retro men's denim + indigo clothing at Rising Sun Jeans. I don't want to give away the goods here, but I have a neologism for you all: denimpunk*.
Adam and Jesse are looking for funding/sponsorship, and I told 'em I thought they'd do well. This is very watchable stuff. There's even a clothing credits page for each ep! Matt Haughey and Ask Metafilter ponied up some dough to help with the pilot. I hope the guys score some dough, and make many more episodes, for two reasons:
1) I want to see more good internet video.
2) I live in Los Angeles, home of the be-flip-flopped hipster slob. I want to see more dudes dress like grownups.
* Here's why that word came to mind. The guys who run Rising Sun Jeans have this period-perfect, retro denim thing going on. They re-create early denim and indigo fashions with loving attention to accuracy and craftsmanship. They also ride very old, lovingly restored cars and motorcycles. This isn't lowrider or rockabilly or hotrod culture, it's something I hadn't seen before. Neat. You should go check out their store if you're in LA.
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As a special preview for our upcoming Alex Rider Dream Gadget Contest, we're giving away two copies of Eagle Strike by Anthony Horowitz, part of the Alex Rider series! Just leave a comment in this post and tell us why you or your kid(s) needs one of these books. That's all you need to do to enter! Please make sure you include your email address in the comment form field (it won't be published). All eligible comments will be closed by Noon PST on Sunday, November 8th. The winners will be announced next week on the site. Good luck!


On November 17th, we'll be launching the Alex Rider Dream Gadget Contest, to coincide with the release of the next chapter in Alex's adventures, Crocodile Tears . The book comes out the same day that MAKE, Volume 20 (the kid-themed issue) hits newsstands! In case you're unaware, Alex Rider is a young spy whose exploits are chronicled in a popular series of teen spy/adventure books. Alex uses all sorts of crazy high tech contraptions, made from things in his school backpack, to get out of sticky situations.
Attention all adventure-seekers, gadget lovers, and closet inventors. You are invited to join in the fun! If you were Alex Rider, what gadget would you want in the upcoming adventure Crocodile Tears? Design your Alex Rider dream gadget, inspired by an everyday object (i.e. an iPod, a toothpaste tube, a pen). The winning gadget will be built here at MAKE Labs. Send us a schematic, tell us what your gadget is made from, and how it works. Your entry can be a schematic, sketches, and/or an explanation by you. Remember that the winning gadget should be inspired by an everyday object that one could realistically build (as much as we wish we could create a pair of scissors that fly us to the moon)!
For the next two weeks, we'll be offering excerpts from the Alex Rider books, highlighting the fantastic, clever (and entirely fictional) gadgets used by Alex. Up this week is the Cannondale Bike Smokescreen Bike Pump from Eagle Strike.
Cannondale Bad Boy Bike Smokescreen bike pump:This is activated by the blue button. The pump included with the modified Bad Boy does not, in fact, work as a pump; the flat-free tires should mean that punctures and deflation are never a problem. Instead it contains a miniature smoke machine designed to facilitate evasion of pursuers.
The smoke machine heats a mixture of distilled water and propylene glycol and forces it into the air under pressure. The smoke is dense and nontoxic. Because it is heated, it tends to rise slowly; this means that the screen should work to mask the bike rider for thirty seconds before the fluid reservoir runs out, and for a further ten seconds until it disperses. Times may differ in windy conditions.
The heating coil wrapped around the fluid tank will heat the contents to the correct temperature in under one second. The batteries powering it contain enough charge for one use and, like the fluid, must be replaced afterward.
You can download the high-res schematic for the bike pump and download a sample chapter from Eagle Strike to see how Alex uses it to get out of trouble.
Disclaimer: Excerpts from Alex Rider: The Gadgets by Anthony Horowitz are fictional and for inspiration only. Readers should not attempt to recreate these gadgets.
More:
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Dpreview.com is recruiting again. We've got grand ideas and grander ambitions but achieving them will really require another web development engineer. This is an opportunity to join our growing web development team as they painstakingly rework and enhance the web's foremost camera resource. Comments Off [link]
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There are lots of custom knife-makers out there, and plenty that specialize in exotic or fantasy knives, but there is only one I know of who has gone so far as to invent a fictional world, complete with geography, mythology, and history, as a context for his work.
Virgil England installed and photographed this life-size dragon skeleton in Chugach National Forest in Alaska in 1990. In his own words:
The part of the Dragon that is exposed is about 18 feet long. The wing is 15 feet high. The skeleton is carved whale bone and forged mild steel with reindeer rawhide stretched and stitched over the bones. I did it to display a 59 1/2 inch two handed sword called "The Veil of Tears". After the ten hour photo session It went to a three day showing in San Francisco then to the buyers.
Virgil's handmade knives are highly sought after among collectors, and you can view more of his edged work at his personal website. The photos of his "Chugach Draegon" that appear with this post are being published online here for the first time. Click on each to see it at full resolution. [Thanks, Virgil!]
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I've written before here about the impact that Sue Townsend's comic Adrian Mole novels have had on my life since I was a young teenager, so it'll come as no surprise to learn that I was completely delighted by the latest volume, Adrian Mole: the Prostrate Years, which is sweeter, darker, more sentimental and more grim than the earlier installments.
For the uninitiated, the Adrian Mole books chronicle the life of a young man born near Leicester, whose dysfunctional family, intellectual impulses, gormless bumbling and terrible poetry make for a meaty, multi-volume series that serves as a wicked history of Britain and the world since the 1980s.
In the latest volume, Adrian is nearly 40, and is increasingly estranged from his (latest) wife, the mysterious and sexy Daisy, who seduced Adrian in Weapons of Mass Destruction. Their five year old is a High-School Musical-crazed monster, their finances are in tatters, and they're living with Adrian's elderly parents in their converted pigsty. Adrian's mother is writing a fictionalized agony memoir called A Girl Called Shit, and the lovely bookstore Adrian works at is going bust. And there's something wrong with Adrian's prostate, a problem compounded by all the friends and acquaintances who insist on calling it a "prostrate."
And yet, there's plenty that's sweet here. Adrian is figuring out fatherhood. His childhood flame, Pandora Braithwaite (now an MP) is back in his life. His half-brother Brett is back, his career as a hedge-fund manager in ruins. His son, Glenn, on deployment in Afghanistan, is shaping up to be a critically minded sharp young man. And Bernard, the alcoholic librophile who's helping out at the store, turns out to have quite a good approach to life that Adrian stands to learn much from.
Reading these books every year or two is a magic experience. Townsend recounts and recasts recent history in a way that makes you realize just how funny and tragic it all is. Townsend's vision has recently failed her, but she continues to write these books at an amazing clip. It's a real inspiration, as well as superb entertainment.
Adrian Mole: the Prostrate Years
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Kodak has introduced the Pic Flick print and share application for Apple's iPhone and iPod Touch. Currently available only in the US, the free app allows users to wirelessly print images from their iPhone and iPod Touch on Kodak's recently released Wi-Fi-enabled ESP 5250 All-in-One printer or upload them on the Easyshare W820 and W1020 wireless digital frames. Comments Off [link]
Master iPhone unlocker George Hotz aka GeoHot has done it again. Apparently the current iPhone 3G/3GS baseband has been successfully cracked and new unlock code titled blacksn0w will soon become available through the blackr1n jailbreak. [via iPhoneSchool]
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Pool, the Australian public broadcaster's Creative Commons repository, has spawned a video cut together from Aussies' shots of the epic Brisbane Zombie Walk.
Video: Outbreak: Brisbane Zombie Walk 2009 (Thanks, Gary!)
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Your Honor, the CD is in my laptop. If they want to watch it, I don't have any problem with the CD they can't obviously watch anything without the CD. My concern if I take it out, shut down the computer I am not here there is no one to gather it back up. So I would suggest we leave it here in the event they want to look at it they come back and look at it.Why couldn't they take the CD out and put it into another laptop?

Here is an interesting LED binary clock by instructables user ElevenOf9. I really like the single sided PCB, and the way the LEDs are arranged. It just looks cool!
This is the second revision of my PIC based LED binary clock. The original version was the first PIC project I attempted, it used a PIC16F84A to do both the timekeeping and control the display matrix, unfortunately it didn't keep good enough time and gained about a minute every week.
In the Maker Shed:
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In the Maker Shed: DIY Design Electronics Kit
I've just gotten as far as the woman from the Australian film industry explaining that even though sales of DVD and box-office tickets are up, copyright infringement is still a deadly threat to the movie industry, demanding that the Internet be totally remade to prevent it, just in case. Nice stuff.
Adrianne Pecotic: The fact that there is a level of illegitimate consumption of film and television is something that detracts from the revenue that could go back into the industry and could go back into supporting local video stores, local cinemas and online distribution. Theft is not justified because someone is being successful, and that's a really important point in this debate.Internet piracyOscar McLaren: But it does seem strange that I mean, we're told in quite apocalyptic terms often that the video industry and the film industry is really starting to hurt. I don't imagine many people would actually be aware that the revenues are in fact going up quite steadily and have been for the past decade or so.
Adrianne Pecotic: I think the important thing about the losses that are being suffered by the film industry through piracy, is that individual investors in individual films rely on that investment in that particular film, for that film maker, or that investor as their entire revenue. If you're looking at the analysis across the board of the whole industry and whether it is going up or whether more people are consuming films or less people are consuming films, you're not asking the question of whether a particular film has had the opportunity to recoup its proper revenue.
Oscar McLaren: For the record, box office sales were also at all-time high levels last year, reaching nearly $1-billion.
(Thanks, Oscar!)
A young Iraqi woman died tonight in Arizona because her father believed she had become too Westernized. Noor Faleh Almaleki, the 20-year old pictured here, moved to the Phoenix area in the mid-90s with her family.
Her father, Faleh Hassan Almaleki, feared that her American upbringing had led her to abandon traditional Iraqi values. He opposed the way she dressed and the way she resisted his rules. So on October 20th, he ran over her and another woman, Amal Khalaf, in his Jeep Grand Cherokee as they walked across a parking lot. Khalaf — who is the daughter's roommate and the mother of her boyfriend — survived, but the daughter died tonight in the hospital. Her father is in police custody now after a failed attempt to escape to the UK via Mexico.
Iraqi woman, 20, dies; police in Arizona say father ran over her
I'd like to propose a new, optional HTML tag:Why do we have an IMG element? (via Waxy)IMG
Required argument is SRC="url".
This names a bitmap or pixmap file for the browser to attempt to pull over the network and interpret as an image, to be embedded in the text at the point of the tag's occurrence.
In this brief true-life comedy short film, a gentleman who is careless with his forklift in a warehouse full of cases of glass bottles (vodka?) manages to bring the whole lot crashing to the ground with much hilarity!
Fork Lift Accident Brings Down The Warehouse Video
(Thanks, Fipi Lele!)
According to this line of thinking, if everyone were forced to use Microsoft Word for document interchange, then that would provide interoperability. Except that it wouldn't, because interoperability implies at least two *different* things are are operating together: self-interoperability is trivial. Version 2's "homogeneity" is better described as a monopoly and a monoculture - and the last two decades have taught just how dangerous those are.EU Wants to Re-define "Closed" as "Nearly Open" (via /.)It's not hard to see why some companies might prefer the wording of Version 2. Version 1 specifically says: "The intellectual property - i.e. patents possibly present - of (parts of) the standard is made irrevocably available on a royalty-free basis." This would allow alternative implementations from the free software community, which is unable to pay royalties. The current wording, which allows patented, proprietary solutions as part of the "open continuum" would mean that free software could not compete. How convenient.
You see, it's one thing for Republicans to give speeches on the floor of the House saying that Democrats want to murder the elderly or that they plan to create sex clinics and force teenage girls to have abortions. That is simply folksy language these people use to communicate with their people. When Newt Gingrich blamed Susan Smith's murdering of her own children on liberalism, Lady Frothenberg understood that it was harmless hyperbole. When Rush Limbaugh, Sean Hannity, Glenn Beck and the rest of the conservative movement leadership say daily that Barack Obama is a black racist who hates America, it's simply their way, and we all understand that it is just entertainment for the masses who require this type of crude stimulation.Lady Frothenberg Laces Up Her Corset (via Making Light)But when one calls a former Enron lobbyist a K-Street whore on an obscure radio show, one has simply gone too far, sirrah, and it will not be tolerated.
There will be a town hall meeting this evening led by Pastor Dick Cheney to discuss the possibility of witches in the village and what types of enhanced interrogation might be used to determine the breadth of the infiltration. Our deep sense of decency, morality and civility demand it. And thank you once again, Lady Frothenberg, for bringing this egregious breach of proper behavior to our attention.
Whatever the rest of you do, don't encourage this miscreant Alan Grayson to do more of this boorish behavior by donating money at his crude web site: Congressmanwithguts.com. If you do, I certainly hope you don't plan on being invited into the any of the finer homes and establishments in the Village because you just aren't welcome there!
A mystified NBC President Of Research called the situation "completely counterintuitive." But the reason behind the revenue isn't counterintuitive at all -- it's obvious: When consumers are granted the ability to watch television whenever and however they want, they watch more TV -- not less. That's a simple result which could only be "counterintuitive" to an industry that all too frequently treats its own best customers like criminals.DVR is TV's New BFF (Thanks, Tim!)It's a cycle that by now has become sadly familiar: When the industry meets a new technology, it panics and fights it tooth-and-nail. Eventually, the industry loses this fight, often squashing innovation or arbitrarily singling out a few citizens for punishment along the way. Finally, the same technology ends up benefiting the same short-sighted industry -- but rather than learn their lesson, the same corporations are usually busy repeating the same cycle all over again with something else. It happened with the VCR, the audio cassette, and even the turntable.
Halloween 2009: Making Mario (Thanks, Jim!)
Recycled Bowling Lane Furniture is Right up Our Alley (Thanks, Ape Lad!)
An abandoned bowling alley finds a second life in this beautiful series of furniture by LA-based designer/woodworker William Stranger. Crafted from reclaimed strips of wood salvaged from a local defunct Tava Lanes Bowling alley, the collection springs to life in a variety of forms including a series of wall hangings and a low coffee table.


Head (Flickr)
(Thanks, Eric!)
I wonder if newspaper strategists grasp that they get a lot of work on the cheap in exchange for the reach they provide to their writers, and that intentionally limiting that reach will raise their costs. I also wonder at newspaper strategists who, having decided that they can't monetize fame, have opted to monetize obscurity instead, seemingly in the belief that this will somehow be easier.
That did not sit well with Mr. Friedman, a freelancer who wrote Gray Matters, a weekly column on aging. He explained his departure in a note to Jim Romenesko's media blog. In an interview, Mr. Friedman said, "My column has been popular around the country, but now it was really going to be impossible for people outside Long Island to read it." That includes him; living outside Washington, he is not a subscriber to Newsday or Cablevision.Columnist Quits After Newsday Starts Charging for Its Web Site (via /.)Mr. Friedman, who is 80, said he would continue to write about older people for the site timegoesby.net, but he called his decision an end to more than 50 years in newspapers. He wrote for Newsday for more than 20 years, including several years as a staff writer in its Washington bureau.


Eric Testroete, a 3D character artist from Vancouver, sent us this awesome self-portrait costume, an homage to Big Head Mode in videogames.
Papercraft Self Portrait - 2009
Eric's Flickr set
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Halloween may have come and gone, but there's still 24 hours to get your entries in to our <a href="Make: Halloween Contest 2009! We want to see your embedded microcontroller Halloween projects! All you have to do is fill out the form.
Make: Halloween Contest 2009
There's still time left to enter the Make: Halloween Contest 2009! Deadline is 11:59 PM PST, November 3rd. Show us your embedded microcontroller Halloween projects and you could be chosen as a winner.
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Hey, remember when Radiohead released a bunch of 3D data for their music video "House of cards"? Now someone has used that data to print a 3D model of Thom Yorke's head.
Boing Boing guestblogger Connie Choe is a health and culture writer by day and a professional kimchimonger by night.
I will be adding "Guest blogged for Boing Boing" to my personal list of Scary and Surprising Things Accomplished in the New Millennium, right under "Gave birth to daughter sans epidural after 46-hour labor" and "Attended county fair." It has indeed been terrifying to produce content for such smart, sassy readers (Yeah, I called you sassy. What of it?). But aside from the whole terrifying aspect, it's been heaps of fun writing here (and reading all your comments), and I'm grateful to have had the chance to contribute to a blog that I love so dearly.
Bugs & Fishes,
Connie
High Glitz: The Extravagant World of Child Pageants (Amazon, thanks Bob Pescovitz!)"High Glitz" is a subgenre of child beauty pageants characterized by couture "glitz" costumes and a broad array of cosmetic preparations including, among other tricks of the trade: glamour makeup, elaborate hairstyles, and "flippers" (false front teeth veneers). Anderson's stunning visuals are complimented by a "High Glitz Style Guide," defining and providing examples of the following categories: Beauty/ Formal Wear, Western Wear, Sportswear, and Swimwear, with a special section on hairstyles such as the "Barbie" and the "Up-do."
Each year as many as 100,000 children under the age of 12 participate in U.S. child beauty pageants, and it has recently become a billion-dollar industry. Parents invest thousands of dollars on costumes and private coaches to give their children a competitive edge. Countless hours are spent by professional hair and makeup artists on each child in preparation for the competition. The girls are spray-tanned, made-up, and groomed to a glossy perfection. Anderson captures the results of this time-consuming transformation process in exquisite detail.
Our friends at Good have a post up with striking images by photographer Mathieu Young. These photos were shot during harvest time (last year) in California's Mendocino County region, where an awful lot of marijuana is grown.
"On the one hand it seems like an illicit activity," Young told Good. "But on the other hand, you have a bunch of people who are living off the land, which is beautiful."
Picture Show: The Harvest [GOOD]
Full gallery here, in larger rez: The Harvest [ mathieuyoung.com ]
"Hossein confirmed the recent Human Rights Activists in Iran reports that claim he had been forced to do squats in cold showers and has been beaten repeatedly," reports Cyrus.
His family doesn't know when they'll see him next, and does not know all of the details of his detainment.
Hossein Derakhshan's brother, Hamed, speaks out [ cyrusfarivar.com ]