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An important factor that the researchers took note of was the participants' handedness. Prior research has suggested that people who have one hand that is particularly dominant, so-called "strong-handers", have less cross-talk between their brain hemispheres compared with people who are more ambidextrous or "mixed handed"..."Performing horizontal eye movement exercises can boost your creativity"The key finding is that on their second creativity attempt, strong-handers who'd performed the horizontal eye movements subsequently showed a significant improvement in their creativity, in terms of being more original (i.e. suggesting ideas not proposed by others) and coming up with more categories of use...
The researchers also showed that, for strong-handers, the beneficial effects of the eye movement exercise lasted nine minutes for originality, but just three to six minutes in terms of coming up with more categories of use.

Early Tools
(via Make)

Here's a linear optical encoder made from printer parts, a PIC 18F4520 MCU, and an L298 motor controller:
The goal of this tutorial is to create a way to know where the 'stage' is, accurate to about 1/4'' using optical encoding. The stage is controlled via a 12v motor so we will use an L298 motor controller for controlling the motor via a 18F4520 PIC.
The PIC will use hardware PWM generators to output the correct frequency & duty cycle. The PIC will also take the analog input from the IR detector diode to keep track of how far the stage has moved via an internal analog to digital converter (ADC).
More:
How To: DIY quadrature encoder
HOW TO - Make an Optical Encoder
From GOOD: "The remarkable similarity between the arcs of U.S. oil production and songs in Rolling Stone's "500 Greatest Songs of All Time" by year is staggering." (Graph created by Overthinkingit.com)
A reader writes, "The Catena wall clock harkens back to traditional mechanical clocks. Copper digits mounted onto a bicycle chain place emphasis on the cyclical nature of time. This clock is a striking clock, literally and figuratively."
Well, not literally. But figuratively. And man, was this thing ever designed to fire up the desiderata center of my brain.

Hugh from EFF sez, "A photo of what it looks like when the gov't says 'uncle': EFF lawyers with a mountain of telecom immunity docs."
nate&marcia (Thanks, Hugh!)
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To commemorate Veterans Day, Mental Floss collected videos of very happy dogs greeting returning soldiers.

Spotted in the online portfolio of design firm Martus & Silvio, of Grand Rapids. It's a sculpture, technically, entitled "Early Tools," but I'd have a hard time not using it at least once, Office Space style, on something that really made me angry. [via Dude Craft]
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Two-dimensional imaging technologies have been used in medicine for a long time, said (BodyViz co-founder) Eliot Winer, an Iowa State associate professor of mechanical engineering and an associate director of Iowa State’s Virtual Reality Applications Center. But those flat images aren’t easily read and understood by anybody but specialists."Iowa State engineers develop 3-D software to give doctors, students a view inside the body"“If I’m a surgeon or an oncologist or a primary care physician, I deal with patients in 3-D,” Winer said.
(The creators) like to quote a doctor who told a reporter that when preparing for complex procedures, “2-D is guessing and 3-D is knowing.”
Guantanamo-based McDonald's seeks applicants (Thanks, Joe!)
"The action was a brilliant piece of political theater, but it had a serious purpose: calling attention to the Chamber's political activities," said EFF Senior Staff Attorney Corynne McSherry. "This is core political speech, protected by the First Amendment. We're very pleased that Davis Wright Tremaine -- with its long, successful history of protecting free speech rights of Americans -- has joined us in helping these activists battle a transparent attempt at censorship."EFF to Represent Yes Men in Court Battle Over Chamber of Commerce Action (Thanks, Rebecca!)"U.S. courts have recognized that political parody lies at the heart of the First Amendment," said Davis Wright Tremaine LLP partner Bruce Johnson. "Even if the party parodied refuses to giggle--or even panics and sues--free speech will ultimately triumph. We look forward to a prompt dismissal of this case and a reaffirmation of the rights of all Americans to poke fun at the pompous and powerful."
The Chamber has pulled out all the stops in its effort to silence the activists. First, it sent an improper copyright takedown notice to the Yes Men's upstream provider, demanding that a parody website posted in support of the action be removed immediately and resulting in the temporary shutdown of not only the spoof site but hundreds of other sites hosted by May First/People Link. Next, the Chamber filed suit against the activists in federal court, claiming among other things the activism infringed their trademarks.
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No, not really. But when I was a freshman in college in 1975, the Poli Sci 101 course that I took was Straussian and neo-conservative to its core. Kenyon College's political science department was (and still is--or at least it was three years ago, as this story in the far right wing journal Human Events confirms) an "oasis" of Straussian and conservative theory. The first text we read, as I recall, was Socrates "Apology." Most of us assumed that Socrates' persecutors were the bad guys, that freedom of thought was strictly good and the suppression of free speech categorically bad. But using Socrates' own mode of questioning, our teachers challenged our blandly liberal presuppositions. Precisely what's good about Democracy? Why shouldn't the state protect itself? Are we sure we understand what the Founders of our own country really meant when they wrote about "life, liberty, and the pursuit of happiness?"
Writing in David Horowitz's rightwing Front Page magazine in 2002, Robert Locke explains:
The key Straussian concept is the Straussian text, which is a piece of philosophical writing that is deliberately written so that the average reader will understand it as saying one ("exoteric") thing but the special few for whom it is intended will grasp its real ("esoteric") meaning. The reason for this is that philosophy is dangerous. Philosophy calls into question the conventional morality upon which civil order in society depends; it also reveals ugly truths that weaken men's attachment to their societies....Strauss shockingly admits, contrary to generations of liberal professors who have taught him as a martyr to the First Amendment, that the prosecution of Socrates was not entirely without point. This honesty about the dangers of philosophy gives Straussian thought a seriousness lacking in much contemporary philosophy; it is also a sign of the conviction that philosophy, contrary to the mythology of our "practical" (though sodden with ideology and quick to take offense at ideas) age, matters.
Though Strauss was an atheist, he was culturally Jewish to the core. And hermeneutics is a prototypically Jewish practice. Kabbalists acknowledge that every Biblical text has four distinct levels of meaning:
Remez (hints), suggestions (mostly through paradoxes and double-meanings) that something lies deeper
Drash (search), allegorical, symbolic, or analogic interpretations
Sod (hidden), its deepest, most mystical level of meaning
A number of leading conservatives in Washington turn out to be Straussians--Locke's piece identifies some of the most prominent circa 2002: "Justice Clarence Thomas; Supreme Court nominee Robert Bork; Deputy Defense Secretary Paul Wolfowitz; former Assistant Secretary of State Alan Keyes; former Secretary of Education William Bennett; Weekly Standard editor and former Quayle Chief of Staff William Kristol; Allan Bloom, author of THE CLOSING OF THE AMERICAN MIND; former New York Post editorials editor John Podhoretz; former National Endowment for the Humanities Deputy Chairman John T. Agresto; and, not meaning to class myself with this august company but in the interests of full disclosure, myself."
Some of the architects and most strident apologists of the Iraq war turned out to be students (or students of students, or protégés of students) of Leo Strauss, among them Wolfowitz, Abram Shulsky, Richard Perle, Elliott Abrams, Lewis "Scooter" Libby, Douglas Feith, and Robert Kagan. Some of them (not all of them, but enough that it was noticeable) were Jewish. Leftists rightfully attacked these neo-conservatives for the disastrous consequences of their militarism, but at times there was an unsettling undertone to their rhetoric. "The anti-Semitism behind the current wave of Strauss hatred, like the anti-Semitism that drives so much talk about the neoconservative "cabal" in Washington, is barely even veiled," Adam Kirsch complained in the New York Sun. "Tim Robbins, in his recent play "Embedded," portrays characters based on Messrs. Wolfowitz and Perle shouting "Hail Leo Strauss," in an echo of the Nazi salute." Extreme rightists were even less circumspect. But how could they not be? I mean, the whole phenomenon was an antisemite's dream. Here was a real-life, flesh-and-blood cabal of influential Jews, academically trained in the art of dissimulation and coded discourse, enacting what seemed to be a well-thought-out, long-held plan to hijack American foreign policy. It could have been ripped right out of the pages of The Protocols of the Elders of Zion:
The art of directing masses and individuals by means of cleverly manipulated theory and verbiage, by regulations of life in common and all sorts of other quirks, in all which the GOYIM understand nothing, belongs likewise to the specialists of our administrative brain. Reared on analysis, observation, on delicacies of fine calculation, in this species of skill we have no rivals, any more than we have either in the drawing up of plans of political actions and solidarity. In this respect the Jesuits alone might have compared with us, but we have contrived to discredit them in the eyes of the unthinking mob as an overt organization, while we ourselves all the while have kept our secret organization in the shade.I never drank the Straussian Kool Aid, but it was offered to me, and by teachers that I respected. Maybe that's why I'm troubled by some of the kneejerk denunciations of Strauss. Writing in Free Inquiry, Shadia Drury declared that,
Strauss thought that the best way for ordinary human beings to raise themselves above the beasts is to be utterly devoted to their nation and willing to sacrifice their lives for it. He recommended a rabid nationalism and a militant society modelled on Sparta. He thought that this was the best hope for a nation to be secure against her external enemies as well as the internal threat of decadence, sloth, and pleasure. A policy of perpetual war against a threatening enemy is the best way to ward off political decay. And if the enemy cannot be found, then it must be invented.
Anything that provides fodder to anti-Semites is unfortunate, but it's hardly surprising that the most politically ambitious exponents of Straussianism would have found each other in Washington and formed a clique-College Republicans, Dartmouth Review editors, born again Christians and students of Robert Bork do the same thing. There's a creepily culty quality to the ism that his name is attached to today, which never quite made it into the mainstream of American academia, suffered a major backlash in the '60s and '70s, and is experiencing another today, during the reaction against George W. Bush. Most of those guys are bad actors and some of them must have real chips on their shoulders. But do they rise to the level of a cult or a conspiracy or a secret society? I suspect not.
Musicians deserve more money than they get. Most train harder and for longer than brain surgeons in order to do what they do, and then they earn less than checkout operators for what they do. I strongly believe that more money should go to more musicians more often than it does....Bingo. That's the point I've been trying to make for years on this, but said much better than I could express it. He then goes on to make another point I've tried to make in the past, which is that if you compare the situation today to what it was in the past, there are so many more opportunities to make money. In the past, it was nearly impossible to make money on music because there were so many gatekeepers.
Making music is not (usually) a job of work. It is a creative act. You don't have the RIGHT to make money from your music. You only have the opportunity.
If you make music speculatively - that is, you create it in the hopes of making money from it, then you are a music entrepreneur. As such, entrepreneurship rules apply.
You may invest a good deal of energy, effort and expense in your creative ideas. You may make a lot of money. You will probably make none. But nobody OWES you money just because you put the work in.
If your business model is to grow and sell oranges, then it's no good picking the oranges, then leaving them on the footpath outside your house with a price tag on each one. It doesn't matter how great your oranges are, or how hard you've toiled in your garden. Someone WILL take your oranges. Some will get kicked to the side of the road. Some will get stepped on. But it's not because people are immoral and don't understand or appreciate fruit properly.
If you wish to be reliably rewarded for your music, then get employed to make music as your job.
The odds are stacked against you. History is littered with musicians who are disillusioned, embittered and broke. This was true before the internet just as it's true now. The internet is neither your saviour, nor your enemy.And he concludes by pointing out (as we have in the past as well) where the real "sense of entitlement" comes from:
Let me make that bit clear: prior to the internet, most people spent NO money on music. If they bought a record in a year, it was a gift for a nephew (and it was usually rubbish). Some people spent a lot of money on music, because it was tied up with cultural things like identity that they were really invested in.
Back when you needed a record label to just be heard, it was a lottery. The odds were bad, the lottery tickets were expensive, and most of the prizes - if you did happen to win - were just awful. Now you don't need to play that game - but you need to be smart and you need to understand what the rules of the new game are.
You CAN, of course, get signed to a record label (and that lottery is still in play) but you can also be an entrepreneur. I recommend the latter - but not because it guarantees you money.
But the simple fact is that you don't become a successful entrepreneur by making things that people will not pay for, insisting that they should, and then complaining that their morals are to blame. They may not share your morals, but that's not even the point.
It's not their job to understand your needs. It's your job to understand theirs.
You become a successful entrepreneur by meeting people's needs and wants, solving a problem for them and doing it in a way that allows you to make money.
I've said it before and I'll say it again. Even if it was true that all the people you wish to target with your art are immoral thieves who you would never invite into your home - why would you insist on trying to change their behaviour as part of your business strategy?
You may make great and interesting music, and put on an amazing show with amazing costumes.... But decrying a sense of entitlement among those who won't pay you for what you insist on doing is back to front.
The people with the weird sense of entitlement are the ones who stamp their feet and say 'look at all this hard work I put in - where's my money?'
The Gigantic Robot is a 32-page board book written and illustrated by Tom Gauld, and published by Buenaventura Press. Each two-page spread has a single sentence on the left, and a hauntingly stark drawing on the right.
Gauld describes the book as a "wry fable concerning the production of an impressive secret weapon whose promise goes unfulfilled." I don't want to give away any more so I'll leave it at that.
The extremely short story takes place over an extremely long time period, and even though it took 60 seconds for me to read it, I went back and studied the powerful illustrations for a long time.

This giant Mona Lisa sculpture is made of motherboards. Reportedly conceived of and built by Asus engineers, it is on display at their headquarters in Taiwan. [via technabob]
Photo above by Flickr user johnkoetsier
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Here are the first three:
In short, she's a fan of getting rid of stuff. Me, too!1. "I need to get organized." No! Don't get organized is your first step.
2. "I need to be hyper-organized." I fully appreciate the pleasure of having a place for everything, and perhaps counter-intuitively, I believe it’s easier to put things away in an exact place, rather than a general place (“the third shelf of the coat closet,” not “a closet.”) However, this impulse can become destructive: if you’re spending a lot of time alphabetizing your spices, organizing your shoes according to heel height, creating eighty categories for your home files, etc., consider whether you need to be quite so precisely organized. I find this particularly true with toys – I’ve spent hours sorting pretend food, Polly Pockets pieces, and tea sets, only to find everything a jumble the next day.
3. "I need some more inventive storage containers." See #1. If you get rid of everything you don’t need, you may not need any fancy containers.
I always celebrate when a new Terry Pratchett novel hits the stands -- doubly so now that health problems are slowing him down from his normal superhuman output to a merely impressive one. But I confess I was a little less excited to learn that the newest Pratchett Discworld book, Unseen Academicals, was about football (AKA soccer). I'm not a sports fan. I wasn't a hockey fan when I lived in Canada. I wasn't a baseball fan when I lived in the US. I'm not a footie fan now that I live in the UK. But I gave it a whirl: this is Terry Pratchett, after all. I'd read his grocery lists.
A word about Pratchett for the uninitiated. Terry Pratchett is an incredibly funny, warmly human British fantasy (mostly) novelist. He writes at an impossible rate. Most of his books are part of a sprawling, infinitely varied fantasy series called Discworld, about a flat, disc-shaped planet that is carried on the backs of four gigantic elephants who tramp in slow circles around the back of a vast, interstellar turtle called A'Tuin. On Discworld, everything happens. There are imperial battles and barbarians; witches and trolls and dwarves in the hills; animist spirits on lost continents; and there is a vast and wonderful and terrible city called Ankh-Morpork. Ankh-Morpork is presided over by a tyrant called Lord Vetinari, who is quite progressive as tyrants go. For one thing, he's let the trolls, vampires, medusae, dwarves, werewolves, zombies, and assorted other nonhumans into the city. For another, he's organized the thieves into a guild to whom one can pay an annual license and be guaranteed a life free from official thieving (freelance thieves are dealt with most firmly by the guild).
You can read the Discworld books in almost any order. Some of them run in little trilogies that follow the same characters, but even if you picked up the second or third volume of these, you'd probably get along OK -- Pratchett is quite good at getting newcomers to Discworld up to speed on its basics.
Back to Unseen Academicals. Here's the setup: the wizards of Unseen University have discovered that a key grant from a former Archchancellor requires them to keep a football team that plays regular matches. It's been decades since the last UU team was fielded, and they're in imminent danger of losing a substantial source of funding. Meanwhile, football itself -- as played on the streets of Ankh-Morpork -- is a vicious game that is more riot than sport, and the wizards of UU have no intention of getting involved in that mess.
So they cook up a plan to reform football -- and to field a team of their own, coached by Nutt, a mysterious (and erudite) goblin who has been heretofore employed as a candle-dribbler (no self-respecting wizard wants to do magic by the light of a pristine, unmarked candle) in the cellars of UU.
That's the setup. Here's the payoff: it's brilliant. The novelist's best trick is to make you care about stuff you don't care about. It's what Fever Pitch does. And it's what Unseen Academicals does, too. Pratchett shows us how sport is part of the emotional life of a city, and how its significance resonates across generations, across regional parochialism, across social strata, uniting us behind something that transcends the mere game.
What's more, Pratchett shows us how fragile a thing this is, how vulnerable it is to greed and thuggishness and venality, and how those who defend the game do so for the best reasons imaginable. As Pratchett says, "The thing about football is, it's not about football."
I wouldn't call this the best Discworld novel ever (I think my vote for that honor would go to Monstrous Regiment, which, incidentally, can be read without having read any of the other Pratchett novels). But it's in the top five.
A word of warning: it's also one of the most inside-baseball (you should forgive the expression) of the Discworld books, requiring a fair bit of familiarity with the previous books in the series to be fully appreciated. It's a real gift from Pratchett to his fans, in other words, and I, for one, am grateful for it.
Unseen Academicals (Amazon US)
Unseen Academicals (Amazon UK)
MAKE, Volume 20 is out (and will be on newsstands and in bookstores next week) and it's one of my favorite issues. The special theme of this issue is kid-friendly projects.
Our projects editor, Paul Spinrad, sat down with Adam Savage to talk about his childhood as a maker. Adam is on our cover, which was illustrated by our pal Ape Lad (aka Adam Koford). Here's an excerpt:
Paul: I think of enthusiasm as the opposite of coolness, and adolescence is a turning point for this. Children are all enthusiastic, they're into what they're into, and it's great and they love it. But then something happens, and suddenly some of the kids start looking down on that enthusiasm and seeing it as immature or dorky. So they invent coolness as an alternative. I always gravitated away from that because I was interested in too many things. Adam: Yes, and enthusiasm also makes you vulnerable. When you like something, someone can take it away from you. I once gave a sculpture to some friends as a wedding present, and they turned it down. That was really upsetting to me. And that vulnerability itself is also embarrassing. The two emotions are deeply linked, which is why people try not to cry in public.

One of my favorite articles in the issue is "Productive Plastic Playthings," written by toy design Bob Knetzger. He takes a look at 1960s "maker" toys like the Vac-U-Form, the Time Machine, the Thingmaker, and the Mold Master. I had a lot of these toys when I was a kid, and when I read Bob's piece, it brought back the smell of Plastigoop.
Of course, we've got a bunch of great projects in this issue, including a hydrogen-oxygen bottle rocket (use electricity to split tap water into the two gasses), a laser light show you can fit into vintage metal lunchboxes, a DIY van Leeuwenhoek microscope, a guide to lashing, and much more. For a look at the complete table of contents, go to the MAKE Vol. 20 page at makezine.com
Concession revenues did well due to a film slate that catered to family audiences, who tend to be higher concession spenders.Phew. Now Rick can go back to working on ways to stop people from watching the Olympics and figuring out ways to avoid paying copyright royalties to songwriters.
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Jon Cohrs writes:
Read more | Permalink | Comments | Read more articles in Telecommunications | Digg this!Tired of the blocky, JPEG-like resolution of digital television? Do you long for the days of RF modulation and regulated-yet-unregulated content? Do you simply have the desire to toss your converter box out the window and make use of those rabbit ear antennae that are just lying around? If so, then you might be interested in becoming a savior of analog television! This Instructable will show you how to create your own fully-fledged low-power analog television channel, with any video source(including your computer) as a source of content.
We created one that went live the minute analog tv went dead. We're still the only analog station in NYC, but please join us in making more!!
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Adam 'Atomic' Saltman's one-button action-opus Canabalt (covered earlier in a previous column) will likely go down as 2009's biggest viral surprise -- to no less even than Saltsman himself, who admitted at this year's Austin GDC Indie Games Fest to squandering and then scrambling to capitalize on the success the game near instantly saw (the first 120,000 players the game captured by its second day, and subsequent 650,000 by the week's end, saw none of the cross-indie/Twitter/iPhone port promotions subsequently rolled out as quickly as possible).
But there's almost no one in the industry that hasn't taken serious note of its acclaim and wondered what magic formula there might be hidden in its design that can be replicated elsewhere. And so -- in service to fans, would-be devs and established designers alike -- Saltsman has provided us with his sketches and notes, illustrating each leap to logical leap he made in finishing that first version.
Interestingly -- though maybe not so surprisingly, given that the game was created for the Experimental Gameplay's 'Bare Minimum' challenge -- the documents show a game more complex than what we eventually received, with its anonymous runner able to pull off sliding ducks on top of his now-singular jump, and 'edit' and 'profile' modes obviously stripped from the game (indeed, the entire game seems to now live inside what Saltsman originally had planned as a 'quick race' option).
And so, what follows is the necessarily brief notes and calculations for a necessarily brief production, neither any less worse off for it: let us know if you crack Saltsman's magic code.
[Canabalt fan art at top by Pauli MadamLuna Kohberger, via Saltsman]
Saltman's first page shows the rooftop decorations that would eventually make it into the game, as well as the first try at the fine-mist-making dropped bomb, with all other front menu options (and what appears to be a Mirror's Edge inspired vent system) having been stripped from the completed game.
More Mirror's Edge parkour-acrobatics having never made it in are shown above, in the first sketchy mockup of how the runner would eventually move, along with Saltsman eschewing a day/night progression for the simple black and white palette the game would take on.

And finally, the first color sketch of the look of the final game, and the first evidence of its un-expounded-on far-backstory with the giant invaders in the far background, and the military-dropship-esque vehicles passing in mid-ground. Also, note back to page one to see Saltsman arguing with himself over the size of the game's John Woo-esque scattered doves.
If you haven't already, by all means play the final game itself at its official site, and pick up its essential iPhone port at the App Store, then check either the unofficial Twitter leaderboards set up by CapnDesign or Onstuimig to see just where you rank in the eternal race.
Funes said the possibility of alien life raises "many philosophical and theological implications" but added that the gathering was mainly focused on the scientific perspective and how different disciplines can be used to explore the issue."Vatican looks to heavens for signs of alien life"Chris Impey, an astronomy professor at the University of Arizona, said it was appropriate that the Vatican would host such a meeting.
"Both science and religion posit life as a special outcome of a vast and mostly inhospitable universe," he told a news conference Tuesday. "There is a rich middle ground for dialogue between the practitioners of astrobiology and those who seek to understand the meaning of our existence in a biological universe..."
The Church of Rome's views have shifted radically through the centuries since Italian philosopher Giordano Bruno was burned at the stake as a heretic in 1600 for speculating, among other ideas, that other worlds could be inhabited.
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Wondering what something you own would look like under a scanning electron microscope, but don't happen to have one in your garage? Well, then you might be interested in this intriguing offer from ASPEX: a complimentary SEM scan of your favorite object!
This looks like a really awesome service, however I am a bit suspicious- their sample photos are all high quality stock images, and there doesn't seem to be a way to specify the orientation of the scan. Anyone want to try it out? Be sure to let us know your results!
[Thanks, Matt!]
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I'm sure there are probably more examples of various News Corp. properties regularly doing exactly what Murdoch and other News Corp. execs are now decrying as illegal and which must be stopped. So, it has to be asked, Mr. Murdoch, will you pull down all of these sites?
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We aren't very good at predicting either one much further out than a week or two.
A BBC story (and film) talks about the problems virologists and public health defenders face as they tackle a virus like H1N1 flu and try to figure out how the disease will impact people around the globe. It's an honest examination of both the strengths of science, and the barriers that exist around human knowledge.
Such are the limitations of science, whether meteorology or virology. The recent H1N1 or swine flu predictions have led to forecasts of 65,000 deaths in the UK - but the truth is, we simply don't know. Yet in reporting the outbreak, the media broadly falls between two extremes - from alarming scare stories to experts who purport mass vaccination to be "madness, foolhardy and a gamble". Whatever happens when the pandemic pans out, there will be a substantial third group - the "I told you so" faction. Pandemic disease remains a critical test of the extent of what we do and don't know.
Pandemics--What History Tells Us on the BBC, via Holly Tucker.
Image courtesy Flickr user chascar, via CC.
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Tim Saylor recently wrote in to me about the Gingery-style charcoal foundry he built for Chicago's hackerspace Pumping Station: One. There's a write-up here and a good Flickr set showing construction and use of the furnace to melt aluminum here, including some really pretty shots of the fire and sparks at night. [Thanks, Tim!]
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The pimple detector: Finally, science has invented a portable mean girl to tell you there's a zit on your face. Thanks, Chris Patil!
The pimple detector: Finally, science has invented a portable mean girl to tell you there's a zit on your face. Thanks, Chris Patil!
Ken Robinson speaks on the importance of creativity and how closely it depends on our freedom to make mistakes. Hmmm … to put it more accurately - Sir Ken Robinson explains how our modern education system represses creative thought by discouraging mistakes. If you've ever stared paralyzed at a blank canvas/page/protoboard/ etc, you likely understand the problem. In fact, when I find myself stuck in a loop of perfection paralysis, the best cure seems to be starting off in an intentionally wrong direction. Sometimes demonstrating how I don't want a project to go, can define how I do want things to turn out … or at least 'break the ice'. [via The Stretta Procedure]
Related:
On the role of mistakes in the process of creativity
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Here's a photo-essay from True Slant by P.J. Tobia on the houses that opium poppies built in Afghanistan. Here's a related video feature in Monocle magazine. Here's a related AFP item about poppy palaces and widespread corruption in Karzai's Afghanistan, and here's an item about the neologism in the NYT blog "Schott's Vocab." (Image: P.J. Tobia / via Kristie Lu Stout of CNN)
Here's a photo-essay from True Slant by P.J. Tobia on the houses that opium poppies built in Afghanistan. Here's a related video feature in Monocle magazine. Here's a related AFP item about poppy palaces and widespread corruption in Karzai's Afghanistan, and here's an item about the neologism in the NYT blog "Schott's Vocab." (Image: P.J. Tobia / via Kristie Lu Stout of CNN)

Impress your friends and coworkers with these easy-to-make edge-lit holiday cards by Evil Mad Scientists Laboratories! This time around they used PETG polyester, which is easier to cut than acrylic.
More:
How-To: Make "edge-lit" holiday cards
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And when I asked him to add a feature to WordPress he said yes. I didn't even have to call him, or buy him lunch -- all I did was ask on the blog. He must have been reading.

An engineer's solution to the jack-'o-lantern problem if ever I saw one. [via There, I Fixed It]
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Bleep Labs announced the sequel to their Thingamagoop synth/noisemaker and it looks to be one heckuva major upgrade. The Thingamagoop 2 features -
The Arduino integration alone is quite awesome, and along with control voltage input/output this should be a really versatile platform for cooking up some unique sounds. Kits and preassembled versions are currently available for pre-order over at Bleep Labs
- Analog VCO controlled by analog or digital signal from Arduino. (A separate Arduino board is not required)
- Sample and hold, Arpeggios, noise, and bit crush effects with open source code so you can program your own sounds!
- All the analog sounds of the original Thingamagoop.
- Controllable LEDacle – Ramp and random waveforms with rate control.
- New modulators – Square wave amplitude modulator and triangle wave pulse width modulator.
- Tough, stomp box type body with silk screened graphics in 3 different styles.
- Easy to access battery – No more screws!
- Much fuller and louder speaker.
- CV in and out.
- Arduino Programmer jack. Easily hook an Ardunio board up to the Thingamagoop 2.
- Kit now comes with a pre-drilled enclosure.
- Still assembled in Austin, Texas by Dr. Bleep and friends.
In the Maker Shed:


This has to be the coolest car mount for any mobile device out there. Originally designed for home use, maker remington870_20ga from the everythingpre.com forums wired a stock Palm Touchstone Charging Dock to run directly off his car battery using off-the-shelf components. Not only do you get an unencumbered view of the screen, your mobile device gets a chance to charge itself without all the messy cables.
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For just $1500, you can have your very own remote-controlled bowling ball! Maybe this is worthy of a remake? How about adding flashing LEDs to one of those translucent bowling balls? That shouldn't be too difficult to make, right? Although I doubt the addition of LEDs will help you score a 300!
Just posted! Our lens review of the Canon EF 100mm F2.8 L IS USM. A few months ago Canon announced a new optical image stabilisation technology, dubbed 'Hybrid IS', that promises greater effectiveness at close distances for which conventional IS systems tend to be ineffective. The first lens to feature this has duly arrived in the shape of Canon's latest 100mm Macro, which alongside image stabilisation has also gained the added attraction of the premium 'L' designation. We take a close look to see if it's worth the premium over the older EF 100mm F2.8 USM Macro, which remains in Canon's range. Comments Off [link]

The SD Card Shield from the Maker Shed is an inexpensive break out board for a standard SD Card. It makes adding mass storage and data logging to your next Arduino project a lot easier. The shield allows you to select either 3.3V or IO port power, allowing for added flexibility depending on you application.
Bonnie sez, "Measuring close to a foot tall and crafted in durable all-weather resin, the Garden Jawa protects your tomatoes, zucchini, and daffodils from the dark side, armed with a garden tool bandolier, a garden hose, and a thumbs-up attitude. Reflective amber-colored eyes peek out from underneath his hood, challenging any unwelcome visitors looking to feast on his turf.
True to nature, the Garden Jawa is still up to the well-known mischievous antics we know from the movies. Case in point: If you've caught StarWars.com's Flickr sets lately, you may have caught this little guy sneaking into Skywalker Ranch to snag some pics in front of the Main House. We've also caught him snooping around Lucasfilm's Presidio campus, reclaiming a bit of green from the dry California summer months. "
Garden Jawa a StarWarsShop Exclusive
(Thanks, Bonnie!)
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A federal grand jury in Atlanta has indicted eight men in connection with the scheme, including five Estonians, one Russian, one Moldovan and one unidentified man. Prosecutors allege that the men "used sophisticated hacking techniques" to defeat the company's encryption system. The scam, which hit RBS WorldPay last November, involved an elaborate plan in which the attackers first bypassed the encryption on the debit cards, which RBS WorldPay issues to customers for employee payroll purposes. They then raised the limits on the accounts attached to the cards.U.S. Takes Down $9 Million RBS WorldPay Hacking Ring (via /.)Once that was done, the gang then allegedly "provided a network of 'cashers' with 44 counterfeit payroll debit cards, which were used to withdraw more than $9 million from more than 2,100 ATMs in at least 280 cities worldwide, including cities in the United States, Russia, Ukraine, Estonia, Italy, Hong Kong, Japan and Canada. The $9 million loss occurred within a span of less than 12 hours," the Department of Justice said in a statement on the indictments released Tuesday.
Stanford primatologist and anthropologist Robert Sapolsky scores big with this grad lecture on "The Uniqueness of Humans," a humbling, inspiring and sweet 30 minutes on what it is about humans that makes us unique from our animal cousins, and how many of the seemingly unique features of humanity can be found elsewhere.
Sapolsky make me want to go back to school, enrolling in the Stanford anthropology program, just so I can take his classes.
Class Day Lecture 2009: The Uniqueness of Humans (Thanks, Avi!)

Space Mountain is a notorious slow loader (all coasters are, since they can't do that lovely continuous belt thing that characterizes, say, the Haunted Mansion; nor do they support giant boats like Pirates of the Caribbean). Anything to make the queue less dull is great news!
Walt Disney World's Classic Space Mountain Attraction to Reopen with a Few Surprises
Crafster member Leahseraph, the creator of these Super Mario Fire-Flower gloves "just winged it," making up the pattern as she went.
Geek Craft: Super Mario knitted flower gloves
(via Wonderland)
Monsters and Rockets sez, "Sesame Street is 40 years old today! In this early clip, Grover and a little boy named Jesse define marriage. It's a cute bit, but the remarkable thing is that given recent headlines this actually plays a lot like a PSA about gay marriage. At no point do Grover and Jesse say that a married couple has to be a man and a woman, and the things they say make up a marriage - kissing, hugging, being friends, helping each other - would apply to any married couple, straight or gay."
Sesame Street: Grover discusses What Is Marriage? (Thanks, Monsters and Rockets!)
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Full-scale model of a Pan Am Airlines first-class cabin - in a guy's garage...
When Anthony Toth wants to experience the luxury of flying first class, he doesn't need to travel any further than his own Redondo Beach garage. That's where the 42-year-old aircraft enthusiast built a full-scale replica of a first-class cabin from a Pan Am World Airways 747. When visitors enter Toth's garage, they are greeted with a timetable listing the flight schedule from Los Angeles that Pan Am would have used in the 1970s. They are then directed inside the cabin, where they can sit in red-and-blue airplane seats, and eat peanuts from a Pan Am embossed package. Toth has painstakingly re-created a Pan Am aircraft from the 1960s and '70s, complete with recordings of the original in-flight audio. It's taken Toth nearly 20 years to scavenge for the parts to construct the cabin, which he started building five years ago. He estimates that he's spent more than $50,000 on airplaneRead more | Permalink | Comments | Read more articles in Made On Earth | Digg this!
Dear Fans and Friends,Again, we've seen this with other films as well, but it's always nice to see filmmakers who realize it doesn't make sense to freak out, but to look for ways to take advantage of this as a promotional opportunity.
Over the weekend something pretty extraordinary happened. Ink got ripped off. Someone bit torrented the movie (we knew this would happen) and they posted it on every pirate site out there. What we didn't expect was that within 24 hours Ink would blow up. Ink became the number 1 most downloaded movie on several sites having been downloaded somewhere between 150,000 to 200,000 times as far as we can tell. Knowing there's absolutely nothing we can do about it, we've embraced the piracy and are just happy Ink is getting unprecedented exposure.
As a result, Ink is now ranked #16 on IMDb's movie meter and is currently one of the top 20 most popular movies in the world.
This all started as a result of the completely underground buzz that you've each helped us create. We've had no distributor, no real advertising and yet the word of mouth that you've generated has made the film blow up as soon as it became available worldwide. So many of you came to see the movie multiple times, bringing friends and family and many of you have bought the DVD and Blu-ray from us. All of this built up and built up and suddenly it exploded.
We don't know exactly where this will all lead, but the exposure is unquestionably a positive thing.
Ink hits Netflix, Blockbuster, iTunes and many more tomorrow! Remember to get your signed copies, t-shirts and posters at the Ink Store.
Thank you so much for the constant love and support.
Jamin and Kiowa
Double Edge Films"
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Last week, I stumbled into a jam session with Frank Fairfield and other musicians by accident, and blogged a quick iPhone video snapshot. The next day, I started googling and YouTubing and Myspacing to find out more about each of the musicians, and found this. A stunning video of Fairfield performing "Nine Pound Hammer." Give me chills. Shot and directed by Keith Musil (I'm dying to know what he shot with, doesn't it look great?).
There are a few more YT clips in this series, they're all gorgeous. I missed Fairfield's live show last night at the Redwood in LA with Blind Boy Paxton, but I hope to catch them, together or separately, soon.
Robin from the Fleet Foxes described him like this, in Rolling Stone:
Buy his music: His self-titled album Frank Fairfield, and the EP I've Always Been a Rambler (Amazon MP3s)."He's like 26 years old and he sounds like Mississippi John Hurt," says Robin. Fairfield plays fiddle and banjo player and strums back-porch bluegrass, complete with shaky jug-band vocals reminiscent of The Foggy Mountain Boys from way back in the '40s (think O Brother, Where Art Thou?).
"He's kinda crazy," says Robin. "He has his own radio show where he just plays these old gramophones. He just puts a mic up and plays all these field recordings from the 1900s; it's insane. He dresses like it's the early 1900s. He's born out of time, and his voice is amazing."
He's playing a bunch of West Coast US tour dates from now through January: San Francisco, Eugene, Portland, Tacoma, Seattle and other ports of call.
Videos:
• Frank Fairfield - "Nine Pound Hammer"
• Frank Fairfield - "Short Life of Trouble"
• Frank Fairfield - "Tim Brooks"
Some blog posts about Fairfield: LA Record, naturalismo, passionweiss. And here's an LA Weekly profile.
The Good News: If you're in New Orleans on November 22, you can watch a mock battle between Jared the Subway guy and the inventor of the po' boy sandwich (both are reenactors as the po' boy inventor is dead and Jared is probably not allowed to participate in anti-fast food stage combat). The Bad News: The fact that such an event exists bodes poorly for the future of po' boy itself. The sandwich, which owes its name and origins to 1929 labor disputes, is losing ground to fast-food chains, a still under-populated city and cost-cutting measures. From The New York Times.
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Say you want to build a re-programmable toy, but the person you are making it for doesn't have access to a computer. How could you do it? Charlie Robinson looked to the past to solve this problem with his Arduino Cassette Engine. His project allows an Arduino to interpret specially coded audio files as binary data, which can then be stored to a memory card. The current version seems to be just storing the data, however there is no conceptual reason why this couldn't be used to actually reprogram the device once it is downloaded.
So, why is this interesting? Well, if the Arduino can be programmed using audio, then suddenly anything with a speaker can be made into a programmer. I think it would be pretty funny if you could use, say, a garden variety cell phone with some Java software to write programs for your micro.
What do you think, is there some potential here, or would it be better to just give aspiring programmers a regular computer to hack on? [Thanks Matt!]
Arduino photo by Matt Biddulph.
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"What do we, as a society, value more: business rights or education rights?Indeed. For quite some time it's appeared that there's a bit of a conflict in the basics of copyright and the concept of education -- which is all about sharing information and spreading that information. It's one of those things that copyright maximalists (especially the ones who are professors) usually don't like to talk about.
Because we're more and more often hearing stories about IP law effecting things like text book answers, lesson agendas, syllabi, etc. It seems that we are so wrapped up in the idea of personal rights and personal walls around the content that we create or organize that we're losing sight of some truly important values, none more so than the ability to educate our emerging leaders to their fullest. After all, what could do more to promote the progress of our society and way of life as a whole than to educate our masses to the fullest? What standing could one possibly have to impede another's education to eke out further profit?"
Yves Béhar (who is in an epic struggle with Marc Newson to claim the title of "sexiest industrial designer alive") designed this vibrator. It looks like a Miyazaki cartoon creature.
The Form 2 takes a two-pronged approach to the vibrator, giving its user what they're calling "Sensation in Stereo." The "ears" can be positioned independently like a Gumby action figure for maximum, um, range, and the entire thing is made from phthalate-free platinum silicone to be completely waterproof. There's even a cute iPod-esque docking station for charging and it can operate UP TO SEVEN HOURS on a single charge.
A New Vibrator by Yves Behar Arouses Our Interest
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