itwbennett writes "Niney of the 249 Zeus command-and-control servers were knocked offline overnight when two ISPs, named Troyak and Group 3, were taken offline. Whoever was behind the takedown 'just decided to knock out a large area of cybercrime, and this was probably one of the easiest ways to do it,' said Kevin Stevens, a researcher with SecureWorks. As with the McColo takedown of just over a year ago, Troyak's upstream providers seem to have knocked it off the Internet, Cisco said in a statement. 'The ISP was "De-peered,"' Cisco said. 'Troyak's upstream network providers effectively pulled the plug on Troyak's router, refusing to transmit its traffic.'"

Read more of this story at Slashdot.

Snip from Wall Street Journal article on the last collection of Alexander McQueen.

Twice in the weeks leading up to his Feb. 11 death, Mr. McQueen messaged on Twitter, 'Hells angels [sic] and prolific demons.' What seemed a non sequitur now appears to be a reference to the collection he was working on, imprinted with the angels of Sandro Botticelli and the demons of Hieronymus Bosch.

He had finished some 16 looks, about half of what the collection would typically include, at the time of his death.

His Twitter account has been taken offline, but a Google Cache exists. The final tweet: "De sade, Marie A- god rest there souls." [sic]

(thanks, Kelly Sparks)

Ladies and gentlemen, we now have confirmation that the USPTO is a joke. After years of back and forth, it has decided, once again, that Amazon's one-click patent is perfectly valid. This, despite tons of prior art, and basic common sense. We were just wondering what was taking so long for the USPTO to reject the patent. But, of course, it seemed like the USPTO was willing to go out of its way to help keep this patent around. Of course, as some are pointing out, the end result of this patent surviving is that it may be used as example number one for patent reform.

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Look at Todbot's BristleBots go! He held a workshop at Crash Space in Culver City, CA last night and showed people how to make them. (I'm sorry I didn't announce it in advance!)

BristleBots and LED throwie art at Crash Space

"America is not a democracy. It's a Chuck-tatorship. (...) We'd go down the line and he'd say, 'He's honest. He's honest. He's corrupted.' And I'd walk up to him and I'd say, 'You're fired." If he didn't move immediately, I would choke him unconscious and lay him over to the side there."— Mr. Chuck Norris, who, as Rachel Maddow reminds us, turns 70 today.

adeelarshad82 writes "After eight years of development, remote gaming service OnLive is scheduled to roll out on June 17 for Windows and Mac. The company also announced its service pricing: users will need to pay $14.95 per month, which will allow them access to the service. However, the company did not disclose the price to rent or purchase games. 'It is partnering in this launch with publishers including Electronic Arts, Ubisoft, 2K Games, THQ and Warner Bros. Interactive Entertainment. The games will also include new releases like Mass Effect 2, Borderlands, Assassin’s Creed II, as well as a bunch of other titles. Perlman anticipates anywhere from a dozen to 25 titles to be available at launch time, and more after that, depending on how negotiations with other publishers proceed.'"

Read more of this story at Slashdot.

For portable radio operation, I like End-Fed Half-Wavelength Antennas (EFHWA, pronounced "EF-WAH"). This type of antenna is similar to the common half-wavelength dipole, but with one significant advantage. A dipole has its feedpoint (where it connects to the radio) in the middle of the antenna, but an EFHWA's feedpoint is at one end. This makes it very convenient to throw the antenna up in a tree and connect the bottom of it to your radio. Here are instructions for making a multiband end-fed half-wavelength antenna that works on 17, 20, 30, and 40-meter bands.

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I, too, am very, very anxious for the day to come when I can purchase a Fascination car with an EV Gray fuelless engine.

The Fascination Car was the brain child of Paul M. Lewis, of the Highway Aircraft Corporation. It was developed with a standard engine, but he wanted to power it with ANYTHING that didn't burn gasoline. He was in negotiations with Ed Gray for a while to use the EMA Engine, but that fell through. He then approached Josef Papp for his plasma engine. Ultimately, neither the engines or the car were ever produced.

EV Gray and the Fascination Car (Via PCL Link Dump)

snydeq writes "Google has launched the Google Apps Marketplace, providing a venue for third-party, cloud-based applications to supplement Google's own online applications. The program enables integrations with such applications as Google Gmail, Documents, Sites, and Calendar. All told, the effort begins with 50 vendors participating, including Atlassian, NetSuite, Skytap, and Zoho. Participation in Google Apps Marketplace is open to customers of the Premier, Standard, and Education editions of Google Apps. Applications are linked to the marketplace via REST Web services and APIs including OpenID and OAuth."

Read more of this story at Slashdot.

I saw Avatar with a friend who didn't know much about the movie heading in, and asked me what it was about -- so I gave her the succinct summary I'd heard from a few others as well: "It's Dances With Wolves with blue people." Of course, while many people have made similar statements, it's also been popular to compare the movie to Pocohantas. However, that was just the start. A little while ago, the site io9 put together an amazing look at the many, many, many different movies/books/stories/artwork that Avatar has been accused of "ripping off."

And, of course, with such a list, you'd have to expect lawsuits -- and they're starting up. A guy in China sued for $146 million, claiming that his online novel was the inspiration. That suit was quickly dismissed. But fear not, now some restaurant owner is claiming that his unmade screenplay was the real inspiration and has sued James Cameron and Twentieth Century Fox.

Or, perhaps, this is a classical story that's been told hundreds of times before in various formats.

As with almost every lawsuit like this, it will almost certainly get dismissed quickly. However, this happens all the time with blockbuster books and movies (just look at how many times JK Rowling has been accused of "ripping off" Harry Potter, or Dan Brown accused of "ripping off" The Da Vinci Code). At some point there should be sanctions against these sorts of bogus lawsuits. In many cases, it seems clear that the people suing see it more as a publicity stunt to get press attention for their book or movie or whatever (hence the reason we're not naming the individuals or their works in this post). In the meantime, though, is anyone taking bets on who's next to sue?

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From user Meph over at the always-entertaining There, I Fixed It.

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[via Global Post via TokyoMango]

alobar72 writes "I have quite a few old maps (several hundreds; 100+ years old, some are already damaged – so time is not on my side). What I want to do is to digitize them and to apply geo-coordinates to them so I can use them as overlays for openstreetmap data or such. Obviously I cannot put those maps onto my €80 scanner and go. Some of them are really large (1.5m x 1.5m roughly, I believe) and they need to be treated with great care because the paper is partly damaged. So firstly I need a method or service provider that can do the digitizing without damaging them. Secondly I need a hint what the best method is to apply geo coordinates to those maps then. The maps are old and landscape and places have changed, it maybe difficult to identify exact spots. So: are there any experiences or tips I could use?"

Read more of this story at Slashdot.

ral writes "The human tongue can taste more than sweet, sour, salty, bitter and protein. Researchers have added fat to that list. Dr. Russell Keast, an exercise and nutrition sciences professor at Deakin University in Melbourne, told Slashfood, 'This makes logical sense. We have sweet to identify carbohydrate/sugars, and umami to identify protein/amino acids, so we could expect a taste to identify the other macronutrient: fat.' In the Deakin study, which appears in the latest issue of the British Journal of Nutrition, Dr. Keast and his team gave a group of 33 people fatty acids found in common foods, mixed in with nonfat milk to disguise the telltale fat texture. All 33 could detect the fatty acids to at least a small degree."

Read more of this story at Slashdot.

An anonymous reader writes "'Alien' and 'Star Wars' art director Roger Christian was given £25,000 by George Lucas in 1979 to make a 25-minute medieval B-feature called 'Black Angel.' This spiritual tale of a knight on a strange quest was inspired by Christian's near-fatal fever when he fell ill in Mexico making 'Lucky Lady.' 'Black Angel' made a huge impression, not least because it shared the dark tone of 'Empire Strikes Back.' John Boorman showed it to the crew of 'Excalibur' as a template for how he wanted his film to look, and 'Black Angel' went on to influence films such as 'Dragonslayer' and 'Legend' throughout the 1980s and beyond. But it has not been seen by anyone since 'Empire' finished its theatrical run. Two weeks ago Roger Christian unearthed a print of a film that was thought lost forever, and in this interview he talks about 'Black Angel,' and provides the only picture from the film that has ever hit the Internet."

Read more of this story at Slashdot.

Here's a neat idea for a tablecloth, by Kristine Bjaadal. Normally, one would avoid spilling things on their linens, however the Underfull Tablecloth has a hidden pattern built in that only shows up once it becomes stained. Now you can look at that lovely butterfly pattern and remember that one time you had a bit too much wine, without feeling bad about having ruined the tablecloth! [via neatorama]

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This post is part of the IT Innovation series, sponsored by Sun & Intel. Read more at ITInnovation.com. Of course, the content of this post consists entirely of the thoughts and opinions of the author.

Three years ago, after one of Microsoft's regular bursts of FUD claiming that Linux violated all sorts of Microsoft patents, then CEO of Sun, Jonathan Schwartz, wrote up a brilliant post knocking Microsoft down a peg by repeating a line we've said many times here ourselves: real innovative companies innovate, not litigate. Now, following Apple's patent offensive against HTC, and unencumbered of corporate responsibilities, Schwartz is sharing a bit more detail on his views over patents (found via Mathew Ingram).

Schwartz tells the story of Steve Jobs calling him and threatening Sun with a patent infringement lawsuit, to which Schwartz quickly warned Jobs that going down that path would lead to a patent nuclear war, as he pointed out how recent Apple products likely infringed on Sun patents. He then tells another story about a visit from Bill Gates, with a similar threat over patents -- and a similar response, pointing out that Microsoft clearly copied certain Sun technology. In both cases, the counterweight made the threats go away. This is the whole "nuclear stockpiling" scenario -- and, as such, it creates a ton of waste. You have to keep building up those stockpiles just to make sure the other side is too scared to sue you.

But the key point is made after this, where Schwartz again makes a statement quite similar to ones we've made when a big tech company suddenly goes on the patent offensive. It's a canary-in-the-coalmine sign that something is wrong:

For a technology company, going on offense with software patents seems like an act of desperation, relying on the courts instead of the marketplace.

He also highlights how these lawsuits can backfire in a big, big way:

Having watched this movie play out many times, suing a competitor typically makes them more relevant, not less. Developers I know aren't getting less interested in Google's Android platform, they're getting more interested -- Apple's actions are enhancing that interest.

Indeed. It's a point that still seems missed by so many when discussing these patent lawsuits.

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HipToday writes "As posted on the OpenBSD Journal, OpenSSH 5.4 has been released: 'Some highlights of this release are the disabling of protocol 1 by default, certificate authentication, a new "netcat mode," many changes on the sftp front (both client and server) and a collection of assorted bugfixes. The new release can already be found on a large number of mirrors and of course on www.openssh.com.'"

Read more of this story at Slashdot.

Makers Market seller Kevin of kaitrees has a bunch of great videos on his market blog. They range from details of the pieces themselves, to "slap tests", and works in progress. It's a neat look at the process that goes into making these pieces.

My sculptures are an effort to distill what real trees inspire in people into something one can have inside their living or working space.

This tree in the video above will require about 500 hours to complete, stand over 7 feet tall, and will use about 1000 strands of aluminum wire. It's his largest piece to date, and looks Amazing! I wonder how much it will weigh?

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A man was stabbed with a meat thermometer in a movie theater in LA after complaining to a woman about talking on her cell phone during a Saturday night screening of Shutter Island.

Zordak writes "Amazon's infamous '1-click' patent has been in reexamination at the USPTO for almost four years. Patently-O now reports that 'the USPTO confirmed the patentability of original claims 6-10 and amended claims 1-5 and 11-26. The approved-of amendment adds the seeming trivial limitation that the one-click system operates as part of a 'shopping cart model.' Thus, to infringe the new version of the patent, an eCommerce retailer must use a shopping cart model (presumably non-1-click) alongside of the 1-click version. Because most retail eCommerce sites still use the shopping cart model, the added limitation appears to have no practical impact on the patent scope.'" Also covered at TechFlash.

Read more of this story at Slashdot.

Kügli is an Arduino-controlled musical instrument by Stefanie Hess and Johannes Schmidt. The project consists of a bowl with a false bottom, packing an Arduino, XBee wireless module, and some speakers. The ball contains a Lilypad and another XBee.

The spacing and dynamic of a ball in a bowl influences sound. While holding the bowl in its hands the player can walk around and rock the bowl forth and back either smoothly or with fast movements. Two factors are relevant for the sound: the position of the Kügli in the ball and the rotation-speed of the Kügli. Both data streams are sent to Max/Msp via the serial port. The XBee component, accelerator and piezo-microphones are sensoring and passing the the movements.

In the Maker Shed:

Deluxe Make: Electronics Toolkit
Our Price: $124.99
Do you want to learn the fundamentals of electronics in a fun and experiential way? Not sure where to start, or what tools you might need? We've taken care of all the questions with our deluxe tool kit from the Maker Shed, featuring our best-selling book, Make: Electronics.

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In this series, "Letters from the Fab Academy," Shawn Wallace, member of AS220, the Providence, RI community arts space, shares his experiences with the Fab Academy, a distributed learning collaborative, built on the infrastructure of the Fab Lab network. -- Gareth

3D Scanning

By Shawn Wallace

Victor Freundt prints a project using the ZCorp printer at the Barcelona Fab Lab.

When working with 3D scanning and printing equipment, it quickly becomes apparent that objects are nowhere near as fungible as MP3s. We'll have to wait a while for the day when every teenager is capable of casually copying real-world objects. However, it is surprisingly easy to hack together a crude 3D scanner from commodity cameras, projectors, and hardware you probably have in a couple of junk drawers in your shop.

A good place to start is with the Modela mini mill, which has a piezo-based needle sensor attachment that can be used for scanning small objects. The machine records the plunge depth at the point it contacts the object and the software that comes with the Modela (Dr. Picza) converts these points into a 3D mesh. Here's an example of using Dr. Picza to scan a small shell from Benito Juarez from the Barcelona Fab Academy site:

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In this weird video, a French comedienne transforms herself into Michael Jackson with just some mascara, lipstick, and scotch tape.

While I don't believe that the new Hadopi "three strikes" law in France has started being enforced yet (due to data privacy questions), it technically went into effect at the beginning of the year, and was widely promoted around France. Of course, our big question was why anyone thought that such laws would actually make anyone buy. The general reasoning that supporters of such laws gave is that it would decrease unauthorized file trading, and those people would magically want to start buying again. But, of course, as mentioned at the time, we already have empirical data that this wouldn't work. After all, here in the US, thousands of people were threatened with millions of dollars in fines for file sharing -- a punishment significantly more stringent than losing your internet connection. And, rather than decrease the amount of unauthorized file trading, it only increased (quite a bit), often moving to more underground resources.

So it should come as little (i.e., no) surprise that in the few months since the Hadopi law has technically been in effect in France, reports have found an increase in unauthorized file trading, along with a notable shift from BitTorrent to other, less trackable, solutions.

So what's next? Suing doesn't work. Kicking people off the internet doesn't work. Can we hope that maybe next on the list is actually putting in place a good business model?

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Barence writes "A debate that crops up time and again is whether it's better to have a dedicated keyboard on your smartphone or whether an on-screen keyboard with text correction is adequate. Some phones with screen-based keyboards have started to provide tactile feedback, either using an ultra-quick spin of their vibration alert or, like the BlackBerry Storm2, using clever piezo-electric technology to simulate the feel of a button press. But which system works best? PC Pro's Paul Ockendon gathered six of the most popular handsets around and put them through a timed typing test to see which proved quickest and most typo-free."

Read more of this story at Slashdot.

Like UK studio Introversion's indie-rallying clarion call at the 2006 Independent Games Festival, the announcement of an indie-led investment strategy -- simply called the Indie Fund -- could be the next watershed moment for the future of independent gaming. Organized by a consortium of indie devs that've seen breakout success (like World of Goo creators 2D Boy and Braid developer Jon Blow), the fund aims to maintain control of the funding cycle -- keeping it out of the hands of publishers and traditional investors alike -- and keep indies in charge of their own destiny. Opening the 2010 Independent Games Summit, 2D Boy co-founder Ron Carmel took to the stage to explain why the fund was needed, with Braid artist David Hellman illustrating the strange over-complex steamwork behemoth of traditional business models that no longer serve the indies best: the full hi-res gallery continues below.

Adding nuance to the title of his session, Carmel admitted the real problem was more specific: that the real problem was shoe-horning the new world of digitally distributed indie games into the old regime of traditional retail game publishing.

As game development has evolved over the past few decades, he explained, traditional software engineering practices have come with it: "waterfall approach" processes that emphasize doing as much pre-production design as possible as early in the process as possible, postponing the actual building. Throughout the 90s, though, agile practices emerged that saw development models being thought of as much more fluid processes, with studies showing that this model isn't just cheaper and better for actually creating software, but maintaining it as well.

The indies are currently facing the same situation today in regards to funding new games, said Carmel, as the industry still hasn't recognized the importance of creating a new mechanism that takes the new digitally distributed landscape into full account.

The problems: publishers give too much money for what should be smaller budgets. World of Goo's development costs were in the region of $120,000, Braid's at $180,000: if publishers are giving out $500,000-$1 million (presuming old model additional costs of manufacturing and maintaining inventory, working with retail, marketing), they're taking on too much risk and can never hope to make up that investment. "The machinery for triple-A retail games doesn't scale down," said Carmel -- it becomes inefficient and developers end up becoming tenant farmers.

2D Boy saw this inefficiency in effect first hand when they approached both Valve and Microsoft to distribute World of Goo on both Steam and Games for Windows Live. With Games for Windows, each step of the process had to go through each of the above behemoth's component sectors: they'd talk to a business development agent, which would then move up the chain to managers for approval before being passed to lawyers, more engineers, platform specialists, whereas at Steam, the business was handled by one person.

As a result, what took Valve and 2D Boy one day of legal work and four days of technical integration on Steam took two months of contract negotiations and an additional two months of technical work to prepare the game for launch. It's not an entirely fair comparison, Carmel added, with Games for Windows' inherited Xbox Live Arcade and retail business model and their newness on the scene -- Steam's "been around for years" and simply "figured out how to do this efficiently." Live Arcade is not the biggest console distribution platform by accident, he said, "it takes iterations to get things right."

But in this new landscape that's emerged with Steam leading the way to Live Arcade, PlayStation Network, Direct2Drive, Greenhouse, the developer and publisher equation has been upended, said Carmel: indies no longer need the traditional distribution channels publishers once provided, they simply need the funding. And so, Carmel said he and the consortium aimed to do for funding what Steam did for distribution.

And they'd do that with the Indie Fund, founded by 2D Boys Ron Carmel and Kyle Gabler, Braid's Jon Blow, flOwer designer Kellee Santiago, Capy (Critter Crunch, Clash of Heroes) studio head Nathan Vella, Flashbang (Offroad Velociraptor Safari, Minotaur China Shop) co-founder Matthew Wegner and AppApove (Armadillo Gold Rush) head Aaron Isaksen.

Their goals: to make the submission process shorter and more transparent, to make terms of funding deals publicly available ("Developers," said Carmel, "need to know when they're getting good or bad deals"), to maintain Steam's single point of contact and personal relationship, to allow development flexibility and experimentation, and to allow the developer both the full ownership of their intellectual property, and no editorial influence over their game ("If we provide funding, that's a vote of confidence in the team.").

When an Indie Fund game ships, Carmel explained, "we recoup our costs first, and then for limited time get a revenue share from that game -- but that revenue share is going to be much smaller than what you'd get with a publisher."

The first beneficiaries of the Indie Fund haven't yet been revealed, though Carmel promises we'll hear more soon -- keep checking their website to contact the team directly or to learn more.

52-year-old Anthony Digati was arrested for trying to extort $200,000 from an insurance firm by threatening to spam them with six million emails unless they paid up. Digati said he would use a spam service and his amazing talents as a "huge social networker" to drag the company "through the muddiest waters imaginable" and presumably unfriend everyone. He added that the price would increase to $3 million if they failed to pay up by Monday, according to federal authorities.

Read more of this story at Slashdot.

In the 1990s Bill Geerhart was an unemployed, not-so aspiring screenwriter in his 30s. To pass the time, he channeled his inner child, 10-year-old Billy, and started writing letters to famous and infamous people and institutions. These letters, written in pencil on elementary school ruled paper, asked funny but relevant questions to politicians, serial killers, movie stars, lobbyists, CEOs, and celebrity lawyers.

Geerhart saved copies of his letters and the replies he got back. This week, Harper Collins published them in a book called Little Billy's Letters: An Incorrigible Inner Child's Correspondence with the Famous, Infamous, and Just Plain Bewildered. The publisher gave us permission to run some of our favorites. Enjoy!

Buy Little Billy's Letters on Amazon | Visit Harper Collins site for Little Billy's Letters

The National Hobo Association believes that "unlike tramps or bums, the hoboes are usually very resourceful, self reliant and appreciative people."

Susan Atkins is a convicted murderer former member of the Manson Family. When she died in prison in 2009, she was the longest-incarcerated female inmate in the California penal system, having been denied parole 18 times.

Robert Shapiro was a member of O.J. Simpson's "dream team" of defense lawyers.

The Catholic Church is the world's largest Christian church, with more than a billion members.

Caesars Palace is a hotel and casino in Las Vegas, Nevada.

kang327 writes "As Java developers we are used to the familiar file-based user interface that is used by all of the major IDEs. A team at Brown University has developed an IDE for Java called Code Bubbles that makes a fairly radical departure from current IDEs — it is based on fragments instead of files. The idea is that you can see many different pieces of code at once. Fragments can form groups, have automatic layout assistance, wrap long lines based on syntax, and exist in a virtual workspace that you can pan. A video shows reading and editing code, opening different kinds of info such as Javadocs, bug reports and notes, annotating and sharing workspaces, and debugging with bubbles. They report on several user studies that show the system increases performance for the tasks studied, and also that professional developers were enthusiastic about using it. There is also a Beta that you can sign up for."

Read more of this story at Slashdot.

Wednesday March 10 is Tibetan Independence Day—and this year will also mark His Holiness the Dalai Lama's 75th birthday. In honor of both, Shepard Fairey collaborated with photographer Don Farber on this limited-edition, signed and numbered 18"x14" print, which goes on sale at this link Wednesday, March 10, at noon Eastern/9am Pacific. Net proceeds divided between Tibet House and LA Friends of Tibet. (thanks, Christal / Tibet Connection Radio)

The band OK Go, blogged many a time here for their wonderful music videos and savvy take on the state of the music biz, is launching its own record label. From okgo.com: The band has left the EMI family of corporations to form their own enterprise, a homemade upstart called Paracadute."

Andrew Dubber points us to an interesting post by musician Steve Lawson, where he talks about how he usually uses his blog and other social media accounts to write about others' music rather than always talking about his own, noting that he can probably help others make more money than he can make for himself. And there's a reason for that: if you're posting about something you love that you think is awesome, people take it seriously. If you're posting about yourself as being awesome, people think you're an egomaniac.

This is a really good way of thinking about things -- and highlights an issue that goes way beyond just music. It's why so many corporate blogs suck. Because they just talk about their own company, and appear to be propaganda. But it also highlights another important point: the value of passed links. We've noted in the past that when people pass around links (or music or books or whatever) it's the person who's doing the passing whose reputation is at stake. And, because of that, we tend to trust people passing links to others much more than people just promoting their own stuff. And this doesn't need to be reciprocal. Steve notes that he just blogs about music he likes -- and sometimes he hears from the musicians saying it resulted in a spike in earnings somehow, and that's great.

To some extent, this also explains some of our position on things like ad blockers. Sites telling visitors who use ad blockers that they're not welcome are shoving aside visitors who very well may pass on a link that has tremendous value. The viewpoint held by sites like that seems to undervalue passed links, believing the only true value is in the immediate and direct ad impression. But when you focus on just letting people experience whatever cool stuff you're creating, some of them will pass it on to others, and that "vote" in your favor may be incredibly valuable.

So, while Steve focuses on the point of helping others make more money, if you're doing cool stuff, it's worth remembering that a lot of that stuff comes back around (in even more valuable ways). One of the problems we see with so many anti-consumer businesses is that they feel the need to directly monetize every user/visitor/listener, rather than recognizing that the mislabeled "freeloaders" can pay it back in ways that greatly outweigh any sort of direct payment opportunity.

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An anonymous MAKE subscriber writes in to let us know about this very cool wireless robotics platform based on the Arduino and an XBee. The purpose of the project was to teach their 9-year old son about programming in Processing. What a great way to introduce programming to kids!

I built a wireless robotics platform from a cheap R/C car, an Arduino with XBee shield, small microswitch sensors, and a Processing program running on a remote computer to control the vehicle. The vehicle is completely controlled by the code running on the remote computer which allows very rapid prototyping of the code to tell the vehicle what to do and how to react to the sensor events received from the vehicle. I'm hoping this is a good way to teach my 9-year old son about programming.

In the Maker Shed:


The Maker Shed has everything you need to get started with Arduino

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SkinnyGuy writes "The only thing more remarkable than NewEgg shipping fake Core i7 CPUs to customers is getting your hands on one and checking it out. Apparently there are only a couple hundred of these things in existence and Gearlog somehow managed to get and unbox one. The images are fascinating."

Read more of this story at Slashdot.

SkinnyGuy writes "The only thing more remarkable than NewEggg shipping fake Core i7 CPUs to customers is getting your hands on one and checking it out. Apparently there are only a couple hundred of these things in existence and Gearlog somehow managed to get and unbox one. The images are fascinating."

Read more of this story at Slashdot.

Enjoy playing rock, paper, scissors, but having trouble finding worthy opponents to play it with? Need to improve your game for that upcoming world tournament? Well, then, you will certainly appreciate Steve Hoefer's rock paper scissors playing glove. Thanks to the built-in accelerometer and bend sensors, all you have to do to play is play the game, and the computer will tell you what it's move was, and keep track of who won. It's a funny project, and it includes some cool features, such as using edge-lit plastic for the display. Well done!

More:

• DIY Rock paper scissors electronic game
• HOW TO - Beat anyone at Rock Paper Scissors
• Rock, Paper, Scissors - interview with a professional player

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Every other week, MAKE's awesome interns tell about the projects they're building in the Make: Labs, the trouble they've gotten into, and what they'll make next.

Part 1. Setting up a background for your project.

By Ed Troxell, photo intern

As a DIYer, you share your projects to show off your expertise and to help others find theirs. But building a project and writing the steps is only half the battle. The other half is capturing images of your work that clearly show what you're talking about and what you've done in your steps.

As the photo intern for MAKE, I shoot lots of projects for the magazine and website. Here are my steps for setting up a background for photographing your project clearly to show it off in its entirety.

1. Set up your project and mini studio.
Find a well-lit area that's clear of visual distractions and provides you with enough room for shooting. If you're shooting on a workbench, clear off all the clutter and if necessary, drop a bedsheet or paper backdrop to hide everything that's not your project. The camera doesn't want to see your mess, it just wants to see your masterpiece. Extraneous items on the bench or in the background will only confuse the viewer and make a good project look bad. Clean up before you shoot.

Clean bench good (but what's that junk in the corner?):

Cluttered bench bad:


2. Know your "light temperature."
Light temperature means the color of your light, and it affects your "white balance." Most cameras react best to daylight, which is a bluish light, and I strongly recommend shooting in daylight. Shooting your project near a big window (with no direct sunbeams coming through) is a good place to start. Shooting outside in smooth shade is good option too (but not in speckled tree shadows).

Your flash is daylight balanced, so you can use your flash as a "fill" or secondary light to fill shadows. (Your flash should never be the main source of light, unless you're using a real strobe system.) Also, most of those compact fluorescent light bulbs are close to daylight balanced. They can be a nice fill too.

Just be careful not to mix the color of your lights. The white balance on your camera will get confused if warmer light is in the room (like a normal household tungsten filament light bulb), conflicting with the daylight or CF lights. Choose the light temperature you're shooting with, and stick to it.

3. Choose a clean background.
Use a plain, simple background, nothing too distracting. You want clean backgrounds that show off your work. Pick colors that go with your project or make it stand out. We tend to use bright colors. We recommend not using red, as red is a very difficult color for digital cameras. Do not use black. White is fine.

Instead of a distracting background pattern like this:

Use a clean background color like these:

4. Place your project on a level and straight surface.
Here's the photo booth we use here in the Make: Labs for shooting indoor shots, when we're not shooting on the workbench:

5. Test your settings.
Take a few shots, then check the images on your computer (ideally in Photoshop) just to check focus, brightness, file size, grain (ISO), and other details. Sometimes a setting can be off. It's best to know now, rather than find out when you're done shooting.

For example, if you're submitting projects for MAKE magazine or Make: Online, you'll need to take high-resolution photos at an aspect ratio of 4:3. High resolution means they can be printed on paper at 300dpi. (Yes, even web photos -- because we might want to print them later.)

In my next post: Shooting your project in high resolution.

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andylim writes "Separate teams at Oxford university and Zentium, a South Korean company, are working on next-gen augmented reality solutions, which make it possible to fuse real and 3D computer-generated visuals on the fly using mobile phones. The team at Oxford university has named its solution Parallel Tracking and Mapping (PTAM) and it has licensed its technology to QderoPateo LLC, which has ambitious plans to grow the mobile augmented reality market and create an augmented reality search and gaming engine running for its 'Ouidoo' smart phone. Zentium's solution is called D-Track and is being used to develop the first markerless mobile augmented reality pet, called iKat. D-Track's mapping technology is very similar to PTAM and allows your phone to recognise the space in front of the camera and create an appropriate space for an augmented reality object or pet."

Read more of this story at Slashdot.

"Bicycle" is now an option for mode of transport in Google maps. Ostensibly, the directions given will help you avoid particularly nasty car traffic and particularly disheartening elevation changes, though Treehugger found some kinks in that when they tried to plot a route across San Francisco. There's not enough uphill slogs in Minneapolis (and I don't know St. Paul well enough) to get you a real solid second opinion from the Twin Cities. But it was smart enough to not send theoretical me biking straight up the feels-like-45-degree incline of 14th street when asked for directions to the University of Kansas journalism school (see above).

It also shows dedicated bike trails and bike lanes, to help plan the trip.

How's this work for your hometown?

It's no secret that I'm pretty skeptical of the longterm viability of just about any newspaper paywall. Among the "success stories," however, many people point to the Financial Times, which has a policy of only letting unregistered users see a single story per month before locking them out. If you register (still free) you get ten stories per month. After that you have to pay (or you erase your cookies, or use Google searches, since you can get access if you come via Google). This has resulted in about 126,000 customers, which isn't bad, though I still question if it can last (I'll explain my reasons at the end of the post).

However, in an interview, Rob Grimshaw, the managing director of the Financial Times, suggests that lots of others can do well with a paywall if they just had "balls" and "put their mind to it." Really:

"Publishers should have more balls, they should have more confidence about what they're doing," is how Rob Grimshaw, managing director of FT.com put it.

"If they put their mind to it then they can produce compelling products online which people will pay for."

You would think that someone working for a savvy business publication, like the FT, would offer a bit more in the way of strategic detail. Confidence alone doesn't change the market position. I agree that if they put their mind to it, others can come up with compelling products that people will pay for -- but these have to be products of scarce value. The FT has mostly been able to do this with good financial/business content, but that may not be sustainable. It's really a huge opportunity for someone else to step in and offer top financial and business content for free and pick up the readers that don't want to pay for either the FT or the WSJ.

And that group of people is growing. The younger generation (that's rapidly hitting the business world) has never paid for a newspaper subscription and see no reason to start now. None. So, the papers with the paywalls are limiting themselves to an audience that will die off. That's dangerous. Furthermore, as we keep pointing out, news consumers today aren't there to just read, but to share the news. In other words, the very act of putting up this paywall makes the newspaper less valuable to the current news consumer, because they can't freely share the content with others.

There are strategies for alternative revenue streams for publications, but locking up your content and hoping people will just pay to access it is an attempt to set up artificial scarcities in a world of abundance. It's a strategy that's hard to make last for very long.

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The UK Metro is reporting on a wedding ceremony held for a 28-year old Korean man and his full-sized body pillow girlfriend. The pillow cover supposedly has an image of a character named Fate Testarossa from the anime series Mahou Shoujo Lyrical Nanoha.

The story is reminiscent of a New York Times Magazine piece I wrote last year; the Metro article also mentions a story we originally posted on Boing Boing in November about a guy who married a character in his Nintendo DS dating sim.

"A $6,000 insulin pump with an on-board computer chip is not alluring. Neither is the white mesh adhesive patch on my naked abdomen or the length of nylon tubing that connects the patch to the pump. There is only illness, and there is no way to make that sexy. After several years as a medical device wearer, I know."

Those are the opening sentences of "Tethered to the Body," an essay the writer and teacher Jane Kokernak wrote about her adjustment to wearing an insulin pump and its affect on her sense of sexual self. It connects disability and sexuality in novel and moving ways (it also introduced me to the term "disability erotica"). The essay, which originally appeared in Bellevue Literary Review, has been reprinted in A Sweet Life, a site for the "healthy diabetic." The story is close to me for many reasons. I'm diabetic, too, although I am not insulin-dependent, and, more important, Jane is my wife, so the sex she's talking about in the essay is with, well, me. You may wish to consider my recommendation with that in mind, but I guarantee you that this will be the only piece you ever read in which the two tags are "Insulin Pump" and "Sex."

Lego's licensing of the Disney/Pixar Toy Story franchise has produced something surprisingly awesome in this mashup of two classic toys. $11 from the Lego shop. [via Geekologie]

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Julie188 writes "After more than three decades of service to researchers and staff stationed at the bottom of the world, the dome at the Amundsen-Scott South Pole Station was deconstructed this austral summer. Designed and constructed by the Seabees — the construction battalions of the US Navy — in the early 1970s, the dome's geodesic design provided a unique solution to the challenges posed to engineers trying to build structures at the South Pole. The dome is being returned to southern California where it will be held in storage. It could possibly be trotted out as an exhibit in a new US Navy Seabees museum."

Read more of this story at Slashdot.

Biking directions added to Google Maps... here's my route from Adafruit to NYC Resistor!

Whenever I meet someone who finds out that I work on the directions team for Google Maps, the first question I'm asked is often "So when's Google Maps going to add biking directions?" We're big biking fans too, so we've been itching to give you a concrete answer. I don't want to keep the good news a secret any longer, so the answer is: right now!

Excellent way to get around, now even easier.

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We've certainly covered many different practices by Apple that harm its developers, from arbitrarily choosing what gets approved to arbitrarily shutting down apps with little or no explanation. Now, the EFF has used a Freedom of Information Act request to NASA (who recently released an iPhone app) to get a look at the amazingly one-sided agreement that Apple forces developers to sign. The reason that the EFF was forced to file an FOIA request to see and post the document is that part of the agreement itself is that you won't make any "public statements" about the agreement itself, a la fight club.

As the EFF notes, this is an incredibly one-sided document, which isn't all that surprising, given Apple's standard operating procedures. And while Apple remains a giant player in the market, many developers will just suck it up and accept it. But Apple may find, over the long term, that this comes back to bite them in some pretty serious ways. Treating your developers -- the people who really make your platform valuable -- like crap means that they'll be ready to jump to other platforms as they become viable. Perhaps Steve Jobs believes that Apple can keep innovating ahead of the curve far enough that demand will remain ridiculously high for the iPhone and iPad, but it's definitely a high wire act for the company, who could face serious developer defections if an alternative platform becomes really viable.

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astroengine follows up to a story about the LHC shutting down that seems to have hit all the news replicators today. "It's to be expected when pushing the frontiers of physics, but the LHC's epic 'will it or won't it' saga continues. Due to an unforeseen construction mistake, the LHC will cease experiments for a year (starting around late-2011) so repairs and upgrades can be carried out. For now, accelerated particles will have a maximum energy of 7TeV (half the power of the LHC's design maximum), which is ample for at least 18 months of experiments before shutdown."

Read more of this story at Slashdot.

Andy Johnson writes in:

I'm a guy that sews. No, I'm not afraid to say it, I think it is one of the best skills my Mother taught me, besides cooking. I sewed this magazine protector to keep my latest copy of MAKE looking newsstand fresh. I carry MAKE in my backpack, and I carry my backpack everywhere. With all the junk I carry banging around in there, it can get my stuff pretty hammered. I took my favorite T-Shirt, that unfortunately has worn out, and cut out a rectangle 1/2 inch larger than my copy of MAKE on both sides, and doubling the length so it can be folded over. I created a flap on the top and sewed velcro to both the flap and the reverse of the protector. Surging the seams would be the best, but I only have access to a regular sewing machine. If you have extra t-shirt, you can use it to make ipod sleeves, calculator protectors, whatever you like.

It's upcycling month at CRAFT, so head on over for some more great recycling projects with our UpCraft! series.

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Shaun Inman’s development blog for his upcoming resolution-switching masterpiece for the iPhone.

After last week's disastrous news that two LibDem Lords had introduced a web-censorship amendment to the Labour Digital Economy Bill, a group of LibDems have pulled together a pro-net-freedom emergency motion that's being taken to this weekend's party conference in Birmingham. If you're a LibDem or know LibDems headed to the conference this weekend, please urge support for this motion: help the LibDems get on the right side of the net-freedom debate!

We condemn
a) web-blocking and disconnecting internet connections
b) the threat to the freedom, dignity and well-being of individuals and businesses from the monitoring of their internet activity, the potential blocking of their websites and the potential termination of their internet connections.
c) the Digital Economy Bill for focusing on illegal filesharing rather than on nurturing creativity and innovative business models.

We support
a) the principle of net neutrality, through which the freedom of connection with any application to any party is guaranteed, except to address security threats or due to unexpected network congestion.
b) the rights of creators and performers to be rewarded for their work in a way that is fair, proportionate and appropriate to the medium.
Conference therefore opposes excessive regulatory attempts to monitor, control and limit internet access or internet publication, whether at local, national, European or global level.

LibDems Save the Net (Thanks, Obhi!)

The European Parliament resoundingly voted against the secret Anti-Counterfeiting Trade Agreement (ACTA), in a resounding 663 to 13 tally. The parliamentarians defied the EU executive and threatened to take the issue to the European Court of Justice if the EU doesn't reject ACTA's provisions on disconnection for infringement and other enforcement provisions.

A strong majority of MEPs (663 against and 13 in favour) today voted against the Anti-Counterfeiting Trade Agreement (ACTA), arguing that it flouts agreed EU laws on counterfeiting and piracy online.

In addition, the Parliament's decision today states that MEPs will go to the Court of Justice if the EU does not reject ACTA rules, including cutting off users from the Internet "gradually" if caught stealing content.

Though MEPs cannot participate in the ACTA talks, without the consent of the European Parliament, EU negotiators will have to go back to the drawing board and come up with a compromise.

Parliament threatens court action on anti-piracy treaty

The sign on the left is familiar to Americans, but other countries think it is a horrible design, preferring the green running man on the right or a variation of it. Julia Turner of Slate has an in-depth article on the 25-year international fight over exit signs. It's one of a terrific six-part series about sign history and design.

Fans of Ota's running man point to two key advantages: It's a pictogram, and it's green. The sign's wordlessness means it can be understood even by people who don't speak the local language. And the green color, they argue, just makes sense. Green is the color of safety, a color that means go the world over. Red, on the other hand, most often means danger, alert, halt, please don't touch. Why confuse panicked evacuees with a sign that means right this way in a color that means stop? International designers tend to think our system is illogical and consider our rejection of the running man to be as dumb as our refusal to adopt that other sensible international norm, the metric system.

Are the running-man advocates right? This battle over the exit sign has been brewing for 25 years now, and the little green guy is slowly making inroads in the States. But to understand whether he should triumph, we must first understand America's skepticism toward pictograms and symbols, which have long been more popular in the rest of the world than they are here.

The Big Red Word vs. the Little Green Man: The international war over exit signs

Cameron Moll’s incredible “artistic endeavor to reimagine the Coliseum with type”. Jaw-dropping.

LA Times health blog: Only 32% of medication studies compare the drug in question to already available treatments, rather than just placebo. And only 11% compared the drugs to non-pharma based treatments, like surgery or lifestyle changes. For evidence-based medicine (let alone cheaper healthcare) to work, stuff like this has gotta get fixed. (Via Steve Silberman)

Corey Haim, star of "The Lost Boys," is dead at 38. [AP]

An anonymous reader writes "'The European Parliament defied the EU executive today (10 March), casting a vote against an agreement between the EU, the US and other major powers on combating online piracy and threatening to take legal action at the European Court of Justice.'"

Read more of this story at Slashdot.

Do you like prairie voles? Are you curious about the process of earning a Ph.D.? Possibly just a touch of both?

Then tune in today, starting at 10 central, for what Science magazine's Science Careers Blog is calling the first live-streamed dissertation defense (at least, that they've ever heard of).

The adventurous academic is Danielle Lee of the University of Missouri, St. Louis. The dissertation is entitled: An Investigation of Behavioral Syndromes and Individual Differences in Exploratory Behavior of Prairie Voles, Microtus ochrogaster. There was some talk of live Tweets as well. However, Lee says she won't be Tweeting, herself, during the defense (that would be just a little crazy multi-tasky, wouldn't it?), but she is up for answering your questions once everything has been successfully defended. Just Tweet them with the hashtag #LeeDefense. Good luck, Danielle!

Streaming video of Danielle Lee's dissertation defense

Pictured: The prairie vole, one of nature's most adorable research subjects. Originally found on the animal behavior Web site of Verna Case, Ph.D.

This kleige maidel* appeared on a German TV show where she demonstrated her remarkable talent for identifying Star Wars minifigs by putting them in her mouth. The blindfold is what makes this. And the minifigs. Oh, and the waistcoat.

Kinderwette Star Wars (Thanks, Fipi Lele!)

*Not actually German. Almost Yiddish.

AdamR was the first of a few of you to point out that the FTC (along with 35 state attorneys general) has fined Lifelock $12 million for a variety of misdeeds, starting with bogus advertising. This should be no surprise to Techdirt readers, as the discussions around LifeLock have always raised a lot more questions than were answered. It kicked off with the fact that LifeLock's CEO, who proudly places his Social Security Number on ads to "prove" how convinced he is that LifeLock will protect him... was a victim of identity fraud himself. Oh, and there was also the stuff about how one of the founder's of the company had a past that involved doing bad things with the private information of his own customers. And then there was the story about how the CEO of LifeLock, after having his own identity fraudulently used, went to the home of the guy who did it to "coerce a confession."

But the bigger questions were about the service itself. All it really did was put a fraud block on your credit, which you could do for free. It didn't stop people from using your existing credit cards if they had access to the information, or from taking out loans in your name (which is what happened to the CEO) -- even though its advertisements implied you'd be safe from such situations (which are more common than someone taking out a credit card in your name). Oh, and then there was the fact that the fraud reports that Lifelock would put on accounts were found to be illegal.

All that looks pretty bad -- and it gets worse as you read the details of the FTC slapdown. There was the questionable advertising, which went beyond just false implied promises -- to sending out letters that tried to claim that the recipient's info "wasn't safe" as a scare tactic. On top of that, apparently, LifeLock itself wasn't particularly secure with how it handled its customers private information. This fact looks even worse when you realize that LifeLock would prey on firms who had recently had data breaches, and suggest they sign up customers for a "free" year of LifeLock -- thereby putting their data at risk yet again. Not only was the data not properly handled, but LifeLock falsely claimed that the data was encrypted and only authorized employees would have access. Neither turned out to be true. Basically, it sounds like rather than protect your identity, LifeLock put you at greater risk.

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Xemu writes "Computer's don't make children fat, but watching TV for the same length of time does. This is shown by a recent Swedish study of all school children in Lund's county conducted by RN Pernilla Garmy. The results were clear: The child's obesity was directly affected by placing a TV in the child's room, but placing a computer in the room had no effect at all. One theory is that it's common to have a snack in front of the TV, while a computer requires a more active user, for example when chatting or playing games."

Read more of this story at Slashdot.

Jenise sez, "I work for Kiva Systems, a small robotics company in Woburn, MA, and the bots are amazingly fun to watch. A few years ago, one of our interns shot this video of the bots dancing to the Nutcracker Suite, and I thought it would tickle your ample sense of whimsy."

Ample whimsy: tickled.

(Aside: Whenever I hear the Nutcracker Suite, my stupid brain insists on supplying the lyrics from the "Smurfberry Crunch" breakfast cereal ad: "Smurfberry Crunch is fun to eat/A Smurfy fruity breakfast treat/Made with crunchy strawberries/They taste so sweet and [garbled]/Very fresh and very true/And very very Smurfy blue!")

(Bloody Smurfs.)

The Nutcracker performed by Dancing Kiva Order Fulfillment Robots (Thanks, Jenise!)

I was doing some research for a blog post and came across this folder of RSS enclosures from late 2004 and early-mid 2005.

These were the months when podcasting was beginning to take root.

I was doing Morning Coffee Notes. Adam Curry was doing Daily Source Code. Together, we were doing the Trade Secrets podcast.

Dave Slusher, Steve Gillmor, IT Conversations, Dawn and Drew, Tony Kahn at WGBH, Engadget.

It occurred to me that this slice of early podcasting might be worth preserving, so turned it into a torrent and have uploaded it

http://static.scripting.com/misc/earlyPodcasts.torrent

If you have questions or comments, you can post them here.

PS: Another reason I like it is this is a non-infringing use of BitTorrent. We need more of those to protect this excellent distributed technology.

Figuring which way is 'up' for any one of the various IC packages may be second nature to circuit veterens, but getting acquainted with all possible indicators is definitely an important step for newcomers - and it can be a tad tricky at times. Evil Mad Scientist Laboratories posted a detailed photo guide on the subject, even going over orientation tips for seven-segment and LED matrix displays - good stuff!

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When she's not dropping everything to catch up on Twin Peaks, transatlantic troubadour Amy Rigby sings, writes, and performs some of the funniest and some of the most heartbreaking songs you've ever heard. Sometimes she does both in the same number. "Balls" is an all-out rock'n'roll barnburner that captures the frustration and excitement of desire with anger and several great punch lines. It's nasty, it's welcoming. It's as confusing and wonderful and awful as your life. Did I mention the slide guitar? Did I mention how Amy tosses off the aside "this one's gonna hurt"? Did I mention it's on two great albums: The Sugar Tree (along with "Rode Hard," another greatest song of all time of the week candidate and perhaps the most convincing argument for bad behavior on disc this side of "Dead Flowers") and 18 Again (a terrific greatest hits record, but all her records are greatest hits records)? WARNING: The YouTube clip below, however worthy, is not the version I've just raved about. It's a live solo acoustic version, the only take available on the Interwebs. Rigby's song is great in any context, but you've got to see and hear her as a bandleader to get the full sense of how brilliant she is. Anyone out there got any full-band footage to share? The rest of you: invest 99 cents and buy the song at your favorite online outlet. It'll be the smartest and longest-lasting buck you spend today (do you really need another cup of coffee)?

alphadogg writes "Forrmer CEO of Sun Microsystems Jonathan Schwartz has taken to his personal blog, provocatively titled "What I couldn't say...," to dish some industry dirt and tell his side of the story about the demise of Sun. He has already hinted at plans to write a book, and a new post suggests a tell-all tome could indeed be in the offing. "I feel for Google — Steve Jobs threatened to sue me, too," Schwartz writes, apparently referring to Apple's patent lawsuit against HTC, which makes Google's Nexus One smartphone. As for Bill Gates, Schwartz says he was threatening regarding Sun's efforts in the office software space."

Read more of this story at Slashdot.

Mythretirer Adam Savage has a post up this morning on that one Boingy blog about the latest in his lifelong series of personal replicas of Deckard's handgun from Blade Runner. There's more shots of the build as well as pictures of the original prop and two of Adam's earlier replicas. The very first one uses the famous contoured handgrip from Italian toymaker Edison Giocattoli's TG-105 'Super Thur' ray gun, which also appeared in a prop from Joss Whedon's Firefly.

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Over the past seven years, I've had the outlandishly talented country blues singer and guitarist Charley Patton looking over me. (Don't know Charley Patton? Hear him here and then buy what may be the greatest CD box set ever.) For many years, a photo of Patton was as hard to come by as a pic of Robert Johnson, and -- as with Johnson -- the legitimacy of the image has been challenged. For our purposes today, let's assume that this is Patton. I draw your attention to his left hand, how it is posed over the frets like crab legs. Patton's style has always felt a bit eccentric compared to other country blues purveyors, and I wonder whether he might have fingered the frets in an unusual way, too. Now I know there are plenty of other guitarists from the 1920s and 1930s who have posed in similar ways, but I wonder: does this photo reveal something about Patton's style. I know there are a lot of guitarists here (hey, the guy who let me in here builds 'em), so I'm eager to hear any theories, no matter how dubious. And to learn more about the fellow in the photograph, see R. Crumb's comix history of Patton. (The Patton pic above belongs to Blues Images.)

Wasn't expecting such a lopsided result, but EU Parliament voted 663 to 13 against ACTA, saying that "it flouts agreed EU laws on counterfeiting and piracy online." Beyond that, apparently the Parliament is ready to go to court to stop EU negotiators from continuing down the path its on:

MEPs will go to the Court of Justice if the EU does not reject ACTA rules, including cutting off users from the Internet "gradually" if caught stealing content.

Some Members of Parliament are also pointing out that the EU negotiators are violating the Lisbon Treaty, which says that EU Parliament Members should have "full and immediate access at all stages of international negotiations."

This is pretty big -- and a massive setback for ACTA supporters. The MEPs didn't just reject the lack of transparency, they were blatantly rejecting some of the proposals that were in the leaked documents.

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Pickens writes "The Washington Post reports that professors have banned laptops from their classrooms at George Washington University, American University, the College of William and Mary, and the University of Virginia, among many others, compelling students to take notes the way their parents did: on paper. A generation ago, academia embraced the laptop as the most welcome classroom innovation since the ballpoint pen, but during the past decade it has evolved into a powerful distraction as wireless Internet connections tempt students away from note-typing to e-mail, blogs, YouTube videos, sports scores, even online gaming. Even when used as glorified typewriters, laptops can turn students into witless stenographers, typing a lecture verbatim without listening or understanding. 'The breaking point for me was when I asked a student to comment on an issue, and he said, "Wait a minute, I want to open my computer,"' says David Goldfrank, a Georgetown history professor. 'And I told him, "I don't want to know what's in your computer. I want to know what's in your head."' Some students don't agree with the ban. A student wrote in the University of Denver's newspaper: 'The fact that some students misuse technology is no reason to ban it. After all, how many professors ban pens and notebooks after noticing students doodling in the margins?'"

Read more of this story at Slashdot.

Jay and I use WordPress to do the http://rebootnews.com/ site.

It's a mixed bag. On the pro side, we both know how to use WordPress, and because Jay writes the show notes and I do the tech stuff, it's a good tool to put between us.

But WordPress doesn't do podcast feeds well.

And that's being generous.

Here's how the UI works currently. You edit your post and link to an MP3 or a movie or an AVI or some other media object. The first one that WP encounters as it parses your text, it will supposedly turn into an enclosure. If you happen to link to two MP3s but the second is the enclosure, you're out of luck. And for some reason if you store the MP3 on Amazon S3, as we do, it usually doesn't even find the enclosure. But this is variable. Today they've hacked up our link to point to some server on wordpress.com, totally without our permission. What a mess. And even so there's no enclosure in our feed for this week's show (which btw I think is one of our best, one I hope everyone listens to).

For the last three episodes of our podcast, it's failed to add an enclosure element to the feed. As a result none of our listeners get the podcast on time, and it always takes some fussing by the WordPress tech people to get it working, and for all I know a bunch of people never hear the podcast. I suppose it depends on whether or not the client sees an item as read if the guid doesn't change but all of a sudden the item has an enclosure. Imho a proper podcast client would just watch the guid, and therefore would miss the enclosure. Regardless, it's simply unacceptable that WordPress work this way and that Automattic doesn't do something to fix it.

This is how we did it in Radio 8, in 2002, eight years ago.

Here's a screen shot.



Click the screen shot for the full effect.

See the red arrow pointing to the box called Enclosure? That's where you paste the link to the enclosure. Anyone no matter how technical they are not, could be taught to do that correctly.

We never had the problem WordPress is having. Granted a lot fewer people did podcasts then than now. Maybe. I'd argue that the way WordPress works now is killing the art of podcasting because it's so unpredictable and it's virtually got the market cornered. Regardless, I'm a paying customer, and I'd like to continue to use WordPress, but eventually I'm going to have to switch because it's killing our product.

Please Matt and company, fix this!

PS: I wish Wordpress.com was more hackable, if there was a way for me to patch our feed I could fix this without their help. Alas it's not something I can fix myself and I don't have any interest in running my own installation or fussing around with PHP etc.

Forrester analyst Mark Mulligan believes that the problem for the recording industry is one of demographics. Mulligan uses the fact that the billionth application purchaser on iTunes, 13 year-old Connor Mulcahey, was much younger than the 10 billionth iTunes music purchaser, 71 year-old Louie Sulcer, to highlight the issue: older users may still pay for music tracks, but younger users are more likely to "part with their cash" for apps than for music. To Mulligan, the problem is with the current digital-music product itself. Thus, he prescribes a feature-rich app as the savior -- and the future -- of the music industry. He proposes a music application that wraps digital tracks with social networking, live on-demand footage, song lyrics, games, and forums. This sounds like an interesting idea, which could see some success (if well-executed), but if the music industry is seeking a "silver bullet" business model, this is not likely to be it.

It's pretty well understood that what has driven the recording industry for decades now is "format change," where the record companies have continually asked their customers to essentially re-buy their recordings each time a new format is adopted -- from records, to cassettes, to CDs. With each new technology, customers were compelled to buy the products not by legislature or law, but rather, by a continual desire to have their music be more accessible. First, the phonograph made music more affordable and accessible, as compared to hiring a band of musicians to come and play in your living room. In the 80s, the cassette tape made listening more portable, albeit with a loss in audio quality. Then, in the 90s, the CD combined both portability and high audio quality into one small package, leading to a huge up-swell in recording purchases. For years, the recording industry has had a fantastic, well-defined business model: Record music that people want to hear on physical media. Sell that media. Repeat. Then, the 00s brought the latest maturation of the recording format, the mp3, with its near-infinite portability and an audio quality that can only really be contested by audio snobs. Since it could be easily copied and used in many different devices, it had the opportunity to become the most widely used music format ever. But, because of its near-infinite portability, the recording industry's old tried-and-true business model of selling physical media was no longer as viable.

The evolution of recording formats shows that what has really driven the industry has been a hunger for increased accessibility and portability, not necessarily the introduction of new features. So, while Mulligan's music application idea may drive some interest in recoded music, by empowering the audience to do more with it, it is very unlikely to drive the type of purchasing behavior that, in the past, came with each new recording format -- and it certainly won't "save recorded music." The problem is that the user is no longer locked into the recording industry's physical product for the distribution of music. There is no "one thing" they can sell that the audience will have no alternative but to buy. To be successful, the recording industry is going to have to experiment and figure out how make revenue from many different sources, which requires creativity that the labels have so far been unable or unwilling to muster. While the industry is out there looking for the "silver bullet" of a business model, the reality is that the answer is more like a whole clip full of silver bullets, coupled with some garlic, and finished off with a wooden stake or two.

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LEGO MINDSTORMS hacker Akihiro Uehara built an interface between an AlphaRex and a Wii Balance Board.

User can control the robot's leg motors speed and direction by changing the vector connecting user's center of balance and center of the board. I have designed this application for elementary school kids in a science museum exhibition.

Don't forget to leave a comment on our Facebook fan page to participate in our Lego Mindstorms NXT 2.0 giveaway. [Thanks, Akihiro!]

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An anonymous reader writes "Philippe Dauman, Viacom CEO and President, announced today that Harmonix is currently working on the next Rock Band game, Rock Band 3, due for release Holiday 2010. 'The company is pursuing the game in spite of an industry-weakening decline in the once-booming genre of peripheral-equipped music games. Although the franchise has generated over $1 billion to date, the category in general saw sales contract by as much as half throughout 2009. MTV Games parent Viacom also saw Rock Band declines drag on its balance sheet in its last fiscal quarter, and expressed a need to refocus away from pricey peripherals in favor of software. It also said that due to royalties it would need to be more "selective" about track listings, and that it needs more support from the music industry in that department.'"

Read more of this story at Slashdot.

The UK Policing and Crime Minister has reasserted that anti-terrorism should not be used to stop photographers and photojournalists. In a meeting with a Parliamentary photography group and journalists, David Hanson MP said the Sections 44 and 58A of the 2000 Terrorist Act should not be 'used to stop ordinary people taking photos or to curtail legitimate journalistic activity'. He also said guidance to that effect has been provided to the UK police forces, advising that these powers should not be used to stop innocent members of the public, tourists and journalists.

daria42 writes "The Electoral Commission in the Australian state of Victoria has made plans to expand its use of electronic voting kiosks based on Linux in the next state election in November of this year. But it appears to be a little confused: the documentation states it will be using the '2.6 kernel/Gentoo release of Red Hat Enterprise Linux.' Huh?"

Read more of this story at Slashdot.

Last year, we wrote about how a property management firm in Illinois, Horizon Group Management, had sued a tenant for defamation over a short Twitter message she sent, claiming:

"Who said sleeping in a moldy apartment was bad for you? Horizon realty thinks it's okay."

The woman had a grand total of 20 followers at the time, so it wasn't like this was likely to have a huge negative impact on the company. Still, what was impressive was how Horizon defended its decision to sue, saying:

"We're a sue first, ask questions later kind of an organization."

That seemed rather obvious, given that by filing the lawsuit, the company brought a lot more attention to the fact that some of its tenants were unhappy. And, even worse, the lawsuit has gone nowhere. Dark Helmet alerts us to the news that the lawsuit has been dismissed as the comments were considered "too vague" and didn't meet the qualifications to be considered libelous. This doesn't mean that their can't be defamation via Twitter, so if you're going to defame someone, at least be vague about it in your 140 characters.

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A survey of the 1.9 million accounts on AshleyMadison.com, a dating site for people looking to cheat on their spouses, rounds up the most common occupations among the would-be infidelitous:

For Women:
1. Teachers
2. Stay-at-home Moms
3. Nurses
4. Administrative Assistants
5. Real Estate Agents

For Men:
1. Physicians
2. Police Officers
3. Lawyers
4. Real Estate Agents
5. Engineers

Who Cheats? Docs and Stay at Home Moms! (via MeFi)

(Image: The Seventh Commandment, a Creative Commons Attribution photo from pasukaru76's photostream)

Julia Tsao's Curious Displays thesis project proposes swarms of half-inch pixelbots, which could form into a TV or perform other robotic tasks.

Each block operates independently as a self-contained unit, and has full mobility, allowing movement across any physical surface. The blocks operate independently of one another, but are aware of the position and role relative to the rest of the system. With this awareness, the blocks are able to coordinate with the other blocks to reconfigure their positioning to form larger display surfaces and forms depending on purpose and function. In this way, the blocks become a physical embodiment of digital media, and act as a vehicle for the physical manifestation of what typically exists only in the virtual space of the screen.

Julia even provides a prototype remote control, made improbably gigantic by such buttons as NEEDY, MELANCHOLY and ZEN which would activate pre-pogrammed pixelbot behaviors. Part of the project even includes simulated instructions for dealing with rogue pixels that are hiding under the couch! [via Fast Company]

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An anonymous reader writes "After a little over five months of pondering, xkcd fans have cracked a puzzle hidden inside Randall Munroe's recent book xkcd: volume 0. Here is the start of the thread on the xkcd forums; and here is the post revealing the final message (a latitude and longitude plus a date and time)."

Read more of this story at Slashdot.

There's been lots of talk about the band Ok Go lately, with its latest album coming out and two viral videos (of the same song) in the last few weeks. Of course, the whole thing has been a bit of a mess between the band and its label. When the first viral video came out, Capitol Records/EMI decided to ban embeds of the video, which seems like the best way to totally kill off a viral video. The band responded with a mild, but still somewhat exasperated note about how the label didn't fully grasp the situation, but while also partly blaming YouTube for the way it (supposedly) handles payments on music in embedded videos. Later, Ok Go's lead singer, Damian Kulash, penned a NY Times Op-Ed again suggesting the label was out of touch, and highlighting how much damage was done by not allowing the viral videos to go out. EMI/Capitol, for its part, tried to replace this with a faked viral campaign where you could get a free track if you blindly retweeted a message. Finally, somehow the band (and EMI?) were able to line up a sponsor in State Farm to allow for its latest video -- a rather stunning Rube Goldberg machine timed to the music -- to be offered up as an embed: However, reports are coming out now -- still in rumor stage, but apparently with quotes from both -- that the band has been dropped from the label and is free to promote the latest album as it sees fit:

The band has formed its own independent label, Paracadute Recordings, and will take over all distribution and promotion for their latest album, Of the Blue Color of the Sky, which came out in January. "We'd like to thank the people at EMI Music who have worked so hard on our behalf," said the band's Damian Kulash. EMI Music said: "We've really enjoyed our relationship with OK Go. They've always pushed creative boundaries and have broken new ground, particularly with their videos. We wish them the greatest success for the future."

Fascinating. The report also claims that:

Unfortunately, the huge traffic their videos generated never quite translated into album sales. The band's best seller was 2005's Oh No, their second, which included the treadmill hit, "Here It Goes Again," and sold around 200k, while their latest is languishing at 20k.

This was the same point that was made back last year by someone from Billboard in dismissing online viral sensations as being unimportant for "real" sales. But, as the band itself noted, the success of the video brought out huge crowds and made the band quite profitable to the label. This is the problem you run into when you only think about the music industry as if "album sales" are everything. Selling music directly is not a very good business model, and focusing on how many album sales there are totally misses the mark these days.

The question now, is what will the band do when freed from the record label. It will be interesting to see, since the band seems to relish its reputation as being creative well beyond the music. Hopefully that means taking on some of the basic principles of successful cool music business models and taking them to a new level. At least I hope that's what we'll see...

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Mirk writes "Computer-science legend Edsger W. Dijkstra famously wrote: 'It is practically impossible to teach good programming to students that have had a prior exposure to BASIC: as potential programmers they are mentally mutilated beyond hope of regeneration'. The Reinvigorated Programmer argues that the world is full of excellent programmers who cut their teeth on BASIC, and suggests it could even be because they started out with BASIC."

Read more of this story at Slashdot.

Leslie Howle sez, "NW MediaArts is a non-profit organization inviting award-winning speculative fiction writers to Seattle to teach a one-day writers workshop, read at the University Book Store, and speak at schools and libraries. Workshops take place at Richard Hugo House. March 12 - Christopher Barazak, author of 'The Love We Share Without Knowing,' which was shortlisted for the Tiptree Award last year, reads at University Book Store on 3/12 and teaches a workshop on 3/14. Workshop space is still open if you register by 3/10/2010."

Wired claims that this is the tenth anniversary of the dotcom boom, and in honor of that auspicious overheated bubble, they've put together a long, Web 0.96b layout depicting the most hubristicly hubristic predictions and hype of that golden age.

I moved to San Francisco in 1999, and remember the feverish absurdity of it all -- and how hard it was not to feel like all these people must know something if they were pouring all this money and energy into all the odd and improbable ideas (a recurring theme I remember was people explaining how they were going to build shopping malls for the web, which, I guess, is basically what Amazon's Z-shops are).

10 Years After: A Look Back at the Dotcom Boom and Bust

Casttoo makes decorative decals for your orthopedic casts -- including these ones, depicting the broken bones within.

(via JWZ)

Raj Panikkar sez, "We're screening a film called 'At Home By Myself... With You' (directed by Kris Booth, starring Kristin Booth - no relation) at The Royal in Toronto this week. The unique thing about the film is how we raised the financing to shoot. Quite literally, we campaigned for people to contribute their loose pocket change. The strategy took off, partly through an active Facebook and Twitter presence and also frequent video blogs detailing the contributions. By the time we shot the film, we had raised $42,000 (admittedly, one person's pocket change is occasionally another's small fortune - but it did really begin with 15 cents, 43 cents, a dollar 12, etc.) One might be led to assume that with a limited budget, there'd be a matching limitation on production quality. But the film looks gorgeous (Telefilm Canada came on board at the very end to help fund a pro finish), and reviews and comments have been great. We were reviewed by all the major papers in Toronto: The Sun, NOW, The Star, The Post, etc. The film plays at The Royal for the rest of the week, and then gets its TV debut right away on TMN and Movie Central, plus a DVD release on April 6th."

Pocket Change Film (Thanks, Raj!)

(Disclosure: Raj's mother, Bev, taught me to read)

Paul sez, "We have been putting this together for a week or so and thought you might like it. Looks like I am going back to school to be a systems engineer, haha."

I like that they've color-coded for "low-stress," "benefit to society" and "satisfaction." However, on these three counts, I'm unsurprised to see that "science fiction writer" didn't make the cut. When I was 17, the school guidance counsellor got in some software that would help you figure out what career to set your sights on. I completed its questionnaire and hit return, and an instant later was advised to become a "geriatric nutritionist" (that is, someone who prepares meals in an old folks' home). Even today, I sometimes feel like I missed my calling. ("Science fiction writer" wasn't on that list either).

Best Jobs in America (Thanks, Paul!)

The city of Detroit is proposing to give over a quarter of its land to be turned into "semi-rural" fields and farms, with the surviving neighborhoods standing in "pockets in expanses of green." The proposal is politically charged (serving a death-sentence on a whole neighborhood is bound to be controversial) but the idea of "downsizing" Detroit seems to have wide acceptance.

And yes, this entire thing was predicted by David Byrne in 1988 in the song "(Nothing But) Flowers" on the final Talking Heads album Naked.

Operating on a scale never before attempted in this country, the city would demolish houses in some of the most desolate sections of Detroit and move residents into stronger neighborhoods. Roughly a quarter of the 139-square-mile city could go from urban to semi-rural.

Near downtown, fruit trees and vegetable farms would replace neighborhoods that are an eerie landscape of empty buildings and vacant lots. Suburban commuters heading into the city center might pass through what looks like the countryside to get there. Surviving neighborhoods in the birthplace of the auto industry would become pockets in expanses of green.

Detroit looks at downsizing to save city (Thanks, Rigel!)

(Image: Garden grows, a Creative Commons Attribution-ShareAlike image from Payton Chung's photostream)

Ross Pruden points us to the news that Zen Films, a decade old production house, is launching a new storytelling project, which they admit is partly inspired by the CwF+RtB model that we talk about here. One of the cool things here is that rather than just making a "movie" or a "book," they've this is a "transmedia" project. That is, it's a single story, but told from the viewpoints of (at least) three different participants in the story. One participant's story will be told via a novella, another via a blog and the third via video webisodes. They're still working on the full "reasons to buy," but the initial focus appears to be on offering a combination of convenience and time saving (two important scarcities) by letting you buy access to the full package of content (even as they're just releasing initial segments slowly online). The project is being written by an award winning crime/thriller author. Zen Films is also looking to sign some sponsors (selling the attention scarcity) but seem open to other ideas as well. It definitely sounds like an interesting experiment -- but perhaps we can have a discussion here about additional scarcities that could be offered. Also, I'm wondering if there are ways to make the "connection" element stronger. A great story is certainly one way to connect, but I wonder if Zen Films can also set up a way to build a bigger community around the story, that makes them feel more connected to it and more bought into the concept...

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Ross Pruden points us to the news that Zen Films, a decade old production house, is launching a new storytelling project, which they admit is partly inspired by the CwF+RtB model that we talk about here. One of the cool things here is that rather than just making a "movie" or a "book," they've this is a "transmedia" project. That is, it's a single story, but told from the viewpoints of (at least) three different participants in the story. One participant's story will be told via a novella, another via a blog and the third via video webisodes. They're still working on the full "reasons to buy," but the initial focus appears to be on offering a combination of convenience and time saving (two important scarcities) by letting you buy access to the full package of content (even as they're just releasing initial segments slowly online). The project is being written by an award winning crime/thriller author. Zen Films is also looking to sign some sponsors (selling the attention scarcity) but seem open to other ideas as well. It definitely sounds like an interesting experiment -- but perhaps we can have a discussion here about additional scarcities that could be offered. Also, I'm wondering if there are ways to make the "connection" element stronger. A great story is certainly one way to connect, but I wonder if Zen Films can also set up a way to build a bigger community around the story, that makes them feel more connected to it and more bought into the concept...

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Have you ever wondered what exactly is involved in building a working, radio-controlled R2-D2 robot replica? This vid documents the two-year process of Victor Franco, of Southern California, and his friends building an R2, mainly from scratch-built parts of varying materials, including wood, styrene, resin, and aluminum. He also used some parts provided by members of the R2 Builders Club. Nice work! [Thanks to Chris James and Michelle Iva Cook Hlubinka!]

Victor Franco's Blog

More:

• Building clubs for your favorite movie and TV robots
• R2-D2 builders at WonderCon
• MAKE Audio: DIY R2-D2!

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gollum123 writes "US regulators may dedicate spectrum to free wireless Internet service for some Americans to increase affordable broadband service nationwide, the Federal Communications Commission said on Tuesday. The FCC provided few details about how it would carry out such a plan and who would qualify, but will make a recommendation under the National Broadband Plan set for release next week. The agency will determine details later. One way of making broadband more affordable is to 'consider use of spectrum for a free or a very low-cost wireless broadband service,' the FCC said in a statement." Nobody has more than a couple of paragraphs on this story. None of the press coverage mentions the obvious likelihood that any such free network would be heavily filtered, censored, and monitored.

Read more of this story at Slashdot.

Free wall chart! Designing with Amplifiers Quick Reference Wall Chart @ Analog Devices... get the poster / wall chart here! (or PDF). Mine arrived today!

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We've covered some of Rescuecom's bizarre lawsuit against Google for selling Adwords based on Rescuecom's trademarks. The lawsuit has been going on for a while, without Rescuecom getting very far. At almost every turn it was pointed out that what was happening was not trademark infringement. Finally, after many years, Rescuecom has given up and dropped the case... but in the process it's declaring "victory" in the lawsuit. Seriously. The explanation for the "victory"? That Google now lets trademark holders remove trademarks from the "keyword suggestion" tool. Only problem? Google enabled this in 2005.

Basically, the more likely story is that Rescuecom knew it was going to lose and just gave up and declared victory.

Oh, and also, just a few months ago, we noted that Rescuecom was on the other side of nearly an identical lawsuit, in which it was buying ads on Best Buy trademarks (hypocrisy much?). Being involved in two lawsuits at the same time we're you're making totally contradicting arguments isn't likely to end well. So it seems likely that given the two lawsuits, and the likelihood of losing the Google one, Rescuecom threw in the towel on that one and then pretended it "won" for the sake of a press release. Based on that logic, can we declare "victory" in our decision not to sue Rescuecom for insulting our intelligence?

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Many images here, all from his 2010 collection and released today. The iconic fashion designer's work incorporated fantasy and futurist themes familiar to Boing Boing readers. He died earlier this year.

I made my first Blade Runner pistol when I was 18, while living in Hell's Kitchen, NYC. I stared at the VHS version on pause and made sketches. Put it together from toys and model kit parts. It's lovely and terrible:

(Years later the internet would teach me that the six dollar plastic gun I bought on Canal street in NYC and cannibalized for the grip was created by Edison Giacattoli, a legendary toy gun designer)

I made a crazy accurate scratch-built when I was 30, from resin and bondo. I had great picture reference but shitty size reference, it was 20% too small. Fuck!

I even had it chrome plated at one point and I weathered it:

In 2006, the screen-used original surfaced after 25 some-odd years and sold at auction last year for $256,000.00. Supposedly to Paul Allen [That myth has been busted -- Mark]:

This is the final iteration:

It's 95% finished. My hand-built baby. About 30-40 hours of labor spread out over (at least) 6 years. An original Steyr-Mannlicher .222 target rifle receiver and magazine and a Charter Arms Bulldog .44, both demilled and gunsmithed by me (working with hardened steel -- FUN!) with custom machined aluminum and steel parts (barrel, grip, butt) and made as close as possible, in every respect, to the original. Painstaking.

That is all I have to say on the subject (probably not). I can't even describe how good it feels to hold it in my hand.

[Click thumbnails below for enlargements]

eldavojohn writes "A new report from Games Industry indicates that MMO gamers in the United States paid $3.8 billion to play last year, with an analysis of five European countries bringing the total close to $4.5 billion USD. In America, the report estimated that payments for boxed content and client downloads amounted to a measly $400 million, while the subscriptions came to $2.38 billion. Hopefully that will fund some developer budgets for bigger and better MMOs yet to come. The study also found that roughly a quarter of the US population plays some form of MMO. Surely MMOs are shaping up to be a juicy industry, and a market that can satisfy people of all walks of life."

Read more of this story at Slashdot.

Last week, there were reports that the EU trade policy folks had decided to stand up for ACTA transparency, and now it looks like they're really doing it. As various reports are noting, a joint resolution was put forth by nearly all party groups in the EU Parliament demanding that ACTA negotiations be opened up. It also goes further, demanding that there be a ban on imposing "three strikes" laws included as well and a promise that ACTA will not impose personal searches at the border. This is tremendous news, and if this gets approved, it could reshape ACTA in a positive way. But, of course, let's see how the US reacts. While repeatedly insisting that it wasn't the US that was trying to keep negotiations secret, at this point, it looks like the only countries that are actively opposed to transparency in negotiations remain South Korea and Singapore -- with the US remaining silent. This would be the time at which the USTR needs to stand up and either open up the negotiations or admit that it's the reason they've been so secretive all along.

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Guilherme Martins wanted a simple Arduino-compatible board that he could use as a robotics platform, so he designed one. Called the Motoruino, he took a standard Arduino board and added an H-Bridge chip so that it can control two motors directly. Of course, you could certainly get the same functionality using an add-on board such as the MotorShield (or even by making your own on a breadboard). If you know you are going to be making a robot, though, I can certainly see that having everything together on a single piece would help make your project smaller and more reliable.

He is working on some final tweaks, and plans to release the project under the Creative Commons license. Cool stuff! [via Lets Make Robots]

In the Maker Shed:

MotorShield for Arduino Kit

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Hackyhack is a fun project by Dustin Jessen and Chanika Remest that packs an Arduino mini, an LED, a speaker and a piezo knock sensor into a hacky-sack ball. The LED flashes and the speaker emits a sound with every kick, and thirty successful kicks causes a song to be played.

More:

• HOW TO - Make your own hacky sack / footbag

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